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Venanzio Raspa
Università degli Studi di Urbino
  1.  5
    Thinking About Contradictions: The Imaginary Logic of Nikolai Aleksandrovich Vasil’Ev.Venanzio Raspa - 2017 - Cham, Switzerland: Springer Verlag.
    This volume examines the entire logical and philosophical production of Nikolai A. Vasil’ev, studying his life and activities as a historian and man of letters. Readers will gain a comprehensive understanding of this influential Russian logician, philosopher, psychologist, and poet. The author frames Vasil’ev’s work within its historical and cultural context. He takes into consideration both the situation of logic in Russia and the state of logic in Western Europe, from the end of the 19th century to the beginning of (...)
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  2.  16
    Individui e continui.Venanzio Raspa - 2008 - Rivista di Estetica 39:189-214.
    Starting with the philosophical reflections of the Italian writer C. E. Gadda, the paper offers a criticism of the traditional concept of an individual as something which is determinate, separate and autonomous. Gadda argues that an individual should be understood as an element which is in a multiplicity of relations with the other elements of the system inside of which it exists. The idea is developed on the basis of Spinoza's 'Ethics', but it shares many affinities with Peirce's notions of (...)
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  3.  13
    The Aesthetics of the Graz School.Venanzio Raspa (ed.) - 2010 - Ontos Verlag.
    This is the first volume devoted to the aesthetics of the Graz school. V. Raspa’s introduction gives an outline of the aesthetic themes and exponents of the school. D. Jacquette argues for a Meinongian subjectivistic aesthetic value theory. B. Langlet deals with aesthetic properties and emotions. Ch.G. Allesch presents Witasek's aesthetics in its historical context. Í. Vendrell Ferran investigates the aesthetic experience and quasi-feelings in Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates the musical aesthetics of Ehrenfels, Höfler and Witasek. (...)
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  4. The Reality of Lies.Venanzio Raspa - 2013 - Filozofija I Društvo 24 (2):105-131.
    A lie is neither a false proposition, nor a mistake, nor a mere fiction; it is a type of fiction, an act, and precisely an intentional act. An act calls for a subject, and therefore a lie is inseparable from its subject. Together, they make up a real object: it has to be real, since a lie produces effects, and the cause-effect relationship only holds between real beings. Like every real object, a lie unfolds in a context. But there is (...)
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  5.  1
    Introduction.Arnaud Dewalque & Venanzio Raspa - 2019 - In Arnaud Dewalque & Venanzio Raspa (eds.), Psychological Themes in the School of Alexius Meinong. De Gruyter. pp. 1-10.
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  6.  85
    Łukasiewicz on the Principle of Contradiction.Venanzio Raspa - 1999 - Journal of Philosophical Research 24:57-112.
    Łukasiewicz distinguishes three formulations of the principle of contradiction in Aristotle’s works: ontological, logical, and psychological. The first two formulations are equivalent though not synonymous, but neither of them is equivalent to the psychological one, which expresses not a principle but only an empirical law. Furthermore, the principle of contradiction is neither a simple and ultimate law nor is it necessary for conducting an inference, because the syllogism is independent of it. The further explanation of this concept leads Łukasiewicz to (...)
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  7. Crimine, Punizione, Destino. Per Un Superamento Della Vendetta.Venanzio Raspa - 2015 - In G. Lorini & M. Masia (eds.), Antropologia della vendetta. Edizioni Scientifiche Italiane. pp. 231-249.
  8.  9
    Łukasiewicz on the Principle of Contradiction.Venanzio Raspa - 1999 - Journal of Philosophical Research 24:57-112.
    Łukasiewicz distinguishes three formulations of the principle of contradiction in Aristotle’s works: ontological, logical, and psychological. The first two formulations are equivalent though not synonymous, but neither of them is equivalent to the psychological one, which expresses not a principle but only an empirical law. Furthermore, the principle of contradiction is neither a simple and ultimate law nor is it necessary for conducting an inference, because the syllogism is independent of it. The further explanation of this concept leads Łukasiewicz to (...)
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  9. “…The Most Memorable Don Quixote of a Great Cause”. Bergmann’s Critique of Meinong.Venanzio Raspa - 2008 - In R. Egidi & G. Bonino (eds.), Fostering the Ontological Turn: Gustav Bergmann (1906-1987). Ontos Verlag. pp. 201-228.
    At first, I explain how Bergmann reads Meinong. As regards his method, Bergmann’s stated aim is to examine Meinong’s thought through all the stages of its development; but he is very selective in choosing exactly what to consider, not just within each of Meinong’s texts, but equally among his texts – indeed he completely ignores Meinong’s mature works. Moreover, he often alters Meinong’s thought by translating it into his foil ontology. As regards the content, Bergmann interprets Meinong as a reist (...)
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  10. Thinking with and on Meinong in Italy.Venanzio Raspa - 2006 - In Meinongian Issues in Contemporary Italian Philosophy. Ontos Verlag. pp. 7-37.
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  11. Fictional and Aesthetic Objects: Meinong’s Point of View.Venanzio Raspa - 2006 - In A. Bottani & R. Davies (eds.), Modes of Existence. Papers in Ontology and Philosophical Logic. Ontos Verlag. pp. 47-80.
  12. Storie, ipotesi, gradi di verità.Venanzio Raspa - 2014 - Metodo. International Studies in Phenomenology and Philosophy 2 (2):141-163.
    Stories express hypotheses, interpretations of the world that have a certain degree of probability. To demonstrate this thesis I have adopted the notion of hypothesis, in a sense very close to the Meinongian concept of assumption, and a ‘metric’ conception of the values of the truth or falsity of a proposition – as that has been proposed in several ways by Peirce, Vasil’ev and Meinong. To show the the cognitive value of literary texts, and therefore their truth value, I take (...)
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  13. Is ‘Ought’ an Object? Meinong’s and Veber’s Answers.Venanzio Raspa - 2012 - In T. Pirc (ed.), Object, Person, and Reality: An Introduction to France Veber. JSKD. pp. 53-65.
    Focusing mainly on Meinong’s "Über emotionale Präsentation" and Veber’s "Die Natur des Sollens", I examine their respective conceptions of ought. Meinong has not written a specific work on the ought, he deals with it as a part of his value theory. In "Über emotionale Präsentation" the ought is a property of being, which cannot be viewed as separated from a desiring subject. The ought is an ideal object of higher order; it concerns neither factuality nor non-factuality, but subfactuality, that is (...)
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  14. Meinong on Aesthetic Objects and the Knowledge-Value of Emotions.Venanzio Raspa - 2013 - Humana.Mente. Journal of Philosophical Studies 25:211-234.
    In this paper I trace a theoretical path along Meinong’s works, by means of which the notion of aesthetic object as well as the changes this notion undergoes along Meinong’s output will be highlighted. Focusing especially on "Über emotionale Präsentation", I examine, on the one hand, the cognitive function of emotions, on the other hand, the objects apprehended by aesthetic emotions, i.e. aesthetic objects. These are ideal objects of higher order, which have, even though not primarily, the capacity to attract (...)
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  15.  13
    Contraddizione, pensabilità, impossibilità.Venanzio Raspa - 2015 - In P. Di Lucia & S. Colloca (eds.), L’impossibilità normativa. LED. pp. 127-148.
  16.  60
    What Makes a Thing What It Is? Aristotle and Hegel on Identity.Venanzio Raspa - 2016 - Acta Analytica 31 (4):345-361.
    The notion of identity is investigated through Aristotle and Hegel as supporters of two different ontological conceptions: pluralism of substances and relational holism. Through Aristotle, I examine both the thesis according to which the identity of an object is constituted by its properties and the difficulties which this thesis encounters. Aristotle easily defines the identity in species, in genus, and in number; some problems arise regarding the identity of individuals: for these, it is not enough to indicate the definition and (...)
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  17. Introduzione. I pregiudizi hanno le gambe corte.Carola Barbero & Venanzio Raspa - 2005 - Rivista di Estetica 45 (3):3-26.
    According to Alexius Meinong, in order to give a philosophical explanation of the world we need to consider both existent and nonexistent objects, lest we fall into the "prejudice in favour of the real". The paper starts by examining some basic concepts of object theory seen as an existence-free science (modes of being, principle of independence of so-being from being, "Aussersein" and Meinong's paradox). There follows an exposition of Bertrand Russell's position, characterized by a "robust sense of reality", and afterwards (...)
     
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  18.  12
    Descrizione e critica del mondo sociale: due compiti della documentalita.Venanzio Raspa - 2012 - Rivista di Estetica 50:143-162.
    The paper examines the constitutive rule of the Documentality (object = written act), its explanatory power, and the role that writing and relations play in it. The social object is explained as a hybrid object, of higher order, consisting of heterogeneous parts; its identity is determined, amongst other things, by the relations it entertains with other entities. In the second part, after criticizing Searle’s notion of collective intentionality, which fails to explain conflict situations, the article focuses on some political implications (...)
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  19.  39
    Della “verità effettuale della cosa” e del riscontrare le cose. Riflessioni intorno al XV capitolo del Principe.Venanzio Raspa - 2006 - In F. Del Lucchese, L. Sartorello & S. Visentin (eds.), Machiavelli: immaginazione e contingenza. ETS. pp. 151-184.
    Il lavoro si interroga principalmente sul significato di «verità effettuale della cosa». Dopo aver esaminato la nozione di vero da un punto di vista semantico e gnoseologico – nel primo senso, è vero, secondo Machiavelli, il discorso che riscontra le cose, nel secondo, il discorso che si fonda sull’esperienza, intesa come esperienza sia diretta (vissuta e osservata) che mediata (letta e ascoltata) –, giunge a definire la «verità effettuale della cosa» come «il discorso storicamente e empiricamente verificabile negli effetti, o (...)
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  20.  29
    Evelyn Dölling, „Wahrheit such en und Wahrheit bekennen“. Alexius Meinang: Skizze seines Lebens, Amsterdam / Atlanta, GA: Rodopi, 1999, S. VIII, 266 (= Studien zur österreichischen Philosophie, Bd. 28). [REVIEW]Venanzio Raspa - 2000 - Grazer Philosophische Studien 58 (1):567-572.
    Es gibt Gegenstände, von denen gilt, daß es dergleichen Gegenstände nicht gibt. Dieser Satz hat dem Österreicher Alexius Meinong nicht nur Berühmtheit, sondern auch vernichtende Urteile beschert. Hindern konnten sie ihn jedoch keinesfalls daran, die weltweit bekannte Schule der Grazer Gegenstandstheorie zu etablieren. Wertphilosophische, erkenntnistheoretische sowie psychologische Schriften und die Gründung des ersten experimentalpsychologischen Laboratoriums in Österreich komplettieren das Schaffen dieses Philosophen. Meinongs Lebensgeschichte ist die Verquickung der Geschichte seiner Publikationen und der akademischen Aktivitäten seiner kleinen Schule von Schülern. Platz (...)
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  21.  1
    Psychological Themes in the School of Alexius Meinong.Arnaud Dewalque & Venanzio Raspa (eds.) - 2019 - De Gruyter.
    This volume addresses key aspects of the philosophical psychology elaborated by Alexius Meinong and some of his students. It covers a wide range of topics, from the place of psychological investigations in Meinong's unique philosophical program to his thought-provoking views on perception, colors, "Vorstellungsproduktion," assumptions, values, truth, and emotions.
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  22. § 3. Einteilung der Logik.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 17-18.
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  23. § 1. Einleitung. Definition der Logik.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 7-13.
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  24. Guerre E Conflitti, Etnie E Nazioni.Venanzio Raspa - 2017 - Materialismo Storico 3 (2):282-304.
    The theses exposed by Alexius Meinong in two newspaper articles in 1873 are taken as the paradigm of a feeling that was common to young Austrian intelligentsia. Meinong upholds a conception of life as struggle and of history as a series of struggles among nations. In his view, the defence of the interests of a people is absolute and generates conflicts among nations that will increasingly dominate future scenarios. The concept of nation has an identification function inward and one of (...)
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  25. In-contraddizione. Il principio di contraddizione alle origini della nuova logica, coll. « Hesperides, Letterature e culture occidentali ».Venanzio Raspa - 2001 - Revue Philosophique de la France Et de l'Etranger 191 (2):262-263.
     
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  26. Logik: Wiener Logikkolleg 1894/95.Venanzio Raspa - unknown
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  27. Litteratur zur Logik.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 240-240.
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  28.  29
    Meinongian Issues in Contemporary Italian Philosophy.Venanzio Raspa (ed.) - 2006 - Ontos.
    The traditional and lively interest in Meinong's philosophy and related topics among Italian philosophers gives rise to this volume of MEINONG STUDIES.
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  29. Meinong on Emotional Truth.Venanzio Raspa - 2019 - In Arnaud Dewalque & Venanzio Raspa (eds.), Psychological Themes in the School of Alexius Meinong. De Gruyter. pp. 145-160.
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  30. Origine e significato delle categorie di Aristotele: il dibattito nell'Ottocento.Venanzio Raspa - 2020 - Macerata: Quodlibet.
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  31. Schrifttypen, Zeichen, Abkürzungen.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 257-258.
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  32. § 11. Verhältnisse zwischen Vorstellungen.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 68-83.
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  33. § 2.Wert der Logik.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 13-17.
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  34. Zur Textgestaltung.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 251-256.
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  35. Zu Verhältnißen von Urteilen.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 239-239.
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  36.  8
    Der Briefwechsel.Alexius Meinong, Kazimierz Twardowski & Venanzio Raspa (eds.) - 2016 - Berlin / Boston: De Gruyter.
    The correspondence between Meinong and Kazimierz Twardowski highlights the relationship between two philosophers who influenced the history of philosophy and psychology in Austria and Poland. The two correspondents discuss, among other things, their epistemological approach and the university politics of their times. In addition, there is an extensive introduction that places the correspondence in its proper historical and philosophical context.
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  37. Description and criticism of the social world: Two tasks of documentality.Venanzio Raspa - 2012 - Rivista di Estetica 50:143-162.
    The paper examines the constitutive rule of the Documentality (object = written act), its explanatory power, and the role that writing and relations play in it. The social object is explained as a hybrid object, of higher order, consisting of heterogeneous parts; its identity is determined, amongst other things, by the relations it entertains with other entities. In the second part, after criticizing Searle’s notion of collective intentionality, which fails to explain conflict situations, the article focuses on some political implications (...)
     
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  38.  20
    Sollen: il dover essere è un oggetto?: le riposte di Meinong e Veber.Venanzio Raspa - 2012 - Rivista Internazionale di Filosofia Del Diritto 89 (2):239-262.
    Focusing mainly on Meinong’s "Über emotionale Präsentation" and Veber’s "Die Natur des Sollens", I examine their respective conceptions of ought. Meinong has not written a specific work on the ought, he deals with it as a part of his value theory. In "Über emotionale Präsentation" the ought is a property of being, which cannot be viewed as separated from a desiring subject. The ought is an ideal object of higher order; it concerns neither factuality nor non-factuality, but subfactuality, that is (...)
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  39.  14
    L’estetica dimenticata: la vicenda della scuola di Graz.Venanzio Raspa - 2014 - Rivista di Estetica 56:217-252.
    The essay gives an account of the aesthetics of the Graz school, focusing on the standpoint of the object as well as on that of emotions. Meinong’s reflection on aesthetics stems from a psychological background and comes subsequently to an ontological grounding. After examining the notions of imagination, phantasy-representation, relation and complexion, I show how the theory of production of representations, as well as that of higher-order objects, develops under the impulse of Ehrenfels’ concept of Gestalt qualities; both these theories (...)
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  40.  16
    Possible Worlds with Impossible Objects: The Imaginary Logic of NA Vasil'év.Roger Vergauwen & Venanzio Raspa - 1997 - Logique Et Analyse 40 (159):225-248.
    The paper investigates the system of 'Imaginary Logic' created by the Russian logician N.A. Vasil'ev (1880-1940), considered by some to be a forerunner of paraconsistent or intuitionistic logics. It is shown how he constructs a logic without the law of contradiction redefining the concept of negation. Vasil'ev singles out two levels of logic, an external one which is absolute and one depending on commitments in relation to cognizable objects which is not absolute. His reconstruction of the syllogism shows the viability (...)
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  41.  11
    Stvarnost Laži.Venanzio Raspa - 2013 - Filozofija I Društvo 24 (2):105-131.
    A lie is neither a false proposition, nor a mistake, nor a mere fiction; it is a type of fiction, an act, and precisely an intentional act. An act calls for a subject, and therefore a lie is inseparable from its subject. Together, they make up a real object: it has to be real, since a lie produces effects, and the cause-effect relationship only holds between real beings. Like every real object, a lie unfolds in a (phenomenological) context. But there (...)
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  42.  10
    Sul superamento dello psicologismo secondo Theodor Lipps: ovvero su contenuto e oggetto, psicologia e logica.Venanzio Raspa - 2002 - Discipline Filosofiche 12 (2):233-274.
    The paper discusses critically the evolution of Lipps's view on logic and psychology. According to Lipps, psychology is the fundamental science on which the other sciences are grounded, and "logic is a special discipline of psychology". Husserl criticizes such conception, which falls into a confusion of domains, and proposes the idea of a pure logic on the basis of the distinction between ideal and real. Lipps replies to Husserl maintaining that the overcoming of psychologism requires both a sharp separation of (...)
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  43.  8
    Literaturverzeichnis.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 259-266.
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  44.  6
    Meinong on Aesthetic Objects and the Knowledge-Value of Emotions.Venanzio Raspa - 2013 - Humana Mente 6 (25).
    In this paper I trace a theoretical path along Meinong’s works, by means of which the notion of aesthetic object as well as the changes this notion undergoes along Meinong’s output will be highlighted. Focusing especially on Über emotionale Präsentation, I examine, on the one hand, the cognitive function of emotions, on the other hand, the objects apprehended by aesthetic emotions, i.e. aesthetic objects. These are ideal objects of higher order, which have, even though not primarily, the capacity to attract (...)
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  45.  6
    Der Begriff der Schönheit bei Christian von Ehrenfels.Venanzio Raspa - 2017 - In Jutta Valent & Ulf Höfer (eds.), Christian von Ehrenfels: Philosophie – Gestalttheorie – Kunst: Österreichische Ideengeschichte Im Fin de Siècle. Berlin - Boston: De Gruyter. pp. 83-100.
    Der Aufsatz stellt Ehrenfels’ Schönheitsbegriff als den eigentlichen Gegenstand der Ästhetik dar. Gegen den ästhetischen Skeptizismus, nach dem wir die Schönheit Gegenständen zuschreiben, die sich sehr voneinander unterscheiden und nur den Namen „schön“ gemein haben, behauptet Ehrenfels, dass nicht die äußeren physischen Gegenstände schön sind, sondern die Phantasiegebilde, die von jenen hervorgerufen werden. Es gebe eine absolute Schönheit als „Einheit in der Mannigfaltigkeit“, die in jedem „wahrhaft schönen“ Gegenstand der Kunst oder der Natur enthalten sei und jedem Menschen „unbedingt wohlgefallen (...)
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  46.  8
    Phantasie, phantasieerlebnisse und vorstellungsproduktion bei meinong.Venanzio Raspa - 2005 - In Alfred Schramm (ed.), Meinong Studies, vol I. De Gruyter. pp. 95-128.
    Meinongs Untersuchungen über Phantasie, Phantasieerlebnisse und Vorstellungsproduktion sind ein wichtiger Bestandteil seiner Konzeption des Fiktiven. Nach Meinong verweist die Phantasie auf ihr Korrelat, das er in „Phantasie-Vorstellung und Phantasie“ (1889) mit den Phantasievorstellungen identifiziert. Solche Vorstellungen sind, da sie produziert werden, nicht einfach, sondern aus mehreren, miteinander in Beziehung gesetzten Elementen zusammengesetzt. Zur Erklärung, wie Phantasievorstellungen produziert werden, entwickelt Meinong die Theorie der Vorstellungsproduktion. Bei der Entwicklung dieser Theorie stellt der Essay „Über Gegenstände höherer Ordnung“ (1899) eine wichtige Etappe dar. (...)
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  47.  6
    3. Kapitel: Unterschiede zwischen Urteilen nach ihrem Gegenstand.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 109-139.
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  48.  6
    Vorwort.Venanzio Raspa - 2016 - In Der Briefwechsel. De Gruyter.
  49.  7
    Segni, espressioni “umbratili” e oggetti finzionali. Semiotica e teoria della finzione in Meinong.Venanzio Raspa - 2011 - Studi Urbinati. B: Scienze Umane E Sociali 81:161-193.
    The aim of this paper is to apply Meinong’s theory of signs to an analysis of literary texts. The focus lies on words and sentences which, according to Meinong, expressing fantasy experiences when they occur in literary texts. He distinguishes between “serious-like” and “shadow-like” fantasy experiences. The former can be detached from their fictional context, i.e., they are also understandable in other contexts. The latter, instead, are dependent on their fictional contexts. This implies that shadow-like fantasy experiences are less specific (...)
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  50. Forme del più e del meno in Meinong.Venanzio Raspa - 2005 - Rivista di Estetica 45 (3):185-219.
    In Meinong’s object theory there is, alongside a classificatory aspect, one having to do with degrees, increase and variation. This other aspect comes out of Meinong’s intention of extending his object theory’s aprioristic method to the empirical world. The forms of ‘more’ and ‘less’ concerning psychical experiences are first investigated; they consist in degrees of certainty of judgment and of shadiness (Schattenhaftigkeit) and seriousness (Ernstartigkeit) of imaginary representations and assumptions. Secondly, forms of variability regarding objects are shown, specifically the incompleteness (...)
     
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