Artificial intelligence (AI)-based virtual influencers are now frequently used by brands in various categories to engage customers. However, little is known about who the followers of these AI-based virtual influencers are and more importantly, what drives the followers to use AI-based virtual influencers. The results from a survey support the notion that compensatory mechanisms and the need to belong play important roles in affecting usage intentions of AI-based virtual influencers. Specifically, the study finds that usage intentions are mediated and moderated (...) by compensatory mechanisms that arise from the perception of AI-based virtual influencers’ functional benefits and existential threats to human identity. Furthermore, the need for belonging moderates the effects of the following status (following versus non-following) on perceived personalization benefits of AI-based virtual influencers and behavioral intentions to use AI-based virtual influencers. This study provides important implications for academia delving into the social, cultural, and philosophical implications of AI-based virtual influencers for human societies as well as for brands that plan to use AI-based virtual influencers and gain a better understanding of their customers in AI-driven digital marketing. (shrink)

A 2020 scientific report indicated the presence of phosphine, a potential biosignature chemical, in the atmosphere of Venus. As a result, Venus instantly became a global cultural celebrity. How did Venus become so fashionable, so cool in colloquial language, so quickly? I contend that Venus became the center of attention at least temporarily because Venus became moral. Since life at present is a concept that is as much moral as it is scientific, I explain this (...) point by offering a geographically broad sampling of world philosophies that show that secular and religious Western forms of thought strongly value life over nonlife as do many Asian traditions. These cultural valuations of life over nonlife become infused in human psychologies globally and astonish us at the discovery of extraterrestrial life. This essay's substantial culture sample thereby demonstrates that Venus became revered because of deep‐seated but also widespread attitudes of special moral attendance to the presence of life especially in extraterrestrial settings. (shrink)

We are all, it is said, looking for love. But what does love look like? Does it look the way it feels? The visual vocabulary of romance-its attendant comforts and vulnerabilities, ambivalences and unclarities-is the subject of Venus Inferred. This collection of 46 richly reproduced color photographs is Laura Letinsky's study of contemporary lovers as they are seen, as they show, and as they see themselves making love and inhabiting domestic space. Entering what might be called the intimate sphere, (...) Letinsky's camera explores a space too personal to be termed public and yet whose cultural and emotional shape is uncannily recognizable. Over a seven-year period, Letinsky visited lovers in their homes, hotel rooms, bedrooms, bathrooms, and kitchens and recorded in detail the promises, disharmonies, and disappointments that inhere in modern coupling. Accompanying the photographs is an essay by critic Lauren Berlant, which presents an aesthetic and cultural analysis of the contemporary images of romance and intimacy. Berlant contemplates the burden of clarity that sexuality bears, implicit both in conventional romantic ideals and in the "counterpolitics of the flesh" that desires to escape them. Thus arises the sublime ordinariness of Letinsky's couples, Berlant argues: "As 'normal' pleasures themselves become deemed modes of domination, the already destabilizing aspects of sexuality can feel even more unsettling." An interview between Letinsky and Berlant unfolds the artist's intellectual formation while exploring the unsettling and pleasurable power of her images as they circulate through the domains of romance, sexuality, and contemporary culture. (shrink)

Chela Reyes, es una escritora chilena nacida en Santiago el mismo año que Pablo Neruda. Ella tiene una relevante producción poética, casi desconocida, que puede y debería considerarse como parte de la tradición de la vanguardia histórica chilena. Este trabajo pretende evidenciar cómo en Ola nocturna, su tercer poemario publicado en 1945, la autora utiliza personajes y referencias de la mitología griega para dar forma a su imaginario. Su universo figurativo está constituido por poderosas evocaciones de un espacio marítimo en (...) el cual se confunde Eros y Tanatos. Personajes como Eolo, Hipocampos, Sirenas, Neptuno, Eco, Venus, forman parte de su galería mitológica-poética. A través de estas figuras la poeta construye un mundo sorprendente y fascinante en el cual el erotismo es tanto creación como destrucción. (shrink)

Resumen Este artículo busca demostrar que los argumentos generales acerca de la exploración científica valen también para las ciencias espaciales. El trabajo se basa en el ejemplo de la exploración de Venus y lo que esta nos dice acerca de nuestro propio planeta. Argumenta que el concepto de la probabilidad de Leslie es incorrecto, como también lo son las dudas sobre la evidencia Venusiana. Así mismo, concluye que no se puede rechazar la importancia que tienen los descubrimientos inesperados que (...) han resultado de la exploración de Venus para ayudarnos a comprender nuestro propio planeta. Y que si van a ser rechazados estos descubrimientos debe ser por razones científicas, no por intuiciones acerca de la probabilidad.This article seeks to demonstrate that the general arguments about scientific exploration are also suitable for space sciences. The work is based on the example of the exploration of Venus and what it tells us about our own planet. It argues that Leslie’s concept of probability is incorrect, as are also the doubts on Venusian evidence. Likewise, it concludes that we cannot deny that the unexpected discoveries that have resulted from the exploration of Venus are important to help us understand our own planet. And if these discoveries are going to be rejected, it must be for scientific reasons and not for intuitions about probability. Este artículo busca demostrar que los argumentos generales acerca de la exploración científica valen también para las ciencias espaciales. El trabajo se basa en el ejemplo de la exploración de Venus y lo que esta nos dice acerca de nuestro propio planeta. Argumenta que el concepto de la probabilidad de Leslie es incorrecto, como también lo son las dudas sobre la evidencia Venusiana. Así mismo, concluye que no se puede rechazar la importancia que tienen los descubrimientos inesperados que han resultado de la exploración de Venus para ayudarnos a comprender nuestro propio planeta. Y que si van a ser rechazados estos descubrimientos debe ser por razones científicas, no por intuiciones acerca de la probabilidad. (shrink)

Pompey does not accept defeat at Pharsalus. Rather, in an effort to gain support from powers beyond Rome, he makes for Egypt and, unbeknownst to him, his decapitation. As narrated in Lucan'sBellum ciuile, after deliberating in Cilicia with his senatorial advisers (8.259–455), Pompey stops at the island of Cyprus (8.456–9):tum Cilicum liquere solum Cyproque citatasimmisere rates, nullas cui praetulit arasundae diua memor Paphiae, si numina nascicredimus aut quemquam fas est coepisse deorum.Then they left the Cilician soil and steered their vessels (...) in haste for Cyprus—Cyprus which the goddess, mindful of Paphian waves, prefers to any of her shrines (if we believe that deities have birth, or if it is lawful to hold that any of the gods had a beginning).In Lucan, Pompey's trip to Cyprus is brief and includes a somewhat curious reference to Venus (diua), her origins (undae … Paphiae) and the birth of the gods. Other authors also record Pompey's visit to Cyprus, although the details vary. Some, including Julius Caesar, set his deliberations not in Cilicia but on Cyprus itself (Caes.BCiu.3.102.3.1–8.1; cf. Plut.Vit. Pomp. 77.1.1–2.1). Others, it seems, provide few if any details of Pompey at the island, for example the scanty evidence from Livy,Per. 112.1–10. (shrink)

In this article, the working of certain bodily processes is presented as the basis for the apotropaic meaning and function of the genitals of the Upper Palaeolithic Venus Figurines. The working of the sympathetic nervous system is identified as the cause of genital arousal due to anxiety. The simultaneous experience of anxiety and the engorgement of the labia and clitoris led to an apotropaic meaning, in addition to a sexual meaning, being assigned to the genitals during the Palaeolithic Era. (...) The ability to think in symbols, which was developing greatly at this time, led to that which could be experienced in bodies being transferred to Venus Figurines. (shrink)

RésuméNous avons tenté de restituer ici les mathématiques qui président aux théories planétaires exposées par l'astronome syrien Ibn al-Šāṭir dans son ouvrage Nihāyat al-Sūl. Dans la lignée des astronomes de l’école de Marāgha, en composant des mouvements de rotation à vitesse angulaire constante, Ibn al-Šāṭir atteint deux objectifs. Non seulement il élimine tout recours aux excentriques et aux points équants; mais il décrit aussi longitudes et latitudes planétaires par une méthode unique, sans adjoindre aucun orbe en sus des orbes nécessaires (...) à la description des seuls mouvements en longitude. Une meilleure compréhension des rotations comme transformations spatiales lui permet cette grande économie de moyens. Dans notre commentaire, nous prenons pour exemple la planète Vénus dont les latitudes posent un problème intéressant. C'est aussi l'occasion d'offrir l’édition critique d'un chapitre de la Nihāyat al-Sūl consacré aux mouvements en latitude de Mercure et Vénus. (shrink)

The common root of the humanist and mythological traditions is the projection of a cosmological and spiritual desire, reflected in mythic archetypes such as Venus or the Statue of Liberty in the harbor of New York City. The philosophical companion of Renaissance Venus is Eros as the all-compassing force in nature, and the philosophical correlate of the Statue of Liberty is Immanuel Kant's das Ding an sich. I focus on the intimate reladonship between the domain of artistic imagination (...) and philosophical discourse: the apparent difference is due to the separation between philosophy, science, and the arts since the Enlightenment. Closer scrutiny reveals that the same content is hidden in the various vessels of our modern and postmodern time. Reason and imagination seem to have gone different roads, but I will try to show that they are inseparably interconnected. (shrink)

What did early national Americans mean when they articulated fears of those twin sins of a republic that idolized the classical virtues of manly self-restraint? This essay argues that the fear of luxury and effeminacy circulated not just as airy metaphor but as palpable reality, specifically in the figure of the female recumbent on the sofa. The article traces separately the careers of Enlightenment Venus, who especially in her recumbent form embodied fears of passion in a republic built on (...) reasoned consent, and the sofa, a piece of neoclassical furniture that rose to great popularity at this time and was envisioned as both effeminate and luxurious in fictional and nonfiction writing. The essay then joins the two figures of recumbent Venus and the sofa, showing how they were mutually enabling, and how they entered into early national conversations about labor and race. It concludes by examining how two educated American women, the self-described Roman matrons Mercy Otis Warren and Martha Bayard Smith, incorporated the image of the supine woman and her implied sofa into fictional writings about classical polities in danger. By knitting political ideologies, imaginative worlds, and neoclassical objects, the essay suggests a way for historians to flesh out the intellectual history of early national women, showing how they could participate in a conversation about modern politics and classical antiquity from which we have assumed they were largely disbarred. (shrink)

Die Geschichte der Wissenschaften ist eine Geschichte der Verbildlichung. Der Band stellt zwei Fallbeispiele frühneuzeitlicher Visualisierungen astronomischen Wissens vor: eine monumentale Spiegelsonnenuhr von 1644 und ein Buch über den Planeten Venus von 1728. Es wird gezeigt, dass eine erfolgreiche Rezeptionsgeschichte unter Umständen weniger von der Korrektheit des visualisierten Wissens abhängig war, sondern vielmehr durch die jeweiligen Strategien der Verbildlichung und Evidenzerzeugung beeinflusst wurde. Die Untersuchung der Problemfelder der ausbleibenden Rezeption und des wissenschaftlichen Irrtums führt dabei ebenso zu weitreichenden Erkenntnissen (...) über die wissenschaftliche Theorie und Praxis wie das Verfolgen von Erfolgsgeschichten. (shrink)

This paper is a comparative study of the accounts of the goddess Venus in the Genealogia of Giovanni Boccaccio (1313-1375) and the Mythologiae of Natale Conti (1520?-1382?). Conti's superior knowledge of Greek, access to Greek sources unknown or incomprehensible to Boccaccio, easily accessible Latin prose style, and exceptional organizational skills, enabled him to create a richer, more extensive, and more accurate account of the goddess than Boccaccio could provide. Both Boccaccio and Conti escape from the binary, antithetical understanding of (...) Venus that dominated medieval commentary. Conti focuses on the paradox of a beautiful goddess representing ugly things; Boccaccio's organizational scheme (based on a flawed genealogical chart originating with the supposed god Demogorgon) makes for a more disparate approach to symbolic interpretation, interesting in parts but thematically unfocused. (shrink)

uirginibus Tyriis mos est gestare pharetram,purpureoque alte suras uincire cothurno.It is customary for us Tyrian girls to carry a quiverand to lace our calves up high in red boots. With these words a disguised Venus explains the accessories of her costume to Aeneas and Achates shortly after the Trojan landing in North Africa. Even detailed commentaries on this passage overlook an important feature: the lines contain a reference to Julius Caesar, who claimed descent from Venus and made a (...) political point of wearing red boots during his dictatorship. This allusion to Caesar connects in significant ways to adjoining passages of the first book of the Aeneid. (shrink)

One of the main features of Italian feminism of "difference," as seen from an international perspective, is its distinctly political vocation. This vocation is not only, nor especially, limited to the perimeter of a gender politics, but is to be found in the radical critique or in the rethinking of traditional political categories, in the invention of new practices, in the redefinition of the very sphere of politics and in the modes of its transformation. The Italian case, as far as (...) feminism is concerned, is also characterised by the fact that this feminist political critique has been carried on for more than three decades alongside a crisis of traditional politics. The aim of this essay is twofold: one the one hand I analyse the relationship between political crisis and a critique of politics as seen in the larger framework of the relationship between the demise of patriarchy and the end of modern politics; on the other, I examine the resources which may derive from a feminist thought and practice in the present season, which, in Italy, seems marked not only by a crisis but by the collapse of democratic politics. (shrink)

Since we cannot hope to witness a catasterism for ourselves, we are fortunate to have a detailed first-hand account of the inauguration of Coma Berenices, the last constellation to be added to the ancient list until the seventeenth century. However, the description of the critical stages in the process presents various difficulties resulting not so much from obfuscation on Callimachus' part as from the circumstances of the poem's transmission and the problems to be expected in interpreting occasional verses more than (...) two millennia after the event to which they refer. In this note I shall attempt to clarify some of the obscurities surrounding the Lock's translation. (shrink)

In 2.14 Propertius promises rich donations to Venus, to be attached to a „columna“ (v. 25). This column is often thought to be part of a temple, but such an interpretation raises problems. One reading is that columna means a single votive column, well-known in Roman (and Greek) religious praxis and in visual arts. With such a reading „columna“ gains in sacral importance. Then again, single columns have been used as Roman victory monuments: With that in mind the „columna“ (...) can equally be understood in the semantics of a military success, which is essential for the whole elegy. Propertius’ „columna“ is much more than only a place to attach „magna dona“ (v. 25). (shrink)

"Central to Schroeder's case is the conviction that reason and passion are two sides of the same coin. Rationality represents the human potential actualized only through desire, she argues; and passion functions only insofar as it preserves the rationality that makes desire possible. Far from being anti-erotic, market relations are, in this analysis, the most basic form of eroticism. Disclosing a fundamental similarity between erotic and economic behavior, The Triumph of Venus reveals that, while the former cannot be reduced (...) to the latter, the latter can only be explained in terms of the former. Venus triumphs over the market."--BOOK JACKET. (shrink)