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  1.  1
    Aesthetic Perspectives on Urban Technologies: Conceptualizing and Evaluating the Technology-Driven Changes in the Urban Everyday Experience.Sanna Lehtinen & Vesa Vihanninjoki - 2021 - In Michael Nagenborg, Taylor Stone, Margoth González Woge & Pieter E. Vermaas (eds.), Technology and the City: Towards a Philosophy of Urban Technologies. Springer. pp. 13-35.
    The pervasiveness of technology has changed the way urban everyday is structured and experienced. An understanding of the deep impact of this development on everyday experience and its foundational aesthetic components is necessary in order to determine how skills and capacities can be improved in coping with such change, as well as managing it. Urban technology solutions—how they are defined, applied and used—are changing the sphere of everyday experience for urban dwellers. Philosophical and applied approaches to urban aesthetics offer perspectives (...)
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  2. Technology and the City: Towards a Philosophy of Urban Technologies.Sanna Lehtinen & Vesa Vihanninjoki - forthcoming - Springer.
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    Urban Places as Aesthetic Phenomena: Framework for a Place-Based Ontology of Urban Lifeworld.Vesa Vihanninjoki - 2019 - Topoi 40 (2):1-10.
    Urban places are of central significance for cities both as built structures and as centers of everyday life. Due to the emergence of various design-led place-making policies and practices, “urban place” has largely become a marketed and branded product. Aesthetics plays a major role in this project of place-making, and the related interpretation of “commodified aesthetics of place” emphasizes certain experiential and qualitative place-attributes—such as authenticity—despite apparent conceptual confusions and controversies. A thorough reconsideration of central place-concepts is required to shed (...)
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    Urban Places as Aesthetic Phenomena: Framework for a Place-Based Ontology of Urban Lifeworld.Vesa Vihanninjoki - 2021 - Topoi 40 (2):461-470.
    Urban places are of central significance for cities both as built structures and as centers of everyday life. Due to the emergence of various design-led place-making policies and practices, “urban place” has largely become a marketed and branded product. Aesthetics plays a major role in this project of place-making, and the related interpretation of “commodified aesthetics of place” emphasizes certain experiential and qualitative place-attributes—such as authenticity—despite apparent conceptual confusions and controversies. A thorough reconsideration of central place-concepts is required to shed (...)
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