In this paper, we propose a Simondonian interpretation of quantum mechanics taking as a standpoint his “preindividual hypothesis” in order to consider the problem of contextuality. We will examine whether the epistemological obstacle produced by the notion of entity can be bypassed by specifying, according to Simondon and the Kochen-Specker Theorem, the mode of existence of quantum potentialities.
Since the 1930’s, several attempts have been made to develop a general theory of technical systems or objects and their evolution: in France, Jacques Lafitte, André Leroi-Gourhan, Bertrand Gille, Yves Deforge, and Gilbert Simondon are the main representatives of this trend. In this paper, we focus on the work of Simondon: his analysis of technical progress is based on the hypothesis that technology has its own laws and that customer demand has no paramount influence upon the evolution of technical systems. (...) We first describe the process Simondon called “concretization” and compare it with the process of “idealization” as defined by Genrich Altshuller. We then explain how the progress of technical lineages can be characterized as following a specific rhythm of relaxation and how it thus obeys a “law” of evolution in the industrial context. Simondon’s theoretical approach, although similar to some aspects of methodologies of conception, emphasized a more accurate understanding of technical progress over possible operational applications. Simondon never intended to optimize the engineer’s tasks from an economic point of view and, in fact, his conception of technical progress can be considered as independent from the capitalistic trend of innovation. However, the philosophy of Simondon provides a better understanding of what is at stake theoretically in the modeling of laws of technical evolution. (shrink)
La décade de Cerisy Gilbert Simondon ou l'invention du futur a rassemblé des philosophes tels que Jean-Hugues Barthélémy, Andrew Feenberg ou Bernard Stiegler, des chercheurs venus d'autres disciplines, tels qu'Armand Hatchuel, Gilles Cohen-Tannoudji ou Thierry Gaudin, et toute une génération de jeunes chercheurs. Il en résulte un livre foisonnant où l'astrophysique côtoie la psychothérapie, où l'architecture dialogue avec l'informatique, et où tous ces savoirs tendent vers une communication encyclopédique. Il débute avec les "transductions politiques de Simondon" pour penser la relation (...) entre les évolutions technologiques et les normativités sociales. Puis, il aborde "la techno-esthétique" et le design, frayant la voie à une esthétique interne à la réalité technique qui ne repose plus sur la contemplation mais sur la participation à la technicité. Avec la "culture technologique", il est question des techniques à l'échelle du nanomètre et des instruments astronomiques spatiaux, qui imposent à la Culture d'intégrer les schèmes de la communication entre échelles. Le quatrième volet, consacré au "préindividuel quantique", propose une ré-interprétation de la mécanique quantique fondée sur les notions de préindividualité, de potentialité et de phases. "L'information et les réseaux", leurs enjeux, sont ensuite étudiés en relation avec l'informatique et les TIC. Ces technologies conditionnant aussi l'individuation psychique et collective, l'enquête se prolonge en direction du "sens du transindividuel". Enfin, ce cycle de réflexions s'achève sur "une philosophie en devenir" et les interventions esquissant des lignes d'évolution possibles pour la philosophie de Simondon. Premier jalon dans l'internationalisation des études simondoniennes, cet ouvrage propose une perspective résolument orientée vers l'invention du futur."--Page 4 of cover. (shrink)
Since the 1930’s, several attempts have been made to develop a general theory of technical systems or objects and their evolution: in France, Jacques Lafitte, André Leroi-Gourhan, Bertrand Gille, Yves Deforge, and Gilbert Simondon are the main representatives of this trend. In this paper, we focus on the work of Simondon: his analysis of technical progress is based on the hypothesis that technology has its own laws and that customer demand has no paramount influence upon the evolution of technical systems. (...) We first describe the process Simondon called “concretization” and compare it with the process of “idealization” as defined by Genrich Altshuller. We then explain how the progress of technical lineages can be characterized as following a specific rhythm of relaxation and how it thus obeys a “law” of evolution in the industrial context. Simondon’s theoretical approach, although similar to some aspects of methodologies of conception, emphasized a more accurate understanding of technical progress over possible operational applications. Simondon never intended to optimize the engineer’s tasks from an economic point of view and, in fact, his conception of technical progress can be considered as independent from the capitalistic trend of innovation. However, the philosophy of Simondon provides a better understanding of what is at stake theoretically in the modeling of laws of technical evolution. (shrink)
Nanotechnologies produce many different types of images but are characterized by the ones that allow us to ‘see the atoms’ despite the fact that objects at the nanoscale are smaller than the wavelength of light and hence are ‘invisible’. Images from scanning probe microscopy (SPM), like ‘The Beginning’, have played an emblematic role in the constitution of the field and are also more likely to be used in communication outside the scientific field. These images are made, selected, modified and evaluated (...) with respect to the information that they communicate. The ‘life cycle’ of these images implies the transduction of this information. Outside of the scientific field, however, they are no longer defined by this information, nor according to technical and scientific criteria, but by their aesthetic power, and they become associated with other images from other fields (art, advertisement, entertainment). This process creates a psycho-social ‘halo’ about ‘nano’ in the public perception, and raises ethical issues about nanotechnological communication via images. We will analyze the halo of the nano in this respect and propose a strategy for a reflexive ‘accommodation’ to the images at the nanoscale. (shrink)
Ferdinand Gonseth n'a cessé d'approfondir sa conception de la fonction épistémologique dévolue à l'analogie dans le cadre de sa doctrine de l'"idonéisme". Cette recherche passa toujours par une appropriation critique de la phénoménologie. L'auteur examine ici comment s'établit, dès 1936, un principe d'analogicité entre des plans d'abstraction et d'approfondissement phénoménotechnique qui s'éloignent de plus en plus de l'expérience perceptive ordinaire. La concordance est alors assurée par la notion de "schéma", qu'il reprend au "phénoménologiste" Kaufmann, mais à laquelle il confère d'autres (...) propriétés (notamment une structure de groupe). Gonseth introduit, par la suite, les notions d'"horizon de subjectivité" et d'"horizon d'objectivité", ce qui, tout en se démarquant des analyses d'Edmund Husserl, prolonge l'appropriation du vocabulaire phénoménologique. Dans un dernier temps, il adopta la notion de "référentiel", élaborée en rupture avec la philosophie du sujet, mais qui demeure encore attachée à des structures phénoménologiques. Son projet épistémologique encourage ainsi la pratique d'une "phénoménologie ouverte". (shrink)
Le désir de répondre aux déséquilibres issus de la dissension entre culture et technologie alimente l'ambition philosophique de Gilbert Simondon. Son « engagement technologique » prend sens à partir d'une conception complexe et non dualiste du progrès humain. On peut restituer, à partir de textes parfois inédits, l'élaboration de l'Encyclopédisme, dont Simondon se réclame et dont il repère les phases successives. Le projet final d'une communication multiphasée éclaire la fonction regulatrice dévolue à la philosophic dans la Culture contemporaine. The desire (...) to answer the imbalances born of the dissension between culture and technology feeds Gilbert Simondon's philosophical ambition. His « technological involvement » becomes full of meaning starting from a complex and non-dualistic conception of human progress. Starting from quite a few unpublished papers, one may relocate the elaboration of Encyclopaedism Simondon claims and wherefrom he delineates the successive stages. The final project of a multiphase communication casts a new light on the regulating function granted to philosophy in contemporary culture. (shrink)