Results for 'Visuality'

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  1. A Post-Culturalist Aesthetics? A Commentary on Davis's 'Visuality and Vision'.Jakub Stejskal - 2017 - Estetika 54 (2):267-276.
    A commentary on Whitney Davis's essay 'Visuality and Vision: Questions for a Post-culturalist Art History' published in the same issue of Estetika.
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  2.  23
    Premises of Visuality: Max Blecher and Marcel Proust.Raluca Dimian-Hergheligiu & Oana Petrovici - 2015 - The European Legacy 20 (4):360-372.
    In this article we discuss the modern premises of visuality and the effects of the cultural transfer of optical and photographic techniques on the work of Max Blecher, a Romanian Jewish writer who was a keen explorer of Marcel Proust’s works. In his works Blecher pursued the same theme as Proust—the mechanisms of interior memory and life—and often used optical instruments as a metaphor of identity. The role of the photographic model in his depiction of social tableaux, characters, and (...)
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  3.  19
    Setting the Word Into Motion: Textual Visuality in the Bible Moralisée, Vienna Codex 2554.Eva Maria Raepple - unknown
    This article examines the relation between the biblical Word and visuality in one of the surviving early thirteenth century manuscripts of the Bible moraliseé, the codex Vindobonensis 2554 today housed in Vienna. The analysis focuses specifically on the relations between word and visuality. The goal is to investigate the vitality that may set the Word into motion. It is argued that the matrix of textual visuality in the Vienna codex 2554 is used as an effective tool that (...)
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  4. Writing Images: Visuality in German Romantic Literature.Brad Prager - 1999 - Dissertation, Cornell University
    The following dissertation shows how German Literature negotiates the relationship between language and the visual arts, particularly in Romantic narratives. In contrast with authors of the Enlightenment, the Romantics tend to deny specificity to visual experience and in so doing dedifferentiate visual experience from the textual. ;The initial, methodological, chapter explicates perceptual models informed by the interplay of the philosophical approaches of Kant and Wittgenstein with the psychoanalytic discourse of Freud. In Chapter Two, I turn to Lessing's Laokoon Uder uber (...)
     
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  5.  10
    Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema.Susan D. Blum & Rey Chow - 1997 - Philosophy East and West 47 (3):435.
  6. The Material Culture of Lived Religion: Visuality and Embodiment.David Morgan & J. Vakkari - forthcoming - Mind and Matter: Selected Papers of Nordik 2009 Conference for Art Historians.
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  7.  14
    Visuality and Aesthetic Formalism.Branko Mitrović - 2018 - British Journal of Aesthetics 58 (2):147-163.
    In the philosophy and psychology of perception there exists a long-standing debate about the detachability of the visual from the conceptual contents of perception. The article analyses the implications of this dilemma for the attribution of aesthetic properties independent of the classification of aesthetic objects and the possibility of aesthetic formalism.
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  8.  38
    Myth, Montage, and Visuality in Late Medieval Manuscript Culture: Christine de Pizan's "Epistre Othea". Marilynn Desmond, Pamela Sheingorn.Margarete Zimmermann - 2007 - Speculum 82 (1):175-177.
  9.  57
    City Blindness: Visuality and Modernity in the Works of Iza Caparas, Farley Del Rosario and Daniel Aligaen.Gary C. Devilles - 2012 - Thesis Eleven 112 (1):51-62.
    For Georg Simmel, humans confront their basic contradiction in the city, and such contradiction warrants critical assessment to help in the long tradition of articulating the problematic development of cities or metropolises, and hopefully advocate for the kind of life we want. This contradiction is a corollary to the modern visual aesthetics of young, contemporary artists such as Iza Caparas, Farley del Rosario and Daniel Aligaen. Their works not only depict the city or urban living; also their styles or sense (...)
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  10.  14
    Aesthetic Blindness to Textual Visuality.Richard Shusterman - 1982 - Journal of Aesthetics and Art Criticism 41 (1):87-96.
  11.  26
    Of Horizons and Epistemology: Problems in the Visuality of Knowledge.Enrique Lima - 2003 - Diacritics 33 (3/4):19-35.
  12.  24
    Senses of Visuality: Sardines, Surveillance and Cinema.Lisa Trahair - 2003 - Theory and Event 7 (1).
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  13.  23
    Jutta Eming, Ann M. Rasmussen, and Kathryn Starkey, Eds., Visuality and Materiality in the Story of Tristan and Isolde. Notre Dame, IN: University of Notre Dame Press, 2012. Paper. Pp. Xv, 355. $45. ISBN: 978-0-268-04139-7. [REVIEW]Mark Chinca - 2015 - Speculum 90 (3):803-804.
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  14.  16
    Agency, Visuality and Society at the Chartreuse de Champmol. Sherry C. M. Lindquist.Laura D. Gelfand - 2009 - Speculum 84 (3):747-749.
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  15.  13
    Impossible Witness: Israeli Visuality, Palestinian Testimony and the Gaza War.Rebecca L. Stein - 2012 - Journal for Cultural Research 16 (2-3):135-153.
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  16.  12
    Images of Thought: Visuality in Islamic India 1550-1750 * by Gregory Minissale.S. P. Verma - 2008 - Journal of Islamic Studies 19 (2):284-286.
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  17.  15
    Epic Visuality. H. Lovatt, C. Vout Epic Visions. Visuality in Greek and Latin Epic and its Reception. Pp. XVIII + 327, Ills. Cambridge University Press, 2013. Cased, £65, Us$110. Isbn: 978-1-107-03938-4. [REVIEW]Peter Toohey - 2015 - The Classical Review 65 (2):468-470.
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  18.  11
    “The Vital Force”: Visuality and the National Economy.Rob Aitken - 2006 - Journal for Cultural Research 10 (2):87-112.
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  19.  13
    Gothic Visuality.Ellen M. Shortell - 2010 - Metascience 19 (2):305-310.
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  20.  12
    Roman Eyes: Visuality and Subjectivity in Art and Text (Review).Eleanor Winsor Leach - 2008 - American Journal of Philology 129 (2):284-290.
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  21.  15
    Adam, Jean-Michel; Borel, Marie-Jeanne; Calame, Claude; and Kilani, Mondher, Le Dis-Cours Anthropologique: Description, Narration, Savoir (Nouvelle Edition Revue Et Augmentee)(= Sciences Humaines). Lausanne: Editions Payot Lausanne, 1995. Allert, Beate (Ed.), Languages of Visuality: Crossings Between Science, Art, Politics, and Literature (= Kritik: German Literary Theory and Cultural Studies). Detroit: Wayne State. [REVIEW]Marc Angenot, Thomas Bloor, Meriel Bloor, Paul Buckley, F. David Peat, Sanford Budick, Wolfgang Iser, A. G. Cairns-Smith, Carmen Rosa Caldas-Coulthard & Malcolm Coulthard - 1997 - Semiotica 115 (3/4):401-404.
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  22.  23
    Roman Viewing (J.) Elsner Roman Eyes. Visuality and Subjectivity in Art and Text. Pp. Xviii + 350, Ills, Colour Pls. Princeton and Oxford: Princeton University Press, 2007. Cased, £32.50, US$49.50. ISBN: 978-0-691-09677-. [REVIEW]Zahra Newby - 2008 - The Classical Review 58 (2):420-.
  23.  13
    The Metaphor is the Message: Visuality, Aurality and the Reconfiguration of American Legal Discourse.Bernard J. Hibbitts - 1995 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 8 (1):53-86.
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  24.  25
    Pragmatism and Popular Culture: Shusterman, Popular Art, and the Challenge of Visuality.Stefán Snævarr - 2007 - Journal of Aesthetic Education 41 (4):1-11.
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  25.  9
    Ideal Positions: 3D Sonography, Medical Visuality, Popular Culture.Tim Seiber - 2016 - Journal of Medical Humanities 37 (1):19-34.
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  26.  8
    From Orality to Visuality: Panegyric and Photography in Contemporary Lagos, Nigeria.Adélékè Adéè̇ó - 2012 - Critical Inquiry 38 (2):330-361.
    A new line of self projection magazines that started blooming in Lagos, Nigeria, about the mid-1990s defined itself by filling almost completely every issue with photographs that depict politicians, businesspeople, sports and show business stars enjoying fruits of their extraordinary achievements on festive occasions. The magazine’s cozy coverage of the rich and famous irks a lot of serious cultural and literary critics who believe that this style resembles praise singing too closely. This paper, unlike mainline criticisms of the pictorial magazines, (...)
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  27.  20
    Silence, Visuality, and the Staying Image.Ryan P. McDermott - 2003 - Angelaki 8 (1):75 – 89.
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  28.  4
    Tempted to Touch: Tactility, Ritual, and Mediation in Byzantine Visuality.Roland Betancourt - 2016 - Speculum 91 (3):660-689.
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  29.  3
    Fetal Positions: Individualism, Science, Visuality. Karen Newman.Leslie J. Reagan - 1998 - Isis 89 (4):712-713.
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  30.  10
    Moving Images, Mobile Viewers: 20th Century Visuality.Renate Brosch, Ronja Tripp & Nina Jürgens (eds.) - 2011 - Lit.
    Looking out of the window of a speeding car, receiving photographs of Earth from outer space, watching the flickering images of the TV screen, scrolling through a text, zooming in on a location in Google Earth, or sending images via mobile ...
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  31. The CrossFit Sensorium: Visuality, Affect and Immersive Sport.Leslie Heywood - 2015 - Paragraph 38 (1):20-36.
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  32. Afterword : The Ethnographer's "Gaze" : Some Notes on Visuality and its Relation to the Reflexive : Metalanguage of Anthropology.Maria Kakavoulia - 2008 - In E. Neni K. Panourgia & George E. Marcus (eds.), Ethnographica Moralia: Experiments in Interpretive Anthropology. Fordham University Press.
     
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  33. Living in a Dream World as a Form of Visuality (Bachelard and Happy Melancholy).R. Karul - 2006 - Filozofia 61 (1):46-52.
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  34. China, Transnational Visuality, Global Postmodernity.Sheldon H. Lu - 2001
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  35. Hypermodernity and Visuality.Peter R. Sedgwick - 2019 - Rowman & Littlefield International.
    This book engages with the question of making sense of seeing in today’s technologically dominated world. It does so by exploring the notion of the ‘hypermodern’, a term which is used to capture the drive in contemporary culture to achieve ever greater speed and efficiency.
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  36. Readers of the Lost Art: Visuality and Particularity in Art Criticism'.Nigel Whitely - 1999 - In Ian Heywood & Barry Sandywell (eds.), Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual. Routledge. pp. 122.
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  37.  11
    Practices of Looking and the Medical Humanities: Imagining the Unborn in France, 1550–1800. [REVIEW]Lianne McTavish - 2010 - Journal of Medical Humanities 31 (1):11-26.
    Visuality is a concept used to study vision as an historically and culturally specific activity. Curriculum in the medical humanities could address visuality by stressing how different kinds of practitioners and peoples learn how to see. This paper introduces the visual training promoted by the discipline of art history, analysing early modern French medical images of the unborn as a case study. The goal is to encourage medical practitioners to reflect on their own visual skills, comparing and contrasting (...)
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  38.  32
    Mathematizing Power, Formalization, and the Diagrammatical Mind Or: What Does “Computation” Mean? [REVIEW]Sybille Krämer - 2014 - Philosophy and Technology 27 (3):345-357.
    Computation and formalization are not modalities of pure abstractive operations. The essay tries to revise the assumption of the constitutive nonsensuality of the formal. The argument is that formalization is a kind of linear spatialization, which has significant visual dimensions. Thus, a connection can be discovered between visualization by figurative graphism and formalization by symbolic calculations: Both use spatial relations not only to represent but also to operate on epistemic, nonspatial, nonvisual entities. Descartes was one of the pioneers of using (...)
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  39.  24
    Historicism as a Cultural Pattern: Practising a Mode of Thought.Daniel Fulda - 2010 - Journal of the Philosophy of History 4 (2):138-153.
    What is the basis for the enormous success of Historicism? In my paper I attempt to answer this question by deploying the concept of the cultural pattern. A 'cultural pattern' may be defined as the connection of concepts and practices which have gained a relative perpetuity through cultural habitualization. Cultural patterns include a combination of interpretative schemes according to which the world can be categorized, structured and interpreted with individual or social practices which either develop out of, or follow these (...)
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  40.  11
    Thinking Historically When the Margins Become the Center: Intellectual History as Historical Critique in Martin Jay's Essays From the Edge.John E. Toews - 2012 - History and Theory 51 (3):397-410.
    ABSTRACTThis review of Martin Jay's recent published collection of essays examines his ongoing rethinking, supplementation, and revision of central themes—the negative and positive dialectics of historical totalization, the varieties and uses of conceptions of experience, the nature of visual cultures and scopic regimes, and the ambiguities of truth‐construction in the public realm—that have been the focus of his major works since the 1970s. It argues that his more recent work indicates a gradual shift toward an affirmation of the kinds of (...)
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  41.  99
    Art as "Night": An Art-Theological Treatise.Gavin Keeney - 2010 - Cambridge Scholars Press.
    Written over the course of two months in early 2008, Art as "Night" is a series of essays in part inspired by a January 2007 visit to the Velázquez exhibition at the National Gallery of Art, London, with subsequent forays into related themes and art-historical judgments for and against theories of meta-painting. Art as "Night" proposes a type of a-historical dark knowledge crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a form of formalism, (...)
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  42.  43
    The Ground of the Image.Jean-Luc Nancy - 2005 - Fordham University Press.
    If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as “spectacle” and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces.What is this power that lies in the depths and recesses of an image—which is always only an (...)
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  43.  32
    On Speech, Race and Melancholia.V. Bell - 1999 - Theory, Culture and Society 16 (2):163-174.
    In this interview, Judith Butler speaks about her most recent work, especially Excitable Speech , in terms of how it represents a continuation of certain themes and how it represents moves into new terrains of debate. In particular, she addresses both possible critiques of her work, expecially around the issue of the possibility of political visions and the attention to speech when theorizing subjectification, and responds to questions around certain related themes such as: just what is the possibility of using (...)
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  44.  56
    Encyclopedia of Postmodernism.Victor E. Taylor & Charles E. Winquist (eds.) - 2001 - Routledge.
    This new Encyclopedia of Postmodernism is structured with biographical entries on all the key contributors to the postmodernism debate, including Mikhail Bakhtin, Pierre Bourdieum, Jacques Derrida, Jurgen Habermas and Wittgenstein. Providing an all-encompassing and welcome addition to the field, the Encyclopedia contains entries on foundational concepts of postmodernism which have revolutionized thinking in every intellectual discipline. This new Encyclopedia is the first to provide comprehensive A-Z coverage of the key individuals and concepts of postmodernism. The 300+ entries include: * African (...)
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  45.  27
    Performativity and Belonging.V. Bell - 1999 - Theory, Culture and Society 16 (2):1-10.
    This short piece introduces the Special Issue, giving both a general sense of the terms `belonging' and `performativity', and discussing key related concepts that unite the articles of the issue: difference and their differences; the politics of visuality; embodiment; and the idea of routes. The predominant themes as they appear in the different articles are discussed under these headings.
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  46.  8
    Binding and Unbinding the Mondrian Stimulus.Whitney Davis - 2018 - British Journal of Aesthetics 58 (4):449-467.
    This paper considers the use of the ‘Mondrian Stimulus’, invented by Edwin H. Land of the Polaroid Corporation, in various investigations in the visual neuropsychology, the neuroaesthetics, and the social psychology of aesthetic response to works of visual art. What difference does it make—in the set-up of these investigations and in our interpretation of their putative results—that the Mondrian Stimulus might be taken to be a ‘real’ painting by the actual Dutch artist Piet Mondrian? How does the existence of a (...)
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  47.  28
    Cultural Semiosis: Tracing the Signifier.Hugh J. Silverman (ed.) - 1998 - Routledge.
    Cultural Semiosis traces the theoretical itinerary of the signifier in the continental tradition. Cultural semiosis provides links for cultural studies to the philosophical, the literary, the historical and the social. Understood semiotically, cultural signs and signifiers are inscribed in the fabric of cultural practices. Cultural semiosis enters the spaces of everyday language, visuality, sexuality and symbolization. These original essays interpret and provide tools for the understanding of cultural studies within a philosophical framework. Contributors: M. Alison Arnett, Debra Bergoffen, Peter (...)
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  48.  40
    Pragmatist Aesthetics, the New Literacy, and Popular Culture. A Response to Stefán Snævarr.Wojciech Małecki - 2009 - Nordic Journal of Aesthetics 20 (38).
    The article is a critical response to Stefán Snævarr’s “Pragmatism and Popular Culture: Shusterman, Popular Art, and the Challenge of Visuality.”In its first part, I attempt to prove that several of Snævarr’s claims about popular culture and new media, which form the basic premises of his diagnosis of the alleged intellectual decline of the West, are either dubious or wrong. Moreover, in the context of this diagnosis, Snævarr levels some serious accusations against Richard Shusterman’s theory of popular culture, which, (...)
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  49.  7
    Streetography: On Visual Resistance.Hagi Kenaan - 2016 - Journal of Aesthetics and Phenomenology 3 (2):147-166.
    This article offers a philosophical account of a range of urban phenomena that are integral to the visual fabric of the modern city and, at the same time, external to the visual order administered by the city’s rulers. Explaining why the common terms of “graffiti” and “street art” are too narrow for discussing the plurality of the illicit visual forms that populate the city’s space, I coin the alternative term “streetography” and aim at a new understanding of its visual efficacy. (...)
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  50.  8
    Mimesis in Crisis: Narration and Diegesis in Contemporary Anglophone Theatre and Drama.Edyta Lorek-Jezińska - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):353-367.
    The main objective of my article is to investigate the ways in which contemporary Anglophone drama and theatre actively employ diegetic and narrative forms, setting them in conflict with the mimetic action. The mode of telling seems to be at odds with the conviction not only about the mimetic nature of performance and theatre but also about the growing visuality of contemporary theatre. Many contemporary performances and dramatic texts expose the tensions between the reduction of visual representations and the (...)
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