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  1.  37
    Towards a Cognitive Model of Genre.Vlastimil Zuska - 2000 - Theoria 15 (3):481-495.
    The paper offers a new model of genre. The model employs Deleuze and Guattari's concepts of plane of immanence, chaos, and, in particular, concepts and approaches of cognitive science. Genre in general and the film genre in particular are modelled as a multidimensional space with a network of vector sequences, as a plane of immanence with individual works in the role of concepts, as a cluster category without a centre. That genre model provides more explanatory power than the recent semantic-syntactical (...)
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  2.  23
    Steven Shaviro, Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics.Vlastimil Zuska - 2011 - Estetika 48 (2):254-261.
    A review of Steven Shaviro´s Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics (Cambridge, MA: MIT Press, 2009, xvi + 174 pp. ISBN 978-0-262-19576-8).
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  3.  8
    Krajina jako maska přírody: Estetika subverze versus estetika konformity.Vlastimil Zuska & Ondřej Dadejík - 2007 - Estetika 44 (1-4):28-44.
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  4.  7
    Nelson Goodman: Jazyky Umění (Recenze).Vlastimil Zuska - 2007 - Estetika 44 (1-4):205-210.
    A review of the first Czech translation, published in 2007, of Nelson Goodman’s Languages of Art.
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  5.  1
    Za Zdeňkem Mathauserem.Vlastimil Zuska - 2007 - Estetika 44 (1-4):203-204.
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  6. A Monologue, a Dialogue and the Attention Paid to Ego.Vlastimil Zuska - 2009 - Filozofia 64 (5):436-442.
    The study analyses a narrative monologue, an inner monologue, and a monologue which includes a dialogue between the author and the reader/spectator, from the point of view of the recipient’s participation in the narrative. It employs Muka?ovský’s analysis of to what extent a monologue is present in every dialogue as well as latent and sometimes manifest dialogue features present in every monologue, along with the side-participation of hearer/spectator. The notion of side-participation is expanded on the triangular model of attention with (...)
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  7. Husserlova koncepce vnitrinho casoveho vedomi a estetika.Vlastimil Zuska - 1990 - Filosoficky Casopis 38 (1-2):99-106.
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  8. Towards a Cognitive Model of Genre: Genre as a Vector Categorization of Film: Czech and Slovak Papers on Semiotics and Communication.Vlastimil Zuska - 2000 - In Bernard Elevitch (ed.), Theoria. Charlottesville: Philosophy Doc Ctr. pp. 15--39.
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  9.  8
    The Narrative Event as an Occasion of Emergence.Vlastimil Zuska - 2009 - Estetika 46 (1):62-74.
    Some recent approaches to narratology have presented the event as a basic constitutive element of narrativity. The event is considered either a primitive term or something that just happens or may happen, a change from one state to another. The underlying concepts are identity, state, and being. The article describes the event in general and the narrative event in particular from the perspective of the primacy of becoming, change, and flow, employing especially Whitehead’s philosophy of process and also certain concepts (...)
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  10.  7
    More Than a Story: The Two-Dimensional Aesthetics of the Forest.Ondřej Dadejík & Vlastimil Zuska - 2010 - Estetika 47 (1):27-20.
    This article presents a general conception of aesthetic experience built on an analysis of the relationship between the narrative and the ambient dimensions of the aesthetic value of a natural environment, the forest. First of all, the two dimensions are presented with respect to the possibilities and problems raised by distinguishing between them. Next, the possibilities of their relationship are analysed and it is argued that they are strongly complementary. This complementarity becomes the core of the proposed conception of aesthetic (...)
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  11. Implicit Assumptions in Weed's Reflections on the Implicit Assumptions of Neuroaesthetics.Vlastimil Zuska - 2008 - Estetika 45 (2):198-201.
    A critical comment on Weed‘s Looking for Beauty in the Brain from Estetika 1/2008.
     
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