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  1.  63
    T. Maccio Plauto, La Mostellaria. Introduzione, testo critico e commento. Per cura di Nicola Terzaghi. Pp. xl + 240. Turin, etc.: Paravia, 1929. L. 16. [REVIEW]W. Beare - 1929 - The Classical Review 43 (6):241-242.
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  2.  25
    T. Macci Plauti Menaechmi. Edited, with Introduction and Notes, by Nicholas Moseley, Ph.D., and Mason Hammond, B.Litt. Pp. Vii+131. Cambridge, U.S.A.: Harvard University Press (London : Milford), 1933. Cloth, $1.50 or 7s. [REVIEW]W. Beare - 1935 - The Classical Review 49 (01):38-39.
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  3.  42
    Plautus and the Fabula Atellana.W. Beare - 1930 - The Classical Review 44 (05):165-168.
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  4.  21
    An Italian Terence Alessandro Pratesi : Terenzio, Commedie. Volume Secondo: Formione, La Suocera, I Due Fratelli. Pp.335. Rome: Tumminelli, 1952. Cloth, L. 2500. [REVIEW]W. Beare - 1954 - The Classical Review 4 (3-4):258-260.
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  5.  27
    Rhythm and Metre Eirik Vandvik: Rhythmus Und Metrum; Akzent Und Iktus. (Symbolae Osloenses, Fasc. Supplet. VIII.) Oslo: Brøigger, 1937. Paper. [REVIEW]W. Beare - 1938 - The Classical Review 52 (01):18-19.
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  6.  26
    La Poesia di Virgilio. By Tommaso Flork. Pp. 311. Bari: Laterza e Figli, 1930. L. 20.W. Beare - 1930 - The Classical Review 44 (05):202-.
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  7.  25
    Nicola Terzaghi. Prolegomena a Terenzio. Pp. 107. Turin: 'L' Erma,' 1931. Paper, L. 10.W. Beare - 1933 - The Classical Review 47 (05):206-.
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  8.  24
    Syntax of Terence. By J. T. Allardice, M.C., D.Litt. Pp. 152. (St. Andrews University Publications.) London: Milford, 1929. Boards, 3s. 6d. Net. [REVIEW]W. Beare - 1929 - The Classical Review 43 (06):242-.
  9.  36
    P. Terenzio Afro, I Due Fratelli. Traduzione di L. Arata. Pp. 115. Turin, etc: Paravia, 1929. L. 7.50.W. Beare - 1929 - The Classical Review 43 (06):242-.
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  10.  23
    Aeschylean Tragedy Aeschylean Tragedy. By Herbert Weir Smyth. One Vol. Pp. 234. Berkeley, California: University of California Press, 1924. 18s. Net. [REVIEW]W. Beare - 1926 - The Classical Review 40 (06):197-198.
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  11.  17
    Philip Whaley Harsh: An Anthology of Roman Drama. Pp. Xxxi+317. New York; Rinehart, 1960. Paper, $1.25.W. Beare - 1961 - The Classical Review 11 (03):296-.
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  12.  17
    Two Books on Plautus Plautinisches Und Attisches. Von Günther Jachmann (Problemata, Heft 3). Pp. 258. Berlin: Weidmann, 1931. Paper, M. 16. The Economy of Actors in Plautus. By Carrie May Kurrelmeyer. Pp. 103. (Doctoral Thesis, Johns Hopkins University). Graz: Deutsche Vereins-Druckerei, 1932. Paper. [REVIEW]W. Beare - 1933 - The Classical Review 47 (04):140-141.
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  13.  17
    Titus Maccus Plautus.W. Beare - 1939 - The Classical Review 53 (04):115-116.
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  14.  22
    Naevius and the Alimonium Remi Et Romuli.W. Beare - 1949 - The Classical Review 63 (02):49-.
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  15.  16
    Quintilian VI. Iii. 47 and the Fabula Atellana.W. Beare - 1937 - The Classical Review 51 (06):213-215.
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  16.  18
    Crepidata, Palliata, Tabernaria, Togata.W. Beare - 1939 - The Classical Review 53 (5-6):166-168.
  17.  20
    Slave Costume in New Comedy.W. Beare - 1949 - Classical Quarterly 43 (1-2):30-.
    The article by Professor Webster on ‘South Italian Vases and Attic Drama' in C.Q. xlii, pp. 15–27, raises problems for the reader of Roman comedy. Professor Webster takes the view that the Latin plays are good evidence for the costumes worn on the Greek stage; he even says that ‘the Greek original of Sceparnio in the Rudens certainly wore the phallus’, thus reviving a suggestion of Skutsch which Marx thought sehr k's argument that ancient works of art, in particular Italian (...)
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  18.  20
    Trinvmmvs Plautus, Trinummus (Brix-Niemeyer). Sechste Auflage Neubearbeitet F. Von Conrad. Pp. 168. Leipzig and Berlin: Teubner, 1931. Boards, RM. 5.60 (Stitched, 4.80). [REVIEW]W. Beare - 1934 - The Classical Review 48 (01):23-.
  19.  28
    A New Edition of the Pseudolus - T. Macci Plauti Pseudolus. Edited, with Introduction and Notes, by E. H. Sturtevant, in Collaboration with F. E. Brown, F. W. Schaeffer and J. P. Showerman. Pp. 122. New Haven: Yale University Press , 1932. Cloth, 10s. 6d. [REVIEW]W. Beare - 1934 - The Classical Review 48 (02):74-.
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  20.  15
    Seats in the Greek and Roman Theatres.W. Beare - 1939 - The Classical Review 53 (02):51-55.
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  21.  29
    P. Terenzio Afro, Il Punitor di se stesso (Heautontimorumenos). Traduzione di Emanuele Cesareo. Pp. xvi + 119. Turin, etc.: Paravia, 1930. Paper, L.8.50. [REVIEW]W. Beare - 1930 - The Classical Review 44 (05):188-.
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  22.  19
    Philip Whaley Harsh: Studies in Dramatic 'Preparation' in Roman Comedy. Pp. V + 103. Chicago: University Press, 1935. Paper. [REVIEW]W. Beare - 1936 - The Classical Review 50 (06):238-.
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  23.  11
    Recent Work on the Roman Theatre.W. Beare - 1937 - The Classical Review 51 (03):105-111.
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  24.  14
    The Date of the Bellum Punicum.W. Beare - 1949 - The Classical Review 63 (02):48-.
  25.  18
    The Budé Plautus Plaute, Comédies. Tome I (Amphitryon, Asinaria, Aulularia). Tome II (Bacchides, Captiui, Casino). Texte Établi Et Traduit Par A. Ernout. Paris: 'Les Belles Lettres,' 1932, 1933. Paper, 30 Francs Each. [REVIEW]W. Beare - 1934 - The Classical Review 48 (05):185-186.
  26.  17
    Plautus. With an English Translation. By P. Nixon. Vol. IV. Pp. Vii + 438. London: Heinemann, 1932. Cloth, 10s. (Leather, 12s. 6d.). [REVIEW]W. Beare - 1933 - The Classical Review 47 (06):241-242.
  27.  13
    The Priority of the Mercator.W. Beare - 1928 - The Classical Review 42 (06):214-215.
  28.  24
    Morphologie Historique du Latin. By A. Ernout. Second Edition. Pp. Xiv + 404. Paris: Klincksieck, 1927. 24 Fr.W. Beare - 1927 - The Classical Review 41 (06):243-.
  29.  12
    Flos Delibatus Populi Suadaeque Medulla.W. Beare - 1926 - The Classical Review 40 (06):192-.
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  30.  17
    Plautus and His Public.W. Beare - 1928 - The Classical Review 42 (03):106-111.
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  31.  11
    The Mercator Plauti Mercator. Edidit P. J. Enk. 2 Volumes. Pp. Vi + 98, 217. Leiden: Sijthoff, 1932. Paper, Fl. 3.75, 7.75. [REVIEW]W. Beare - 1933 - The Classical Review 47 (05):184-185.
  32.  21
    Accent in Plautus Hans Drexler: Plautinische Akzentstudien. In 3 volumes. Pp. viii + 248, viii + 375, 71. (Abhandlungen der Schlesischen Gesellschaft für vaterländische Cultur.) Breslau: Marcus, 1932–1933. Paper, M. 15, 22, 4.20. [REVIEW]W. Beare - 1934 - The Classical Review 48 (2):72-74.
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  33.  8
    Masks on the Roman Stage.W. Beare - 1939 - Classical Quarterly 33 (3-4):139-.
    The statement that masks were not introduced on the Roman stage until after the time of Terence is still repeated by editors and has the support of Pauly Wissowa as well as Daremberg and Saglio ; it may, in fact, be regarded as generally accepted. Yet so long ago as 1912 A. S. F. Gow put forward strong arguments on the opposite side; his article, though mentioned with respect in Bursian and referred to by Schanz-Hosius , has not yet been (...)
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  34.  10
    Plautus, Rudens, 109 ( Occupatos Occupat).W. Beare - 1930 - The Classical Review 44 (02):62-.
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  35.  10
    The Date of the Casina.W. Beare - 1934 - The Classical Review 48 (04):123-124.
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  36.  13
    A New Volume of the Budé Plautus Plaute: Tome VI: Pseudolus, Rudens, Stichus. Texte Établi Et Traduit Par A. Ernout. (Collection des Universités de France.) Pp. 273. Paris: 'Les Belles Lettres', 1938. Paper, 40 Fr. [REVIEW]W. Beare - 1939 - The Classical Review 53 (04):130-.
  37.  13
    Sophocles, Electra, Ll. 17–19.W. Beare - 1927 - The Classical Review 41 (03):111-112.
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  38.  13
    Contaminatio.W. Beare - 1959 - The Classical Review 9 (01):7-11.
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  39.  16
    Plautus Miles Gloriosus 786.W. Beare - 1927 - The Classical Review 41 (01):10-11.
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  40.  12
    When Did Livius Andronicus Come to Rome?W. Beare - 1940 - Classical Quarterly 34 (1-2):11-.
    In the middle of September, 47 b.c., Cicero obtained a copy of Atticus' recently published Liber Annalis, which he was consequently able to use in preparing his Brutus and his Tusculans and De Senectute . Atticus himself had consulted Varro's works on questions of literary history . Cicero, reading his friend's work, found himself in the thick of a controversy about the beginnings of Latin literature.
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  41.  8
    Xopoy in The Plutus: A Reply To Mr. Handley.W. Beare - 1955 - Classical Quarterly 5 (1-2):49-.
    In an interesting article entitled ‘XOPOY in the Plutus’ Mr. E. W. Handley questions the accuracy of some observations of mine on this subject, and complains of my ‘failure to state facts’. He quotes my remark that ‘the editors freely insert () in the Plutus; but, according to Weissinger , the only example afforded by the MSS. is after 770; and here there is no lapse of time’. I added in a footnote that R inserts XOPOY after line 801, according (...)
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  42.  17
    The Costume of the Actors in Aristophanic Comedy.W. Beare - 1954 - Classical Quarterly 4 (1-2):64-.
    t is generally believed that the actors of Aristophanic comedy wore phallic dress. For example Mr. James Laver tells us that ‘in Old Comedy the actors all wore clothes grotesquely padded, and each was provided with an enormous phallus of red leather. The female characters too were padded, and over the padding wore the long chiton if they belonged to the upper classes, and the short one if they belonged to the lower.‘ Similarly Haigh says that ‘the Old Comedy was (...)
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  43.  14
    Aristophanic Costume Again.W. Beare - 1957 - Classical Quarterly 7 (3-4):184-.
    Professor Webster has replied briefly to my article on this subject, and has dealt elsewhere with the works of art. One point I will gladly concede. In referring the phlyakes-vases to ‘the fourth or third century’ I was quoting Pickard-Cambridge's words in Dithyramb, etc. , p. 267. But in Dramatic Festivals , Pickard-Cambridge, perhaps influenced by Trendall, speaks of the fourth century only.
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  44.  12
    The Angiportum.W. Beare - 1954 - The Classical Review 4 (01):6-8.
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  45.  12
    The Delivery of Cantica on the Roman Stage.W. Beare - 1940 - The Classical Review 54 (02):70-72.
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  46.  11
    Plautus, Bacchides, 635–8.W. Beare - 1929 - The Classical Review 43 (02):56-.
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  47.  9
    Aristophanic Costume: A Last Word.W. Beare - 1959 - Classical Quarterly 9 (1-2):126-.
    In my second article on this subject I asked Professor Webster to clarify his previous statements. My article was shown to him before publication, and his reply will be found immediately following it. I will confine my remarks here to a single point, because it is simple and decisive. The only passage in ancient literature explicitly connecting the phallus with Old Comedy is Clouds 537 f. There Aristophanes says that his play does not wear ‘any stitched-on leather, hanging down, red-tipped, (...)
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  48.  5
    Index L0c0rum.A. Andrewes, D. R. Bailey, J. W. B. Barns, W. Beare, D. E. Eichholtz, I. M. Glarmlle, G. F. Hourani, A. Hudson-Williams, H. Hudson-Williams & H. Klos - unknown - Diogenes 17 (1):140.
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  49.  1
    Side-Entrances and ΠEPIAKTOI in the Hellenistic Theatre.W. Beare - 1938 - Classical Quarterly 32 (3-4):205-.
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  50.  18
    Plautus, M.G. 843.W. Beare - 1928 - The Classical Review 42 (1):20-20.
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