Order:
Disambiguations
W. Beare [96]William Beare [1]
  1.  23
    Masks on the Roman Stage.W. Beare - 1939 - Classical Quarterly 33 (3-4):139-.
    The statement that masks were not introduced on the Roman stage until after the time of Terence is still repeated by editors and has the support of Pauly Wissowa as well as Daremberg and Saglio ; it may, in fact, be regarded as generally accepted. Yet so long ago as 1912 A. S. F. Gow put forward strong arguments on the opposite side; his article, though mentioned with respect in Bursian and referred to by Schanz-Hosius , has not yet been (...)
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  10
    Index l0c0rum.A. Andrewes, D. R. Bailey, J. W. B. Barns, W. Beare, D. E. Eichholtz, I. M. Glarmlle, G. F. Hourani, A. Hudson-Williams, H. Hudson-Williams & H. Klos - unknown - Diogenes 17 (1):140.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  3.  23
    Aristophanic Costume: a Last Word.W. Beare - 1959 - Classical Quarterly 9 (1-2):126-.
    In my second article on this subject I asked Professor Webster to clarify his previous statements. My article was shown to him before publication, and his reply will be found immediately following it. I will confine my remarks here to a single point, because it is simple and decisive. The only passage in ancient literature explicitly connecting the phallus with Old Comedy is Clouds 537 f. There Aristophanes says that his play does not wear ‘any stitched-on leather, hanging down, red-tipped, (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  4.  23
    Aristophanic Costume Again.W. Beare - 1957 - Classical Quarterly 7 (3-4):184-.
    Professor Webster has replied briefly to my article on this subject, and has dealt elsewhere with the works of art. One point I will gladly concede. In referring the phlyakes-vases to ‘the fourth or third century’ I was quoting Pickard-Cambridge's words in Dithyramb, etc. , p. 267. But in Dramatic Festivals , Pickard-Cambridge, perhaps influenced by Trendall, speaks of the fourth century only.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  5.  18
    Contaminatio.W. Beare - 1959 - The Classical Review 9 (01):7-11.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  6.  23
    Crepidata, Palliata, Tabernaria, Togata.W. Beare - 1939 - The Classical Review 53 (5-6):166-168.
  7.  17
    Flos Delibatus Populi Suadaeque Medulla.W. Beare - 1926 - The Classical Review 40 (06):192-.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  8.  38
    La Poesia di Virgilio. By Tommaso Flork. Pp. 311. Bari: Laterza e Figli, 1930. L. 20.W. Beare - 1930 - The Classical Review 44 (05):202-.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  9.  34
    Morphologie Historique du Latin. By A. Ernout. Second Edition. Pp. xiv + 404. Paris: Klincksieck, 1927. 24 fr.W. Beare - 1927 - The Classical Review 41 (06):243-.
  10.  25
    Naevius and the Alimonium Remi et Romuli.W. Beare - 1949 - The Classical Review 63 (02):49-.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  11.  31
    Nicola Terzaghi. Prolegomena a Terenzio. Pp. 107. Turin: 'L' Erma,' 1931. Paper, L. 10.W. Beare - 1933 - The Classical Review 47 (05):206-.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  12.  22
    Plautus and his Public.W. Beare - 1928 - The Classical Review 42 (03):106-111.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  13.  46
    Plautus and the Fabula Atellana.W. Beare - 1930 - The Classical Review 44 (05):165-168.
    No categories
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  14.  17
    Plautus, Bacchides, 635–8.W. Beare - 1929 - The Classical Review 43 (02):56-.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  15.  22
    Plautus, M.G. 843.W. Beare - 1928 - The Classical Review 42 (1):20-20.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  16.  23
    Plautus Miles Gloriosus 786.W. Beare - 1927 - The Classical Review 41 (01):10-11.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  17.  17
    Plautus, Rudens, 109 ( Occupatos Occupat).W. Beare - 1930 - The Classical Review 44 (02):62-.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  18.  8
    Plautus, Rudens, 109.W. Beare - 1930 - The Classical Review 44 (2):62-62.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  19.  66
    P. Terenzio Afro, I Due Fratelli. Traduzione di L. Arata. Pp. 115. Turin, etc: Paravia, 1929. L. 7.50.W. Beare - 1929 - The Classical Review 43 (06):242-.
    No categories
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  20.  23
    Philip Whaley Harsh: An Anthology of Roman Drama. Pp. xxxi+317. New York; Rinehart, 1960. Paper, $1.25.W. Beare - 1961 - The Classical Review 11 (03):296-.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  21.  32
    Quintilian VI. iii. 47 and the Fabula Atellana.W. Beare - 1937 - The Classical Review 51 (06):213-215.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  22.  16
    Recent Work on the Roman Theatre.W. Beare - 1937 - The Classical Review 51 (03):105-111.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  23.  6
    Side-Entrances and ΠEPIAKTOI in the Hellenistic Theatre.W. Beare - 1938 - Classical Quarterly 32 (3-4):205-.
    The greatest confusion prevails among modern writers as to the use of the side-entrances in New Comedy and its Latin derivatives. The statements on this subject made by editors and others, whether confident or hesitating, differ widely from one another, and are seldom supported by any real consideration of the ancient evidence. In 1933 Professor Mary Johnston published a careful treatise, entitled Exits and Entrances in Roman Comedy, in which she discussed the internal evidence afforded by the Latin plays, and (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  24.  25
    Slave Costume in New Comedy.W. Beare - 1949 - Classical Quarterly 43 (1-2):30-.
    The article by Professor Webster on ‘South Italian Vases and Attic Drama' in C.Q. xlii, pp. 15–27, raises problems for the reader of Roman comedy. Professor Webster takes the view that the Latin plays are good evidence for the costumes worn on the Greek stage; he even says that ‘the Greek original of Sceparnio in the Rudens certainly wore the phallus’, thus reviving a suggestion of Skutsch which Marx thought sehr k's argument that ancient works of art, in particular Italian (...)
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  25.  28
    Sophocles, Electra, ll. 17–19.W. Beare - 1927 - The Classical Review 41 (03):111-112.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  26.  32
    Seats in the Greek and Roman Theatres.W. Beare - 1939 - The Classical Review 53 (02):51-55.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  27.  17
    The Angiportum.W. Beare - 1954 - The Classical Review 4 (01):6-8.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  28.  25
    The Costume of the Actors in Aristophanic Comedy.W. Beare - 1954 - Classical Quarterly 4 (1-2):64-.
    t is generally believed that the actors of Aristophanic comedy wore phallic dress. For example Mr. James Laver tells us that ‘in Old Comedy the actors all wore clothes grotesquely padded, and each was provided with an enormous phallus of red leather. The female characters too were padded, and over the padding wore the long chiton if they belonged to the upper classes, and the short one if they belonged to the lower.‘ Similarly Haigh says that ‘the Old Comedy was (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  29.  10
    The Delivery of Cantica on the Roman Stage.W. Beare - 1940 - The Classical Review 36 (2):70-72.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  30.  21
    The Date of the Bellum Punicum.W. Beare - 1949 - The Classical Review 63 (02):48-.
  31.  14
    The Date of the Casina.W. Beare - 1934 - The Classical Review 48 (04):123-124.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  32.  16
    The Delivery of Cantica on the Roman Stage.W. Beare - 1940 - The Classical Review 54 (02):70-72.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  33.  25
    Titus Maccus Plautus.W. Beare - 1939 - The Classical Review 53 (04):115-116.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  34.  16
    The Priority of the Mercator.W. Beare - 1928 - The Classical Review 42 (06):214-215.
  35.  19
    When did Livius Andronicus come to Rome?W. Beare - 1940 - Classical Quarterly 34 (1-2):11-.
    In the middle of September, 47 b.c., Cicero obtained a copy of Atticus' recently published Liber Annalis, which he was consequently able to use in preparing his Brutus and his Tusculans and De Senectute . Atticus himself had consulted Varro's works on questions of literary history . Cicero, reading his friend's work, found himself in the thick of a controversy about the beginnings of Latin literature.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  36.  14
    Xopoy_ in The _Plutus: A Reply To Mr. Handley.W. Beare - 1955 - Classical Quarterly 5 (1-2):49-.
    In an interesting article entitled ‘XOPOY in the Plutus’ Mr. E. W. Handley questions the accuracy of some observations of mine on this subject, and complains of my ‘failure to state facts’. He quotes my remark that ‘the editors freely insert () in the Plutus; but, according to Weissinger , the only example afforded by the MSS. is after 770; and here there is no lapse of time’. I added in a footnote that R inserts XOPOY after line 801, according (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  37.  35
    Accent in Plautus Hans Drexler: Plautinische Akzentstudien. In 3 volumes. Pp. viii + 248, viii + 375, 71. (Abhandlungen der Schlesischen Gesellschaft für vaterländische Cultur.) Breslau: Marcus, 1932–1933. Paper, M. 15, 22, 4.20. [REVIEW]W. Beare - 1934 - The Classical Review 48 (2):72-74.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  38.  36
    An Italian Terence Alessandro Pratesi : Terenzio, Commedie. Volume Secondo: Formione, La Suocera, I Due Fratelli. Pp.335. Rome: Tumminelli, 1952. Cloth, L. 2500. [REVIEW]W. Beare - 1954 - The Classical Review 4 (3-4):258-260.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  39.  43
    A New Edition of the Pseudolus- T. Macci Plauti Pseudolus. Edited, with introduction and notes, by E. H. Sturtevant, in collaboration with F. E. Brown, F. W. Schaeffer and J. P. Showerman. Pp. 122. New Haven: Yale University Press (London: Milford), 1932. Cloth, 10s. 6d. [REVIEW]W. Beare - 1934 - The Classical Review 48 (02):74-.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  40.  23
    A New Volume of the Budé Plautus Plaute: Tome VI: Pseudolus, Rudens, Stichus. Texte établi et traduit par A. Ernout. (Collection des Universités de France.) Pp. 273. Paris: 'Les Belles Lettres', 1938. Paper, 40 fr. [REVIEW]W. Beare - 1939 - The Classical Review 53 (04):130-.
  41.  33
    Aeschylean Tragedy Aeschylean Tragedy. By Herbert Weir Smyth. One vol. Pp. 234. Berkeley, California: University of California Press, 1924. 18s. net. [REVIEW]W. Beare - 1926 - The Classical Review 40 (06):197-198.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  42.  5
    I Due Fratelli. [REVIEW]W. Beare - 1929 - The Classical Review 43 (6):242-242.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  43.  31
    Iste Deiktikon in the Early Roman Dramatists. [REVIEW]W. Beare - 1949 - The Classical Review 63 (2):72-73.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  44.  6
    Il Punitor di se stesso. [REVIEW]W. Beare - 1930 - The Classical Review 44 (5):188-188.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  45.  36
    Il teatro di Sabratha e l'architettura teatrale africana. [REVIEW]W. Beare - 1961 - The Classical Review 11 (2):170-171.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  46.  3
    La Mostellaria. [REVIEW]W. Beare - 1929 - The Classical Review 43 (6):241-242.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  47.  4
    La Poesia di Virgilio. By Tommaso Flork. Pp. 311. Bari: Laterza e Figli, 1930. L. 20. [REVIEW]W. Beare - 1930 - The Classical Review 44 (5):202-202.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  48.  5
    Menaechmi. [REVIEW]W. Beare - 1935 - The Classical Review 49 (1):38-39.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  49.  10
    Morphologie Historique du Latin. By A. Ernout. Second Edition. Pp. xiv + 404. Paris: Klincksieck, 1927. 24 fr. [REVIEW]W. Beare - 1927 - The Classical Review 41 (6):243-243.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  50.  33
    New Texts and Versions of Plautus. [REVIEW]W. Beare - 1938 - The Classical Review 52 (5):181-182.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 80