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W. J. T. Mitchell [64]W. J. Mitchell [8]W. J. Thomas Mitchell [1]
  1.  17
    Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory.Cary Wolfe & W. J. T. Mitchell - 2003 - University of Chicago Press.
    In Animal Rites, Cary Wolfe examines contemporary notions of humanism and ethics by reconstructing a little known but crucial underground tradition of theorizing the animal from Wittgenstein, Cavell, and Lyotard to Lévinas, Derrida, ...
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  2. What Do Pictures Want?: The Lives and Loves of Images.W. J. T. Mitchell - 2006 - Journal of Aesthetics and Art Criticism 64 (2):291-293.
     
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  3.  10
    The Covering Lemma Up to a Woodin Cardinal.W. J. Mitchell, E. Schimmerling & J. R. Steel - 1997 - Annals of Pure and Applied Logic 84 (2):219-255.
  4.  3
    Iconology: Image, Text, Ideology.W. J. T. Mitchell - 1986 - Journal of Aesthetics and Art Criticism 45 (2):211-214.
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  5.  32
    Iconology: Image, Text, Ideology.W. J. T. Mitchell - 1987 - University of Chicago Press.
    "[Mitchell] undertakes to explore the nature of images by comparing them with words, or, more precisely, by looking at them from the viewpoint of verbal language.... The most lucid exposition of the subject I have ever read."—Rudolf Arnheim, _Times Literary Supplement_.
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  6. Picture Theory Essays on Verbal and Visual Representation.W. J. Thomas Mitchell - 1994
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  7. The Late Derrida.W. J. T. Mitchell & Arnold I. Davidson (eds.) - 2007 - University of Chicago Press.
    The rubric “The Late Derrida,” with all puns and ambiguities cheerfully intended, points to the late work of Jacques Derrida, the vast outpouring of new writing by and about him in the period roughly from 1994 to 2004. In this period Derrida published more than he had produced during his entire career up to that point. At the same time, this volume deconstructs the whole question of lateness and the usefulness of periodization. It calls into question the “fact” of his (...)
     
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  8.  43
    Romanticism and the Life of Things: Fossils, Totems, and Images.W. J. T. Mitchell - 2001 - Critical Inquiry 28 (1):167-184.
  9.  87
    Spatial Form in Literature: Toward a General Theory.W. J. T. Mitchell - 1980 - Critical Inquiry 6 (3):539-567.
    Although the notion of spatiality has always lurked in the background of discussions of literary form, the self-conscious use of the term as a critical concept is generally traced to Joseph Frank's seminal essay of 1945, "Spatial Form in Modern Literature."1 Frank's basic argument is that modernist literary works are "spatial" insofar as they replace history and narrative sequence with a sense of mythic simultaneity and disrupt the normal continuities of English prose with disjunctive syntactic arrangements. This argument has been (...)
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  10.  40
    On Narrative.W. J. T. Mitchell - 1983 - Journal of Aesthetics and Art Criticism 41 (4):456-461.
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  11.  24
    Picturing Terror : Derrida's Autoimmunity.W. J. T. Mitchell - 2007 - In W. J. T. Mitchell & Arnold I. Davidson (eds.), The Late Derrida. University of Chicago Press. pp. 277-290.
  12.  22
    Image, Space, Revolution: The Arts of Occupation.W. J. T. Mitchell - 2012 - Critical Inquiry 39 (1):8-32.
    Is there a dominant global image—call it a world picture—that links the Occupy movement to the Arab Spring? Or is there any single image that captures and perhaps even motivated the widely noticed synergy and infectious mimicry between Tahrir Square and Zuccotti Park?
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  13. 10. Books of Critical Interest Books of Critical Interest (Pp. 622-631).Nancy Fraser, Peter Schwenger, Robert Morris, Bruce Holsinger, Garrett Stewart, Kate McLoughlin, Fredric Jameson, Ian Hunter & W. J. T. Mitchell - 2008 - Critical Inquiry 34 (3).
     
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  14.  54
    The Violence of Public Art: "Do the Right Thing".W. J. T. Mitchell - 1990 - Critical Inquiry 16 (4):880-899.
    The question naturally arises: Is public art inherently violent, or is it a provocation to violence? Is violence built into the monument in its very conception? Or is violence simply an accident that befalls some monuments, a matter of the fortunes of history? The historical record suggests that if violence is simply an accident that happens to public art, it is one that is always waiting to happen. The principal media and materials of public art are stone and metal sculpture (...)
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  15.  20
    Dead Again.W. J. T. Mitchell - 2007 - In W. J. T. Mitchell & Arnold I. Davidson (eds.), The Late Derrida. University of Chicago Press. pp. 219-228.
  16.  5
    Partitions of Large Rado Graphs.M. Džamonja, J. A. Larson & W. J. Mitchell - 2009 - Archive for Mathematical Logic 48 (6):579-606.
    Let κ be a cardinal which is measurable after generically adding ${\beth_{\kappa+\omega}}$ many Cohen subsets to κ and let ${\mathcal G= ( \kappa,E )}$ be the κ-Rado graph. We prove, for 2 ≤ m < ω, that there is a finite value ${r_m^+}$ such that the set [κ] m can be partitioned into classes ${\langle{C_i:i (...)
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  17.  2
    Art, Fate, and the Disciplines: Some Indicators.W. J. T. Mitchell - 2009 - Critical Inquiry 35 (4):1023-1031.
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  18.  5
    Addressing Media.W. J. T. Mitchell - 2008 - Mediatropes 1 (1):1-18.
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  19.  21
    Holy Landscape: Israel, Palestine, and the American Wilderness.W. J. T. Mitchell - 2000 - Critical Inquiry 26 (2):193-223.
  20.  14
    Art and the Public Sphere.Maryann de Julio & W. J. T. Mitchell - 1994 - Substance 23 (2):130.
  21.  23
    "Ut Pictura Theoria": Abstract Painting and the Repression of Language.W. J. T. Mitchell - 1989 - Critical Inquiry 15 (2):348-371.
    This may be an especially favorable moment in intellectual history to come to some understanding of notions like “abstraction” and “the abstract,” if only because these terms seem so clearly obsolete, even antiquated, at the present time. The obsolescence of abstraction is exemplified most vividly by its centrality in a period of cultural history that is widely perceived as being just behind us, the period of modernism, ranging roughly from the beginning of the twentieth century to the aftermath of the (...)
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  22.  14
    Jónsson Cardinals, Erdös Cardinals, and the Core Model.W. J. Mitchell - 1999 - Journal of Symbolic Logic 64 (3):1065-1086.
    We show that if there is no inner model with a Woodin cardinal and the Steel core model K exists, then every Jónsson cardinal is Ramsey in K, and every δ-Jónsson cardinal is δ-Erdös in K. In the absence of the Steel core model K we prove the same conclusion for any model L[E] such that either V = L[E] is the minimal model for a Woodin cardinal, or there is no inner model with a Woodin cardinal and V is (...)
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  23.  6
    Editor's Note: On Narrative.W. J. T. Mitchell - 1980 - Critical Inquiry 7 (1):1-4.
    The essays included in this special issue of Critical Inquiry are a product of the symposium on “Narrative: The Illusion of Sequence” held at the University of Chicago on 26-28 October 1979. The rather special character of this symposium was not fragmented into concurrent or competing sessions, and all the speakers remained throughout the entire weekend to discuss the papers of their fellow participants. Several distinguished participants, in fact, did not read papers but confined their contributions to the conversations which (...)
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  24. Cloning Terror: The War of Images 2001–2004.W. J. T. Mitchell - 2008 - In Diarmuid Costello & Dominic Willsdon (eds.), The Life and Death of Images: Ethics and Aesthetics. Cornell University Press. pp. 179--207.
     
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  25.  27
    An Interview with Barbara Kruger.W. J. T. Mitchell & Barbara Kruger - 1991 - Critical Inquiry 17 (2):434-448.
    Mitchell: Could we begin by discussing the problem of public art? When we spoke a few weeks ago, you expressed some uneasiness with the notion of public art, and I wonder if you could expand on that a bit.Kruger: Well, you yourself lodged it as the “problem” of public art and I don’t really find it problematic inasmuch as I really don’t give it very much thought. I think on a broader level I could say that my “problem” is with (...)
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  26.  5
    The Languages of LandscapeLandscape and PowerToil and Plenty: Images of the Agricultural Landscape in England 1780-1890The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth CenturyArt and Science in German Landscape Painting 1770-1840The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France. [REVIEW]Stephanie Ross, Mark Roskill, W. J. T. Mitchell, Christiana Payne, Kay Dian Kriz, Timothy F. Mitchell & Nicholas Green - 2000 - Journal of Aesthetics and Art Criticism 58 (4):407.
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  27.  7
    Editor's Introduction: The Politics of Interpretation.W. J. T. Mitchell - 1982 - Critical Inquiry 9 (1):iii-viii.
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  28.  22
    Realism, Irrealism, and Ideology: A Critique of Nelson Goodman.W. J. T. Mitchell - 1991 - Journal of Aesthetic Education 25 (1):23.
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  29.  16
    Pluralism as Dogmatism.W. J. T. Mitchell - 1986 - Critical Inquiry 12 (3):494-502.
    It may seem a bit perverse to argue that pluralism is a kind of dogmatism, since pluralists invariably define themselves as antidogmatists. Indeed, the world would seem to be so well supplied with overt dogmatists—religious fanatics, militant revolutionaries, political and domestic tyrants—that it will probably seem unfair to suggest that the proponents of liberal, tolerant, civilized open-mindedness are guilty of a covert dogmatism. My only excuse for engaging in this exercise is that it may help to shake up some rather (...)
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  30. Blake's Composite Art a Study of the Illuminated Poetry.W. J. T. Mitchell - 1978 - Princeton University Press.
     
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  31.  19
    Diagrammatology.W. J. T. Mitchell - 1981 - Critical Inquiry 7 (3):622-633.
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  32.  17
    Preface to “Occupy: Three Inquiries in Disobedience”.W. J. T. Mitchell - 2012 - Critical Inquiry 39 (1):1-7.
    If journalism is the first draft of history, these three essays might be described as a stab at a second draft. It is an attempt by three scholars from different disciplines, with sharply contrasting methodologies, to provide an account of the protest movements of 2011, from the Arab Spring to Occupy Wall Street. We deploy the perspectives of ethnography, political thought, and iconology in an effort to produce a multidimensional picture of this momentous year of revolutions, uprisings, mass demonstrations, and—most (...)
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  33.  2
    "Critical Inquiry" and the Ideology of Pluralism.W. J. T. Mitchell - 1982 - Critical Inquiry 8 (4):609-618.
    The criterion of "arguability" has tended to steer Critical Inquiry away from the kind of pluralism which defines itself as neutral, tolerant eclecticism toward a position which I would call "dialectical pluralism." This sort of pluralism is not content with mere diversity but insists on pushing divergent theories and practices toward confrontation and dialogue. Its aim is not the mere preservation or proliferation of variety but the weeding out of error, the elimination of trivial or marginal contentions, and the clarification (...)
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  34.  9
    Gitik Moti. The Negation of the Singular Cardinal Hypothesis From O = K ++. Annals of Pure and Applied Logic, Vol. 43 , Pp. 209–234. [REVIEW]W. J. Mitchell - 1991 - Journal of Symbolic Logic 56 (1):344.
  35.  12
    Medium Theory: Preface to the 2003 Critical Inquiry Symposium.W. J. T. Mitchell - 2004 - Critical Inquiry 30 (2):324-335.
  36.  14
    Editor's Introduction: Essays Toward a New Art History.W. J. T. Mitchell - 1989 - Critical Inquiry 15 (2):226-226.
    The following articles are best described as essays “in,” not “on,” the New Art History. They exemplify what we regard as some of the most interesting new directions in the practical understanding of art: the discourse of art historical description ; the materiality of the pictorial surface ; the role of genre ; the relation of visual representation and language ; and the mediation of social and economic history through painting. These essays constitute a kind of first installment of work (...)
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  37.  10
    Public Conversation: What the %$#! Happened to Comics?W. J. T. Mitchell & Art Spiegelman - 2014 - Critical Inquiry 40 (3):20-35.
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  38.  12
    Report From Morocco.W. J. T. Mitchell - 2012 - Critical Inquiry 38 (4):892-901.
    Every once in awhile an academic drudge gets to visit a place that dreams are made of. We all know the little game in which American scholars compete to mention the exotic locations they have been to: Paris, London, Beijing, Mumbai. But I have never aroused such open jealousy in my colleagues until I uttered the word “Casablanca.”For knowledgeable tourists, this is something of a puzzle. Casablanca is routinely disrespected by the guidebooks for its lack of an authentically ancient medina (...)
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  39.  11
    Seeing "Do the Right Thing".W. J. T. Mitchell - 1991 - Critical Inquiry 17 (3):596-608.
    I might as well say at the outset that, although I can return Christensen’s compliment, and call his response “thoughtful,” I am most interested in those places where the fullness of his thought, and particularly of his own language, has paralyzed his thought in compulsively repetitious patterns, and led him into interpretive maneuvers that he would surely be skeptical about in the reading of a literary text. Even more interesting is the way Christensen’s antipathy to the film, and the violence (...)
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  40.  8
    The Languages of Landscape.Mark Roskill, W. J. T. Mitchell, Christiana Payne, Kay Dian Kriz, Timothy F. Mitchell & Nicholas Green - 2000 - Journal of Aesthetics and Art Criticism 58 (4):407-411.
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  41.  10
    The Ends of Theory: The Beijing Symposium on Critical Inquiry.W. J. T. Mitchell & Wang Ning - 2005 - Critical Inquiry 31 (2):265-270.
  42.  8
    911: Criticism and Crisis.W. J. T. Mitchell - 2002 - Critical Inquiry 28 (2):567-572.
  43.  9
    Wayne Booth, 1921–2005.W. J. T. Mitchell - 2006 - Critical Inquiry 32 (2):375-376.
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  44.  5
    Bashir Makhoul and Gordon Hon. The Origins of Palestinian Art. Liverpool: Liverpool University Press, 2013. 269 Pp. [REVIEW]W. J. T. Mitchell - 2016 - Critical Inquiry 42 (3):720-721.
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  45.  8
    Reply to Catherine Elgin.W. J. T. Mitchell - 1991 - Journal of Aesthetic Education 25 (4):137.
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  46. The Effects of Radiation on the Near Infra-Red Absorption Spectrum of Α-Quartz.W. J. Mitchell & J. D. Rigden - 1957 - Philosophical Magazine 2 (20):941-956.
  47.  8
    Christo’s Gates and Gilo’s Wall.W. J. T. Mitchell - 2006 - Critical Inquiry 32 (4):587-601.
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  48.  6
    Editorial Notes.W. J. T. Mitchell - 1993 - Critical Inquiry 19 (3):595-598.
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  49.  3
    The Ends of Theory: The Beijing Symposium on Critical Inquiry.W. J. T. Mitchell & Wang Ning - 2005 - Critical Inquiry 31 (2):265.
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  50.  6
    Edward Said: Continuing the Conversation.W. J. T. Mitchell - 2005 - Critical Inquiry 31 (2):365-370.
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