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  1.  70
    Puzzle Films: Complex Storytelling in Contemporary Cinema.Warren Buckland (ed.) - 2009 - Wiley-Blackwell.
    Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, ...
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  2. The Routledge encyclopedia of film theory.Edward Branigan & Warren Buckland (eds.) - 2014 - New York: Routledge, Taylor & Francis Group.
     
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  3. Cognitive semiotics revisited: reframing the frame.Warren Buckland - 2015 - In Maarten Coëgnarts & Peter Kravanja (eds.), Embodied cognition and cinema. Leuven University Press.
     
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  4.  84
    Film Theory and Contemporary Hollywood Movies.Warren Buckland (ed.) - 2009 - Routledge.
    This volume offers a representative sampling of current research generated by both young and established film scholars from the different schools of thought ...
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  5.  2
    Film Theory: Rational Reconstructions.Warren Buckland - 2012 - Routledge.
    Introduction -- An improbable alliance : Peter Wollen's "The auteur theory" -- Visual stylometry : Barry Salt's "Statistical style analysis of motion pictures" -- Between Shakespeare and Sirk : Thomas Elsaesser's "Tales of sound and fury: observations on the family melodrama" -- From iconicity to semiotic articulation : Christian Metz's "cinema: language or language system?" and language and cinema -- Film as a specific signifying practice : Stephen Heath's "On screen, in frame: film and ideology" -- Against theories of reflection (...)
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  6. Hollywood puzzle films.Warren Buckland (ed.) - 2014 - New York: Routledge.
     
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  7. Introduction: ambiguity, ontological pluralism, and cognitive dissonance in the Hollywood puzzle film.Warren Buckland - 2014 - In Hollywood puzzle films. Routledge.
     
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  8. Narrative and narration: analyzing cinematic storytelling.Warren Buckland - 2020 - New York: Wallflower.
    From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. Narrative and Narration distills the basic components of cinematic storytelling into a set of core concepts: narrative structure, processes of narration, and narrative agents. The book opens with a (...)
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  9. Source code's video game logic.Warren Buckland - 2014 - In Hollywood puzzle films. Routledge.
     
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  10.  35
    Making sense of Lost Highway.Warren Buckland - 2009 - In Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley-Blackwell. pp. 42.
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  11.  29
    The Practice of Filmic Interpretation: On Noel Carroll, Interpreting the Moving Image.Warren Buckland - 1998 - Film-Philosophy 2 (1).
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  12.  20
    Problem Formation in the Analytic Philosophy of Film.Warren Buckland - 2001 - Film-Philosophy 5 (1).
    _Film Theory and Philosophy_ Edited by Richard Allen and Murray Smith Oxford: Clarendon Press, 1997; pbk 1999 ISBN 0-19-815921-8 (hbk); 0-19-815988-9 (pbk) 474 pp.
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  13. Introduction: Puzzle plots.Warren Buckland - 2009 - In Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley-Blackwell. pp. 1--12.
     
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  14.  15
    Film as specific signifying practice: A rational reconstruction of Stephen Heath's “On screen, in frame: Film and ideology”.Warren Buckland - 2011 - Semiotica 2011 (187):49-81.
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  15.  15
    Michel Colin and the psychological reality of film semiology.Warren Buckland - 1995 - Semiotica 107 (1-2):51-80.
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  16.  6
    The Making of an Avant-Garde: Tel Quel, by Niilo Kauppi, trans. Anne R. Epstein.Warren Buckland - 1996 - Journal of the British Society for Phenomenology 27 (3):326-328.
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  17.  8
    Visual rhetoric in Michel Gondry’s music videos: Antithesis and similarity in Deadweight.Warren Buckland - 2015 - Empedocles: European Journal for the Philosophy of Communication 5 (1):49-57.
    This article analyses the visual rhetoric of Michel Gondry’s Deadweight (1997), a music video for Beck Hansen’s song of the same name, and also considers the song’s relation to Danny Boyle’s film A Life Less Ordinary (1997). Two key structures are identified in the video: antithesis and similarity – which Gondry employs to visually illustrate the title of both Beck’s song and Boyle’s film.
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  18.  4
    The Time of Theory: A History of Tel Quel , by Patrick ffrench.Warren Buckland - 1998 - Journal of the British Society for Phenomenology 29 (3):334-335.
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  19.  6
    A new cultural history of film.Warren Buckland - 2003 - Semiotica 2003 (145).
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  20.  10
    Black Cats, Dark Rooms, and Paper Tigers: A Reply to Petric and Grodal.Warren Buckland - 2001 - Film-Philosophy 5 (1).
    Mirko Petric 'Both Semiotics and Cognitivism?' _Film-Philosophy_, vol. 5 no. 11, April 2001 Torben Grodal 'Old Wine in Old Bottles' _Film-Philosophy_, vol. 5 no. 12, April 2001.
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  21.  10
    The last word on filmic enunciation?Warren Buckland - 2001 - Semiotica 2001 (135).
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