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  1.  4
    Das griechische Satyrspiel.William Allan, R. Krumeich, N. Pechstein & B. Seidensticker - 2001 - Journal of Hellenic Studies 121:186.
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  2.  44
    Divine Justice and Cosmic Order in Early Greek Epic.William Allan - 2006 - Journal of Hellenic Studies 126:1-35.
    This article examines the ethical and theological universe of the Homeric epics, and shows that the patterns of human and divine justice which they deploy are also to be found throughout the wider corpus of early Greek hexameter poetry. Although most scholars continue to stress the differences between the Iliad and Odyssey with regard to divine justice, these come not (as is often alleged) from any change in the gods themselves but from the Odyssey's peculiar narrative structure, with its focus (...)
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  3.  9
    Arms and the Man: Euphorbus, Hector, and the Death of Patroclus.William Allan - 2005 - Classical Quarterly 55 (01):1-16.
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  4.  12
    J. Davie (Trans.): Euripides , Electra and Other Plays . Introduction and Notes by R. Rutherford. Pp. L + 265. London: Penguin Press, 1998. Paper, £6.99. ISBN: 0-14-044668-. [REVIEW]William Allan - 1999 - The Classical Review 49 (2):559.
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  5.  8
    F. Rosslyn: Tragic Plots. A New Reading From Aeschylus to Lorca . Pp. 248. Aldershot, Burlington, Singapore, and Sydney: Ashgate, 2000. Cased, £45. ISBN: 0-7546-0247-. [REVIEW]William Allan - 2002 - The Classical Review 52 (01):164-.
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  6.  12
    The Greek Stage.William Allan - 1998 - The Classical Review 48 (2):265-266.
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  7.  12
    D. Susanetti (ed.): Euripide: Alcesti . Pp. 301. Venice: Marsilio, 2001. Paper, L. 30,000. ISBN: 88-317-7589-.William Allan - 2002 - The Classical Review 52 (01):151-.
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  8.  22
    Egli (F.) Euripides im Kontext zeitgenössischer intellektueller Strömungen. Analyse der Funktion philosophischer Themen in den Tragödien und Fragmenten. (Beiträge zur Altertumskunde 189.) Pp. 334. Munich and Leipzig: K.G. Saur, 2003. Cased, €90. ISBN: 978-3-598-77801-. [REVIEW]William Allan - 2008 - The Classical Review 58 (01):14-16.
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  9.  9
    Listening to Many Voices: Athenian Tragedy as Popular Art.William Allan & Adrian Kelly - 2013 - In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 77.
    By analysing how the audience interpreted the many voices of tragic performance, this chapter suggests a new model for understanding tragedy’s relationship to the world of the watching community. Although the idea that the poet expresses his personal opinions through the chorus or his characters is now rightly seen as old-fashioned and naïve, it is still legitimate to ask how the poet uses his heroic characters and their voices to speak to his contemporary audience—using ‘speak to’ in the broadest sense, (...)
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  10.  19
    B. Gentili, F. Perusino (edd.): Medea nella letteratura e nell' arte . Pp. 215, 12 pls. Venice: Marsilio, 2000. Paper, L. 35,000. ISBN: 88-317-7508-. [REVIEW]William Allan - 2002 - The Classical Review 52 (01):170-.
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  11.  16
    Roman Spectacle W. J. Slater (Ed.): Roman Theater and Society . (E. Togo Salmon Papers, I.) Pp. Xii + 186, 24 Pls. Ann Arbor: University of Michigan Press, 1996. $42.50. ISBN: 0-472-10721-. [REVIEW]William Allan - 1999 - The Classical Review 49 (01):98-.
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  12.  11
    Kyriakou (P.) A Commentary on Euripides' Iphigenia in Tauris. (Untersuchungen Zur Antiken Literatur Und Geschichte 80.) Pp. X + 504. Berlin and New York: Walter de Gruyter, 2006. Cased, €98, US$118.95. ISBN: 978-3-11-019099-. [REVIEW]William Allan - 2008 - The Classical Review 58 (01):21-23.
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  13. Euripides Satyrographos. Ein Kommentar zu den Euripideischen Satyrspielfragmenten.William Allan & N. Pechstein - 2000 - Journal of Hellenic Studies 120:155.
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  14. (R.) Krumeich,(N.) Pechstein and (B.) Seidensticker Das Griechische Satyrspiel.(Texte Zur Foschung 72). Darmstadt: Wissenschaftliche Buchgesellschaft, 1999. Pp. Xii+ 676+ 30 Plates. 3534145933. DM 148. [REVIEW]William Allan - 2001 - Journal of Hellenic Studies 121:186-187.
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