In this article I focus on the question question of why we actually do read literary texts and what the merits of engaging with literary works are. The central argument is that (among the many other functions literature is abile to perform) literature is cognitively valuable by focusing not on what is said, but on how it is said. Reading literary texts adds to our expressive capacities, enriches our conceptual schemes and can so allow us to get a better grasp (...) of (relevant aspects of) the world. In short, Literature is cognitively valuable not in virtue of the content it expresses, but by means of formal or stylistic elements to which it draws our attention. (shrink)

Anti-reductionist philosophers have often argued that mental and linguistic phenomena contain an intrinsically normative element that cannot be captured by the natural sciences which focus on causal rather than rational relations. This line of reasoning raises the questions of how reasons could evolve in a world of causes and how children can be acculturated to participate in rule-governed social practices. In this paper I will sketch a Wittgensteinian answer to these questions. I will first point out that throughout his later (...) philosophy Wittgenstein draws a sharp distinction between "teaching" and "training": newly-born children are trained (conditioned) to react to specific stimuli in specific ways, which then allows them to acquire concepts and follow rules. I will then show that this picture presupposes a strong analogy between concepts and capacities, which is also present in Wittgenstein's later philosophy. In the last section I will point out that Wittgenstein only discusses the ontogenetic question of how individual children can acquire speech, but not the phylogenetic question of how rule-governed behavior could evolve in the first place. I will argue that this strategy should not be seen as a shortcoming, but rather as an expression of Wittgenstein's approach that can be characterized as naturalistic in a wide sense. (shrink)

Through the work of philosophers like Sellars, Davidson and McDowell, the question of how the mind is related to the world has gained new importance in contemporary analytic philosophy. This book demonstrates that Husserl's phenomenological analyses of the structure of consciousness can provide fruitful insights for developing an original approach to these questions.

lntroductlon The history of philosophy of the twentieth century is most commonly characterized by the opposition of its two main movements: analytic ...

Brentano hat das Zeit-Problem in verschiedenen Phasen seiner Philosophie aus verschiedenen Perspektiven zu lösen gesucht, die in vier Phasen eingeteilt werden können: Erstens die frühe Würzburger Phase, in der er die Zeitdifferenzen in der Weise des urteilenden Verhaltens sieht; zweitens die frühe Wiener Phase, in der er besonderes Augenmerk auf die zeitlichen Unterschiede als Unterschiede des Gegenstandes legt, aber diese seine Auffassung des kontinuierlichen Zeitüberganges auch einer 3-fachen Kritik unterzieht, drittens die Charakterisierung der Zeitunterschiede als Unterschiede des Urteilsmodus; viertens die (...) Auffassung der zeitlichen Unterschiede als Unterschiede des Vorstellens. (shrink)

In his entire oeuvre Brentano defended a scientific conception of philosophy and advocated the adoption of a rigorous, scientific method. Given this background it might come as a surprise that in his reflections on aesthetics he firmly rejected the classic definition of aesthetics as the science of beauty. This must not be read as an expression of disinterest in – or a dismissal of – aesthetics, though. It is rather an expression of Brentano's view concerning the position of aesthetics in (...) his overall system. He conceived it – on a par with logic and ethics – not as a theoretical science, but as a practical discipline that was rooted in psychology: aesthetics, Brentano suggests, is not constituted by a set of intrinsically related propositions; it rather serves the practical purpose of instructing those who want to experience the beautiful with correct taste or to create works of art. The task of aesthetics is, in other words, to formulate a set of rules or instructions that teach us how to correctly experience beauty, how to come to prefer the more over the less beautiful, but also how to create beauty and how to produce works of art that have the power to bring about aesthetic pleasure in the beholder. (shrink)

Both Husserl and Haugeland develop an account of constitution to address the question of how our mental episodes can be about physical objects and thus, through the intentional relation, bridge the gap between the mental and the physical. The respective theories of the two philosophers of very different background show not only how mental episodes can have empirical content, but also how this content is shaped by past experiences or a holistic background of other mental episodes. In this article I (...) first outline and then contrast their positions in order to show how the notion of constitution can be adopted to address major problems of contemporary philosophy of mind, especially the question of how the mind can be related to its physical environment. (shrink)

A team of leading contributors from both philosophical and literary backgrounds have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate. The innovative feature of this volume is that it mixes work by literary theorists and scholars with work of analytic philosophers that combined together provide a comprehensive statement of the variety of ways in which works of fiction (...) can engage questions of worldly interest. It uses the problem of cognitive value to explore: literature’s contribution to ethical life literature’s ability to engage in social and political critique the role narrative plays in opening up possibilities of moral, aesthetic, experience and selfhood This remarkable volume will attract the attention of both literature and philosophy scholars with its statement of the various ways that literature and life take an interest in one another. (shrink)

_The Literary Wittgenstein_ is a stellar collection of articles relating the philosophy of Ludwig Wittgenstein to core problems in the theory and philosophy of literature. Amid growing recognition that Wittgenstein's philosophy has important implications for literary studies, this book brings together twenty-one articles by the most prominent figures in the field. Eighteen of the articles are published here for the first time. _The Literary Wittgenstein_ applies the approach of Wittgenstein to core areas of literary theory, including poetry, deconstruction, the ethical (...) value of literature, and the nature and logic of fictional discourse. The literary dimension of Wittgenstein's own writings is also explored, such as the authorial strategy of the _Tractatus_, and writing and method in the _Philosophical Investigations_. Major literary figures discussed in the book include William Faulkner, Joseph Conrad, and Friedrich Hölderlin. By mapping out the foundations of a new approach to literature, _The Literary Wittgenstein_ is essential reading for anyone interested in the relevance and application of Wittgenstein's thought to literary theory, aesthetics, and the philosophy of language and logic. (shrink)

In this article we present and compare two early attempts to establish psychology as an independent scientific discipline that had considerable influence in central Europe: the theories of Johann Friedrich Herbart (1776—1841) and Franz Brentano (1838—1917). While both of them emphasize that psychology ought to be conceived as an empirical science, their conceptions show revealing differences. Herbart starts with metaphysical principles and aims at mathematizing psychology, whereas Brentano rejects all metaphysics and bases his method on a conception of inner perception (...) (as opposed to inner observation) as a secondary consciousness, by means of which one gets to be aware of all of one’s own conscious phenomena. Brentano’s focus on inner perception brings him to deny the claim that there could be unconscious mental phenomena — a view that stands in sharp contrast to Herbart’s emphasis on unconscious, ‘repressed’ presentations as a core element of his mechanics of mind. Herbart, on the other hand, denies any role for psychological experiments, while Brentano encouraged laboratory work, thus paving the road for the more experimental work of his students like Stumpf and Meinong. By briefly tracing the fate of the schools of Herbart and Brentano, respectively, we aim to illustrate their impact on the development of psychological research, mainly in central Europe. (shrink)

Franz Brentano’s impact on the philosophy of his time and on 20th-century philosophy is considerable. The “sharp dialectician” and “genial master” influenced philosophers of various allegiances, being acknowledged not only as the “grandfather of phenomenology” but also as an analytic philosopher “in the best sense of this term” . The fourteen new essays gathered together in this volume give an insight in three core issues of Brentano’s philosophy: consciousness , intentionality and ontology and metaphysics . Two further sections of the (...) volume deal with the posterity of his philosophy: in section 4, the legacy of his account of sense perception and feeling is discussed, while the history of Brentano’s unpublished manuscripts is discussed in section 5. This section also presents an edition of a manuscript from 1899 on relations, along with the letters from Brentano to Marty which discuss this manuscript. The last part of section 5 contains the tekst of a public lecture given by Brentano on the laws of inference. (shrink)

Fin dall’antichità esiste una tensione tra filosofia e letteratura, a cui David Hume ha dato voce dicendo che i poeti sono «mentitori per professione»: i testi letterari, in quanto opere di finzione che parlano di persone che non sono mai esistite e di eventi che non sono mai accaduti, non contengono proposizioni vere. Ciò implica, però, che essi sono privi di qualsiasi valore cognitivo. Questo articolo cerca di mostrare che tale atteggiamento anticognitivista si basa su una concezione errata del progresso (...) cognitivo, che lo riduce a un accumulo di dati. Quando apprendiamo da un testo letterario, invece, è perché esso ci offre nuove prospettive, approfondisce la nostra comprensione o ci invita a riflettere e ad arrivare a conclusioni nostre.There is an old tension between philosophy and literature that has been brought to the point by David Hume who stated that poets are «liars by profession». Literary texts, as works of fiction that talk about people who have never lived and events that have never taken place, do not contain true propositions and hence do not have any cognitive value. This article aims to show that the anticognitivistic argument is based on a false conception of cognitive progress, which reduces learning to the acquisition of information. We can learn from literary texts, however, because they offer new perspectives, deepen our understanding and invite us to reflect and arrive at our own conclusions. (shrink)

Die Philosophie der Wahrnehmung der letzten Jahrzehnte ist stark geprägt von der Begrifflichkeitsdebatte. Dabei ist allerdings eine dialektische Pattstellung zu erkennen: während die Begrifflichkeitsthese für gewöhnlich mit der epistemischen Rolle er Wahrnehmung begründet wird, verweisen Argumente für die Nichtbegrifflichkeitsthese zumeist auf die qualitative Reichhaltigkeit und die erlebnismäßig gegebenen, also phänomenologischen Aspekte der Wahrnehmung. Um diese Pattstellung zu überwinden, skizziere ich in diesem Beitrag Überlegungen für ein Argument für die Begrifflichkeitsthese, das wesentliche auf den phänomenologischen Aspekten der Wahrnehmung beruht.

Translation of _The Literary Wittgenstein_ (ed. by John Gibson and Wolfgang Huemer, London: Routledge, 2004). Simplified Chinese. ISBN 978-7-80762-896-5.

A team of leading contributors from both philosophical and literary backgrounds have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate. The innovative feature of this volume is that it mixes work by literary theorists and scholars with work of analytic philosophers that combined together provide a comprehensive statement of the variety of ways in which works of fiction (...) can engage questions of worldly interest. It uses the problem of cognitive value to explore: literature’s contribution to ethical life literature’s ability to engage in social and political critique the role narrative plays in opening up possibilities of moral, aesthetic, experience and selfhood This remarkable volume will attract the attention of both literature and philosophy scholars with its statement of the various ways that literature and life take an interest in one another. (shrink)