13 found
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  1. The Baroque: A Critical Summary of the Essays by Bukofzer, Hatzfeld, and Martin.Wolfgang Stechow - 1955 - Journal of Aesthetics and Art Criticism 14 (2):171-174.
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  2.  23
    Studies of Italian Renaissance SculptureGerman Painting, XIV-XVI Centuries.Wolfgang Stechow, W. R. Valentiner & Alfred Stange - 1952 - Journal of Aesthetics and Art Criticism 10 (3):287.
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  3.  17
    The French Academies of the Sixteenth CenturyStudies in Seicento Art and Theory.Wolfgang Stechow, Frances Yates, F. Saxl & Denis Mahon - 1949 - Journal of Aesthetics and Art Criticism 8 (1):61.
  4.  60
    Letters Pro and Con.Denton Beal, Wolfgang Stechow & Victor S. Yarros - 1954 - Journal of Aesthetics and Art Criticism 12 (4):522-526.
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  5.  26
    Problems of Structure in Some Relations Between the Visual Arts and Music.Wolfgang Stechow - 1953 - Journal of Aesthetics and Art Criticism 11 (4):324-333.
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  6.  16
    Definitions of the Baroque in the Visual Arts.Wolfgang Stechow - 1946 - Journal of Aesthetics and Art Criticism 5 (2):109-115.
  7.  3
    De Meesters van Weleer Van Geertgen tot Frans Hals.Wolfgang Stechow, Eugene Fromentin, H. van de Waal & H. Gerson - 1954 - Journal of Aesthetics and Art Criticism 13 (1):119.
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  8.  3
    Tilmann Riemenschneider, ein Gedenkbuch.Wolfgang Stechow & Justus Bier - 1950 - Journal of Aesthetics and Art Criticism 9 (1):70.
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  9.  19
    The Myth of Philemon and Baucis in Art.Wolfgang Stechow - 1940 - Journal of the Warburg and Courtauld Institutes 4 (1/2):103-113.
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  10.  12
    Heliodorus' Aethiopica in Art.Wolfgang Stechow - 1953 - Journal of the Warburg and Courtauld Institutes 16 (1/2):144-152.
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  11.  5
    Über »schöpferische Kopien«.Wolfgang Stechow - 2005 - In Michael Weingarten (ed.), Eine »Andere« Hermeneutik: Georg Misch Zum 70. Geburtstag - Festschrift Aus Dem Jahr 1948. Transcript Verlag. pp. 298-307.
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  12.  4
    The Gothic. Paul Frankl.Wolfgang Stechow - 1962 - Speculum 37 (1):123-126.
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  13.  8
    Justice Holmes' Notes on Albert Durer.Wolfgang Stechow - 1949 - Journal of Aesthetics and Art Criticism 8 (2):119-124.