The first season of Westworld the has recurring image of a piano which is capable of playing its own keys and pedals. Robert Ford's error demonstrates how our common‐sense view of consciousness has been incorporated into the way we think and even speak about the ourselves and others. When we look at ourselves and those around us, we use rather common‐sense concepts to explain or understand human behavior and action. Dennett believes that what we conceive as consciousness, from our common (...) sense, is an illusion that represents the deeper, more complex functions within the human brain. The eliminativism of Robert Ford, Paul Churchland and Daniel Dennett, rejects what our common sense tells us about consciousness and what Descartes himself had tried to defend. What we seem to intuitively conceive as human consciousness is just as much a fiction as are the narrative loops and backstories of Westworld's hosts. (shrink)

Volume 12, Issue 1, January 2012, Page 1-3.

Volume 12, Issue 1, January 2012, Page 1-3.

John C. Altmann decides whether Dracula can really be blamed for his crimes, since it's his nature as a vampire to behave a certain way. Robert Arp argues that Dracula's addiction to live human blood dooms him to perpetual frustration and misery. John V. Karavitis sees Dracula as a Randian individual pitted against the Marxist collective. Greg Littmann maintains that if we disapprove of Dracula's behavior, we ought to be vegetarians. James Edwin Mahon uses the example of Dracula to resolve (...) nagging problems about the desirability of immortality. Adam Barkman and Michael Versteeg ponder what it would really feel like to be Dracula, and thereby shed some light on the nature of consciousness. Robert Vuckovich looks at the sexual morality of Dracula and other characters in the Dracula saga. Ariane de Waal explains that "Dragula" is scary because every time this being appears, it causes "gender trouble." And Cari Callis demonstrates that the Count is really the Jungian Shadow archetype--with added Shapeshifter elements--in the journey of Mina Harker, heroine/victim of Stoker's novel, from silly girl to empowered woman. (shrink)