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  1.  9
    Flows, Vortices, and Counterflows: Artification and Aesthetization in Chiasmatic Motion on a Mobius Ring.Yrjö Sepänmaa - 2012 - Contemporary Aesthetics.
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  2.  33
    Being the Centre of the World.Yrjö Sepänmaa - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:247-253.
    Aesthetics is about sensations, experiences and emotions – but also about the rational mind that guides them. At the centre lies the feeling, sensing and thinking individual. The world unfolds from within oneself. No matter how remote a spot one chooses, it becomes the centre of the world; everyone travels with his own centre of the world, inevitably. He is, I am, the centrepoint.
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  3. Home Team and Visiting Team in Applied Environmental Aesthetics.Yrjö Sepänmaa - 2004 - Filozofski Vestnik 25 (2).
    The core question in aesthetics now and in the future is, how to combine philosophical theory with practice. Though reference is made to applied philosophy, and particularly to applied ethics, it is seldom made to applied aesthetics, even though we have a social need for it. The function of applied environmental aesthetics is to lay a foundation for practical actions. The goal is to connect the theoretical side closely to everyday problem solving. This means proceeding from a "passive" outsider aesthetics (...)
     
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  4.  2
    Tuhatjärvinen: esseitä ympäristökulttuurista.Yrjö Sepänmaa - 1994 - Helsinki: Suomalaisen Kirjallisuuden Seura.
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  5. The two aesthetic cultures: The great analogy of art and the environment.Yrjö Sepänmaa - 2002 - In Arnold Berleant (ed.), The Environment and the Arts. Ashgate Press. pp. 39--46.
     
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  6.  36
    Review of: Arnold Berleant, The Aesthetics of Environment. [REVIEW]Yrjö Sepänmaa - 1994 - Environmental Ethics 16 (4):437-439.
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    The Aesthetics of Environment. [REVIEW]Yrjö Sepänmaa - 1994 - Environmental Ethics 16 (4):437-439.
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