This study attempts to explore the possible motivations, both obvious and problematic, behind the ritual suicide (seppuku) committed by the Japanese writer in the name of the Emperor at the Eastern Headquarters of Japan’s Self-Defense Forces in 1970. History does not seem to be a coherent or intelligible process, as man’s struggle for nourishment is most often replaced by thymos, the desire for others to recognize his value or the value system of the ideals or noble purposes he is ready (...) to sacrifice for, ignoring the basic instinct of self-conservation. Yukio Mishima was extremely pessimistic about pragmatic and materialistic contemporary Japan. History brought along increasing consumerism, thus disturbing the harmony of traditional Japanese spirituality. The technological ability to improve human existence seemed to alter inevitably the moral evolution of contemporary Japanese. Against this background of ruling “costs” and “benefits”, the Japanese writer seems to believe that it is only the thymotic man, the “man of anger”, who can fight for the recognition and salvation of the Japanese soul (yamato damashii). Believed for centuries to be the true art of dying, Yukio Mishima’s seppuku turned from a “beautiful” gesture into one of protest and accusation: the Japanese society had begun the transition from a closed society to an open one, governed by anxiety, in which individuals faced personal decisions. (shrink)
While entanglement is a phenomenon discussed in quantum theory, it can also be found in art. We propose to connect entanglement to art’s most fundamental question: what is creativity? For example, Marcel Duchamp found the essence of the creative act in the “art coefficient,” the difference and/or gap between the artist’s intention and realization which is created. This paper locates the common sense understanding of entanglement in an inseparable whole that ensures difference between the intention and realization. Seeing the artistic (...) act as actively designing entanglement within artistic production, we present examples of this from the work of the Japanese-style painter Nakamura, and present a concrete vision for an answer regarding the question of the nature of creativity. (shrink)
Free will in intentional consciousness is exposed to skeptics since it was found that subconscious neural activities, what is called readiness potential, precedes the intention to an action. The question of whether free will is an authentic illusion has been argued not only in psychology but physics and philosophy. Most of scientists, however, think that the intentional consciousness who believes to have his/her own free will, is determined by readiness potential in advance, and that free will cannot coexist with determinism. (...) We here point out that knowing to be determined in advance cannot be verified till local event at a local site can be known from a different local site without disturbing the event. That is the assumption of locality. We here show that determinism, free will and locality are three essential elements in consciousness, and show that they constitute trilemma. The fact that one of three elements must be abandoned can lead to three types of consciousness. Absence of free will can constitute type I consciousness which is consistent with symptoms in autism spectrum disorder such as weakened theory of mind. Absence of determinism can constitute type II consciousness which is consistent with symptoms in schizophrenia such as thought insertion, self-other integration. Absence of locality can constitute type III consciousness which is consistent with typical people. We can find the entanglement of intentional consciousness with unconsciousness including readiness potential only in type III consciousness. Finally, we show that sense of agency and free will cannot be established until consciousness as an entanglement is implemented. (shrink)
When I am asked “What are you doing?”, I answer e.g. “I am making coffee”. Anscombe called the knowledge that this kind of answer involves “practical knowledge”. Practical knowledge is knowledge not involving observation and inference. In this presentation I would like to apply this concept to the collectiveaction of many persons. Given that we are playing soccer if someone comes here and asks “What are you doing now?”, we can answer immediately “We are playing soccer”. I would like to (...) claim that the above answer “We are playing soccer” is ‘our’ knowledge of ‘our’ intentional action and the subject of this intention is ‘we’ and there is a collective intention and the subject of knowledge of this intentional action is also ‘we’ and this is collective knowledge, i.e. common knowledge. We anticipate the following objection against this claim: Who utters “We are playing soccer” is an individual and who answers is not “we” but an individual person and she is describing “our” action. I reply to this objection. Furthermore I consider the background knowledge of ‘our’ practical knowledge and try to extend the concept of ‘practical knowledge’. (shrink)
An experimental consensus conference on the topic of gene therapy was held in order to discover whether the method, a means for participatory technology assessment born in Denmark in 1986, could be feasible in Japan. This article summarises the overall experience of this experiment and concludes that the method is indeed feasible in Japan. Enumerating some issues and problems we faced in this project, I will discuss their meaning and significance from the viewpoint of practitioner or initiator of participatory technology (...) assessment in Japan. (shrink)
An instantia is a technique to refute other's arguments, found in many tracts from the latter half of the twelfth century. An instantia has (or appears to have) the same form as the argument to be refuted and its falsity is more evident than that of the argument.Precursors of instantiae are among the teachings of masters active in the first half of the century. These masters produce counter-arguments against various inferential forms in order to examine their validity. But the aim (...) of producing counter-arguments change in the latter half of the century into refuting other's arguments to win in debate by any means available. Logicians of that period do not care whether the counter-arguments (instantiae) are sophistical or not, viz. the falsity of instantiae is or is not due to the flaw common to the argument to be refuted.Many instantiae they produce involve logical entanglements into which they themselves have little clear insight. Some instantiae and the attempts to explain them grows into the new theories in the “terminist texts” around 1200 A.D., when instantia literature itself disappears. Some instantiae and the issues they raise have no place in terminist texts, and sink into oblivion. (shrink)
Grodzinsky's general approach to the neuroscience of language is interesting, but the evidence currently available has problems with pragmatic infelicity in experiments involving Japanese scrambling and the interpretation of experimental results on Japanese indirect passives. I will suggest a more direct way of testing the Trace-Deletion Hypothesis (TDH).