The Chinese character, he (和), “harmony,” occurs more than 100 times in the Liji (禮記; the Book of Rites). This accounts for over one‐third of the term's total number of occurrences in the 13 pre‐Qin Confucian classics. In this study, we engage with existing scholarship on the concept of “harmony” in Chinese culture and contribute to the discussion by analyzing the variety of senses that “harmony” has in the pre‐Qin Confucian classics, especially the Liji. We find that usages of the (...) term “he” (“harmony”) in the Liji fall into six categories, namely, self, external things, music, human relations, politics, and the universe. We hold that the ways in which harmony features in the Liji and other Confucian classics can help us understand the Chinese cultural presupposition that there exists “only one world,” meaning that this world encompasses both the natural and the supernatural, and that human beings are a holistic blend of body and heart‐mind, which does not give rise to any dualistic tension between body and mind. Based on our understanding of the unique Chinese worldview and the corresponding view on life, this study aims to give an account for the importance of harmony as a guideline within various areas of Chinese life. (shrink)

本书试图论证: 法治、自由、民主、人权等价值是植根于西方社会历史和文化土壤的西方文化价值, 并至少并不完全适合于中国文化的习性. 未来中国现代性的发展可能在一定程度上与这些价值相融, 甚至在一定程度上需要吸收或发展它们, 但是它们决不能构成未来中国现代性的核心价值.--.