In today's conditions of postmodern space the most significant resource of the modern economy, which is being formed in the leading countries of economic development, is human capital. The main goal of the article is to study the process of managing the formation of human capital in the functioning postmodern society as the basis of the national economy and ensuring the economic security of the enterprise. The basic components of human capital are determined on the basis of the analysis. It (...) is established that the basic component is knowledge that affects others and in postmodern conditions of development of the national economy and determines the process of development of human capital. At the same time, the process of forming knowledge, in accordance with the principles of the functioning of the knowledge economy, is associated with the availability and possibility of obtaining information. The object of study is the enterprises of Eastern Europe. The subject of the study is human capital, the economic security system of the enterprise The results of the study allowed us to develop a model for the formation of human capital and to form a mechanism for ensuring the economic security of the enterprise through management of the formation of human capital under the conditions of the postmodern society. (shrink)

Ce texte a déjà paru dans Диалог со временем, Dialogue with time. Intellectual history review, Issue 49, 2014, p. 14-27. Nous remercions Zinaida Tchekantseva de nous avoir autorisé à le reproduire ici. Историческое событие и время в контексте « ритмической парадигмы » В последние десятилетия концепт ритм чрезвычайно популярен в науке и искусстве. Известно, что ритм как одно из организующих начал жизни не только порождает вопросы, связанные с темпоральными и пространственными характеристиками происходящего, но и вплетен в - Histoire – (...) Nouvel article. (shrink)

This text was presented at the 12th International Seminar in Budva – Montenegro (May 31 - June 7, 2014) – Zinaida Chekantseva is Dr. of Science (History), Professor and Chief Researcher at the Institute of World History, Russian Academy of Science – [email protected]. Summary : “There is an inextricable link between power and rhythm. What power imposes in the first place is a rhythm (rhythm of everything – life, time, thought, discourse)” Roland Barthes wrote. In light of “the rhythmic (...) (...) - Comment penser le pouvoir dans le monde contemporain ? – Nouvel article. (shrink)

Hermann Cohen, as it is well known, criticised the Kantian notion of the thing-in-itself. And before him the Kantian thing-in-itself was criticised by Fichte and other German idealists. Probably for this reason, Hermann Cohen is sometimes regarded as a person who said things similar to Fichte. This gives a completely wrong perspective, making it impossible to understand the philosopher's ideas. The basis for his critique of the Kantian thing-in-itself is quite different from the motives, determining the criticism of Kant in (...) the classical German Idealism. Such interpretation does not allow to see close connection of Cohen's theoretical philosophy with revolution in physics which took place at the turn of the nineteenth and twentieth centuries. The article explains how Cohen's demand that pure thinking must form its own content is connected with transformations taking place in physics and mathematics, and the peculiarity of Cohen's understanding of idealism is demonstrated: for him, correct idealism must realize that autonomous, free thinking should work seriously with sense data. The closeness of Cohen's ideas to the postpositivist thesis of the theory-ladenness of observation is explained. For Cohen, serious work with sense data is opposite to uncritical acceptance of them as given. The origin of scientific thinking is thinking itself. It responds to the challenge of sensory material by creating its own constructs. Mathematized natural science becomes for Cohen both an example and a confirmation of this thesis. For him, what is real is what is described in the language of mathematical analysis, i.e. continuous processes, in spite of the fact that any data are discrete. It is shown that the source of Cohen's assertions on this issue is in Kant's Critique of Pure Reason, namely in the doctrine of the Principles of pure natural science and, more specifically, in the Anticipations of Perception. Cohen's conviction of the constructive character of the theories of mathematized natural science is confirmed in the article by references to the authority of A. Einstein. (shrink)

In public and political practice, argumentation involves verbal manipulations, which have not been sufficiently studied in modern argumentation theory. This paper proposes to analyse such manipulations as speech acts, by means of the pragmadialectical theory of argumentation.

Interest in Slavophilism has undergone a notable resuscitation in recent decades in the Soviet literature. In the seventies and eighties, collections of works of some of the Slavophiles were published for the first time since the October Revolution. Books and articles on Slavophilism have appeared. Archival materials have been put into scholarly circulation, scholars find their attention being drawn to works of modern foreign authors on Slavophilism, and certain aspects of Slavophile views are often touched upon in current literary criticism. (...) We can agree with the conclusion drawn by I. A. Dudzinskaia in 1983 and shared by N. I. Tsimbaev, namely, that a review of the literature in the recent period "evidences a new stage in the study of Slavophilism." However, various aspects of Slavophilism have by no means been dealt with equally, and there are quite a number of disagreements among scholars in their assessments. (shrink)

The connection of Hermann Сohen’s “The Logic of Pure Knowledge” with the revolutionary transformations in physics and mathematics at the end of the 19th century is shown. Сohen criticised Kant’s answer to the question “How is mathematics possible”? If Kant refers to a priori forms of pure intuition, Сohen sees in it a restriction of freedom of mathematical thinking by limits of intuition. It has been shown that Cohen's position is in accordance with the main development of mathematics in the (...) last decades of the 19th century, in particular, with K. Weierstrass’ striving to get rid of geometrical or mechanical images and intuitions in the mathematical analysis. Cohen was also well informed about the latest ideas in physics of his time. They are also discussed in “The Logic of Pure Knowledge.” The revolutionary spirit of physics and mathematics was appealing to Cohen, and he felt a corresponding enthusiasm for it. The ongoing scientific revolution is consonant with Cohen’s assertion that the foundations of science are hypotheses. The purity of pure thinking does not guarantee the correctness of any of its constructions. Each step in the development of science requires a critique of existing notions. The development of knowledge from the naive to the critical one shows a movement from a picture of the world as a set of stable things to a picture of continuous movement and change, where change is more important than what changes. Cohen sees such a development in an evolution of the concept of substance in modern physics and he welcomes the replacement of material substance by energy, seeing this movement as a confirmation of critical idealism. Finally, it is discussed whether we can speak of the actuality of Cohen’s logic of pure knowledge. (shrink)

The author clarifies the thesis of the social constructivists and shows how it is overlapping with some ideas of its critics. Based on established agreement between social constructivism and evolutionary epistemology, she argues that the conceptual elements of mathematical knowledge are social constructs.

It is proved that the basic framework of the premises and reasoning of Wittgenstein's “Tractatus Logico-philosophicus” corresponds quite well to the transcendental method (as formulated by H. Cohen). Whereas Kant’s philosophy proceeds from the fact of existence of mathematics and mathematised natural science and investigates their conditions of possibility, Wittgenstein proceeds from the fact that propositions of language describe reality and reveals the conditions of possibility of such descriptions. Kant, answering the question about the conditions of possibility of the named (...) sciences, comes to the idea of the transcendental subject and the distinction between the world of phenomena and the thing in itself. Wittgenstein's investigation of the conditions of possibility that the world is described by propositions leads to the assertion that both the world and language are together in logical space. The latter constitutes the a priori and transcendental condition of the possibility that language “reaches out” to reality. For both the theories - in the “Critique of Pure Reason” and in the “Tractatus Logico-Philosophicus” - the idea of the boundary is important. In the “Critique of Pure Reason” it is the boundary of possible experience and cognition, while in the “Tractatus Logico-Philosophicus” it is the boundary of what can be thought and expressed by meaningful propositions. Related to the different definitions of the boundary is the difference in the treatment of mathematised natural science. For “The Critique of Pure Reason” was created in the era of unconditional acceptance of Newtonian mechanics. And the “Tractatus Logico-Philosophicus” was created at the time of the crisis of the Newtonian paradigm and its replacement by other notions of time and space. However, the idea of boundary, which is present in both doctrines, determines closeness in the attitude towards metaphysics between the author of “The Critique of Pure Reason” and the author of “The Tractatus Logico-Philosophicus”. The study also shows that Wittgenstein did not follow logicism in his philosophy of mathematics. For him, both mathematical objects and propositions of logic are constructions. The conviction about the constructive character of mathematical and logical objects shows an affinity with the Kantian tradition in the philosophy of mathematics. (shrink)

Levinas aborde les questions de la chose et de la possession surtout dans le Carnet 4 dans sa théorie du besoin comme dans ses ébauches de romans. On voit dans ses ébauches un attachement humain aux choses qui semble absurde. La philosophie a désapprouvé presque toujours un tel attachement au nom de la liberté et de l’autonomie humaines. Quant à Levinas, il refuse le concept classique du sujet et commence dans les Carnets l’élaboration du sujet charnel. C’est dans un camp (...) de prisonniers qu’il développe sa théorie du besoin grâce à laquelle il crée la doctrine du sujet, qui n’est ni autosuffisance, ni le centre de lui-même. Son attitude principale envers le monde extérieur est de « manger ». Connaître et voir, c’est aussi « manger ». Dans ce contexte, les notions de l’il y a, d’intervalle et de lumière sont envisagées. Le sujet de la théorie du besoin transforme en « mangeant » l’extériorité en intériorité, et c’est pourquoi la solitude est son destin. Mais la théorie du besoin est suppléée dans les Carnets par la théorie de l’eros. Levinas écrit parfois l’eros, parfois l’amour. C’est dans sa théorie de l’amour qu’il parle du plaisir du plaisir de l’Autre et de la douleur de la douleur de l’Autre. On voit que dans une première ébauche de la philosophie lévinassienne Autrui est une personne aimée. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviews 105 NEW RUSSIAN WORK ON RUSSELL IRVING H. ANELLIS Modern Logic Publishing I Box 1036, Welch Ave. Station Ames, JA 5°010-1036, USA A. S. Kolesnikov. cI»HJIOCOcPHJl BepTPaHa PacceJIa [Filosofija Bertrana Rassela]. Leningrad: Izdatel'srvo Leningradskogo Universiteta, 1991. Pp. 232. 3 rub. 30 kop.. Anatolii Sergeevich Kolesnikov is a relatively new name in Russell studies,.r1.a1though his book shows a deep knowledge of the material available on Russell in Russian and (...) a wide acquaintance with Russell's publications in English and in Russian translation.1 In this work, which translates as The Philosophy ofBertrand Russel~ Kolesnikov traces the evolution of Russell's "world-view", while presenting a traditional Soviet interpretation of Russell's place in "bourgeois" philosophy. This monograph presents for the first time in Russian a thorough analysis of the evolution of Russell's philosophy as the outstanding representation of contemporary bourgeois philosophy, and is the first major study on Russell's philosophy in Russian since the appearance in'1962 ofSoviet philosopher 1. S. Narskii's The Philosophy ofBertrand Russell2 Russell himself is viewed by Kolesnikov as the best representative of the bourgeois humanist, philosopher, and mathematician. The author seeks a critical understanding of the historical and philosophical sources of Russell's ideas and conceptions and of the influence which these exercised and continue to exercise on contemporary Western philosophy and science. The author's aim is to "uncover" the neo-realist empiricist direction of Russell's philosophy as it manifested itself as a condition of his scientific and epistemological thinking. As had been usual for Soviet studies of Western "bourgeois" philosophers and their philosophies, Lenin and his empiriocriticism serves as a foil for the elucidation of Russell's thought and its development. Probably the most famous example of the dialectical attack on anaI Kolesnikov is also the author of The Freethought ofBertrand Russell [Svobodomyslie Bertrana Rassela] (Moscow: Mysl', 1978). 2 The Philosophy ofBertrand Russell: Lectures for Students in the University Philosophy Faculty [Filosofija Bertrana Rassela: lekcija dlja studentovfilosofikih fakul'tov universitetov] (Moscow: 1962). In the first footnote (on p. 60) to his translation of the article on "Bertrand Russell in the Great Soviet Encyclopedia: Translation from Russian", Russel~ nos. 23-4 (1976): 60-2, Charles Haynes wrote that "Narskiy... appears to be a leading Soviet writet on Russell's philosophy." In fact Narskii wrote extensively on philosophy of logic, for which work he is bcst known. 106 Reviews lytic philosophy revolved around the rather rough treatment accorded to A. J. Ayer when he lectured at Moscow State University in 1962. This methodology for criticizing "bourgeois idealism" has declined in recent years as a consequence of perestroika; from as early as 1987 Soviet philosophers have managed to refrain from employing this tactic in their writings (as one may readily see, e.g., from Zinaida Sokuler's recent paper on "Wirrgenstein on the Contradictions in Logic and in the Foundations of Mathematics"3). Kolesnikov's discussion of political-ideological, social and moral issues is limited to the Preface, which also presents a brief sketch of Russell's life, especially his education and the earliest of the philosophical influences at Cambridge, of course Russell's visit in 1920 to Soviet Russia and the writings that derived from that trip, especially his book The Practice and Theory of Bolshevism, and of his travels in China. Here Kolesnikov notes Russell's ties to the Fabian socialists and names in particular the Webbs, H. G. Wells and "other members representative of the bourgeois intelligentsia" (p. 5). Mention is also made here of his activism for nuclear disarmament and against the American war in Indochina, and of the essay "Why I Am Not a Christian". We are told at the very outset (p. 3) that "the name of this philosopher is widely known in our country." The remainder of the book is concerned with Russell's technical philosophy, i.e. with his work in philosophy of mathematics, logic, philosophy of language, metaphysics and epistemology. Kolesnikov divides Russell's philosophical evolution into three stages (p. 22). The "early" period (1894-1910) is the developmental stage, characterized by the influence ofneo-Hegelianism and neo-Kantianism and by the development of the conception of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Creating Life: The Aesthetic Utopia of Russian ModernismJohn GoodliffeCreating Life: The Aesthetic Utopia of Russian Modernism, edited by Irina Paperno and Joan Delaney Grossman; x & 288 pp. Stanford: Stanford University Press, 1994, $39.95.In describing the history of a country’s literature, one may well be tempted to divide it into separate compartments and so lose sight of the continuity which is, in the final analysis, more worthy of (...) attention. Historians of Russian literature have often succumbed to this temptation and it became almost commonplace to read that in Russia the Realism of the nineteenth century gave way to the Symbolism which began in the twentieth; that Symbolism gave way to Futurism; and that in due course all the earlier “-isms” were swept aside by the Socialist Realism of the Soviet period. For Marxist-oriented Soviet [End Page 371] historians such preoccupation with compartmentalization was obsessive. This makes more than welcome a series of essays which is at pains to emphasize the essential connections and kinship between these various “-isms.”Four of the seven essays are intended to demonstrate how the Symbolists, while ostensibly breaking with the earlier tradition of positivism (the idea that art’s essential purpose is to help build a better world), were, in a number of important respects, continuing and even reinforcing what they claimed to despise. Thus, regarding art and life as indissolubly linked, they attempted to turn life into art and art into life. Their endeavors frequently led them into behavior that now appears “eccentric, at times even ridiculous” (p. 166). Olga Matich describes how Blok, Bely, Dmitry Merezhkovsky, and Zinaida Gippius attempted to model their sexual relationships on the pattern of the “erotic utopia” described by Vladimir Solov’ev in his seminal The Meaning of Love (1892–94). Joan Delaney Grossman discusses Nina Petrovskaia’s relationships with Bely and Valery Briusov. Michael Wachtel shows how Viacheslav Ivanov attempted to overcome his grief at the death of his first wife by using his creative powers to make contact with her “beyond the grave.”Irene Masing-Delic traces the Pygmalion myth through Pushkin, Baratynsky, Turgenev, and Chernyshevsky to the Symbolists who were especially attracted by a myth which showed how an artist could create life and even conquer death. In “Andrei Bely and the Argonauts’ mythmaking,” Alexander Lavrov considers the role of the “Argonaut” circle in establishing a Russian Symbolist culture in the first years of the twentieth century. The Argonauts’ credo was “life-creation” rather than “art-creation,” and they claimed to make no distinction between “talent for living” and “talent for writing.” Lavrov argues that the failure of the relationship between Bely and Nina Petrovskaia marked the disintegration of “Argonautism” and the culture they sought to create. It is left to Irina Gutkin in the concluding essay to guide us through the grotesqueries of Futurism into the apparently diametrically opposed, sanitized world of Socialist Realism, by way of Constructivism, Marxism, and Meyerholdian bio-mechanics, leaving us in little doubt that, appearances to the contrary, each of these movements was concerned with turning art into life and using it to create a better world. So ultimately, as she neatly sums up the thesis of the whole collection, “The aesthetic utopian ideal of art creating life, which took shape at the beginning of the twentieth century, was fused with the utilitarian tradition of the 1860s” (p. 181).I have deliberately reserved for the end comment on Irina Paperno’s introduction and opening article (“The Meaning of Art: Symbolist Theories”) in order to emphasize the manifest contribution she and her co-editor, Joan Delaney Grossman, have made to ensuring the coherence of this admirable collection. Professor Paperno’s clear and concise coverage of her topics makes it evident that she was determined that the book should not turn into the kind of bits-and-pieces patchwork that too many publications of this sort tend to [End Page 372] become without a firm editorial hand at the helm. Her earlier book on Chernyshevsky (Chernyshevsky and the Age of Realism, 1988) and Irene Masing-Delic’s Abolishing Death; a Salvation Myth of Russian Twentieth-Century Literature (1992), form the first two parts of... (shrink)