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Zsuzsa Baross
Trent University
  1.  54
    Deleuze and Derrida, by Way of Blanchot - an Interview.Zsuzsa Baross - 2000 - Angelaki 5 (2):17 – 41.
  2.  28
    Lessons to Live (1): Posthumous Fragments, for Jacques Derrida.Zsuzsa Baross - 2008 - Derrida Today 1 (2):247-265.
    Written as a last, long posthumous letter to Jacques Derrida, the essay turns to the philosopher's last and, for the living, most important lesson – on ‘learning to live.’ In particular, it addresses – as constitutive of his unique ‘heterodidactics’ – two discrete communications on the subject. The first, in Spectres de Marx (1993), declares the lesson to be at once impossible and necessary, that is, ‘ethics itself’; in the second, the last interview ‘Je suis en guerre contre moi-même’ published (...)
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  3.  48
    The Future of the Past: The Cinema.Zsuzsa Baross - 2006 - Angelaki 11 (1):5 – 14.
    It is foolish to talk about the death of the cinema because cinema is still at the beginning [ d but ] of its investigations … Yes, the cinema if it is not killed by a violent death guards the power of a beginning [ un commencement ]. Deleuze , “ Preface ,” The Time-Image1.
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  4. Disease and Social Theory: A Problem of Conversation.Zsuzsa Baross - 1985 - Theoretical Medicine and Bioethics 6 (2).
    The paper offers a critical examination of introspection and stoicism as two apparently opposing responses to pain, and examines their adequacy as theoretical postures vis-a-vis the life-world. Following Wittgenstein, who suggests that introspection is fundamentally at fault, the paper moves to consider the theoretic stoicism of Durkheim as a possible alternative for inquiry. It comes to the conclusion, however, that stoicism, just as introspection fails to develop a strong theoretical interest in pain when it refuses to make the problem pain (...)
     
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  5.  2
    ‘Kiss-Ass Talk’: A Move in the Language Game of Servants and Masters.Zsuzsa Baross - 1981 - Semiotica 34 (1-2).
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  6.  34
    Lessons to Live (2): Deleuze.Zsuzsa Baross - 2009 - Deleuze and Guatarri Studies 3 (2):162-184.
    Part of a series on the question of what is the good life, the essay is structured as a montage. Part 1 contests the received notion that death is exterior to the work of Deleuze. To this end, it gathers together a telegraphic collection of examples – ‘corpses’ in his corpus – that invariably show up whenever the question is raised. Part 2 attempts a Deleuzian move: it puts death to work. If death is not nothing, it argues, it must (...)
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  7.  41
    NOLI ME TANGERE : For Jacques Derrida.Zsuzsa Baross - 2001 - Angelaki 6 (2):149 – 164.
  8.  6
    NOLI ME TANGERE: For Jacques Derrida.Zsuzsa Baross - 2001 - Angelaki: Journal of Theoretical Humanities 6 (2):149-164.
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  9.  4
    NOLI ME TANGERE : For Jacques Derrida.Zsuzsa Baross - 2001 - Angelaki: Journal of Theoretical Humanities 6 (2):149-164.
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  10. Posthumously, for Jacques Derrida.Zsuzsa Baross - 2011 - Sussex Academic Press.
    The posthumous -- Fragments -- Toward a memory of the future: cinema, memory, history -- The image and the "trait" -- Postscript: l'arrêt de mort.
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  11.  34
    The “Future” of Deleuze.Zsuzsa Baross - 2006 - Symposium 10 (1):25-33.
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  12. Preface.Jurrit Bergsma & Zsuzsa Baross - 1985 - Theoretical Medicine and Bioethics 6 (2).