Results for 'actor'

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  1. A model for combining examples and procedures.Sk Reed & C. Actor - 1988 - Bulletin of the Psychonomic Society 26 (6):490-490.
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  2.  12
    Negotiating Actors.Luca M. Possati - 2024 - Techné Research in Philosophy and Technology 28 (1):1-21.
    This paper intends to address social robotics from the Actor-network theory (ANT) perspective. Starting from the critique of Seibt’s approach and the distinction between anthropomorphing and sociomorphing, the paper proposes a new methodological approach based on ANT and negotiation concepts. This approach allows us to: a) assume a more symmetrical ontology in which robots are considered as social agents, like humans; b) consider all the interactional elements as of equal importance; and c) overcome the dualistic limit that is often (...)
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  3.  25
    An Actor's Knowledge and Intent Are More Important in Evaluating Moral Transgressions Than Conventional Transgressions.Carly Giffin & Tania Lombrozo - 2018 - Cognitive Science 42 (S1):105-133.
    An actor's mental states—whether she acted knowingly and with bad intentions—typically play an important role in evaluating the extent to which an action is wrong and in determining appropriate levels of punishment. In four experiments, we find that this role for knowledge and intent is significantly weaker when evaluating transgressions of conventional rules as opposed to moral rules. We also find that this attenuated role for knowledge and intent is partly due to the fact that conventional rules are judged (...)
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  4.  9
    Actor & Avatar: A Scientific and Artistic Catalog.Dieter Mersch, Anton Rey, Thomas Grunwald, Jörg Sternagel, Lorena Kegel & Miriam Laura Loertscher (eds.) - 2023 - transcript Verlag.
    What kind of relationship do we have with artificial beings (avatars, puppets, robots, etc.)? What does it mean to mirror ourselves in them, to perform them or to play trial identity games with them? Actor & Avatar addresses these questions from artistic and scholarly angles. Contributions on the making of »technical others« and philosophical reflections on artificial alterity are flanked by neuroscientific studies on different ways of perceiving living persons and artificial counterparts. The contributors have achieved a successful artistic-scientific (...)
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  5. The Actor–Observer Bias and Moral Intuitions: Adding Fuel to Sinnott-Armstrong’s Fire.Thomas Nadelhoffer & Adam Feltz - 2008 - Neuroethics 1 (2):133-144.
    In a series of recent papers, Walter Sinnott-Armstrong has used findings in social psychology to put pressure on the claim that our moral beliefs can be non-inferentially justified. More specifically, he has suggested that insofar as our moral intuitions are subject to what psychologists call framing effects, this poses a real problem for moral intuitionism. In this paper, we are going to try to add more fuel to the empirical fire that Sinnott-Armstrong has placed under the feet of the intuitionist. (...)
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  6. Actores civiles y actores políticos.Hernán Toppi - 2022 - In Pablo F. Forni & Alejandro Bialakowsky (eds.), Por unas ciencias sociales relacionales: investigaciones y enfoques contemporáneos. [Buenos Aires]: USAL, Universidad del Salvador.
     
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  7. The "actors" of modern society: The cultural construction of social agency.John W. Meyer & Ronald L. Jepperson - 2000 - Sociological Theory 18 (1):100-120.
    Much social theory takes for granted the core conceit of modern culture, that modern actors-individuals, organizations, nation states-are autochthonous and natural entities, no longer really embedded in culture. Accordingly, while there is much abstract metatheory about "actors" and their "agency," there is arguably little theory about the topic. This article offers direct arguments about how the modern (European, now global) cultural system constructs the modern actor as an authorized agent for various interests via an ongoing relocation into society of (...)
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  8.  9
    Agency without actors?: new approaches to collective action.Jan-Hendrik Passoth, Birgit Maria Peuker & Michael W. J. Schillmeier (eds.) - 2012 - New York: Routledge.
    Agency without Actors? New Approaches to collective Action is rethinking a key issue in social theory and research: the question of agency. The history of sociological thought is deeply intertwined with the discourse of human agency as an effect of social relations. In most recent discussions the role of non-humans gains a substantial impact. Consequently the book asks: Are nonhumans active, do they have agency? And if so: how and in what different ways? The volume offers a critical state-of-the-art debate (...)
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  9.  62
    Disassembling Actor-network Theory.Dave Elder-Vass - 2015 - Philosophy of the Social Sciences 45 (1):100-121.
    One of the strikingly iconoclastic features of actor-network theory is its juxtaposition of the claim to be a realist perspective with denials that supposedly natural phenomena existed before scientists “made them up.” This paper explains and criticizes such arguments in the work of Bruno Latour. By combining referent and reference in the concept of assemblages, Latour provides a superficially viable way to reconcile these apparently incompatible claims. This paper will argue, however, that this conflation of referent and reference leads (...)
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  10.  19
    The Actor, Partner, Similarity Effects of Personality, and Interactions with Gender and Relationship Duration among Chinese Emerging Adults.Yixin Zhou, Kexin Wang, Shuang Chen, Jianxin Zhang & Mingjie Zhou - 2017 - Frontiers in Psychology 8:274996.
    Understanding personality effects and their role in influencing relationship quality, varied according to gender and relationship duration, could help us better understand close relationships. Participants were Chinese dating dyads and were asked to complete both the Big Five Inventory and Perceived Relationship Quality Component scales. Males and those who had a long-term relationship perceived better relationship quality; individuals who scored higher on agreeableness, conscientiousness, openness, and emotional stability enjoyed better relationship quality; gender and/or relationship duration moderated the actor effect (...)
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  11.  26
    Actor and Institutional Dynamics in the Development of Multi-stakeholder Initiatives.Anica Zeyen, Markus Beckmann & Stella Wolters - 2016 - Journal of Business Ethics 135 (2):341-360.
    As forms of private self-regulation, multi-stakeholder initiatives have emerged as an important empirical phenomenon in global governance processes. At the same time, MSIs are also theoretically intriguing because of their inherent double nature. On the one hand, MSIs spell out CSR standards that define norms for corporate behavior. On the other hand, MSIs are also the result of corporate and stakeholder behavior. We combine the perspectives of institutional theory and club theory to conceptualize this double nature of MSIs. Based on (...)
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  12. About actors : an institutional perspective.Raimund Hasse - 2017 - In Hȧkon Leiulfsrud & Peter Sohlberg (eds.), Concepts in action: conceptual constructionism. Boston: Brill.
     
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  13.  16
    Actor‐Network Theory as a sociotechnical lens to explore the relationship of nurses and technology in practice: methodological considerations for nursing research.Richard G. Booth, Mary-Anne Andrusyszyn, Carroll Iwasiw, Lorie Donelle & Deborah Compeau - 2016 - Nursing Inquiry 23 (2):109-120.
    Actor‐Network Theory is a research lens that has gained popularity in the nursing and health sciences domains. The perspective allows a researcher to describe the interaction of actors (both human and non‐human) within networked sociomaterial contexts, including complex practice environments where nurses and health technology operate. This study will describe Actor‐Network Theory and provide methodological considerations for researchers who are interested in using this sociotechnical lens within nursing and informatics‐related research. Considerations related to technology conceptualization, levels of analysis, (...)
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  14.  39
    Legitimate actors of international law-making: towards a theory of international democratic representation.Samantha Besson & José Luis Martí - 2018 - Jurisprudence 9 (3):504-540.
    ABSTRACTThis article addresses the identity of the legitimate actors of international law-making from the perspective of democratic theory. It argues that both states or state-based international organisations, and civil society actors should be considered complementary legitimate actors of international law-making. Unlike previous accounts, our proposed model of representation, the Multiple Representation Model, is based on an expanded, democratic understanding of the principle of state participation: it is specifically designed to palliate the democratic deficits of more common versions of the Principle (...)
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  15.  90
    From actor to spectator: Hannah Arendt’s ‘two theories’ of political judgment.Majid Yar - 2000 - Philosophy and Social Criticism 26 (2):1-27.
    The question of judgment has become one of the central problems in recent social, political and ethical thought. This paper explores Hannah Arendt's decisive contribution to this debate by attempting to reconstruct analytically two distinctive perspectives on judgment from the corpus of her writings. By exploring her relation to Aristotelian and Kantian sources, and by uncovering debts and parallels to key thinkers such as Benjamin and Heidegger, it is argued that Arendt's work pinpoints the key antinomy within political judgment itself, (...)
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  16. Collective Agents as Moral Actors.Säde Hormio - forthcoming - In Säde Hormio & Bill Wringe (eds.), Collective Responsibility: Perspectives on Political Philosophy from Social Ontology. Springer.
    How should we make sense of praise and blame and other such reactions towards collective agents like governments, universities, or corporations? Collective agents can be appropriate targets for our moral feelings and judgements because they can maintain and express moral positions of their own. Moral agency requires being capable of recognising moral considerations and reasons. It also necessitates the ability to react reflexively to moral matters, i.e. to take into account new moral concerns when they arise. While members of a (...)
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  17. Actor Network, Ontic Structural Realism and the Ontological Status of Actants.Corrado Matta - 2014 - Proceedings of the 9th International Conference on Networked Learning 2014.
    In this paper I discuss the ontological status of actants. Actants are argued as being the basic constituting entities of networks in the framework of Actor Network Theory (Latour, 2007). I introduce two problems concerning actants that have been pointed out by Collin (2010). The first problem concerns the explanatory role of actants. According to Collin, actants cannot play the role of explanans of networks and products of the same newtork at the same time, at pain of circularity. The (...)
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  18.  15
    Multi-actor networks and innovation niches: university training for local Agroecological Dynamization.Josep Espluga, Marina Masso, Laura Calvet-Mir & Daniel López-García - 2019 - Agriculture and Human Values 36 (3):567-579.
    The global environmental and social-economic crises of industrialized agriculture have led to the emergence of agroecology as an alternative approach aiming to increase the ecological, social and economic sustainability of agri–food systems. The ‘multi-level perspective’ is now a widely used framework to understand and promote the upscaling of local innovation niches, such as agroecology, to broader scales (e.g., regional, national, international), thus reconfiguring the dominant socio-technical regimes. Additionally, emergent ‘hybrid forums’ can provide a space between niche and regime where niche (...)
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  19.  42
    Genealogical Actors in Ecological Roles.David L. Hull - 1987 - Biology and Philosophy 2 (2):168-184.
  20.  41
    The actor does not judge: Hannah Arendt’s theory of judgement.Shmuel Lederman - 2016 - Philosophy and Social Criticism 42 (7):727-741.
    Hannah Arendt’s conceptualization of political judgement has been a source of much scholarly investigation and debate in recent decades. Underlying the debate is the assumption that at least in her early writings, Arendt had an actor’s theory of judgement. In this article I challenge this common assumption. As I attempt to demonstrate, it relies on a misunderstanding, not only of Arendt’s conception of judgement, but also of her conception of agents in the public realm. Once we discard the assumption (...)
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  21.  24
    Multi-actor networks and innovation niches: university training for local Agroecological Dynamization.Daniel López-García, Laura Calvet-Mir, Marina Di Masso & Josep Espluga - 2019 - Agriculture and Human Values 36 (3):567-579.
    The global environmental and social-economic crises of industrialized agriculture have led to the emergence of agroecology as an alternative approach aiming to increase the ecological, social and economic sustainability of agri–food systems. The ‘multi-level perspective’ is now a widely used framework to understand and promote the upscaling of local innovation niches, such as agroecology, to broader scales, thus reconfiguring the dominant socio-technical regimes. Additionally, emergent ‘hybrid forums’ can provide a space between niche and regime where niche innovators can become important (...)
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  22. Sociomorphing and an Actor-Network Approach to Social Robotics.Piercosma Bisconti & Luca M. Possati - 2023 - In Raul Hakli, Pekka Makela & Johanna Seibt (eds.), Social Robots in Social Institutions, Robophilosophy 2022. IOS Press. pp. 508-517.
    Most of human-robot interaction (HRI) research relies on an implicit assumption that seems to drive experimental work in interaction studies: the more anthropomorphism we can reach in robots, the more effective the robot will be in 'being social.' The notion of 'sociomorphing' was developed in order to challenge the assumption of ubiquitous anthropomorphizing. This paper aims to explore the notion of sociomorphing by analysing the possibilities offered by actor-network theory (ANT). We claim that ANT is a valid framework to (...)
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  23. Actor-observer asymmetries in explanations of behavior: New answers to an old question.Bertram F. Malle, Joshua Knobe & S. Nelson - 2007 - Journal of Personality and Social Psychology 9 (4):491-514.
    A long series of studies in social psychology have shown that the explanations people give for their own behaviors are fundamentally different from the explanations they give for the behaviors of others. Still, a great deal of uncertainty remains about precisely what sorts of differences one finds here. We offer a new approach to addressing the problem. Specifically, we distinguish between two levels of representation ─ the level of linguistic structure (which consists of the actual series of words used in (...)
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  24.  4
    Embodied Actors, Sociability and the Limits of Reflexivity.Nick Crossley - 2014 - Body and Society 20 (2):106-112.
    This is a brief response to Loïc Wacquant’s article, ‘Homines in extremis’. The response makes four contributions. First, I consider some of the reasons for the confusion surrounding the habitus concept, arguing that this confusion may be lessened (without any obvious loss) if we revert to ‘habit’ or ‘disposition’. Second, I argue that, irrespective of these terminological quibbles, it is vital that we do not conflate ‘habitus’ and ‘embodied actor’ as some accounts do. There is more to the embodied (...)
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  25.  54
    The actor and the spectator.Lewis White Beck - 1975 - New Haven: Yale University Press.
    Can a machine think? More pointedly, if I am a machine, can I think? Beck answers these questions by analyzing two clusters of metaphors -- one of which dramatizes human beings as spontaneous agents (actors), and the other sees them as observers attempting to explain causally their own behavior and that of the actor (spectators). Using a hypothetical scene with two spectators, each explaining an action, and each representing a different way of viewing the world, Beck points up the (...)
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  26.  26
    Public Actors Without Public Values: Legitimacy, Domination and the Regulation of the Technology Sector.Linnet Taylor - 2021 - Philosophy and Technology 34 (4):897-922.
    The scale and asymmetry of commercial technology firms’ power over people through data, combined with the increasing involvement of the private sector in public governance, means that increasingly, people do not have the ability to opt out of engaging with technology firms. At the same time, those firms are increasingly intervening on the population level in ways that have implications for social and political life. This creates the potential for power relations of domination, and demands that we decide what constitutes (...)
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  27.  25
    Actor‐Networking the News.Fred Turner - 2005 - Social Epistemology 19 (4):321 – 324.
    To date, journalists and most of those who study them remain wedded to a deeply modern understanding of the profession, one in which firm analytical borders separate news and newsmakers, reporters and audience, press and politics. New media technologies have begun to corrode these boundaries in practice, however. With its emphasis on socio-technical hybrids, actor-network theory offers a powerful tool for analyzing shifts in the practice of journalism under new technological conditions.
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  28.  16
    Actor and Partner Effects of Touch: Touch-Induced Stress Alleviation Is Influenced by Perceived Relationship Quality of the Couple.Difei Liu, Yi Piao, Ru Ma, Yongjun Zhang, Wen Guo, Lin Zuo, Weili Liu, Hongwen Song & Xiaochu Zhang - 2021 - Frontiers in Psychology 12.
    Because of the impact of close partner's touch on psychological and physical well-being by alleviating stress, it is important to explore the influence factors that underlie the stress-alleviating effect of close partner's touch. Previous studies suggested that the stress-alleviating effect was different when individuals were touched by different persons. Specifically, the stress was reduced significantly when the individual was touched by the close partner compared with the acquaintance and the stranger. However, whether the stress-alleviating effect of touch was modulated by (...)
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  29.  3
    (actor-net) Working Bodies and Representations: Tales from a Training Field.Dianne Mulcahy - 1999 - Science, Technology, and Human Values 24 (1):80-104.
    This article seeks to locate the body and embodiment more centrally among the concerns of actor-network theory by exploring working bodies. Using a newly introduced national system of vocational training as an exemplary case, it explores the tension between representations of skilled human bodies—‘competencies’—as given to trainers and the ways in which these representations are incorporated into their everyday practice. Vocational training has had a long struggle with the apparent separability of subject and object—between what can be felt and (...)
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  30. Non state actors, freedom, and justice: Should Multinational Firms be Primary Agents of Justice in African Societies?Thierry Ngosso - 2023 - In Uchenna B. Okeja (ed.), Routledge Handbook of African Political Philosophy. Routledge.
     
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  31.  47
    Why actor models are integral to structural analysis.Joseph M. Whitmeyer - 1994 - Sociological Theory 12 (2):153-165.
    Some versions of structuralism consider actors to be necessary for structural analysis; others argue that they are not. All versions of structuralism consider social structure to be analytically independent of actors. I show through examples and subsequently through deduction that this position is wrong. That is, any conceptualization of social structure necessarily involves a conception of its constituent actors. Moreover, I generalize this point to argue that the structure of scientific knowledge follows a multilevel modeling approach: theory at every level (...)
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  32.  9
    Actor Dual-Consciousness and Recreative Imagination.Yuchen Guo - forthcoming - Filosofia Unisinos:1-13.
    Many actors report a form of dual-consciousness when playing roles on stage: they react to the given circumstances as their characters would do, but they do not forget they are on the stage. This paper analyzes the concept of dual-consciousness and argues that actor dual-consciousness results from the actor’s imaginings, which both recreate the experience of the character and inform the actor about the non-reality of the experience. Keywords: Acting, actor, dual-consciousness, recreative imagination, experiential identification.
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  33.  32
    The Actor's Brain: Exploring the Cognitive Neuroscience of Free Will.Sean Spence - 2009 - Oxford University Press.
    Is free will just an illusion? What is it in the brain that allows us to pursue our own actions and objectives? What is it about this organ that permits seemingly purposeful behaviour, giving us the impression we are free? This book takes a journey into the brain to examine what is about known voluntary behaviour, and why it can go wrong.
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  34.  22
    Global actors and public power.Barbara Buckinx - 2012 - Critical Review of International Social and Political Philosophy 15 (5):535-551.
    Prominent recent scholarship in global political justice has focused on creating conceptual space for international NGOs ? and sometimes also corporations and states ? as fully-fledged participants in global governance. While acknowledging the achievements of international non-state actors, I argue that core global governance tasks ? of global distribution, regulation or administration ? should not be assigned to them. Drawing from neo-republican theory, I contend that such actors fall short of the formal criteria that are necessary for constituting a global (...)
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  35.  18
    Actors, objects, figures: the sociomaterial turn in action theory.Felipe Raglianti - 2018 - Cinta de Moebio 63:343-356.
    Resumen: Algo particular de los estudios de la ciencia, tecnología y sociedad son sus formas de relacionar objetos y prácticas. La relación difiere del papel que tiene en la sociología de la ciencia y en la construcción social de la tecnología. Suele afirmarse en CTS, contradiciendo conocimientos humanistas, que la naturaleza de los actores sociales no estaría definida por adelantado. Asumir lo semiótico como algo excepcional del sujeto humano, donde los objetos sólo acreditan sus agencias a través de procesos simbólicos, (...)
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  36.  9
    Business Actors in Peace Mediation Processes.Andrea Iff & Rina M. Alluri - 2016 - Business and Society Review 121 (2):187-215.
    Even though the relevance of business actors in peace processes is increasingly acknowledged, analysis of their particular roles and contributions remain sparse in peace mediation literature. This is despite the fact that such knowledge would be highly relevant for supporting mediation processes such as those ongoing in Colombia or the Philippines. This article looks at the involvement of business actors in mediation processes by tracing analysis along the entry points for involvement, the different roles that business actors can play and (...)
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  37. Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian (John T. Kirby).S. Bartsch - 1996 - American Journal of Philology 117:155-158.
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  38.  31
    Actor-network-theory approachesto thearchaeology ofcontemporary architecture.Albena Yaneva - 2013 - In Paul Graves-Brown, Rodney Harrison & Angela Piccini (eds.), The Oxford Handbook of the Archaeology of the Contemporary World. Oxford University Press. pp. 121.
    The chapter contributes to unravelling how Actor-Network-Theory as a method of inquiry might inform the archaeological understanding of the contemporary world. To illustrate this, the author engages in an inquiry on Shin Takamatsu’s architecture following Guattari’s fascination with his architectural machines in the 1980s. Drawing on two epistemological figures-the hasty sightseer and the slow ethnographer-the chapter demonstrates two different approaches to contemporary architecture. It is argued that ANT methodologies can help to create a space in which the past, present, (...)
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  39.  26
    The actorʼs view of automated planning and acting: A position paper.Malik Ghallab, Dana Nau & Paolo Traverso - 2014 - Artificial Intelligence 208 (C):1-17.
  40.  46
    Collective Actors without Collective Minds: An Inferentialist Approach.Javier González de Prado Salas & Jesús Zamora-Bonilla - 2015 - Philosophy of the Social Sciences 45 (1):3-25.
    We present an inferentialist account of collective rationality and intentionality, according to which beliefs and other intentional states are understood in terms of the normative statuses attributed to, and undertaken by, the participants of a discursive practice—namely, their discursive or practical commitments and entitlements. Although these statuses are instituted by the performances and attitudes of the agents, they are not identified with any physical or psychological entity, process or relation. Therefore, we argue that inferentialism allows us to talk of collective (...)
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  41.  16
    Actor-puppet-video projection-spectator-fantasmagorie technologique: Towards a theory for a new theatre genre.Yana Meerzon - 2008 - Semiotica 2008 (168):203-226.
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  42.  7
    Empathic Actors Strengthen Organisational Immunity to Industrial Crisis: Industrial Actors’ Perception in Nepal.Raj Kumar Bhattarai - 2016 - Outlines. Critical Practice Studies 17 (1):109-128.
    This paper aims to understand the kind of activities that industrial actors develop in order to protect their enterprises during industrial crisis conditions. A series of political unrest, insurgency, economic turmoil, deadly earthquakes, and economic embargo at the Indo- Nepal boarder escalated the industrial crisis in Nepal. The quest for sustainability of enterprises during the enduring nature of the crisis stimulated for a more detail conversation and survey. A perceptual survey of industrial actors accompanying conversation therein indicates that trade union (...)
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  43.  11
    Actor Network Theory and Sensing Governance: From Causation to Correlation.David Chandler - 2023 - Perspectives on Science 31 (1):139-158.
    This article is organized in four sections. The first section introduces sensing governance in terms of the governance of effects rather than causation, focusing on the work of Bruno Latour in establishing the problematic of contingent interaction, rather than causal depth, as key to emergent effects, which can be unexpected and catastrophic. The second section considers in more depth how sensing governance enables politics by other means through putting greater emphasis on relations of interaction, rather than on ontologies of being, (...)
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  44.  81
    Actors Are Not Like Zombies.E. Diaz-Leon - 2012 - Proceedings of the Aristotelian Society 112 (1pt1):115-122.
    Daniel Stoljar has recently argued that comparing the zombie argument against physicalism with another influential argument in philosophy of mind, namely, the actor argument against behaviourism, can help to show why recent objections to the zombie argument fail. In this note I want to argue that the zombie argument and the actor argument have important differences, and, because of that, Stoljar's objections to some recent critiques of the zombie argument are not successful.
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  45. On the use of actor portrayals in research on emotional expression. Scherer, K. R. & Bänziger & T. - 2010 - In Klaus R. Scherer, Tanja Bänziger & Etienne Roesch (eds.), A Blueprint for Affective Computing: A Sourcebook and Manual. Oxford University Press.
  46.  3
    Orthodox actors and equal opportunities policies in the Republic of Moldova in the context of the transformation of post-Soviet societies.Anastasia V. Mitrofanova - 2019 - Approaching Religion 9 (1–2).
    This article examines how the key Orthodox actors in Moldova have reacted to challenging equal opportunities legislation. The author suggests, on the basis of an economic approach to religion, that under the conditions of a deregulated religious market they use various strategies to promote their agendas. The Moldovan Orthodox Church, autonomous within the Russian Orthodox Church, previously relied on making private bargains with the government; but this policy ended with the adoption of the 2013 Law on Ensuring Equality in the (...)
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  47.  25
    Opponent actor learning (OpAL): Modeling interactive effects of striatal dopamine on reinforcement learning and choice incentive.Anne G. E. Collins & Michael J. Frank - 2014 - Psychological Review 121 (3):337-366.
  48.  9
    Rational actors? Hippias and Aristogeiton.Eleni Panagiotarakou - 2019 - Schole 13 (1):19-31.
    This paper seeks to address the extent to which ancient historical actors might be seen to have exhibited what might be described as rational motives. In particular, it examines a number of strategic interactions employed by the Athenian tyrant Hippias in his interactions of Aristogeiton, the protagonist of an unsuccessful coup d’etat. A secondary objective of this paper is to explore Hippias’ reactionary policies following his brother’s assassination, namely, whether Hippias’ choice of external allies, in the face of possible exile, (...)
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  49. Actors in private food governance: the legitimacy of retail standards and multistakeholder initiatives with civil society participation. [REVIEW]Doris Fuchs, Agni Kalfagianni & Tetty Havinga - 2011 - Agriculture and Human Values 28 (3):353-367.
    Democratic legitimacy is rarely associated with private governance. After all, private actors are not legitimized through elections by a demos. Instead of abandoning democratic principles when entering the private sphere of governance, however, this article argues in favour of employing alternative criteria of democracy in assessments. Specifically, this article uses the criteria of participation, transparency and accountability to evaluate the democratic legitimacy of private food retail governance institutions. It pursues this evaluation of the democratic legitimacy of these institutions against the (...)
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  50.  4
    Travelling actors in the fifth century?N. G. Wilson - 1999 - Classical Quarterly 49 (2):625-625.
    The object of this note is to draw attention to a piece of evidence about the history of the Greek theatre which appears to have gone unnoticed, yet may be of some importance. Aelian in hisHistoria animalium11.19 reports the fate of Pantacles the Lacedaemonian, who refused to allow some actors on their way to Cythera to pass through Sparta. Later, when performing official duties as ephor, he was torn to pieces by dogs.
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