Results for 'aesthetic judgment'

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  1.  37
    De Pulchritudine Non Est Disputandum? A Cross‐Cultural Investigation of the Alleged Intersubjective Validity of Aesthetic Judgment.Florian Cova, Christopher Y. Olivola, Edouard Machery, Stephen Stich, David Rose, Mario Alai, Adriano Angelucci, Renatas Berniūnas, Emma E. Buchtel, Amita Chatterjee, Hyundeuk Cheon, In-Rae Cho, Daniel Cohnitz, Vilius Dranseika, Ángeles E. Lagos, Laleh Ghadakpour, Maurice Grinberg, Ivar Hannikainen, Takaaki Hashimoto, Amir Horowitz, Evgeniya Hristova, Yasmina Jraissati, Veselina Kadreva, Kaori Karasawa, Hackjin Kim, Yeonjeong Kim, Minwoo Lee, Carlos Mauro, Masaharu Mizumoto, Sebastiano Moruzzi, Jorge Ornelas, Barbara Osimani, Carlos Romero, Alejandro Rosas, Massimo Sangoi, Andrea Sereni, Sarah Songhorian, Paulo Sousa, Noel Struchiner, Vera Tripodi, Naoki Usui, Alejandro V. del Mercado, Giorgio Volpe, Hrag A. Vosgerichian, Xueyi Zhang & Jing Zhu - forthcoming - Mind and Language.
    Since at least Hume and Kant, philosophers working on the nature of aesthetic judgment have generally agreed that common sense does not treat aesthetic judgments in the same way as typical expressions of subjective preferences—rather, it endows them with intersubjective validity, the property of being right or wrong regardless of disagreement. Moreover, this apparent intersubjective validity has been taken to constitute one of the main explananda for philosophical accounts of aesthetic judgment. But is it really (...)
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  2.  62
    On Standard and Taste. Wittgenstein and Aesthetic Judgment.Jean-Pierre Cometti - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):5-15.
    The question of aesthetic judgment is related to a lot of paradoxes that have marked sustainably the reflection on arts, and even arts as such during their modern history. These paradoxes have found a first formulation, apparently clear, in the very famous Hume's essay: "On the standard of taste", but without to lead to a real resolution. In this paper, I would like to approach the question of Hume by starting from what Wittgenstein suggested about aesthetic (...) in his Cambridge lectures. To this end, I will try to give a wittgensteinian reading of Hume's essay, in order to show that though the question of aesthetic judgment makes certainly sense, the way of considering it - like the way Kant shall consider it later - can be regarded as typical of difficulties Wittgenstein tried to overcome in his investigations on rules. By giving an alternative formulation to this question, we should be able to examine differently the problems of the aesthetic judgment, to underline more precisely the originality of Wittgenstein's approach, and perhaps to better grasp what are its consequences, not only for a better comprehension of the relationship between Wittgenstein’s philosophy and art, but for the type of perplexity to which we must face everytime we meet the paradox inherent to the question of aesthetic appreciation as such: how can we conceive the very idea of a standard involving a normative meaning without making to faint what gives to a work of art its value. We shall see that Wittgenstein’s suggestions, though their contribution to a better understanding of this question is still affected by some ambiguities, are to be reconsidered under the light of his anti-essentialism, and that these ambiguities can be dissipated by dissociating, on one hand, what belongs to his own tastes or to his related thoughts and on the other hand what we can conceive through the ways which were opened by his philosophy beyond his personal inclinations. Despite what gives to the sphere of Wittgenstein's artistic interests its limited character; despite also what drives his attention towards another kind of problems, it may well be that his thought cast a bright light on current artistic practices and therefore on the questions they ask to philosophy. (shrink)
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  3.  26
    Modelling Aesthetic Judgment: An Interactive-Semiotic Perspective.Ioannis Xenakis, Argyris Arnellos, Thomas Spyrou & John Darzentas - 2012 - Cybernetics and Human Knowing 19 (3).
    Aesthetic experience, as a cognitive activity is a fundamental part of the interaction process in which an agent attempts to interpret his/her environment in order to support the fundamental process of decision making. Proposing a four-level interactive model, we underline and indicate the functions that provide the operations of aesthetic experience and, by extension, of aesthetic judgment. Particularly in this paper, we suggest an integration of the fundamental Peircean semiotic parameters and their related levels of semiotic (...)
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  4.  18
    The Functional Role of Emotions in Aesthetic Judgement.Ioannis Xenakis, Argyris Arnellos & John Darzentas - 2012 - New Ideas in Psychology 30 (2).
    Exploring emotions, in terms of their evolutionary origin; their basic neurobiological substratum, and their functional significance in autonomous agents, we propose a model of minimal functionality of emotions. Our aim is to provide a naturalized explanation – mostly based on an interactivist model of emergent representation and appraisal theory of emotions – concerning basic aesthetic emotions in the formation of aesthetic judgment. We suggest two processes the Cognitive Variables Subsystem (CVS) which is fundamental for the accomplishment of (...)
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  5.  43
    Aesthetic Judgment: The Power of the Mind in Understanding Confucianism. [REVIEW]Xialing Xie - 2009 - Frontiers of Philosophy in China 4 (1):38-51.
    Mou Zongsan incorrectly uses Kant’s practical reason to interpret Confucianism. The saying that “what is it that we have in common in our minds? It is the li 理 (principles) and the yi 义 (righteousness)” reveals how Mencius explains the origin of li and yi through a theory of common sense. In “the li and the yi please our minds, just as the flesh of beef and mutton and pork please our mouths,” “please” is used twice, proving aesthetic (...) is necessary to understanding Mencius. An analysis of Zhu Xi and Wang Yangming’s ideas will show that Confucianism should be interpreted by appealing to aesthetic judgment, and a discussion of Kant’s theory of judgment and Gadamer’s critique of Kant’s theory will support the same point. The conclusion is that Chinese moral philosophy should be interpreted through aesthetic judgment. (shrink)
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  6.  16
    Aesthetic Judgment: The Power of the Mind in Understanding Confucianism.Xie Xialing & Gao Limin - 2009 - Frontiers of Philosophy in China 4 (1):38 - 51.
    Mou Zongsan incorrectly uses Kant's practical reason to interpret Confucianism. The saying that "what is it that we have in common in our minds? It is the il 理 (principles) and the yi 义 (righteousness)" reveals how Mencius explains the origin of il and yi through a theory of common sense. In "the li and the yi please our minds, just as the flesh of beef and mutton and pork please our mouths," "please" is used twice, proving aesthetic (...) is necessary to understanding Mencius. An analysis of Zhu Xi and Wang Yangming's ideas will show that Confucianism should be interpreted by appealing to aesthetic judgment, and a discussion of Kant's theory of judgment and Gadamer's critique of Kant's theory will support the same point. The conclusion is that Chinese moral philosophy should be interpreted through aesthetic judgment. /// 牟宗三以康德实践理性解说儒学是一错误思路。"心之所同然者何也?谓理 也,义也", 表明孟子以共通感论述理义来源, "理义之悦我心,犹当拳之悦我口" 两用 "悦" 字,证明应当以直感判断力解说孟子。分析朱子、阳明的一些言论证 明以直感判断力解说儒学则若合符节; 并引述康德关于判断力的相关学说、伽达 默尔对康德的批评支持上述论点; 从而主张,中国道德哲学宜以直感判断力来解 释。. (shrink)
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  7.  17
    Aesthetic Judgement and Political Judgement.Henrik Kaare Nielsen - 2012 - Nordic Journal of Aesthetics 23 (43).
    Prominent positions in the contemporary theoretical field of the humanities tend to conceptualize late modern communities in general as aesthetic communities of taste. In regard to political communities, this means reducing the political to an implication of the aesthetic discourse. This article argues for addressing the aesthetic and the political as distinct discourses that are, on the other hand, always engaged with each other in a conflictual interplay. Both discourses draw on and appeal to the ability of (...)
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  8.  18
    Aesthetic Experience, Medical Practice, and Moral Judgement. Critical Remarks on Possibilities to Understand a Complex Relationship.Marcus Düwell - 1999 - Medicine, Health Care and Philosophy 2 (2):161-168.
    The aim of the paper is to examine the possible relationships between the different dimensions of aesthetics on the one hand, and medical practice and medical ethics on the other hand. Firstly, I consider whether the aesthetic perception of the human body is relevant for medical practice. Secondly, a possible analogy between the artistic process and medical action is examined. The third section concerns the comparison between medical ethical judgements and aesthetic judgement of taste. It is concluded that (...)
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  9.  30
    Kant on the Form of Aesthetic Judgment.Alexandra Newton - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 169-180.
  10.  10
    Aesthetic Judgment and the Completion of Kant’s Critical System.Lara Ostaric - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 679-690.
  11.  8
    The Sense of Community in Cavell's Conception of Aesthetic and Moral Judgment.Jennifer A. McMahon - 2014 - Conversations: The Journal of Cavellian Studies 2:35-53.
    Cavell’s interest in aesthetic objects can be understood to be motivated by an interest in the nature of meaning and value. The idea is that perceptual objects considered as cultural artefacts under-determine the meaning and value attributed to them. The process involved in determining their meaning and value is essentially a creative one. Through his study of film, literature and music, Cavell could be said to indirectly address the axiomatic, or what is sometimes referred to as the bedrock, of (...)
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  12. Aesthetic Judgment and Perceptual Normativity.Hannah Ginsborg - 2006 - Inquiry: An Interdisciplinary Journal of Philosophy 49 (5):403 – 437.
    I draw a connection between the question, raised by Hume and Kant, of how aesthetic judgments can claim universal agreement, and the question, raised in recent discussions of nonconceptual content, of how concepts can be acquired on the basis of experience. Developing an idea suggested by Kant's linkage of aesthetic judgment with the capacity for empirical conceptualization, I propose that both questions can be resolved by appealing to the idea of "perceptual normativity". Perceptual experience, on this proposal, (...)
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  13.  74
    The Autonomy of Aesthetic Judgement.Andrew McGonigal - 2006 - British Journal of Aesthetics 46 (4):331-348.
    In recent work, Robert Hopkins has argued that aesthetic judgements are autonomous. When a subject finds herself diverging in judgement from a group of others who, while independently applying the same method, have come to some opposing conclusion, then for ordinary empirical matters this is often reason enough for her to suspend judgement, or even to adopt their view, but this happens much more rarely in the case of beauty. Moreover, the opposing view does not act as a defeater (...)
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  14.  39
    Is Perception the Canonical Route to Aesthetic Judgement?Jon Robson - 2017 - Australasian Journal of Philosophy:1-12.
    It is commonplace amongst philosophers of art to make claims which postulate important links between aesthetics and perception. In this paper, I focus on one such claim: that perception is the canonical route to aesthetic judgement. I consider a range of prima facie plausible interpretations of this claim and argue that they each fail to identify any important link between aesthetic judgement and perception. Given this, I conclude that we have good reason to be sceptical of the claim (...)
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  15.  86
    Quasi-Realism, Acquaintance, and the Normative Claims of Aesthetic Judgement.Cain Samuel Todd - 2004 - British Journal of Aesthetics 44 (3):277-296.
    My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account (...)
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  16. The Role of Transcendental Idealism in Kant's Dialectic of Aesthetic Judgment.Andrew Ward - unknown
    A defence of the view that the introduction of transendental idealism, in the Dialectic of Aesthetic Judgment, plays a central role in resolving the antinomy which, as Kant contends, exists in our pure judgments of taste. It is further argued that the link that he holds to exist between the realms of nature and morality (or freedom) can only be successfully made out if transcendental idealism is accepted as underpinning our judgments concerning the beauties of nature.
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  17.  31
    One Act or Two? Hannah Ginsborg on Aesthetic Judgement.Paul Guyer - 2017 - British Journal of Aesthetics 57 (4):407-419.
    Hannah Ginsborg rejects my ‘two-acts’ interpretation of Kant’s conception of aesthetic judgement as untrue to Kant’s text and as philosophically problematic, especially because it entails that every object must be experienced as beautiful. I reject her criticisms, and argue that it is her own ‘one-act’ interpretation that is liable to these criticisms. But I also suggest that her emphasis on Kant’s ‘transcendental explanation’ of pleasure as a self-maintaining mental state suggests an alternative to the common view that pleasure is (...)
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  18.  58
    On Aesthetic Judgement and Our Relation to Nature: Kant's Concept of Purposiveness.Fiona Hughes - 2006 - Inquiry: An Interdisciplinary Journal of Philosophy 49 (6):547-572.
    I offer a critical reconstruction of Kant's thesis that aesthetic judgement is founded on the principle of the purposiveness of nature. This has been taken as equivalent to the claim that aesthetics is directly linked to the systematicity of nature in its empirical laws. I take issue both with Henry Allison, who seeks to marginalize this claim, and with Avner Baz, who highlights it in order to argue that Kant's aesthetics are merely instrumental for his epistemology. My solution is (...)
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  19.  14
    The Free Harmony of the Faculties and the Primacy of Imagination in Kant's Aesthetic Judgment.Lara Ostaric - 2017 - European Journal of Philosophy 25 (4):1376-1410.
    This essay argues that, contrary to the prevailing view according to which reflection in Kant's aesthetic judgment is interpreted as ‘the logical actus of the understanding’, we should pay closer attention to Kant's own formulation of aesthetic reflection as ‘an action of the power of imagination’. Put differently, I contend in this essay that the rule that governs and orders the manifold in aesthetic judgment is imagination's own achievement, the achievement of the productive synthesis of (...)
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  20.  38
    A New Look at Kant’s Aesthetic Judgment.Richard E. Aquila - 1979 - Kant-Studien 70 (1-4):17-34.
    One approach sees aesthetic pleasure as distinctively caused (by interplay of the cognitive faculties involved in apprehending an object) and accompanied by a distinctive judgment (that everyone ought to respond thus). I suggest a closer tie between affective and cognitive aspects: the pleasure is referred to its object, Not simply through causal relations with the cognitive faculties involved, But through itself receiving the very form constituting apprehension in the first place. This avoids certain difficulties concerning intentionality. It also (...)
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  21.  31
    Review: Allison, Henry E., Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment.Paul Guyer - 2002 - Journal of the History of Philosophy 40 (3):406-408.
    Paul Guyer - Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment - Journal of the History of Philosophy 40:3 Journal of the History of Philosophy 40.3 406-408 Book Review Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment Henry E. Allison. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. New York: Cambridge University Press, 2001. Pp. xvi + 424. Cloth, $69.95. Paper, $24.95. In (...)
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  22.  11
    Interiority, Cognitional Operations, and Aesthetic Judgment.James R. Pambrun - 2014 - Philosophy and Theology 26 (2):307-341.
    This article proposes to elaborate aesthetic judgment. The context is John Dadosky’s call for such an elaboration in light of the theological and philosophical import of a recovery of beauty. Following Dadosky’s suggestion that this be set within Lonergan’s appeal to interiority, the article signals two points in Dadosky’s program: patterns of experience and the role of cognitional operations. The article turns to Mikel Dufrenne’s work on the phenomenology of aesthetic experience. Based on this work, data is (...)
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  23.  4
    Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment[REVIEW]Paul Guyer - 2002 - Journal of the History of Philosophy 40:406-408.
    Paul Guyer - Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment - Journal of the History of Philosophy 40:3 Journal of the History of Philosophy 40.3 406-408 Book Review Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment Henry E. Allison. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. New York: Cambridge University Press, 2001. Pp. xvi + 424. Cloth, $69.95. Paper, $24.95. In (...)
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  24.  71
    Aesthetic Judgment.Nick Zangwill - 2003 - The Stanford Encyclopedia of Philosophy.
    Beauty is an important part of our lives. Ugliness too. It is no surprise then that philosophers since antiquity have been interested in our experiences of and judgments about beauty and ugliness. They have tried to understand the nature of these experiences and judgments, and they have also wanted to know whether these experiences and judgments were legitimate. Both these projects took a sharpened form in the twentieth century, when this part of our lives came under a sustained attack in (...)
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  25.  77
    A Social Epistemology of Aesthetics: Belief Polarization, Echo Chambers and Aesthetic Judgement.Jon Robson - 2014 - Synthese 191 (11):2513-2528.
    How do we form aesthetic judgements? And how should we do so? According to a very prominent tradition in aesthetics it would be wrong to form our aesthetic judgements about a particular object on the basis of anything other than first-hand acquaintance with the object itself (or some very close surrogate) and, in particular, it would be wrong to form such judgements merely on the basis of testimony. Further this tradition presupposes that our actual practice of forming (...) judgements typically meets, or at least approximates, this ideal. In this paper I target this descriptive claim and argue—by appeal to some empirical work concerning belief polarization and echo chambers in aesthetics—that our actual practice of forming aesthetic judgements is heavily dependent on social sources such as testimony. I then briefly consider what normative implications this descriptive claim may have. (shrink)
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  26. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment.Henry E. Allison - 2001 - Cambridge University Press.
    This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity (...)
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  27.  19
    Aesthetic Judgment and the Moral Image of the World: Studies in Kant.Dieter Henrich - 1992 - Stanford University Press.
    This is a collection of four essays on aesthetic, ethical, and political issues by the pre-eminent Kant scholar in Germany today, perhaps best known for rekindling interest in the great classical German tradition from Kant to Fichte.
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  28.  7
    Kant, Quasi‐Realism, and the Autonomy of Aesthetic Judgement.Robert Hopkins - 2001 - European Journal of Philosophy 9 (2):166-189.
    Aesthetic judgements are autonomous, as many other judgements are not: for the latter, but not the former, it is sometimes justifiable to change one’s mind simply because several others share a different opinion. Why is this? One answer is that claims about beauty are not assertions at all, but expressions of aesthetic response. However, to cover more than just some of the explananda, this expressivism needs combining with some analogue of cognitive command, i.e. the idea that disagreements over (...)
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  29.  17
    Towards a Kantian Theory of Judgment: The Power of Judgment in its Practical and Aesthetic Employment.Dascha Düring & Marcus Düwell - 2015 - Ethical Theory and Moral Practice 18 (5):943-956.
    Human beings orient themselves in the world via judgments; factual, moral, prudential, aesthetic, and all kinds of mixed judgments. Particularly for normative orientation in complex and contested contexts of action, it can be challenging to form judgments. This paper explores what one can reasonably expect from a theory of the power of judgment from a Kantian approach to ethics. We reconstruct practical judgments on basis of the self-reflexive capacities of human beings, and argue that for the subject to (...)
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  30.  16
    Judgment in Contemporary Aesthetic Experience.Bernardo Barros Coelho de Oliveira - 2011 - Filosofia Unisinos 12 (1):38-47.
    The article presents central concepts of the “Critique of Aesthetic Judgment,” the first part of the Critique of Judgment by Kant, arguing for the possibility of a fruitful discussion between this work and the problems of aesthetic experience in the contemporary world. It emphasizes Kant’s claims about the judgments of taste concerning works of art and tries to remove some prejudices that hinder the dialogue between this work and current problems.
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  31.  14
    The Problem of Aesthetic Judgment: Perspectives of Aesthetics.Una Popovic - 2013 - Filozofija I Društvo 24 (3):5-22.
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  32.  18
    Kant's Critique of Aesthetic Judgement.Immanuel Kant & James Creed Meredith - 1911 - Clarendon Press.
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  33. Kant and the Aesthetic Judgment.Michael P. T. Leahy - 1963 - Dissertation,
  34. Aesthetic Judgment and Arousal.Gerda Smets - 1973 - [Leuven]Leuven University Press.
     
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  35. Kant, Quasi-Realism, and the Autonomy of Aesthetic Judgement.Robert Hopkins - 2001 - European Journal of Philosophy 9 (2):166–189.
    Aesthetic judgements are autonomous, as many other judgements are not: for the latter, but not the former, it is sometimes justifiable to change one's mind simply because several others share a different opinion. Why is this? One answer is that claims about beauty are not assertions at all, but expressions of aesthetic response. However, to cover more than just some of the explananda, this expressivism needs combining with some analogue of cognitive command, i.e. the idea that disagreements over (...)
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  36.  51
    Wu-Wei: Lao-Zi, Zhuang-Zi and the Aesthetic Judgement.Rui Zhu - 2002 - Asian Philosophy 12 (1):53 – 63.
    The concept of wu-wei (nonaction) has undergone significant changes from Lao-zi to Zhuang-zi. This paper will argue that, while wu-wei in Lao-zi is a utilitarian principle, wu-wei of Zhuan-zi represents an aesthetic world-view. The aesthetic nature of the Daoist nonaction will be illustrated through Kant's concept of 'purposiveness without purpose'.
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  37.  62
    The Conclusion of the Deduction of Taste in the Dialectic of the Power of Judgment Aesthetic in Kant.Manuel Sánchez - 2013 - Trans/Form/Ação 36 (2):45-62.
    In this paper, it is argued that only in the section on dialectic in the Critique of Judgment does Kant reach a definitive and conclusive version of deduction, after discovering the concept of the supersensible. In the section on the deduction of pure aesthetic judgments, Kant does not satisfactorily explain the critical distinction between the sensible nature of humanity and the supersensible nature of human reason presupposed in the concept of universal communicability. While the concept of the supersensible (...)
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  38.  85
    The Conclusion of the Deduction of Taste in the Dialectic of Aesthetic Power of Judgment in Kant.Manuel Sánchez Rodríguez - 2013 - Trans/Form/Ação 36 (2):45-62.
    In this paper, it is argued that only in the section on dialectic in the Critique of Judgment does Kant reach a definitive and conclusive version of deduction, after discovering the concept of the supersensible. In the section on the deduction of pure aesthetic judgments, Kant does not satisfactorily explain the critical distinction between the sensible nature of humanity and the supersensible nature of human reason presupposed in the concept of universal communicability. While the concept of the supersensible (...)
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  39.  86
    Reflections on Aesthetic Judgement.B. R. Tilghman - 2004 - British Journal of Aesthetics 44 (3):248-260.
    Aesthetic realism is offered as a way of overcoming aesthetic disagreement and combating all forms of subjectivism, emotivism, and so on, with its thesis that aesthetic qualities really exist and the judgements about them are genuine statements of fact. This paper questions the intelligibility of that thesis together with its claim that aesthetic qualities are supervenient upon non-aesthetic ones. It is suggested that in this context supervenience amounts to little more than aspect perception and that (...)
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  40.  76
    Can Critics Be Dispassionate? The Role of Emotion in Aesthetic Judgment.Jesse Prinz - unknown
    “A sentimental layman would feel, and ought to feel, horrified, on being admitted into [an expert art] critic's mind, to see how cold, how thin, how void of human significance, are the motives for favour or disfavour that there prevail.” Thus writes William James. The art-world is dominated by critics who sneer and sentimentality, resist evocation, and issue stale, dispassionate appraisals. Memorized standards are coolly deployed to scan works for the features that are currently in fashion, before an icy verdict (...)
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  41.  6
    Taking a Chance: Education for Aesthetic Judgment and the Criticism of Culture.Naoko Saito - 2015 - Ethics and Education 10 (1):96-104.
    This article explores the possibilities of the antifoundationalist thought of Cavell with a particular focus on his idea of chance in aesthetic experience, as a framework through which to destabilize the prevailing discourse of education centering on freedom and control. I try to present the idea of chance in a particular way, which does not identify it with chaos or limitlessness but takes it rather as a condition of meaning-making, and more generally of a perfecting of culture, of a (...)
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  42.  5
    Science and Aesthetic Judgment: A Study in Taine's Critical Method.Sholom J. Kahn - 1953 - Journal of Philosophy 50 (20):621-622.
    First published in 1953. This title provides an exposition and discussion on Hippolyte Taine, the leader of the Naturalist movement in French criticism. The book examines his theories and some of his practice, as a critic of literature and art. A more general consideration of the chief issues raised by his central problem is also given, namely the attempt to approach the analysis and judgement of works of art historically, and thus to provide an objective basis of criticism. This title (...)
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  43.  3
    The Development of Aesthetic Judgment: Analysis of a Genetic-Structuralist Approach.Jos de Mul - 1988 - Journal of Aesthetic Education 22 (2):55.
  44.  2
    Communication Between State of Aesthetic Judgment and Life Realm: Centered on Zhuangzi's Void-Quietness.L. I. U. Yi-Qing - 2011 - Journal of Aesthetic Education (Misc) 4:008.
  45. Science and Aesthetic Judgement: A Study in Taine's Critical Method.Sholom J. Kahn - 2016 - Routledge.
    First published in 1953. This title provides an exposition and discussion on Hippolyte Taine, the leader of the Naturalist movement in French criticism. The book examines his theories and some of his practice, as a critic of literature and art. A more general consideration of the chief issues raised by his central problem is also given, namely the attempt to approach the analysis and judgement of works of art historically, and thus to provide an objective basis of criticism. This title (...)
     
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  46.  7
    Is Perception the Canonical Route to Aesthetic Judgment?Jon Robson - 2018 - Australasian Journal of Philosophy 96 (4):657-668.
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  47. Reasoned and Unreasoned Judgement: On Inference, Acquaintance and Aesthetic Normativity.Dan Cavedon-Taylor - 2017 - British Journal of Aesthetics 57 (1):1-17.
    Aesthetic non-inferentialism is the widely-held thesis that aesthetic judgements either are identical to, or are made on the basis of, sensory states like perceptual experience and emotion. It is sometimes objected to on the basis that testimony is a legitimate source of such judgements. Less often is the view challenged on the grounds that one’s inferences can be a source of aesthetic judgements. This paper aims to do precisely that. According to the theory defended here, aesthetic (...)
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    Human, Nature, Dynamism: The Effects of Content and Movement Perception on Brain Activations During the Aesthetic Judgment of Representational Paintings.Cinzia Di Dio, Martina Ardizzi, Davide Massaro, Giuseppe Di Cesare, Gabriella Gilli, Antonella Marchetti & Vittorio Gallese - 2015 - Frontiers in Human Neuroscience 9.
  49. Critique of Aesthetic Judgement.Immanuel Kant - unknown
  50. The Significance of Kant's Pure Aesthetic Judgement.Paul Crowther - 1996 - British Journal of Aesthetics 36 (2):109-121.
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