Results for 'esthetics, poetics, metaphorology.'

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  1.  6
    Ciencia Del Conocimiento Sensible: Principios Racionalistas En la Estética de Alexander Baumgarten.Pablo Chiuminatto - 2014 - Revista de filosofía (Chile) 70:61-73.
    A mediados del siglo XVIII, A. Baumgarten estableció una “ciencia del conocimiento sensible ” o estética. Su propuesta ampliaba el legado de Leibniz y Wolff, profundizaba la noción de experiencia y asumía el esquema tradicional de la Idea que Leibniz criticó a Descartes, pero considerando la acepción de ideas “simbólicas”. No obstante su relevancia, la propuesta de Baumgarten no siempre es considerada para comprender la teoría del arte, que aparece como una vía menos relevante frente a la revolución kantiana de (...)
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  2.  35
    Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge.Kevin Barry - 1987 - Cambridge University Press.
    Originally published in 1987, this book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth ...
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  3.  20
    The Aesthetics, Poetics, and Philosophy of Narrative.J. Mikkonen - 2012 - British Journal of Aesthetics 52 (3):320-322.
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  4.  13
    Call for Papers: The Aesthetics, Poetics, and Philosophy of Narrative.Noël Carroll - 2007 - Journal of Aesthetics and Art Criticism 65 (3):i-i.
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  5.  1
    Call for Papers: The Aesthetics, Poetics, and Philosophy of Narrative.Noël Carroll - 2007 - Journal of Aesthetics and Art Criticism 65 (2):i-i.
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  6. "Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice From Collins to Coleridge": Kevin Barry. [REVIEW]Richard Bourke - 1989 - British Journal of Aesthetics 29 (2):188.
     
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  7.  13
    Sociology: Aesthetics, Poetics and Text. [REVIEW]J. P. Ward - 1990 - Human Studies 13 (2):187-191.
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  8.  24
    Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice From Collins to Coleridge. By Kevin Barry.Constantinos Maritsas - 2012 - The European Legacy 17 (3):417 - 417.
    The European Legacy, Volume 17, Issue 3, Page 417, June 2012.
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  9.  2
    Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice From Collins to Coleridge.Robert Ginsbers - 1989 - History of European Ideas 10 (3):377-378.
  10. Review: Sociology: Aesthetics, Poetics and Text. [REVIEW]J. P. Ward - 1990 - Human Studies 13 (2):187 - 191.
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  11. Ethics and Aesthetics in Aristotle's Poetics.Paul Crittenden - 1991 - Literature & Aesthetics 1:15-27.
  12.  1
    Studies in Tectonic Culture: The Poetics of Construction in Nineteenth- and Twentieth-Century ArchitectureThirteen Ways: Theoretical Investigations in ArchitectureOn the Aesthetics of Architecture: A Psychological Approach to the Structure and the Order of Perceived Architectural Space.Tom Leddy, Kenneth Frampton, Robert Harbison & Ralf Weber - 2000 - Journal of Aesthetics and Art Criticism 58 (1):79.
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  13. The Poetics, Aesthetics, and Philosophy of Narrative.Noël Carroll - 2009 - Wiley-Blackwell.
    This anthology is the first study of the philosophy of narrative in the analytic tradition. Brings together eleven articles exploring narrative, metaphysics and epistemology, character, and emotion Examines various narrative art forms, including painting and comics The first of a new series of books published in association with the _Journal of Aesthetics and Art Criticism_.
     
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  14. Reviews : The Sahitya-Darpana and the History of Sanskrit Poetics. BY P. V. KANE (3d Ed.) Bombay, I95I. Pp. 433+64+345. 8 . Comparative Aesthetics BY K. C. PANDEY. Vol. I. Indian Aesthetics ('Chowkhamba Sanskrit Series', Studies, Vol II). Benares, I950. Pp. 486. [REVIEW]L. Renou - 1953 - Diogenes 1 (1):127-130.
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  15.  3
    Reviews : The Sáhitya-Darpana and the History of Sanskrit Poetics. BY P. V. KANE Bombay, I95I. Pp. 433+64+345. 8°. Comparative Aesthetics BY K. C. PANDEY. Vol. I. Indian Aesthetics . Benares, I950. Pp. 486. 8°. [REVIEW]Louis Renou - 1953 - Diogenes 1 (1):127-130.
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  16.  11
    IMAGINATION. A. Sheppard The Poetics of Phantasia. Imagination in Ancient Aesthetics. Pp. Xiv + 122. London and New York: Bloomsbury Academic, 2014. Cased, £65. ISBN: 978-1-4725-0765-5. [REVIEW]Simon Goldhill - 2015 - The Classical Review 65 (1):68-70.
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  17.  29
    Teddy Brunius: Inspiration and Katharsis: The Interpretation of Aristotle's Poetics, Vi. 1449b26. (Acta Universitatis Upsaliensis: Swedish Studies in Aesthetics, 3.) Pp. 88. Uppsala: Almqvist & Wiksell, 1966. Paper, 25 Kr. [REVIEW]D. W. Lucas - 1968 - The Classical Review 18 (01):109-110.
  18. Adorno's Social Lyric, and Literary Criticism Today: Poetics, Aesthetics, Modernity.Robert Kaufman - 2004 - In Tom Huhn (ed.), The Cambridge Companion to Adorno. Cambridge University Press. pp. 354--375.
     
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  19.  11
    Apophatic Paths: Modern and Contemporary Poetics and Aesthetics of Nothing.William Franke - 2012 - Angelaki 17 (3):7-16.
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  20.  9
    Poetics and Philosophy of History, Vol. I. Antiquity and Modernity in the Aesthetics of the Age of Goethe. Hegel's Doctrine of Poetry. [REVIEW]Thomas P. Saine - 1975 - Philosophy and History 8 (2):225-226.
  21.  6
    The Poetics of Phantasia. Imagination in Ancient Aesthetics_ _, Written by Sheppard, A.Malcolm Heath - 2015 - International Journal of the Platonic Tradition 9 (2):232-234.
  22.  7
    Elizabeth M. Tyler, Old English Poetics: The Aesthetics of the Familiar in Anglo-Saxon England. York: York Medieval Press, in Association with Boydell and Brewer and the Centre for Medieval Studies, University of York, 2006. Pp. Xvi, 194. $85. [REVIEW]Jana K. Schulman - 2008 - Speculum 83 (1):247-248.
  23.  7
    The Poetics of Phantasia: Imagination in Ancient Aesthetics, by Anne Sheppard.James I. Porter - 2015 - Australasian Journal of Philosophy 93 (2):412-413.
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  24.  6
    Aesthetics and Ideology: What Happened to Poetics?Peter Brooks - 1994 - Critical Inquiry 20 (3):509-523.
  25.  2
    Old English Poetics: The Aesthetics of the Familiar in Anglo-Saxon England. Elizabeth M. Tyler.Jana K. Schulman - 2008 - Speculum 83 (1):247-248.
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  26.  2
    Khatereh Sheibani (2011) The Poetics of Iranian Cinema: Aesthetics and Modernity After the Revolution.Paul Elliott - 2013 - Film-Philosophy 17:516-519.
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  27. The Poetics, Aesthetics, and Philosophy of Narrative.NoË Carroll & L. - 2009 - Wiley-Blackwell.
     
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  28. Literary Knowing in Neoclassical France: From Poetics to Aesthetics.Ann T. Delehanty - 2012 - Bucknell University Press.
    This book, spanning the years 1650–1730 in France and England, looks primarily at the history of literary criticism during that period in order to show how the rising interest in the sublime pushes literary critics to entirely alter their approach to theorizing works of literature. It provides a new approach to understanding how eighteenth-century aesthetic theories are indebted to seventeenth-century religious, philosophical, and literary ideas.
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  29. From the ‘Aesthetics of Diversity’ to the ‘Poetics of Relating’: Segalen, Glissant and the Genealogies of Francophone Postcolonial Thought.Charles Forsdick - 2014 - Paragraph 37 (2):160-177.
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  30. Routledge Philosophy Guidebook to Aristotle and the Poetics.Angela Curran - 2015 - Routledge.
    Aristotle’s Poetics is the first philosophical account of an art form and is the foundational text in the history of aesthetics. The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work. Angela Curran introduces and assesses: Aristotle’s life and the background to the Poetics the ideas and text of the Poetics , including mimēsis ; poetic technē; the definition of tragedy; the elements of poetic composition; the Poetics’ recommendations for tragic (...)
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  31.  74
    The Practical Absolute: Fichte's Hidden Poetics.Anthony Curtis Adler - 2007 - Continental Philosophy Review 40 (4):407-433.
    The following paper argues that J.G. Fichte, despite his apparent philosophical neglect of art and aesthetics, does develop a strong, original, and coherent account of art, which not only allows the theorization of modern, non-representative art forms, but indeed anticipates Nietzsche and Heidegger in conceiving of truth in terms of art rather than scientific rationality. While the basis of Fichte’s philosophy of art is presented in the essay “On Spirit and Letter in Philosophy,” it is not developed systematically either in (...)
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  32.  53
    Essays on Aristotle's Poetics.Amélie Oksenberg Rorty (ed.) - 1992 - Princeton University Press.
    Aimed at deepening our understanding of the Poetics, this collection places Aristotle's analysis of tragedy in its larger philosophical context.
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  33.  6
    Poetics Before Plato: Interpretation and Authority in Early Greek Theories of Poetry.Grace M. Ledbetter - 2002 - Princeton University Press.
    Combining literary and philosophical analysis, this study defends an utterly innovative reading of the early history of poetics. It is the first to argue that there is a distinctively Socratic view of poetry and the first to connect the Socratic view of poetry with earlier literary tradition.Literary theory is usually said to begin with Plato's famous critique of poetry in the Republic. Grace Ledbetter challenges this entrenched assumption by arguing that Plato's earlier dialogues Ion, Protagoras, and Apology introduce a distinctively (...)
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  34. Aristotle's Theory of Poetry and Fine Art with a Critical Text and Translation of the Poetics.S. H. BUTCHER - 1895 - Dover Publications.
  35.  59
    A Theory of Art.Karol Berger - 1999 - Oxford University Press.
    What, if anything, has art to do with the rest of our lives, and in particular with those ethical and political issues that matter to us most? Will art created today be likely to play a role in our lives as profound as that of the best art of the past? A Theory of Art shifts the focus of aesthetics from the traditional debate of "what is art?" to the engaging question of "what is art for?" Skillfully describing the social (...)
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  36.  2
    Plato's Rhapsody and Homer's Music. The Poetics of the Panathenaic Festival in Classical Athens.Julia L. Shear & G. Nagy - 2004 - Journal of Hellenic Studies 124:182.
  37. The Aesthetics of Chaosmos the Middle Ages of James Joyce.Umberto Eco - 1982 - University of Tulsa.
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  38. The Indian Theory of Aesthetics: A Reappraisal.A. Ve Cuppiramaṇiyan̲ - 2005 - Rashtriya Sanskrit Sansthan.
     
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  39.  4
    La philosophie ricœurienne de l’esthétique entre poétique et éthique.Samuel Lelièvre - 2016 - Études Ricoeuriennes / Ricoeur Studies 7 (2):43-73.
    Ricœur’s philosophy never locates itself directly in the field of philosophical aesthetics inasmuch as philosophical aesthetics never arises as a field of major questioning and discursive development for Ricœur’s philosophy or as a field that would guide that philosophy. However, Ricœur maintains an ongoing but complex connection with aesthetics throughout his philosophical work. Here we defend the thesis that there are difficulties relating both to the complexity of Ricœur’s philosophy and to the crisis situation of aesthetics as an autonomous field (...)
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  40. Howard Hawks and John Ford Resurgent.Raymond Aaron Younis - 1995 - Cinema Papers (1995).
    On the aesthetics and poetics of Hawks and Ford; their resurgence in film studies.
     
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  41.  23
    Essays in Aesthetics.Gérard Genette - 2005 - University of Nebraska Press.
    Over the course of the past forty years, Ge;rard Genette’s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to be one of France’s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver’s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with (...)
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  42.  25
    Hermann Cohen and Bakhtin's Early Aesthetics.Liisa Steinby - 2011 - Studies in East European Thought 63 (3):227-249.
    In this article, Bakhtin’s early aesthetics is reread in the context of Hermann Cohen’s system of philosophy, especially his aesthetics. Bakhtin’s thinking from the early ethical writing Toward a Philosophy of Act to Author and Hero in Artistic Activity and Problems of Dostoevsky’s Poetics is followed. In Author and Hero , an individual is in his life conceived as involved in cognitive and ethical action but as remaining without a consummative form; the form, or the ‘soul’, is bestowed upon a (...)
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  43.  18
    Time, Action and Narration. On Some Exegetical Sources of Abhinavagupta’s Aesthetic Theory.Hugo David - 2016 - Journal of Indian Philosophy 44 (1):125-154.
    This article is an attempt at understanding the use that Abhinavagupta, the Kashmiri Śaiva philosopher and scholar of poetics, makes of a few concepts and theories stemming from the tradition of Vedic ritual exegesis. Its starting point is the detailed analysis of a key passage in Abhinavagupta’s commentary on the “aphorism on rasa” of the Nāṭyaśāstra, where the learned commentator draws an analogy between the operation of the non-prescriptive portions of the Veda in the ritual and the “generalisation” taking place, (...)
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  44.  9
    Aesthetics an D Criticism: Against a Division of Labour.Raman Selden - 1975 - British Journal of Aesthetics 15 (1):69-80.
    Every art…needs its own critical organisation, and poetics will form a part of aesthetics as soon as aesthetics becomes the unified criticism of all of the arts instead of whatever it is now.1.
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  45.  8
    Crowds, Clouds, Politics and Aesthetics, Flipping Again.Esther Leslie - 2013 - Nordic Journal of Aesthetics 23 (44-45).
    This paper seeks an urban poetics under the pressures of flux, polyglot babble and the rise of technoculture. In so doing it traces the intertwinements of aesthetics and politics as they manifest over the last 150 years. Charles Baudelaire’s poetry is characterised as a delirious response to the delirium of capitalist modernity, in which ‘words rise up’, as he puts it, but it is a also a barometer, which measures the degrees of entwinement of aesthetics and revolutionary politics in the (...)
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  46. Vers Une Esthétique Sans Entrave Mélanges Offerts À Mikel Dufrenne.Mikel Dufrenne - 1975 - Union Générale D'Éditions.
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  47. Tra Estetica, Poetica E Retorica: In Memoria di Emilio Mattioli.Rita Messori & Emilio Mattioli (eds.) - 2012 - Mucchi.
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  48.  6
    Seeing Through Plato’s Looking Glass. Mythos and Mimesis From Republic to Poetics.Andrea Capra - 2017 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 10 (1):75-86.
    This paper revisits Plato’s and Aristotle’s views on mimesis with a special emphasis on mythos as an integral part of it. I argue that the Republic ’s notorious “mirror argument” is in fact ad hominem : first, Plato likely has in mind Agathon’s mirror in Aristophanes’ Thesmoforiazusae, where tragedy is construed as mimesis ; second, the tongue-in-cheek claim that mirrors can reproduce invisible Hades, when read in combination with the following eschatological myth, suggests that Plato was not committed to a (...)
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  49.  14
    Notes on Aristotle’s Concept of Improvisation.Andrew Haas - 2015 - Journal of Aesthetics and Phenomenology 2 (1).
    Improvisation is the origin of art and science, tragedy and comedy, acting and doing, of the self as improvising and improvised. But clearly we cannot use improvisation to explain improvisation. We cannot be satisfied with an argument that improvisation is, well, improvisational--nor simply free-play. Rather, improvisation as αὐτο-σχεδιάζεῖν, means self-schematization.
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  50.  11
    On Aristotle's Concept of Improvisation.Andrew Haas - 2015 - Journal of Aesthetics and Phenomenology 2 (1).
    Improvisation is the origin of art and science, tragedy and comedy, acting and doing, of the self as improvising and improvised. But clearly we cannot use improvisation to explain improvisation. We cannot be satisfied with an argument that improvisation is, well, improvisational--nor simply free-play. Rather, improvisation as αὐτο-σχεδιάζεῖν, means self-schematization.
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