Results for 'experimental philosophical aesthetics'

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  1. Experimental Philosophical Aesthetics as Public Philosophy.Aaron Meskin & Shen-yi Liao - forthcoming - In Sébastien Réhault & Florian Cova (eds.), Advances in Experimental Philosophy of Aesthetics. New York: Bloomsbury.
    Experimental philosophy offers an alternative mode of engagement for public philosophy, in which the public can play a participatory role. We organized two public events on the aesthetics of coffee that explored this alternative mode of engagement. The first event focuses on issues surrounding the communication of taste. The second event focuses on issues concerning ethical influences on taste. -/- In this paper, we report back on these two events which explored the possibility of doing experimental (...) aesthetics as public philosophy. We set the stage by considering the significance and current state of efforts in public philosophy, and by introducing the emerging sub-discipline of experimental philosophical aesthetics. Then, we discuss the research and outreach aspects of the two events on the aesthetics of coffee. Finally, we conclude by reflecting on the prospects and potential pitfalls of experimental philosophy as public philosophy. (shrink)
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  2. Experimental Philosophy of Aesthetics.Florian Cova, Amanda Garcia & Shen-yi Liao - 2015 - Philosophy Compass 10 (12):927-939.
    In the past decade, experimental philosophy---the attempt at making progress on philosophical problems using empirical methods---has thrived in a wide range of domains. However, only in recent years has aesthetics succeeded in drawing the attention of experimental philosophers. The present paper constitutes the first survey of these works and of the nascent field of 'experimental philosophy of aesthetics'. We present both recent experimental works by philosophers on topics such as the ontology of (...), aesthetic epistemology, aesthetic concepts, and imagination, as well as research from other disciplines that not only are relevant to philosophy of aesthetics but also open new avenues of research for experimental philosophy of aesthetics. Overall, we conclude that the birth of an experimental philosophy of aesthetics is good news not only for aesthetics but also for experimental philosophy itself, as it contributes to broaden the scope of experimental philosophy. (shrink)
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  3.  23
    A Defence of Experimental Philosophy in Aesthetics.Clotilde Torregrossa - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy:1-23.
    Although experimental philosophy is now over a decade old, it has only recently been introduced to the domain of philosophical aesthetics. So why is there already a need to defend it? Because, as I argue in this paper, we can anticipate the three main types of objection generally addressed to experimental philosophy and show that none of them concern experimental philosophers in aesthetics. I begin with some general considerations about experimental philosophy and its, (...)
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  4.  92
    Experimental Philosophy of Art.Richard Kamber - 2011 - Journal of Aesthetics and Art Criticism 69 (2):197-208.
    Although experimental philosophers have been busy kindling fires under well-worn armchairs in areas of philosophy as varied as epistemology, normative ethics, theories of reference, and the free will controversy, the philosophy of art has remained largely untouched. As Denis Dutton observes: “There is precious little reference to empirical psychology in contemporary philosophical aesthetics, almost as if philosophers of art have wanted to protect their patch from incursions by psychologists.” I intend to show how techniques borrowed from (...) psychology can bring light as well as warmth to the old debate over “What is art?”. (shrink)
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  5. Empirically Investigating Imaginative Resistance.Shen-yi Liao, Nina Strohminger & Chandra Sekhar Sripada - 2014 - British Journal of Aesthetics 54 (3):339-355.
    Imaginative resistance refers to a phenomenon in which people resist engaging in particular prompted imaginative activities. Philosophers have primarily theorized about this phenomenon from the armchair. In this paper, we demonstrate the utility of empirical methods for investigating imaginative resistance. We present two studies that help to establish the psychological reality of imaginative resistance, and to uncover one factor that is significant for explaining this phenomenon but low in psychological salience: genre. Furthermore, our studies have the methodological upshot of showing (...)
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  6. Aesthetic Adjectives: Experimental Semantics and Context-Sensitivity.Shen-yi Liao & Aaron Meskin - 2017 - Philosophy and Phenomenological Research 94 (2):371–398.
    One aim of this essay is to contribute to understanding aesthetic communication—the process by which agents aim to convey thoughts and transmit knowledge about aesthetic matters to others. Our focus will be on the use of aesthetic adjectives in aesthetic communication. Although theorists working on the semantics of adjectives have developed sophisticated theories about gradable adjectives, they have tended to avoid studying aesthetic adjectives—the class of adjectives that play a central role in expressing aesthetic evaluations. And despite the wealth of (...)
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  7. Can Folk Aesthetics Ground Aesthetic Realism?Florian Cova & Nicolas Pain - 2012 - The Monist 95 (2):241-263.
    We challenge an argument that aims to support Aesthetic Realism by claiming, first, that common sense is realist about aesthetic judgments because it considers that aesthetic judgments can be right or wrong, and, second, that becauseAesthetic Realism comes from and accounts for “folk aesthetics,” it is the best aesthetic theory available.We empirically evaluate this argument by probing whether ordinary people with no training whatsoever in the subtle debates of aesthetic philosophy consider their aesthetic judgments as right or wrong. Having (...)
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  8.  50
    Genre Moderates Morality’s Influence on Aesthetics.Shen-yi Liao - manuscript
    The present studies investigate morality’s influence on aesthetics and one potential moderator of that influence: genre. Study 1 finds that people’s moral evaluation positively influence their aesthetic evaluation of an artwork. Study 2 and 3 finds that this influence can be moderated by the contextual factor of genre. These results broaden our understanding of the relationship between morality and aesthetics, and suggest that models of art appreciation should take into account morality and its interaction with context. [Unpublishable 2010-2017.].
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  9.  42
    Experimental Philosophy and Intuitions on What is Art and What is Not.Annelies Monseré - 2015 - Teorema: International Journal of Philosophy 34 (3).
    It is generally agreed upon that philosophers of art rely on their intuitions to justify or criticize proposed definitions of art. Experimental philosophers, however, have questioned the role of intuition in philosophy, since empirical research shows that philosophers’ intuitions are neither widely shared nor reliable sources of justification. This article aims to apply these experimental challenges to the project of defining art. It will be demonstrated that while experimentalists are right in claiming that philosophers' intuitions cannot be used (...)
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  10.  5
    A Bibliography of Psychological and Experimental Aesthetics, 1864-1937.Albert Richard Chandler - 1938 - American Mathematical Society.
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  11.  54
    The Relationship Between Visual Illusion and Aesthetic Preference – an Attempt to Unify Experimental Phenomenology and Empirical Aesthetics.Kaoru Noguchi - 2003 - Axiomathes 13 (3-4):261-281.
    Experimental phenomenology has demonstrated that perception is much richer than stimulus. As is seen in color perception, one and the same stimulus provides more than several modes of appearance or perceptual dimensions. Similarly, there are various perceptual dimensions in form perception. Even a simple geometrical figure inducing visual illusion gives not only perceptual impressions of size, shape, slant, depth, and orientation, but also affective or aesthetic impressions. The present study reviews our experimental phenomenological work on visual illusion and (...)
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  12. Mere Exposure to Bad Art.Aaron Meskin, Mark Phelan, Margaret Moore & Matthew Kieran - 2013 - British Journal of Aesthetics 53 (2):139-164.
  13.  32
    Experimental Philosophy, Rationalism, and Naturalism: Rethinking Philosophical Method.Eugen Fischer & John Collins (eds.) - 2015 - Routledge.
    Experimental philosophy is one of the most exciting and controversial philosophical movements today. This book explores how it is reshaping thought about philosophical method. Experimental philosophy imports experimental methods and findings from psychology into philosophy. These fresh resources can be used to develop and defend both armchair methods and naturalist approaches, on an empirical basis. This outstanding collection brings together leading proponents of this new meta-philosophical naturalism, from within and beyond experimental philosophy. They (...)
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  14. Aesthetic Adjectives Lack Uniform Behavior.Shen-yi Liao, Louise McNally & Aaron Meskin - 2016 - Inquiry: An Interdisciplinary Journal of Philosophy 59 (6):618-631.
    The goal of this short paper is to show that esthetic adjectives—exemplified by “beautiful” and “elegant”—do not pattern stably on a range of linguistic diagnostics that have been used to taxonomize the gradability properties of adjectives. We argue that a plausible explanation for this puzzling data involves distinguishing two properties of gradable adjectives that have been frequently conflated: whether an adjective’s applicability is sensitive to a comparison class, and whether an adjective’s applicability is context-dependent.
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  15.  75
    Experimental Philosophy and Philosophical Disputes.Justin Sytsma - 2011 - Essays in Philosophy (1):9.
    One view of philosophy that is sometimes expressed, especially by scientists, is that while philosophers are good at asking questions, they are poor at producing convincing answers. And the perceived divide between philosophical and scientific methods is often pointed to as the major culprit behind this lack of progress. Looking back at the history of philosophy, however, we find that this methodological divide is a relatively recent invention. Further, it is one that has been challenged over the past decade (...)
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  16. A Bibliography of Psychological and Experimental Aesthetics, 1864-1937.Edward N. Barnhart - 1940 - Philosophical Review 49:481.
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  17. A Bibliography of Experimental Aesthetics 1865-1932.A. Chandler - 1934 - Philosophical Review 43:539.
     
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  18. A Bibliography of Psychological and Experimental Aesthetics, 1864-1937.Albert R. Chandler - 1940 - Philosophical Review 49:481.
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  19. Philosophical Aesthetics: An Introduction.Oswald Hanfling (ed.) - 1992 - Open University.
    This volume contains surveys of the main issues in philosophical aesthetics, as discussed by thinkers from ancient Greece to modern times.
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  20.  11
    Pleasure, Preference, and Value: Studies in Philosophical Aesthetics.Schaper Eva (ed.) - 1983 - Cambridge University Press.
    Philosophical aesthetics is an area in which many strands of contemporary philosophical thinking meet. The contributors to this volume are aware of the wider logical, epistemological, moral and metaphysical implications raised by conceptual problems specific to aesthetics. Three themes recur and are taken up from different angles in several of the papers: pleasure – its nature and role in the experience of art and beauty; preference – figuring prominently in aesthetic appraising, appreciating and judging; and value (...)
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  21. Oppression, Privilege, & Aesthetics: The Use of the Aesthetic in Theories of Race, Gender, and Sexuality, and the Role of Race, Gender, and Sexuality in Philosophical Aesthetics.Robin James - 2013 - Philosophy Compass 8 (2):101-116.
    Gender, race, and sexuality are not just identities; they are also systems of social organization – i.e., systems of privilege and oppression. This article addresses two main ways privilege and oppression are relevant topics in and for philosophical aesthetics: the role of the aesthetic in privilege and oppression, and the role of philosophical aesthetics, as a discipline and a body of texts, in constructing and naturalizing relations of privilege and oppression . The first part addresses how (...)
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  22. Approach to Aesthetics: Collected Papers on Philosophical Aesthetics.Frank Sibley - 2001 - Oxford University Press.
    A complete collection of Frank Sibley's articles on philosophical aesthetics, this volume includes five, remarkable, hitherto unpublished papers written in Sibley's later years. It addresses many topics, among them the nature of aesthetic qualities versus non-aesthetic qualities, the relation of aesthetic description to aesthetic evaluation, the different levels of evaluation, and the objectivity of aesthetic judgement. The later papers constitute both a significant development of Sibley's individual approach to aesthetics, such as his discussion of the distinction between (...)
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  23.  22
    Philosophical Aesthetics and Samuel Beckett.Andrea Oppo - 2008 - Peter Lang.
    This book examines the role of Samuel Beckett in contemporary philosophical aesthetics, primarily through analysis of both his own essays and the various ...
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  24. Expression and Form: Principles of a Philosophical Aesthetics According to Hans Urs von Balthasar.Michael Maria Waldstein - 1981 - Dissertation, University of Dallas
    The purpose of the dissertation is to present a philosophical reading of Balthasar's teaching on the polarity of expression and form in beauty. ;Chapter I, "Expression," presents the concept of expression in the context of the aesthetic doctrine of Wahrheit. It confronts Balthasar's teaching about expression with an alternate view. On the basis of the clarification achieved in this confrontation, the chapter turns to some major texts from Herrlichkeit in which Balthasar unfolds the structure of expression. ;Chapter II, "Form," (...)
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  25. Experimental Philosophy and Philosophical Intuition.Ernest Sosa - 2007 - Philosophical Studies 132 (1):99-107.
    The topic is experimental philosophy as a naturalistic movement, and its bearing on the value of intuitions in philosophy. This paper explores first how the movement might bear on philosophy more generally, and how it might amount to something novel and promising. Then it turns to one accomplishment repeatedly claimed for it already: namely, the discrediting of armchair intuitions as used in philosophy.
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  26.  44
    Beyond Art and Beauty: In Search of the Object of Philosophical Aesthetics.Andreas Speer - 2000 - International Journal of Philosophical Studies 8 (1):73 – 88.
    This article deals with the ambigous situation of philosophical aesthetics, which now seems to have lost its proper object. Moreover, Arthur C. Danto has popularized talk of an end of art, in which he ties that end to the end of any aesthetic master narrative. Comparing modern and medieval approaches to art, this paper tries to reformulate the question of philosophical aesthetics, which has to be understood in a hermeneutical way. Taken in a heuristic manner 'art' (...)
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  27.  17
    It's the Conscience Collective, Stupid: Philosophical Aesthetics and the Sociology of Art.Andrew Milner - 2010 - Thesis Eleven 103 (1):26-34.
    The article begins with a sociologically triumphalist critique of philosophical aesthetics, grounded in the work of Ernest Gellner and Emile Durkheim. It proceeds to note the practical failure of this kind of sociology to become institutionalized within the wider discipline. It explores a number of possible explanations for this failure, but finally suggests that a normalized sociology of art requires a normalized conception of art itself, such as that tentatively advanced by Pierre Bourdieu and Franco Moretti. The article (...)
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    Contemporary Philosophical Aesthetics in China: The Relation Between Subject and Object.Eva Kit-Wah Man - 2012 - Philosophy Compass 7 (3):164-173.
    This article presents a historical account and philosophical analysis of the development of philosophical aesthetics in China in its Marxist regime, focusing on the relation between subject and object. It enters into the picture of the search for new philosophical aesthetics in Marxist China and engages the related debates and reforms. The representing four schools of aesthetics in the early decades of the new China are introduced, which were led by Gao Ertai, Cai Yi, (...)
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  29. Philosophical Aesthetics and the Sciences of Art.Gregory Currie, Matthew Kieran, Aaron Meskin & Margaret Moore (eds.) - 2014 - Cambridge University Press.
    Musical listening, looking at paintings and literary creation are activities that involve perceptual and cognitive activity and so are of interest to psychologists and other scientists of the mind. What sorts of interest should philosophers of the arts take in scientific approaches to such issues? Opinion currently ranges across a spectrum, with 'take no notice' at one end and 'abandon traditional philosophical methods' at the other. This collection of essays, originating in a Royal Institute of Philosophy conference at the (...)
     
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  30. Pleasure, Preference and Value: Studies in Philosophical Aesthetics. Schaper - 1987 - Cambridge University Press.
    Philosophical aesthetics is an area in which many strands of contemporary philosophical thinking meet. The contributors to this volume are aware of the wider logical, epistemological, moral and metaphysical implications raised by conceptual problems specific to aesthetics. Three themes recur and are taken up from different angles in several of the papers: pleasure – its nature and role in the experience of art and beauty; preference – figuring prominently in aesthetic appraising, appreciating and judging; and value (...)
     
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  31.  26
    Music, Art, and Metaphysics: Essays in Philosophical Aesthetics.Jerrold Levinson - 1990 - Cornell University Press.
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  32. Beyond Aesthetics: Philosophical Essays.Noël Carroll - 2001 - Cambridge University Press.
    Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical (...)
     
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  33.  19
    Philosophical Dialogue in the British Enlightenment: Theology, Aesthetics, and the Novel.Michael Prince - 1996 - Cambridge University Press.
    This book offers the first full-length study of philosophical dialogue during the English Enlightenment. It explains why important philosophers - Shaftesbury, Mandeville, Berkeley and Hume - and innumerable minor translators, imitators and critics wrote in and about dialogue during the eighteenth century; and why, after Hume, philosophical dialogue either falls out of use or undergoes radical transformation. Philosophical Dialogue in the British Enlightenment describes the extended, heavily coded, and often belligerent debate about the nature and proper management (...)
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  34. Philosophical Conceptual Analysis as an Experimental Method.Michael T. Stuart - 2015 - In Thomas Gamerschlag, Doris Gerland, Rainer Osswald & Wiebke Petersen (eds.), Meaning, Frames, and Conceptual Representation. Düsseldorf University Press. pp. 267-292.
    Philosophical conceptual analysis is an experimental method. Focusing on this helps to justify it from the skepticism of experimental philosophers who follow Weinberg, Nichols & Stich. To explore the experimental aspect of philosophical conceptual analysis, I consider a simpler instance of the same activity: everyday linguistic interpretation. I argue that this, too, is experimental in nature. And in both conceptual analysis and linguistic interpretation, the intuitions considered problematic by experimental philosophers are necessary but (...)
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  35. Philosophy and the Folk: On Some Implications of Experimental Work For Philosophical Debates on Free Will.Manuel Vargas - 2006 - Journal of Cognition and Culture 6 (1-2):239-254.
    I discuss experimental work by Nichols, and Nichols and Knobe, with respect to the philosophical problems of free will and moral responsibility. I mention some methodological concerns about the work, but focus principally on the philosophical implications of the work. The experimental results seem to show that in particular, concrete cases we are more willing to attribute responsibility than in cases described abstractly or in general terms. I argue that their results suggest a deep problem for (...)
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  36.  34
    Philosophical Study of the FEELING Accompanying Male Ejaculation (Experimental Philosophy Part 1 SURVEY).Ulrich de Balbian - 2017 - Https://Ssrn.Com/Author=2660329.
    https://www.academia.edu/32163851/Philosophical_study_of_the_FEELING_accompanying_male_ejaculation_E xperimental_Philosophy_Part_1_SURVEY_ ABSTRACT This is merely a short,‭ ‬preliminary study of the FEELING accompanying male ejaculation.‭ -/- It consists of‭ ‬10‭ ‬questions and one unstructured expression and/or personal description by the respondent of the subjective experience of the‭ ‘‬feeling‭’ ‬undergone,‭ ‬experienced or‭ ‘‬felt‭’ ‬during or accompanying male orgasm and ejaculation.‭.
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    Considerations on Legal and Philosophical Problems in Experimental Botany: The Case of Plant in Vitro Cultures.Iwona Kleszcz & Marek Jakubiec - 2015 - Semina Scientiarum 14:92-119.
    The present paper consists of two parts. In the first, some issues related to the character of biological experiments conducted under in vitro cultures are portrayed. The relevant aspects of these procedures are explicated from the viewpoint of the experimental botanist. It is a case study for the considerations in the second part, which presents selected philosophical and legal issues involved in biological experiments from the general perspective of philosophical investigations concerning the problem of plants’ axiology. Obviously, (...)
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    The Creation of Art: New Essays in Philosophical Aesthetics.Berys Gaut & Paisley Nathan Livingston (eds.) - 2003 - Cambridge University Press.
    Although creativity, from Plato onwards, has been recognized as a topic in philosophy, it has been overshadowed by investigations of the meanings and values of works of art. In this collection of essays a distinguished roster of philosophers of art redress this trend. The subjects discussed include the nature of creativity and the process of artistic creation; the role that creative making should play in our understanding and evaluation of art; relations between concepts of creation and creativity; and ideas of (...)
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  39.  32
    The Test of Time: An Essay in Philosophical Aesthetics.Anthony Savile - 1982 - Oxford University Press.
  40.  22
    The Experimental Critique and Philosophical Practice.Tinghao Wang - 2018 - Philosophical Psychology 31 (1):89-109.
    Some experimental philosophers have criticized the standard intuition-based methodology in philosophy. One worry about this criticism is that it is just another version of the general skepticism toward the evidential efficacy of intuition, and is thereby subject to the same difficulties. In response, Weinberg provides a more nuanced version of the criticism by targeting merely the philosophical use of intuition. I contend that, though Weinberg’s approach differs from general skepticism about intuition, its focus on philosophical practices gives (...)
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  41. Literature and Moral Understanding: A Philosophical Essay on Ethics, Aesthetics, Education, and Culture.Frank Palmer - 1992 - Clarendon Press.
    Recent philosophical discussion about the relation between fiction and reality pays little attention to our moral involvement with literature. Frank Palmer's purpose is to investigate how our appreciation of literary works calls upon and develops our capacity for moral understanding. He explores a wide range of philosophical questions about the relation of art to morality, and challenges theories that he regards as incompatible with a humane view of literary art. Palmer considers, in particular, the extent to which the (...)
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  42.  11
    Experimental Philosophy of Science and Philosophical Differences Across the Sciences.Brian Robinson, Chad Gonnerman & Michael O'Rourke - forthcoming - Philosophy of Science.
    This paper contributes to the underdeveloped field of experimental philosophy of science. We examine variability in the philosophical views of scientists. Using data from Toolbox Dialogue Initiative, we analyze scientists’ responses to prompts on philosophical issues to assess variance in the philosophical views of physical scientists, life scientists, and social and behavioral scientists. We find six prompts about which differences arose, with several more that look promising for future research. We then evaluate the difference between the (...)
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    Music, Art, and Metaphysics: Essays in Philosophical Aesthetics.Jerrold Levinson - 1992 - Journal of Aesthetics and Art Criticism 50 (4):327-329.
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  44. Approach to Aesthetics: Collected Papers on Philosophical Aesthetics.Frank Sibley, John Benson, Betty Redfern, Jeremy Roxbee Cox, Emily Brady & Jerrold Levinson - 2002 - Philosophical Quarterly 52 (207):237-246.
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  45.  28
    Film Worlds: A Philosophical Aesthetics of Cinema. [REVIEW]Rafe McGregor - 2016 - British Journal of Aesthetics 56 (1):106-109.
  46.  35
    Recent Books in the Philopshy of MusicMusic Alone: Philosophical Reflections on the Purely Musical Experience.Sound and Semblance: Reflections on Musical Representation.The Fine Art of Repetition: Essays in the Philosophy of Music.Music, Art and Metaphysics: Essays in Philosophical Aesthetics.Music and the Emotions: The Philosophical Theories.Language, Music and Mind.The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. [REVIEW]Roger Scruton, Peter Kivy, Jerrold Levinson, Malcolm Budd, Diana Raffman & Lydia Goehr - 1994 - Philosophical Quarterly 44 (177):503.
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    Pleasure, Preference and Value Studies in Philosophical Aesthetics[REVIEW]Terence Dolan - 1987 - Philosophical Studies 31:450-451.
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    Philosophical Aesthetics, an Introduction.Oswald Hanfling - 1993 - Journal of Aesthetics and Art Criticism 51 (4):648-649.
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    Philosophical Aesthetics and Empirical Research in Germany.Gerd Wolandt - 1978 - British Journal of Aesthetics 18 (1):72-71.
  50.  23
    Artistic Judgment: A Framework for Philosophical Aesthetics.T. Adajian - 2011 - British Journal of Aesthetics 51 (4):453-456.
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