Results for 'film'

999 found
Order:
See also
Bibliography: Film and Television in Arts and Humanities
Bibliography: Philosophy of Film in Aesthetics
Bibliography: Philosophy of Film, Misc in Aesthetics
Bibliography: Philosophy Through Film in Aesthetics
Bibliography: Values in Film in Aesthetics
Bibliography: Ontology of Film in Aesthetics
Bibliography: Audience Engagement in Film in Aesthetics
Bibliography: Genres of Film in Aesthetics
Bibliography: Film Theory in Aesthetics
Bibliography: Film Media in Aesthetics
...
Other categories were found but are not shown. Use more specific keywords to find others, or browse the categories.
  1. The Two Philosophies of Wittgenstein.Tony Tyley, Janet Hoenig, Bryan Magee, Inc Films for the Humanities & B. B. C. Education & Training - 1997 - Films for the Humanities & Sciences.
     
    Export citation  
     
    Bookmark  
  2. Bryan Magee Talks to Sidney Morgenbesser About the American Pragmatists.Bryan Magee, Sidney Morgenbesser, Inc Bbc Education & Training, Films for the Humanities & B. B. C. Worldwide Americas - 1987 - Films for the Humanities & Sciences.
     
    Export citation  
     
    Bookmark  
  3. Bryan Magee Talks to Anthony Kenny About Medieval Philosophy.Bryan Magee, Anthony John Patrick Kenny, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences [Distributor].
  4. Applying the Lessons of Ancient Greece Martha C. Nussbaum.Bill D. Moyers, Martha Craven Nussbaum, Public Affairs Television & Films for the Humanities - 1989 - Films for the Humanities & Sciences.
    No categories
     
    Export citation  
     
    Bookmark  
  5. Philosophy and Literature.Iris Murdoch, Bryan Magee, Inc Bbc Worldwide Americas & Films for the Humanities - 1997 - Films for the Humanities & Sciences Distributed Under License From Bbc Worldwide Americas.
    No categories
     
    Export citation  
     
    Bookmark  
  6. Bryan Magee Talks to Bernard Williams About Descartes.Bryan Magee, Bernard Arthur Owen Williams, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences.
  7. Bryan Magee Talks to Geoffrey Warnock About Kant.Bryan Magee, G. J. Warnock, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences.
     
    Export citation  
     
    Bookmark  
  8. Bryan Magee Talks to Michael Ayers About Locke and Berkeley.Bryan Magee, Michael Ayers, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences.
     
    Export citation  
     
    Bookmark  
  9. Confucianism.Bill D. Moyers, Huston Smith, N. Public Affairs Television, Wnet York & Films for the Humanities - 1996 - Films for the Humanities.
     
    Export citation  
     
    Bookmark  
  10. Paul Riceour.Jonathan Rée, Ltd Wall to Wall Television, Channel Four Britain) & Films for the Humanities - 1998 - Films for the Humanities & Sciences.
    No categories
     
    Export citation  
     
    Bookmark  
  11. Marcuse and the Frankfurt School.Martin L. Bell, Bryan Magee, Janet Hoenig, Inc Films for the Humanities & B. B. C. Worldwide Americas - 1997 - Films for the Humanities & Sciences.
     
    Export citation  
     
    Bookmark  
  12. An Introduction to Philosophy.Isaiah Berlin, Inc Bbc Worldwide Americas & Films for the Humanities - 1997 - Films for the Humanities & Sciences Distributed Under License From Bbc Worldwide Americas.
    No categories
     
    Export citation  
     
    Bookmark  
  13. Actes du XI• congres international d'archeologie chretienne, Lyon, Vienne, Grenoble, Geneve et Aoste (21-28 septembre 1986),(Studi di antichita cristiana XLI; Collection de I'Ecole fran~ aise de Rome 123), Voi. I. [REVIEW]Jochen Brunow, Schreiben fur den Film, Carsten Colpe, Das Siegel der Propheten, William Lane Craig, Divine Foreknowledge & Human Freedom - 1991 - Bijdragen, Tijdschrift Voor Filosofie En Theologie 52 (2):235.
     
    Export citation  
     
    Bookmark  
  14.  11
    Film Art: An Introduction.David Bordwell & Kristin Thompson - 2009 - McGraw-Hill Humanities/Social Sciences/Languages.
    Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of analytical skills that will deepen their understanding of any film, in any genre. Frame enlargements (...)
    Direct download  
     
    Export citation  
     
    Bookmark   22 citations  
  15. Film language: a semiotics of the cinema.Christian Metz - 1974 - Chicago: University of Chicago Press.
    A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."--Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably (...)
    Direct download  
     
    Export citation  
     
    Bookmark   19 citations  
  16.  13
    Film, observation, and the mind.Bonnie Evans & Janet Harbord - forthcoming - History of the Human Sciences.
    This special issue considers the significance of film to the establishment and development of scientific approaches to the mind. Bonnie Evans explores how the origins of film technologies in 1895 in France encouraged a series of innovative collaborations, influencing both psychological theorisation, and new filming techniques. Jeremy Blatter explains how Harvard psychologist Hugo Münsterberg created early films specifically designed to engage audiences using psychological tactics. Scott Curtis’ article examines how Yale psychologist Arnold Gesell was able to extract scientific (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  17.  24
    Multimodal film analysis: how films mean.John A. Bateman - 2012 - New York: Routledge. Edited by Karl-Heinrich Schmidt.
    Analysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality (...)
    Direct download  
     
    Export citation  
     
    Bookmark   6 citations  
  18.  13
    Marxist film theory and Fight club.Anna Kornbluh - 2019 - New York, NY: Bloomsbury Academic.
    Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  19. Sport, film, and the modern world: aesthetics, ethics, environments.Neil Archer - 2024 - NewYork: Peter Lang.
    This book rethinks the discussion of sport as a cinematic subject. Arguing for the vitality of the sports film as distinctively 'modern' genre, the book looks at its innovative potential to capture twentieth- and twenty-first-century sport in all its complexity. Written in an accessible style and illustrated throughout, the book integrates work and ideas from film studies with thinking from sports psychology, philosophy, data theory and ecocriticism. In its detailed analyses of a wide-ranging group of films, the book (...)
     
    Export citation  
     
    Bookmark  
  20.  14
    Understanding film theory.Christine Etherington-Wright - 2011 - New York: Palgrave-Macmillan. Edited by Ruth Doughty.
    This book addresses a very real gap in existing introductory texts that define, explore, and apply key theoretical concepts within the field of film studies.' Alison L. McKee, Assistant Professor, Department of Television-Radio-Film-Theatre, San Jose State University, USA 'This is the book that film students have long been waiting for: a clear, well-written and accessible introduction to film theory. Lucid theoretical exposition and case study film analysis offer readers the most intelligible summary of theory that (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  21.  16
    Horror film and otherness.Adam Lowenstein - 2022 - New York: Columbia University Press.
    What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society's fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film's depiction of such minorities can be sympathetic to their exclusion or complicit in their (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  22.  9
    Film discourse interpretation: towards a new paradigm for multimodal film analysis.Janina Wildfeuer - 2014 - London: Routledge, Taylor and Francis Group.
    This book contributes to the analysis of film from a multimodal and textual perspective by extending formal semantics into the realm of multimodal discourse analysis. It accounts for both the inferential as well as intersemiotic meaning making processes in filmic discourse and therefore addresses one of the main questions that have been asked within film theory and multimodal analysis: How do we understand film and multimodal texts? The book offers an analytical answer to this question by providing (...)
    Direct download  
     
    Export citation  
     
    Bookmark   4 citations  
  23.  3
    Film and the ethical imagination.Asbjørn Grønstad - 2016 - London, United Kingdom: Palgrave-Macmillan.
    This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema's unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  24.  4
    Film und Widerspiegelung: Interpretation und Kritik der Theorie Siegfried Kracauers.Jochen Beyse - 1977 - Köln: [S.N.].
    Direct download  
     
    Export citation  
     
    Bookmark  
  25.  17
    Film and morality.Philip Gillett - 2012 - Newcastle upon Tyne: Cambridge Scholars Press.
    Employing a thematic approach and drawing on disciplines ranging from neurobiology to philosophy, Film and Morality examines how morality is presented in films and how films serve as a source of moral values. While the role of censorship in upholding moral standards has been considered comprehensively, the presence of moral dilemmas in films has not attracted the same level of interest. Film-makers may address moral concerns explicitly, but moral dilemmas can serve as plot devices, creating dramatic tension by (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  26.  6
    Supercinema: film-philosophy for the digital age.William Brown - 2013 - New York: Berghahn.
    Introduction -- Chapter 1: Digital cinema's conquest of space -- Chapter 2: The nonanthropocentric character of digital cinema -- Chapter 3: From temporalities to time in digital cinema -- Chapter 4: The film-spectator-world assemblage -- Chapter 5: Concluding with love.
    Direct download  
     
    Export citation  
     
    Bookmark  
  27. Thinking Through Film: Doing Philosophy, Watching Movies.Damian Cox & Michael P. Levine - 2011 - Malden, MA: Wiley-Blackwell. Edited by Michael P. Levine.
    An introduction to philosophy through film, _Thinking Through Film: Doing Philosophy, Watching Movies_ combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike. An in-depth yet accessible introduction to the philosophical issues raised by films, film spectatorship and film-making Provides 12 self-contained, close discussions of individual films from across genres Films discussed include Total Recall, Minority Report, La (...)
     
    Export citation  
     
    Bookmark   6 citations  
  28. Film theory and philosophy.Richard Allen & Murray Smith (eds.) - 1997 - New York: Oxford University Press.
    This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.
    Direct download  
     
    Export citation  
     
    Bookmark   10 citations  
  29.  22
    Attuning film and philosophy: the space-time continuum.Maximilian De Gaynesford - 2023 - In Craig Fox & Britt Harrison (eds.), Philosophy of Film Without Theory. Palgrave Macmillan.
    Ordinarily, what we experience does not jump from one place or time to another—we have to pass through all the intermediate times and places. But in films, what we experience can jump in both dimensions, both separately and together. This phenomenon has been memorably described in film criticism by Rudolph Arnheim and it has been deployed philosophically by Suzanne Langer and Colin McGinn. But discussion of space-time discontinuity remains hampered by the lack of attunement between film critical and (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  30. Horror Films and the Argument from Reactive Attitudes.Scott Woodcock - 2013 - Ethical Theory and Moral Practice 16 (2):309-324.
    Are horror films immoral? Gianluca Di Muzio argues that horror films of a certain kind are immoral because they undermine the reactive attitudes that are responsible for human agents being disposed to respond compassionately to instances of victimization. I begin with this argument as one instance of what I call the Argument from Reactive Attitudes (ARA), and I argue that Di Muzio’s attempt to identify what is morally suspect about horror films must be revised to provide the most persuasive interpretation (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   7 citations  
  31.  11
    Film criticism in the digital age.Mattias Frey & Cecilia Sayad (eds.) - 2015 - New Brunswick, New Jersey: Rutgers University Press.
    Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that "everyone's a critic," urgent questions have emerged about the critic's status and purpose. In Film Criticism in the Digital Age, ten scholars from across the globe, as well as critics and bloggers, come together to consider whether we are witnessing the extinction of serious film criticism or seeing the seeds of its rebirth (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  32.  5
    Film Als Wissensform: Eine Philosophische Untersuchung der Wahrnehmung Filmischer Bewegungsbilder.Peter Remmers - 2018 - Berlin / Boston: De Gruyter.
    Erkenntnisprozesse spielen in der Filmerfahrung eine zentrale Rolle. Dabei vermitteln Filme offenbar nicht einfach nur Tatsachenwissen, wie es gleichermaßen etwa in Aussagen ausgedrückt oder durch Beobachtung belegt würde. Das Wissen, das für die Wahrnehmung filmischer Bewegungsbilder charakteristisch ist, hat vielmehr eine spezifische Form: Es ist bestimmt durch Merkmale der Bildlichkeit, des zeitlich-dynamischen Zeigens, des Filmtons und des sprachlichen Ausdrucks. In der vorliegenden Arbeit werden diese Aspekte in ihrer filmischen Einheit gedacht. Ausgehend von dieser Idee tragen einschlägige Positionen der Filmtheorie, der (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  33.  5
    Film and ethics: what would you have done?Jacqui Miller (ed.) - 2013 - Newcastle upon Tyne, UK: Cambridge Scholars Press.
    This book forms part of the multi-disciplinary Studies in Ethics Series from Liverpool Hope University. It explores the slipperiness of ethics as a concept and demonstrates the multiplicity of intellectual inquiry within contemporary Film Studies. At first glance, â ~ethicsâ (TM) is not necessarily a subject conventionally associated with film. Film is often regarded as a form of â ~lowbrowâ (TM) popular culture, either offering bland entertainment or deliberately setting out to shock â " or, more cynically, (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  34.  17
    Filmed Thought: Cinema as Reflective Form.Robert B. Pippin - 2019 - University of Chicago Press.
    With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression. Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form. Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete manner, (...)
    No categories
  35.  6
    Film history as media archaeology: tracking digital cinema.Thomas Elsaesser - 2016 - Amsterdam: Amsterdam University Press.
    Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the "death of cinema" debate, Film History as Media Archaeology​ presents a robust argument for cinema's current status as a new epistemological object of interest to philosophers, while also examining the presence of moving images in museum and art spaces as a challenge for art history. The study is the fruit of twenty years of research and writing at the interface of film (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  36.  9
    Between film, video, and the digital: hybrid moving images in the post-media age.Jihoon Kim - 2016 - New York: Bloomsbury Academic.
    A wide-ranging theoretical and aesthetic exploration of hybrid moving images based on the intersection of film, video, and digital technology.
    Direct download  
     
    Export citation  
     
    Bookmark  
  37.  4
    Skepticism films: knowing and doubting the world in contemporary cinema.Philipp Schmerheim - 2016 - New York: Bloomsbury Academic.
    A study of how contemporary cinema and film-philosophers explore radical skepticism about our knowledge of the world.
    Direct download  
     
    Export citation  
     
    Bookmark  
  38.  6
    Public Philosophy Through Film.S. B. Schoonover - 2022 - In Lee C. McIntyre, Nancy Arden McHugh & Ian Olasov (eds.), A companion to public philosophy. Hoboken, NJ: Wiley-Blackwell. pp. 221–232.
    Film can be a significant way of doing public philosophy. This chapter sketches some essential public features of philosophy by using popular films. Learning to watch popular films as philosophical expressions, on par with books and articles, brings film and philosophy to inform one another and illuminate important areas of overlap. Memento is an especially uncanny film because it begins with the story's ending. Daniel J. Clark's 2018 documentary film Behind the Curve charts the resurgence of (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  39. Film about Cape Town is being used to raise awareness, and to ask wider questions.Asma Mehan - 2019 - The Conversation (Africa).
    Academics have increasingly used video and other electronic methods to collect data and capture reflections from participants. But, until recently, it’s been less common to use film as way of disseminating the results of research. That’s beginning to change. Film can be a powerful way to share research findings with a broad audience. This is particularly true when academics are combining) the traditions of ethnography, documentary filmmaking, and storytelling. -/- Film and cinema are increasingly being used in (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  40.  17
    On Film.Stephen Mulhall - 2001 - Routledge.
    In this significantly expanded new edition of his acclaimed exploration of the four Alien movies, Stephen Mulhall adds several new chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report . The first part of the book discusses the four Alien movies. Mulhall argues that the sexual significance of the aliens themselves, and of Ripley’s resistance to them, takes us deep into the question of what it is to be human. At the heart of the book is a highly original (...)
    Direct download  
     
    Export citation  
     
    Bookmark   30 citations  
  41. Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell.Rupert Read & Jerry Goodenough (eds.) - 2005 - New York: Palgrave Macmillan.
    A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood comedies, war films, Eastern European art films, science fiction, showing how film and watching it can not only illuminate philosophy but, in an important sense, be doing philosophy. The book is crowned with an interview with Wittgensteinian philosopher Stanley Cavell, discussing his interests in philosophy and in film and how they (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   12 citations  
  42.  7
    Film, religion and activist citizens: an ontology of transformative acts.Milja Radović - 2017 - London: Routledge, Taylor & Francis Group.
    Introduction: acts, film, religion: context and perspectives -- Constituting a figure of an activist citizen -- I act therefore I am -- I create therefore I am: towards the cinema of act -- Constructing activism through film: creation of new scene -- Creation of space unbroken links between the citizens: Ana Arabia -- Acts of citizenship and the foreign "other": circles -- Enacting (European) citizenship through film: Inferno -- Creating a rupture: Wadjda -- Conclusion: creative acts, transformation (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  43.  6
    Film as a Medium of Seduction: Introduction to the Seduction-Theory of Film.Marcus Stiglegger - 2024 - Springer Fachmedien Wiesbaden.
    The seduction-theory defines film in a broader sense as a medium of seduction, based on the French concept of séduction. It is a theoretical approach influenced by continental philosophy and classical film theory, linked to a three-stage analytical model. The book introduces the theoretical foundations and, using various classical and contemporary examples from film history, presents a genuine method of film analysis.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  44.  14
    The critical practice of film: an introduction.Elspeth Kydd - 2011 - New York: Palgrave-Macmillan.
    The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher.
    Direct download  
     
    Export citation  
     
    Bookmark  
  45.  80
    Film as Heideggerian Art? A Reassessment of Heidegger, Film, and his Connection to Terrence Malick.Shawn Loht - 2013 - Film and Philosophy 17:113-36.
    Proposes a shift in thinking about the connection of Malick's filmmaking and the philosophy of Heidegger. My approach considers Heidegger's philosophy of art in order to develop some outlines of a Heideggerian philosophy of film. I also consider some aspects of Terrence Malick's films viewed as exemplar instances of the philosophical theory of film Heidegger's work can support.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  46.  13
    Film theory.Cynthia Freeland - 2017 - In Alison M. Jaggar & Iris Marion Young (eds.), A Companion to Feminist Philosophy. Oxford, UK: Blackwell. pp. 353–360.
    Feminist philosophy of film is a young field that is rapidly growing but that has as yet no distinct disciplinary presence within philosophy. Articles by feminist philosophers on film began appearing in aesthetics journals and anthologies in English only in the late 1980s and 1990s. In film studies, as in aesthetics more generally, disciplinary boundaries are fluid. Writers from many fields – literature, art, communications, cultural studies – make critical contributions on film, addressing philosophical issues and (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  47. Film and Propaganda: The Lessons of the Nazi Film Industry.Gary James Jason - 2013 - Reason Papers 35 (1):203-219.
    This essay is my review of Erwin Leiser’s excellent documentary film Germany Awake. This classic film first aired in Germany in 1968, and remains to this day one of the best surveys of major Nazi-era movies and exactly what messages they were meant to convey. The film underscores the emphasis the regime put on film as one of the premier mechanisms of propaganda, though Leiser’s film points out that most of the cinema produced by the (...)
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  48.  48
    Fatalism in American film noir: some cinematic philosophy.Robert B. Pippin - 2012 - Charlottesville: University of Virginia Press.
    Introduction -- Trapped by oneself in Jacques Tourneur's Out of the past -- "A deliberate, intentional fool" in Orson Welles's The lady from Shanghai -- Sexual agency in Fritz Lang's Scarlet Street -- "Why didn't you shoot again, baby?": concluding remarks.
    Direct download  
     
    Export citation  
     
    Bookmark   5 citations  
  49.  18
    AI Films and the Fudging of Consciousness.Stephen Asma - 2023 - Apa Blog.
    Films involving Artificial Intelligence often miss the disembodied nature of consciousness and promulgate an erroneous conceptualization of mind. This article explores agency, Spinoza's "conatus," and its neuro-chemical foundations in light of films like: "2001: A Space Oddity," "After Yang," "Upgrade," "Ex Machina," and more.
    Direct download  
     
    Export citation  
     
    Bookmark  
  50. Has film ever been Western? continuity and the question of building a "common" cinema.William Brown - 2012 - In Saër Maty Bâ & Will Higbee (eds.), De-westernizing film studies. New York: Routledge.
     
    Export citation  
     
    Bookmark  
1 — 50 / 999