Results for 'genre'

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Bibliography: Genres of Film in Aesthetics
Bibliography: Genres of Film, Misc in Aesthetics
  1.  31
    I. Re-framing Genre Theory.Engendering Literary Genre - 2006 - In Garin Dowd, Lesley Stevenson & Jeremy Strong (eds.), Genre Matters. Intellect.
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  2. II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.
    The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to (...)
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  3.  8
    Genre as a factor determining the viewpoint-marking quality of verb tenses.Ninke Stukker - 2019 - Cognitive Linguistics 30 (2):305-325.
    Verb tenses play an important role in managing deictic relations between the narrator, the audience and the events happening in the story world. Across languages, the Simple Past is considered the conventional story-telling tense, reflecting the prototypical deictic configuration of stories in which the narrator is positioned at some distance from the events unfolding in the story. The Simple Present, on the other hand, is considered a marked option for narration, assumed to automatically result in a shift to a subjective (...)
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  4.  65
    Genres in Dialogue: Plato and the Construct of Philosophy.Andrea Wilson Nightingale - 1995 - Cambridge University Press.
    This 1995 book takes as its starting point Plato's incorporation of specific genres of poetry and rhetoric into his dialogues. The author argues that Plato's 'dialogues' with traditional genres are part and parcel of his effort to define 'philosophy'. Before Plato, 'philosophy' designated 'intellectual cultivation' in the broadest sense. When Plato appropriated the term for his own intellectual project, he created a new and specialised discipline. In order to define and legitimise 'philosophy', Plato had to match it against genres of (...)
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  5.  14
    The Genre of Judgment.Patrick McKearney - 2016 - Journal of Religious Ethics 44 (3):544-573.
    What part should description play in coming to judgment? Questions about genre have become more important in religious ethics as many seek to reform “thin” models of ethical arbitration by recourse to artistic, literary, and historical descriptions in their texts. In this book discussion, I explore what the consequences would be of pursuing this reform by turning to social anthropology—a discipline that relies on extensive empirical descriptions. I do this by considering the anthropology of ethics: a movement that seeks, (...)
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  6. Genre synthesis of Friedrich Hebbel'€™s drama (to the 200th anniversary of the writer).M. K. Menshchikova - 2013 - Liberal Arts in Russia 2 (2):174--178.
    The article examines the genre specificity of Friedrich Hebbel’s dramaturgy. The attention is drawn to the operation of various genre elements in his works. The basic principles of creation of philosophical and mythological tragedy by Friedrich Hebbel are analyzed. The gnoseological conception of cognition of the world which relies on the ontological structure, transferring the center of gravity of the drama to the idea development, extension of space and time at the expense of inserting mythological plot and symbolism (...)
     
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  7.  25
    Speech Genres and Other Late Essays.Brian W. Shaffer, M. M. Bakhtin, Vern W. McGee, Caryl Emerson & Michael Holquist - 1988 - Substance 17 (3):58.
  8.  30
    Themes, Genres and Orders of Legitimation in the Consolidation of New Scientific Disciplines: Deconstructing the Historiography of Molecular Biology.Pninn Abir-Am - 1985 - History of Science 23 (1):73-117.
  9. Genre Moderates Morality’s Influence on Aesthetics.Shen-yi Liao - manuscript
    The present studies investigate morality’s influence on aesthetics and one potential moderator of that influence: genre. Study 1 finds that people’s moral evaluation positively influence their aesthetic evaluation of an artwork. Study 2 and 3 finds that this influence can be moderated by the contextual factor of genre. These results broaden our understanding of the relationship between morality and aesthetics, and suggest that models of art appreciation should take into account morality and its interaction with context. [Unpublishable 2010-2017.].
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  10.  37
    A Genre-based Approach to the Translation of Private Normative Texts in Legal English and Legal Spanish.María Ángeles Orts - 2012 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 25 (3):317-338.
    This paper aims at clarifying some of the most common issues that legal translators have to face when dealing with the translation of private normative texts, such as contracts or wills, which naturally emerge as the consequence and expression of legal or juristic acts in the scope of private law, in Spanish and English. To comprehend the differences and subtleties regarding legal communication between the common law and the continental law countries (specifically the United States and Spain, respectively), we must (...)
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  11.  26
    Sexe, genre et sociabilité.Whitney Walton - 2008 - Clio 28:145-158.
    Les séjours d’étude à l’étranger se sont développés après la Seconde Guerre mondiale. Plus que d’autres formes de voyage, ils permettent aux jeunes adultes de s’immerger dans la culture et le quotidien d’un autre pays. Les jeunes femmes américaines qui ont étudié en France entre la fin des années 1940 et les années 1960 ont été marquées par les stéréotypes de genre et les pratiques sociales et sexuelles auxquels elles ont été confrontées. S’appuyant sur des entretiens oraux avec d’anciennes (...)
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  12. Genre.Brian Laetz & Dominic McIver Lopes - 2008 - In Paisley Livingston & Carl Plantinga (eds.), The Routledge Companion to Philosophy and Film. Routledge. pp. 152-161.
     
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  13. Comics and Genre.Catharine Abell - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Blackwell. pp. 68--84.
    An adequate account of the nature of genre and of the criteria for genre membership is essential to understanding the nature of the various categories into which comics can be classified. Because they fail adequately to distinguish genre categories from other ways of categorizing works, including categorizations according to medium or according to style, previous accounts of genre fail to illuminate the nature of comics categories. I argue that genres are sets of conventions that have developed (...)
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  14.  19
    Genre et sexe. Mécanismes de protection et de contrôle des femmes et des hommes dans l’espace.Catherine Deschamps - 2012 - Hermès: La Revue Cognition, communication, politique 63 (2):, [ p.].
    Autour du genre, l’anthropologie s’est historiquement intéressée davantage aux effets de murs qu’aux effets de frontières. Sur fond de féminisme puis de politisation de la sexualité, les sciences sociales entamaient pourtant un tournant. Deux types de problématiques prennent de l’ampleur : celles associées aux effets du déplacement transfrontalier, celles qui questionnent la mise en proximité physique de femmes et d’hommes issus d’origines possiblement dissemblables. Une crainte émerge alors, celle de la mise en place et de l’incorporation progressive d’une police (...)
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  15.  29
    Genre and Persuasion in Religious Ethics: An Introduction.Gerald McKenny - 2005 - Journal of Religious Ethics 33 (3):397 - 407.
    Issues of genre and persuasion are central to ethical thought and practice. Until recently, there has been an asymmetry between religious ethics and moral philosophy in regard to these issues. Renewed attention to these issues in moral philosophy creates a new context for their consideration in religious ethics--one in which the relation of religious ethics and moral philosophy is less determinate than it has been in previous discussions. The four essays that comprise this Focus Section reflect this new context (...)
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  16.  77
    The Problem of Genre Explosion.Evan Malone - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    Genre discourse is widespread in appreciative practice, whether that is about hip-hop music, romance novels, or film noir. It should be no surprise then, that philosophers of art have also been interested in genres. Whether they are giving accounts of genres as such or of particular genres, genre talk abounds in philosophy as much as it does the popular discourse. As a result, theories of genre proliferate as well. However, in their accounts, philosophers have so far focused (...)
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  17.  26
    Genres as Species and Spaces: Literary and Rhetorical Genre in The Anatomy of Melancholy.Susan Wells - 2014 - Philosophy and Rhetoric 47 (2):113-136.
    Literary genre theory and rhetorical genre theory have stopped speaking to each other. Outside the lively trading station named Bakhtin, exchanges between the two fields are rare. Even though literary scholarship has turned from questions of genre identification to broader examinations of relations among genres, and rhetorical genre theory has focused not only on the social functioning of genres but also on their identifying features, each critical practice is cut off from the resources of the other. (...)
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  18. Analyzing Genres in Political Communication: Theory and Practice.[author unknown] - 2013
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  19.  1
    Genre and Void: Looking Back at Sartre and Beauvoir.Max Deutscher - 2003 - Ashgate.
    Developing a reading of some of Beauvoir and Sartre's most influential writings in philosophy, Max Deutscher explores contemporary philosophy in the light of the phenomenological tradition within which Being and Nothingness and The Second Sex occurred as striking events operating on the border of the modern and the 'post-modern'. Deutscher traces the shifts of genre that produce their gendered philosophies, and responds in terms of contemporary experience to the mood and the arguments of their works. Drawing upon the writings (...)
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  20.  16
    Genre et militantisme dans le Mouvement pour la liberté de l’avortement et de la contraception. Pratique des avortements. [REVIEW]Bibia Pavard - 2009 - Clio 29:79-96.
    Le Mouvement pour la Liberté de l’Avortement et de la Contraception, permet d’observer le renouveau des pratiques militantes et des rapports de genre dans les années 1968. Il adopte les avortements clandestins comme moyen de protester contre la législation restrictive alors en vigueur, mais aussi dans une démarche de remise en cause de la médecine, de la définition traditionnelle du militantisme et des normes de genre. Ce répertoire d’actions original permet de produire une vaste mobilisation qui marque durablement (...)
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  21.  6
    The genre view of public lands: the case of national monuments.Levi Tenen - forthcoming - Journal of Aesthetics and Art Criticism.
    In this article, I begin developing what I call the genre view of public lands. It holds that public land designations fall into different genres of land management. I focus on one designation in particular—US national monuments created under the Antiquities Act—to develop the view and illustrate its significance. I characterize the national monument genre in terms of two norms stated in the Act and show how they shape public space in distinctive ways. I then illustrate how the (...)
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  22.  6
    A genre-based approach in the secondary school English writing class: Voices from student-teachers in the teaching practicum.Chang Liu & Meihua Chen - 2022 - Frontiers in Psychology 13.
    While the genre-based approach has assumed increasing prominence in discussions of writing pedagogy for diverse classrooms, little is known about how secondary school student-teachers understand and adopt genre pedagogies in the English as a foreign language writing class. Based on the data from semi-structured interviews and teaching materials, this study examined Chinese EFL student-teachers’ knowledge and use of genre-based writing instruction during the teaching practicum and explored the challenges they encountered in enacting it. The findings demonstrated that (...)
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  23.  2
    Genres of Philosophy.Robyn Ferrell - 2002 - Routledge.
    Philosophy is textual - it is written and it is read - yet today much of philosophy regards itself as a kind of science, sometimes reducing itself to a species of intellectual bureaucracy. It is important to see these qualities as having their own aesthetic. Even realism is a genre. The aesthetic of the empirical and the bureaucratic, the aesthetic of the rhapsodic and of the clinical... in each of these the genres of philosophy are as creative as they (...)
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  24. Genre-Appropriate Judgments of Qualitative Research.Justin Lee - 2014 - Philosophy of the Social Sciences 44 (3):316-348.
    Focusing on the production of lists of evaluative criteria has oversimplified our judgments of qualitative research. On the one hand, aspirations for global criteria applicable to “qualitative” or “interpretive” research have glossed over crucial analytic differences among specific types of inquiry. On the other hand, the methodological concern with appropriate ways of acquiring trustworthy data has led to an overly narrow proceduralism. I suggest that rational evaluations of analytic worth require the delineation of species of analytic tasks and the exercise (...)
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  25. Literature, Genre Fiction, and Standards of Criticism.James Harold - 2011 - Nonsite.Org 1 (4).
  26. Introduction: Genre matters in theory and criticism.Garin Dowd - 2006 - In Garin Dowd, Lesley Stevenson & Jeremy Strong (eds.), Genre Matters. Intellect. pp. 11--27.
  27.  3
    Genre as Knowledge Organization.Pauline Rafferty - 2022 - Knowledge Organization 49 (2):121-138.
    This article examines genre as knowledge organization. Genres are fluid and historically changing categories, and there are different views about the scope and membership of specific genres. The literature generally agrees that genre is a matter of discrimination and taxonomy, and that it is concerned with organising things into recognisable classes, existing as part of the relationship between texts and readers. Genre can be thought of as a sorting mechanism, and genres are not only a matter of (...)
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  28.  4
    Genre and constructional analysis.Kiki Nikiforidou - 2018 - Pragmatics and Cognition 25 (3):543-575.
    Constructional approaches to genre model genre knowledge in terms of genre-based constructions. Like all constructions, these represent conventionalized pairings of meaning and form, of varying degrees of length and schematicity, whose pragmatic specifications include their association with a particular socio-cultural context. In this state-of-the-art article I review genre-related constructional work, discussing grammatical patterns that are licensed only in particular contexts, including conversational genres, as well as expressions that qualify as constructions simply on the basis of socio-cultural (...)
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  29. Imaginative Resistance, Narrative Engagement, Genre.Shen-yi Liao - 2016 - Res Philosophica 93 (2):461-482.
    Imaginative resistance refers to a phenomenon in which people resist engaging in particular prompted imaginative activities. On one influential diagnosis of imaginative resistance, the systematic difficulties are due to these particular propositions’ discordance with real-world norms. This essay argues that this influential diagnosis is too simple. While imagination is indeed by default constrained by real-world norms during narrative engagement, it can be freed with the power of genre conventions and expectations.
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  30.  10
    Genre et armées d’Amérique latine.Luc Capdevila - 2004 - Clio 20:147-168.
    Les recherches sur genre et armées d’Amérique latine, pour la période contemporaine, concernent deux grands ensembles thématiques : d’une part les rapports de genre à l’intérieur de la sphère militaire et dans le cadre des conflits armés ; d’autre part les rapports entre genre et dictatures militaires. À l’échelle du sous-continent, en deux siècles d’histoire, les militaires ne forment pas un bloc homogène. Ils ne peuvent être réduits aux seules armées régulières. Depuis la conquête, la viol..
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  31.  11
    Genre et Gender : un outil épistémologique transdisciplinaire.Nicole G. Albert - 2009 - Diogène 225 (1):3.
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  32.  30
    Le genre est obsolète.Ray Brassier - 2007 - Multitudes 1 (1):167-173.
    « Noise » has become a generic label for anything deemed to subvert established genre. Where noise orthodoxy substantializes its putative negation of genre into an easily digestible sonic stereotype—the hapless but nevertheless entertaining roar of feedback—, two extraordinary bands, To Live and Shave in LA and Runzelstirn & Gurgelstock, forcefully short-circuit incommensurable genres, and manage to engender the noise of generic anomaly. It is the noise that is not « noise », the noise of the sui generis, (...)
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  33.  10
    Discourse genres as determiners of discursive regularities: A case of semiotic predictability?Jeoffrey Gaspard - 2016 - Sign Systems Studies 44 (3):355-367.
    This article focuses on discursive regularities that can generally be observed in text corpora produced in similar communication situations. One type of such regularities is related to the so-called ‘discourse genres’, considered as a set of tacit instructions broadly constraining the forms of utterances in a given discursive practice. Those regularities highlight the relatively regulated, non-random nature of most of our discursive practices and epitomize the necessary constrained creativity of meaning making in discourse. In this perspective, we suggest that the (...)
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  34. Culture, Genre, and Literary Vocation: Selected Essays on American Literature.J. Leland Miller Professor of American History Literature and Eloquence Michael Davitt Bell & Michael Davitt Bell - 2000 - University of Chicago Press.
    In Culture, Genre, and Literary Vocation, Michael Davitt Bell charts the important and often overlooked connection between literary culture and authors' careers. Bell's influential essays on nineteenth-century American writers—originally written for such landmark projects as The Columbia Literary History of the United States and The Cambridge History of American Literature—are gathered here with a major new essay on Richard Wright. Throughout, Bell revisits issues of genre with an eye toward the unexpected details of authors' lives, and invites us (...)
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  35.  1
    Genres, Hybrids, Crossings: Mixings, Samplings, Mash-Ups.John J. Stuhr - 2015 - Journal of Speculative Philosophy 29 (1):4-15.
    ABSTRACT I begin by considering the nature of philosophy understood as a genre of writing. I claim that genres are impure, porous, changing sites of inclusion and exclusion that are anything but natural kinds. Furthermore, I suggest that works of poetry, drama, painting, dance, and other arts may profitably be understood as works of philosophy and that philosophy itself may profitably be understood as an art, as performance work. I support this claim by an analysis of philosophy's canon as (...)
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  36.  22
    Genre, métissage et transactions coloniales aux Indes néerlandaises 1.Frances Gouda - 2011 - Clio 33:23-44.
    Depuis le milieu du xviie siècle, l’histoire coloniale des Indes néerlandaises se distingue par un modèle particulier de relations intimes interraciales, pratiquées au quotidien par la population. C’est ainsi qu’en 1900, on estime que près de 75% de la population européenne est métisse. Mais, à partir de cette époque, un régime « moderne » de ségrégation raciale se met en place, qui émerge dans un contexte dominé par l’introduction du capitalisme, par le développement des investissements étrangers et par une nouvelle (...)
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  37.  16
    Le Genre Poétique. [REVIEW]B. C. B. - 1965 - Review of Metaphysics 18 (3):582-583.
    An attempt to evolve a puristic definition of poetry in which the poem itself serves as the point of departure. The examination is systematically conducted throughout the three parts of the book: "Phonétique," "Sémantique," and "Ontologie." Frequent textual examples are offered; the accompanying analyses are often illuminating, particularly in the case of the cryptic "sonnet du Cygne" by Mallarmé. A key concept in the discussion is "la conversion poétique du langage": the means by which a word is freed from its (...)
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  38.  6
    On genre.Thomas Bristow - 2021 - Angelaki 26 (2):104-112.
    Paradoxically, loss is the only unconditional possession possible in elegy. A deep understanding of this phenomenon is to be found in long prose forms and lyricism of contemporary Australian writers. Turning the history of literature – from the Medieval to the contemporary – into a body of work more relevant to our ecological plight, in Kinsella’s corpus genres are consequences of textual events operating within an organic totality. This totality deconstructs the reference point for elegy: loss as the condition of (...)
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  39. Narrative & Genre: Contexts and Types of Communication.Mary Chamberlain & Paul Thompson - 1998 - Routledge.
    Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Notes on Contributors -- Introduction to the Series -- Acknowledgements -- 1. Introduction -- 2. Oral History as Genre -- 3. Silences -- 4. A Brazilian Worker's Autobiography in an Unexpected Form -- 5. Family Fables -- 6. Anecdote as Narrative Resource in Working-Class Life Stories -- 7. My Life as Consumer -- 8. Distant Homes, Our Genre -- 9. The Oral History Interview in a (...)
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  40. Genre and Gender An interdisciplinary epistemological tool.Nicole G. Albert - 2010 - Diogenes 57 (1):5-6.
    (No abstract is available for this citation).
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  41.  18
    Le genre des concours.Loukia Efthymiou - 2003 - Clio 18:91-112.
    Les concours d’entrée aux ENS de Sèvres et d’Ulm, comme les agrégations féminines (considérées comme inférieures à celles des hommes) sont des examens qui, ayant survécu jusque dans les années 1970 et 1980, attestent de l’existence d’un « genre des concours ». La question de la fusion des concours masculins et féminins est pour la première fois posée entre les deux guerres. La relecture de cette histoire permet de mettre en évidence les hésitations et les réticences qui ont voué (...)
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  42.  37
    Genre bending and utopia‐building.Philip Abbott - 2008 - Critical Review of International Social and Political Philosophy 11 (3):335-346.
    Why are bookstore shelves filled with mysteries, horror stories, romances, Westerns and other genre fiction? Why should one spend time reading narratives that are so similar? Why, for that matter, should one write works that are so similar to those of other authors? One philosopher, Noel Carroll, in fact, refers to the phenomenon as the ?paradox of junk fiction?. Are there works in political theory as well that share characteristics with these genres? And is there also a paradox involved (...)
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  43.  7
    Genre and persuasion in religious ethics an introduction.Gerald McKenny - 2005 - Journal of Religious Ethics 33 (3):397-407.
    ABSTRACTIssues of genre and persuasion are central to ethical thought and practice. Until recently, there has been an asymmetry between religious ethics and moral philosophy in regard to these issues. Renewed attention to these issues in moral philosophy creates a new context for their consideration in religious ethics—one in which the relation of religious ethics and moral philosophy is less determinate than it has been in previous discussions. The four essays that comprise this Focus Section reflect this new context (...)
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  44.  12
    Genre.Stephen Neale - 1980 - British Film Inst.
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  45.  2
    Genre analysis of the letters of appeal.Moses Samuel & Vahid Sadeghi - 2013 - Discourse Studies 15 (2):229-245.
    This study uses the genre analysis methodology used in the English for Specific Purposes school, relying mostly on Bhatia’s and Swales models of genre analysis. Two hundred letters of appeal written by postgraduate students whose native language was other than English in a public university in Malaysia were included in the study. The sample included letters written by a variety of students from different language backgrounds. The criterion for selecting the corpus was the communicative purpose of the letters: (...)
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  46.  10
    The genre of radical thought and the practices of equality: the trajectories of William Godwin and John Thelwall in the mid-1790s.John-Erik Hansson - 2017 - History of European Ideas 43 (7):776-790.
    ABSTRACTIn this paper, I approach the political and philosophical similarities and differences between late eighteenth-century thinkers John Thelwall and William Godwin from the point of view of their respective choices for the genre of political communication. I approach their thought and its expression by weaving an interpretation of what they were saying with a reflection on how and to whom they were speaking. This, I contend, helps us clarify further the thought of each thinker and track the changes in (...)
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  47.  13
    Genre Variation and Changes in Frame Sequences Across Cultures: The Case of Criminology RA Abstracts in English and French.Silvia Cavalieri & Chiara Preite - 2017 - Studies in Logic, Grammar and Rhetoric 49 (1):37-53.
    Though not as widely studied as the Research Article, the abstract has attracted increasing interest among researchers over last decades. A number of contrastive or comparative studies of abstracts in English and other languages have already been carried out considering mainly the hard sciences and some soft sciences such as linguistics and history, however no cross-cultural analyses have been conducted so far between RA abstracts in English and RA abstracts in French published in the legal field. This paper seeks to (...)
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  48.  12
    Genres in Dialogue: Plato and the Construct of Philosophy.Joanne Waugh - 1997 - Journal of the History of Philosophy 35 (4):615-616.
    Book Reviews Andrea Wilson Nightingale, Genres in Dialogue: Plato and the Construct of Philosophy. New York: Cambridge University Press, 1995. Pp. xiv + ~a~. Cloth, $49.95. This is an important and timely book. Nightingale argues that notwithstanding Socra- tes' remarks about dialectic as the philosophical mode of discourse, Plato uses tradi- tional genres in constructing philosophy. Key to her argument are two notions. The first is that prior to Plato, 'philosophy' referred to intellectual cultivation in the broad sense and consequendy, (...)
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  49. Genre.Gregory Currie - 2004 - Oxford University Press.
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  50.  10
    Genre et danses nouvelles en France dans l’entre-deux-guerres.Sophie Jacotot - 2008 - Clio 27:225-240.
    Comment les discours et les images produits sur le thème des pratiques sociales de danse deviennent-ils, dans l’entre-deux-guerres, le réceptacle d’un discours plus ample sur les mutations des rapports de genre? C’est ce que cet article essaie d’éclairer, en analysant le contexte de profond bouleversement qui caractérise le domaine de la danse de société au lendemain de la Grande Guerre, avec l’introduction en France de danses importées des Amériques. L’imaginaire des danses nouvelles, support privilégié de la représentation du couple, (...)
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