Results for 'genre'

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Bibliography: Genres of Film in Aesthetics
Bibliography: Genres of Film, Misc in Aesthetics
  1. II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.
    The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to (...)
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  2.  31
    I. Re-Framing Genre Theory.Engendering Literary Genre - 2006 - In Garin Dowd, Lesley Stevenson & Jeremy Strong (eds.), Genre Matters. Intellect.
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  3.  54
    Genres in Dialogue: Plato and the Construct of Philosophy.Andrea Wilson Nightingale - 1995 - Cambridge University Press.
    This 1995 book takes as its starting point Plato's incorporation of specific genres of poetry and rhetoric into his dialogues. The author argues that Plato's 'dialogues' with traditional genres are part and parcel of his effort to define 'philosophy'. Before Plato, 'philosophy' designated 'intellectual cultivation' in the broadest sense. When Plato appropriated the term for his own intellectual project, he created a new and specialised discipline. In order to define and legitimise 'philosophy', Plato had to match it against genres of (...)
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  4.  21
    Speech Genres and Other Late Essays.Brian W. Shaffer, M. M. Bakhtin, Vern W. McGee, Caryl Emerson & Michael Holquist - 1988 - Substance 17 (3):58.
  5.  8
    Genre as a Factor Determining the Viewpoint-Marking Quality of Verb Tenses.Ninke Stukker - 2019 - Cognitive Linguistics 30 (2):305-325.
    Verb tenses play an important role in managing deictic relations between the narrator, the audience and the events happening in the story world. Across languages, the Simple Past is considered the conventional story-telling tense, reflecting the prototypical deictic configuration of stories in which the narrator is positioned at some distance from the events unfolding in the story. The Simple Present, on the other hand, is considered a marked option for narration, assumed to automatically result in a shift to a subjective (...)
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  6.  13
    The Genre of Judgment.Patrick McKearney - 2016 - Journal of Religious Ethics 44 (3):544-573.
    What part should description play in coming to judgment? Questions about genre have become more important in religious ethics as many seek to reform “thin” models of ethical arbitration by recourse to artistic, literary, and historical descriptions in their texts. In this book discussion, I explore what the consequences would be of pursuing this reform by turning to social anthropology—a discipline that relies on extensive empirical descriptions. I do this by considering the anthropology of ethics: a movement that seeks, (...)
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  7. Imaginative Resistance, Narrative Engagement, Genre.Shen-yi Liao - 2016 - Res Philosophica 93 (2):461-482.
    Imaginative resistance refers to a phenomenon in which people resist engaging in particular prompted imaginative activities. On one influential diagnosis of imaginative resistance, the systematic difficulties are due to these particular propositions’ discordance with real-world norms. This essay argues that this influential diagnosis is too simple. While imagination is indeed by default constrained by real-world norms during narrative engagement, it can be freed with the power of genre conventions and expectations.
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  8. Genre.Brian Laetz & Dominic McIver Lopes - 2008 - In Paisley Livingston & Carl Plantinga (eds.), The Routledge Companion to Philosophy and Film. Routledge. pp. 152-161.
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  9. Fiction as a Genre.Stacie Friend - 2012 - Proceedings of the Aristotelian Society 112 (2pt2):179--209.
    Standard theories define fiction in terms of an invited response of imagining or make-believe. I argue that these theories are not only subject to numerous counterexamples, they also fail to explain why classification matters to our understanding and evaluation of works of fiction as well as non-fiction. I propose instead that we construe fiction and non-fiction as genres: categories whose membership is determined by a cluster of nonessential criteria, and which play a role in the appreciation of particular works. I (...)
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  10.  29
    Themes, Genres and Orders of Legitimation in the Consolidation of New Scientific Disciplines: Deconstructing the Historiography of Molecular Biology.Pninn Abir-Am - 1985 - History of Science 23 (1):73-117.
  11. Genre.Gregory Currie - 2004 - Oxford University Press.
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  12.  25
    Genres as Species and Spaces: Literary and Rhetorical Genre in The Anatomy of Melancholy.Susan Wells - 2014 - Philosophy and Rhetoric 47 (2):113-136.
    Literary genre theory and rhetorical genre theory have stopped speaking to each other. Outside the lively trading station named Bakhtin, exchanges between the two fields are rare. Even though literary scholarship has turned from questions of genre identification to broader examinations of relations among genres, and rhetorical genre theory has focused not only on the social functioning of genres but also on their identifying features, each critical practice is cut off from the resources of the other. (...)
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  13. Comics and Genre.Catharine Abell - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Blackwell. pp. 68--84.
    An adequate account of the nature of genre and of the criteria for genre membership is essential to understanding the nature of the various categories into which comics can be classified. Because they fail adequately to distinguish genre categories from other ways of categorizing works, including categorizations according to medium or according to style, previous accounts of genre fail to illuminate the nature of comics categories. I argue that genres are sets of conventions that have developed (...)
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  14. Genre-Appropriate Judgments of Qualitative Research.Justin Lee - 2014 - Philosophy of the Social Sciences 44 (3):316-348.
    Focusing on the production of lists of evaluative criteria has oversimplified our judgments of qualitative research. On the one hand, aspirations for global criteria applicable to “qualitative” or “interpretive” research have glossed over crucial analytic differences among specific types of inquiry. On the other hand, the methodological concern with appropriate ways of acquiring trustworthy data has led to an overly narrow proceduralism. I suggest that rational evaluations of analytic worth require the delineation of species of analytic tasks and the exercise (...)
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  15.  16
    Genre et militantisme dans le Mouvement pour la liberté de l’avortement et de la contraception. Pratique des avortements. [REVIEW]Bibia Pavard - 2009 - Clio 29:79-96.
    Le Mouvement pour la Liberté de l’Avortement et de la Contraception, permet d’observer le renouveau des pratiques militantes et des rapports de genre dans les années 1968. Il adopte les avortements clandestins comme moyen de protester contre la législation restrictive alors en vigueur, mais aussi dans une démarche de remise en cause de la médecine, de la définition traditionnelle du militantisme et des normes de genre. Ce répertoire d’actions original permet de produire une vaste mobilisation qui marque durablement (...)
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  16. Bridging Literary and Philosophical Genres: Judgement, Reflection and Education in Camus’The Fall.Peter Roberts - 2008 - Educational Philosophy and Theory 40 (7):873-887.
    Both literature and philosophy, as genres of writing, can enable us to address important ontological, epistemological and ethical questions. One author who makes it possible for readers to bridge these two genres is Albert Camus. Nowhere is this more evident than in Camus’ short novel, The Fall. The Fall, through the character and words of Jean‐Baptiste Clamence, prompts readers to reflect deeply on themselves, their motivations and commitments, and their relations with others. This paper discusses the origin and structure of (...)
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  17.  18
    Oral Genres of Humor: On the Dialectic of Genre Knowledge and Creative Authoring.Helga Kotthoff - 2007 - In Noel Burton-Roberts (ed.), Pragmatics. Palgrave-Macmillan. pp. 17--2.
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  18.  25
    Multimodal Genres and Transmedia Traversals: Social Semiotics and the Political Economy of the Sign.Jay Lemke - 2009 - Semiotica 2009 (173):283-297.
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  19.  78
    Academic Writing, Genres and Philosophy.Michael A. Peters - 2008 - Educational Philosophy and Theory 40 (7):819-831.
    This paper examines the underlying genres of philosophy focusing especially on their pedagogical forms to emphasize the materiality and historicity of genres, texts and writing. It focuses briefly on the history of the essay and its relation to the journal within the wider history of scientific communication, and comments on the standardized forms of academic writing and the issue of 'bad writing'.
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  20.  10
    Genre et mixité des certifications professionnelles, d’une guerre à l’autre.Jean Castets - 2003 - Clio 18.
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  21. Genres in Political Discourse.Norman Fairclough - 2006 - In Keith Brown (ed.), Encyclopedia of Language and Linguistics. Elsevier. pp. 32--38.
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  22.  20
    Genres, textes, discours: pour une reconception linguistique du concept de genre.Jean-Michel Adam - 1997 - Revue Belge de Philologie Et D’Histoire 75 (3):665-681.
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  23.  27
    Le Genre de la Nation Et le Genre de l'État.Leora Auslander & Michelle Zancarini-Fournel - 2000 - Clio 12.
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  24.  5
    Genre, Enfance Et Violence Sexuelle Dans les Archives Judiciaires de Bologne au XVe siècleGender and Sexual Violence Against Children in the Judicial Archives of Bologna in the Fifteenth Century.Didier Lett - 2015 - Clio 42:202-215.
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  25.  11
    Femmes, genre et mouvement ouvrier en France aux XIXe et XXe siècles : bilan et perspectives de recherche.Laura L. Frader - 1996 - Clio: A Journal of Literature, History, and the Philosophy of History 3.
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  26. Genre.Stephen Neale - 1980
     
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  27.  75
    Philosophy as a Transitional Genre.Richard Rorty - 2004 - In Richard J. Bernstein, Seyla Benhabib & Nancy Fraser (eds.), Pragmatism, Critique, Judgment: Essays for Richard J. Bernstein. MIT Press. pp. 3--28.
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  28. Habermas, Derrida, and the Genre Distinction Between Fiction and Argument.Sergeiy Sandler - 2007 - International Studies in Philosophy 39 (4):103-119.
    In his book, The Philosophical Discourse of Modernity, and especially in the “Excursus on Leveling the Genre Distinction between Philosophy and Literature” (pp. 185-210), Jürgen Habermas criticizes the work of Jacques Derrida. My aim in this paper is to show that this critique turns upon itself. Habermas accuses Derrida of effacing the distinctions between literature and philosophy. Derrida indeed works to subvert the distinction between fictional and argumentative writing, but in doing so he works with the genres he is (...)
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  29. “But Is It Science Fiction?”: Science Fiction and a Theory of Genre.Simon J. Evnine - 2015 - Midwest Studies in Philosophy 39 (1):1-28.
    If science fiction is a genre, then attempts to think about the nature of science fiction will be affected by one’s understanding of what genres are. I shall examine two approaches to genre, one dominant but inadequate, the other better, but only occasionally making itself seen. I shall then discuss several important, interrelated issues, focusing particularly on science fiction : what it is for a work to belong to a genre, the semantics of genre names, the (...)
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  30.  16
    Literary Genres and Textual Representations of Early Vīraśaiva History: Revisiting Ekānta Rāmayya’s Self-Beheading. [REVIEW]Gil Ben-Herut - 2012 - International Journal of Hindu Studies 16 (2):129-187.
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  31.  39
    Intensive Genre and the Demise of Gender.Rosi Braidotti - 2008 - Angelaki 13 (2):45 – 57.
  32. The Genre of Genres.Andrew Ford - 2002 - Classical Review 10:41.
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  33.  34
    Genre et moralité dans la construction impériale de la race.Ann-Laura Stoler - 2005 - Actuel Marx 38 (2):75-101.
    Until a relatively recent period, colonial history had focused on the study of the colonized, and, if some attention was dedicated to the colonizers, only the role men played in the process was deemed fit to require attention, thus arbitrarily assigning to the women of colonization contradictory features. More recent researches in women anthropology and sociology set out to analyze the image and agency of the white woman in the colonies. According to the ideological needs of the moment, as well (...)
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  34.  8
    Genre and the City: Tokyo’s Urban Space.Bettina Johanna Brown - 2008 - Journal for Cultural Research 12 (1):3-18.
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  35.  36
    Heavy Metal: Genre? Style? Subculture?Theodore Gracyk - 2016 - Philosophy Compass 11 (12):775-785.
    Although popular music is increasingly recognized as an important area of inquiry in philosophy of art, many organizing principles have been taken over from other fields without scrutiny. This article selects heavy metal as an example of the value of applying philosophy of criticism to discourse about popular music. Metal is now in its fifth decade, and its combination of longevity and diversity have made it an attractive topic in popular music studies. In accounts of metal by musicologists and social (...)
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  36.  5
    Genre Et Militantisme Dans le Mouvement Pour la Liberté de L’Avortement Et de la Contraception. Pratique des Avortements (1973-1979)Gender and Activism in the MLAC: Practising Abortions. [REVIEW]Bibia Pavard - 2009 - Clio 29:79-96.
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  37.  22
    Le Genre de la Nation : La Recherche aux Etats-Unis.Leora Auslander - 2000 - Clio 12.
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  38.  1
    Genred power: Die Macht des Genres im Streit um die Frauenrolle in Pastoralbriefen und Paulusakten.Annette Merz - 2012 - Hts Theological Studies 68 (1).
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  39.  4
    Genre en plot georiënteerde narratief-kritiese eksegese van Evangeliemateriaal: Inleiding tot narratiewe kritiek.Andries G. Van Aarde - 2006 - Hts Theological Studies 62 (2).
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  40.  6
    Genre and Engagement.John M. Swales - 1993 - Revue Belge de Philologie Et D’Histoire 71 (3):687-698.
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  41.  11
    Medieval Genres and Modern Genre Theory.Ardis Butterfield - 1990 - Paragraph 13 (2):184-201.
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  42.  19
    Le Siècle du sexe? Genre, corps et sexualité au dix-huitième siècle.Karen Harvey - 2010 - Clio 31:207-238.
    Ces vingt dernières années ont vu le développement de l’histoire du corps et de la sexualité. Cherchant à historiciser les différences entre les sexes, les historiens ont pour la plupart intégré l’étude du corps et de la sexualité à l’histoire des femmes et du genre. L’objet de cet article est la place du corps et de la sexualité dans l’histoire des femmes et du genre. De récents travaux avancent l’idée que le xviiie siècle – envisagé dans des bornes (...)
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  43.  18
    Genres as Self-Organising Systems.Peter B. Andersen - 2000 - In P. B. Andersen, Claus Emmeche, N. O. Finnemann & P. V. Christiansen (eds.), Downward Causation. University of Aarhus Press. pp. 214--260.
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  44.  28
    Law of Genre and Intercultural Philosophy: A Reading of Kwok-Ying L au ’s Phenomenology and Intercultural Understanding.Jin Park - 2019 - Dao: A Journal of Comparative Philosophy 18 (1):119-126.
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  45.  20
    Les femmes, le genre et les sexualités dans le Maghreb colonial.Christelle Taraud - 2011 - Clio 33:157-191.
    Dans cet article, Christelle Taraud revient sur trente ans d’histoire des femmes, du genre et des sexualités au Maghreb à l’époque coloniale. Mettant l’accent sur l’apport fondamental des gender, subaltern & colonial studies, l’article vise aussi à faire un bilan critique des avancées, et au contraire des absences et résistances dans un champ qui, au moins depuis les années 1970, est en voie de constitution. Au cœur de l’article, cinq grandes thématiques – colonisation, peuplement et femmes européennes ; femmes (...)
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  46.  4
    Genre and the African City: The Politics and Poetics of Urban Rhythms.Sam Okoth Opondo - 2008 - Journal for Cultural Research 12 (1):59-79.
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  47.  2
    Femmes, genre et mouvement ouvrier en France aux XIXe et XXe siècles : bilan et perspectives de recherche.Laura L. Frader - 1996 - Clio 3.
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  48.  1
    Energy Biographies: Narrative Genres, Lifecourse Transitions, and Practice Change.Nick Pidgeon, Karen Parkhill, Catherine Butler, Fiona Shirani, Karen Henwood & Christopher Groves - 2016 - Science, Technology, and Human Values 41 (3):483-508.
    The problem of how to make the transition to a more environmentally and socially sustainable society poses questions about how such far-reaching social change can be brought about. In recent years, lifecourse transitions have been identified by a range of researchers as opportunities for policy and other actors to intervene to change how individuals use energy, taking advantage of such disruptive transitions to encourage individuals to be reflexive toward their lifestyles and how they use the technological infrastructures on which they (...)
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  49.  26
    Sexe, genre et sociabilité.Whitney Walton - 2008 - Clio 28:145-158.
    Les séjours d’étude à l’étranger se sont développés après la Seconde Guerre mondiale. Plus que d’autres formes de voyage, ils permettent aux jeunes adultes de s’immerger dans la culture et le quotidien d’un autre pays. Les jeunes femmes américaines qui ont étudié en France entre la fin des années 1940 et les années 1960 ont été marquées par les stéréotypes de genre et les pratiques sociales et sexuelles auxquels elles ont été confrontées. S’appuyant sur des entretiens oraux avec d’anciennes (...)
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  50.  23
    Academic Writing, Philosophy and Genre.Michael A. Peters (ed.) - 2009 - Wiley-Blackwell.
    This book investigates how philosophical texts display a variety of literary forms and explores philosophical writing and the relation of philosophy to literature and reading. Discusses the many different philosophical genres that have developed, among them letters, the treatise, the confession, the meditation, the allegory, the essay, the soliloquy, the symposium, the consolation, the commentary, the disputation, and the dialogue Shows how these forms of philosophy have conditioned and become the basis of academic writing within both the university and higher (...)
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