Results for 'immoralism'

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  1. Forbidden Knowledge: The Challenge of Immoralism.Matthew Kieran - 2003 - In Jose Luis Bermudez & Sebastian Gardner (eds.), Art and Morality. Routledge.
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  2. Immoralism and the Valence Constraint.James Harold - 2008 - British Journal of Aesthetics 48 (1):45-64.
    Immoralists hold that in at least some cases, moral fl aws in artworks can increase their aesthetic value. They deny what I call the valence constraint: the view that any effect that an artwork’s moral value has on its aesthetic merit must have the same valence. The immoralist offers three arguments against the valence constraint. In this paper I argue that these arguments fail, and that this failure reveals something deep and interesting about the relationship between cognitive and moral value. (...)
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  3.  10
    Moderate Comic Immoralism and the Genetic Approach to the Ethical Criticism of Art.Ted Nannicelli - 2014 - Journal of Aesthetics and Art Criticism 72 (2):169-179.
    According to comic moralism, moral flaws make comic works less funny or not funny at all. In contrast, comic immoralism is the view that moral flaws make comic works funnier. In this article, I argue for a moderate version of comic immoralism. I claim that, sometimes, comic works are funny partly in virtue of their moral flaws. I argue for this claim—and artistic immoralism more generally—by identifying artistically valuable moral flaws in relevant actions undertaken in the creation (...)
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  4.  54
    Immoralism and the Anti-Theoretical View.Robert Stecker - 2008 - British Journal of Aesthetics 48 (2):145-161.
    Can a moral defect be an artistic virtue? Can it make a positive contribution to artistic value? Further, if this can happen on occasion, does this imply that moral value has no systematic connection to artistic value since every conceivable relation between them is possible? The idea that moral defects can sometimes be artistic virtues has received a fair number of defenders recently and so has the anti-theoretical view that there is no systematic relation between artistic and moral value. But (...)
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  5.  26
    Comic Immoralism and Relatively Funny Jokes.Scott Woodcock - 2015 - Journal of Applied Philosophy 32 (2):203-216.
    A widely accepted view in the philosophy of humour is that immoral jokes, like racist, sexist or homophobic jokes, can nevertheless be funny. What remains controversial is whether the moral flaws in these jokes can sometimes increase their humour. Moderate comic immoralism claims that it is possible, in at least some cases, for moral flaws to increase the humour of jokes. Critics of moderate comic immoralism deny that this ever occurs. They recognise that some jokes are both funny (...)
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  6.  64
    “How to Be an Immoralist”.Robert Guay - manuscript
    Nietzsche occasionally referred to his substantive ethical position as “immoralism,”1 but gave only a vague impression of just what this position amounts to. The strategy of this paper will be to determine how to be an immoralist by identifying what is affirmed in Nietzsche’s negation of morality. That is, I wish to consider aspects of the critique of morality not to show that morality is wrong – that is not my goal here – but to identify what Nietzsche’s substantive (...)
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  7. Robust Immoralism.A. W. Eaton - 2012 - Journal of Aesthetics and Art Criticism 70 (3):281-292.
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  8. The Happy Immoralist.Steven M. Cahn - 2004 - Journal of Social Philosophy 35 (1):1–1.
  9.  27
    Living with Nietzsche: What the Great "Immoralist" has to Teach Us.Robert C. Solomon - 2003 - Oxford University Press.
    Friedrich Nietzsche is one of the most popular and controversial philosophers of the last 150 years. Narcissistic, idiosyncratic, hyperbolic, irreverent--never has a philosopher been appropriated, deconstructed, and scrutinized by such a disparate array of groups, movements, and schools of thought. Adored by many for his passionate ideas and iconoclastic style, he is also vilified for his lack of rigor, apparent cruelty, and disdain for moral decency. In Living with Nietzsche, Solomon suggests that we read Nietzsche from a very different point (...)
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  10. The Morals of an Immoralist-Friedrich Nietzsche. I.Alfred W. Benn - 1908 - International Journal of Ethics 19 (1):1-23.
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  11.  44
    Nietzsche: The Ethics of an Immoralist.Peter Berkowitz - 1995 - Harvard University Press.
  12. Review. Nietzsche: The Ethics of an Immoralist. Peter Berkowitz.B. Leiter - 1996 - Mind 105 (419):487-491.
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  13.  48
    The Unhappy Immoralist.Jeffrie G. Murphy - 2004 - Journal of Social Philosophy 35 (1):11–13.
  14.  20
    3. Plato Against the Immoralist.Bernard Williams - 2011 - In Otfried Höffe (ed.), Platon: Politeia. Akademie Verlag. pp. 41-50.
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  15.  87
    Review Essay: Peter Berkowitz, Nietzsche: The Ethics of an Immoralist (Cambridge, Ma: Harvard University Press, 1995.Brian J. Braman - 1998 - Philosophy and Social Criticism 24 (1):109-117.
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  16.  15
    SIX. Plato Against the Immoralist.BernardHG Williams - 2009 - In The Sense of the Past: Essays in the History of Philosophy. Princeton University Press. pp. 97-107.
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  17.  46
    Peter Berkowitz, Nietzsche: The Ethics of An Immoralist. [REVIEW]Christa Davis Acampora - 1997 - Man and World 30 (4):490-496.
  18.  50
    The Happy Immoralist: Reply to Cahn.Matthew Cashen & Larry May - 2004 - Journal of Social Philosophy 35 (1):16–17.
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  19.  24
    Arguing About Justice: Marxist Immoralism and Marxist Moralism.Kai Nielsen - 1988 - Philosophy and Public Affairs 17 (3):212-234.
  20.  16
    Berkowitz, Peter. Nietzsche: The Ethics of an Immoralist.Ingo Farin - 1996 - Review of Metaphysics 50 (1):145-147.
  21.  12
    Nietzsche: The Ethics of an Immoralist.Christine Swanton - 1997 - Journal of the History of Philosophy 35 (1):148-150.
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  22.  8
    Nietzsche: Moralist or Immoralist?—The Verdict of the European Protestant Theologians in the First World War.Charles E. Bailey - 1989 - History of European Ideas 11 (1-6):799-814.
  23.  17
    Comments on Cahn's "the Happy Immoralist".Bernard Gert - 2004 - Journal of Social Philosophy 35 (1):18–19.
  24.  5
    Living with Nietzsche: What the Great" Immoralist" Has to Teach Us (Review).Peter D. Murray - 2008 - Journal of Nietzsche Studies 35 (1):165-167.
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  25.  15
    Peter Berkowitz: Nietzsche: The Ethics of an Immoralist. [REVIEW]William Irwin - 1998 - Journal of Value Inquiry 32 (4):575-577.
  26.  13
    Reply to Cahn's "the Happy Immoralist".Tziporah Kasachkoff - 2004 - Journal of Social Philosophy 35 (1):20–20.
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  27.  2
    The Morals of an Immoralist: Friedrich Nietzsche. II.Alfred W. Benn - 1908 - Ethics 19 (2):192.
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  28.  11
    Two Types of Immoralism.George Palante - 2009 - Philosophical Forum 40 (2):265-273.
  29.  8
    Book Review:Nietzsche: The Ethics of an Immoralist Peter Berkowitz. [REVIEW]R. Kevin Hill - 1996 - Ethics 106 (3):659-.
  30.  9
    The Metaphysics of Nietzsche's Immoralism.Bertram M. Laing - 1915 - Philosophical Review 24 (4):386-418.
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  31.  5
    Immoralist: That Means the Opposite of Consequentialist.Claudia Crawford - 1995 - International Studies in Philosophy 27 (3):35-42.
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  32.  8
    The Morals of an Immoralist: Friedrich Nietzsche. II.Alfred W. Benn - 1909 - International Journal of Ethics 19 (2):192-211.
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  33. The Morals of an Immoralist-Friedrich Nietzsche. I.Alfred W. Benn - 1908 - Ethics 19 (1):1.
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  34. The Morals of an Immoralist: Friedrich Nietzsche. II.Alfred W. Benn - 1909 - International Journal of Ethics 19 (2):192-211.
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  35. The Morals of an Immoralist-Friedrich Nietzsche. I.Alfred W. Benn - 1908 - International Journal of Ethics 19 (1):1-23.
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  36. Nietzsche: The Ethics of an Immoralist.Berkowitz Peter - 1996 - Ethics 106 (3):659-661.
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  37. Nietzsche: The Ethics of an Immoralist.Berkowitz Peter - 1996 - Mind 105 (419):487-491.
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  38. Nietzsche: The Ethics of An Immoralist.Peter Berkowitz, David Krell, David Owen, Stanley Rosen, Richard Schacht & Henry Staten - 1998 - Philosophical Quarterly 48 (191):235-242.
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  39. Immoralist: Heat Means the Opposite of Consequentialist. Comment on Professor Hales''Was Nietzsche a Consequentialist?'.Claudia Crawford - 1995 - International Studies in Philosophy 27 (3):35-42.
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  40. Living with Nietzsche: What the Great Immoralist has to Teach Us.C. Solomon Robert - 2003 - Oxford University Press USA.
    Friedrich Nietzsche is one of the most popular and controversial philosophers of the last 150 years. Narcissistic, idiosyncratic, hyperbolic, irreverent--never has a philosopher been appropriated, deconstructed, and scrutinized by such a disparate array of groups, movements, and schools of thought. Adored by many for his passionate ideas and iconoclastic style, he is also vilified for his lack of rigor, apparent cruelty, and disdain for moral decency. In Living with Nietzsche, Solomon suggests that we read Nietzsche from a very different point (...)
     
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  41. Nietzche: The Ethics of an Immoralist. [REVIEW]Paul Fairfield - 2003 - International Studies in Philosophy 35 (4):156-157.
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  42. The Morality of Immoralism, the Contribution of Nietzsche to the Founding of Ethics.V. Gerhardt - 1990 - Verifiche: Rivista Trimestrale di Scienze Umane 19 (3):247-282.
     
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  43. Reiner, J., Friedrich Nietzsche der Immoralist und Antichrist. [REVIEW]C. Gutberlet - 1916 - Philosophisches Jahrbuch 29:429-432.
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  44. The Metaphysics of Nietzsche's Immoralism.A. Laing Bertram - 1915 - Philosophical Review 24:386.
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  45. Living with Nietzsche: What the Great "Immoralist" has to Teach Us.Robert C. Solomon - 2006 - Oup Usa.
    Friedrich Nietzsche is one of the most popular and controversial philosophers of the last 150 years; his popular appeal surpasses any philosopher who came after him. Yet as Robert Solomon shows, never has a thinker been more misunderstood. Solomon shows us that in fact the 'real' Nietzsche has tremendous value for the modern seeker and is not the dark figure some have made him. Solomon brings out Nietzsche's view of a successful inner life, the notion of 'passionate inwardness', deep emotions, (...)
     
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  46. Nietzche: The Ethics of an Immoralist.Tracy B. Strong & Peter Berkowitz - 1997 - Philosophical Review 106 (2):296.
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  47. Morality and Aesthetics of Food.Shen-yi Liao & Aaron Meskin - forthcoming - In Anne Barnhill, Mark Budolfson & Tyler Doggett (eds.), The Oxford Handbook on Food Ethics. Oxford University Press.
    This chapter explores the interaction between the moral value and aesthetic value of food, in part by connecting it to existing discussions of the interaction between moral and aesthetic values of art. Along the way, this chapter considers food as art, the aesthetic value of food, and the role of expertise in uncovering aesthetic value. Ultimately this chapter argues against both food autonomism (the view that food's moral value is unconnected to its aesthetic value) and Carolyn Korsmeyer's food moralism (the (...)
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  48. Do Moral Flaws Enhance Amusement?Aaron Smuts - 2009 - American Philosophical Quarterly 46 (2):151-163.
    I argue that genuine moral flaws never enhance amusement, but they sometimes detract.I argue against comic immoralism--the position that moral flaws can make attempts at humor more amusing.Two common errors have made immoralism look attractive.First, immoralists have confused outrageous content with genuine moral flaws.Second, immoralists have failed to see that it is not sufficient to show that a morally flawed joke is amusing; they need to show that a joke can be more amusing because of the fact that (...)
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  49. The Joke is the Thing: 'In the Company of Men' and the Ethics of Humor.Aaron Smuts - 2007 - Film and Philosophy 11 (1):49-66.
    Any analysis of "In the Company of Men" is forced to answer three questions of central importance to the ethics of humor: What does it mean to find sexist humor funny? What are the various sources of humor? And, can moral flaws with attempts at humor increase their humorousness? I argued that although merely finding a joke funny in a neutral context cannot tell you anything reliable about a person's beliefs, in context, a joke may reveal a great deal about (...)
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  50. Devil Simulation: Why We Couldn't, Shouldn't, and Wouldn't.Aaron Smuts - manuscript
    In this paper I critically evaluate the Devil Simulation Argument for cognitive immoralism—the position that moral flaws with a work of art can be cognitively virtuous, and thereby artistically valuable. I focus on Matthew Kieran's version of the argument. Kieran holds that by simulating the attitudes of fictional devils we can come to gain important moral insights. In response, I argue that we have no reason to believe that we can effectively adopt immoral attitudes, that any successful narrative artworks (...)
     
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