The Liberal Arts deal with the human being as a whole and hence with what lies at the essence of being human. As a result, the Liberal Arts have a far greater capacity to do good than other fields of study, for their foundation in philosophy enables them to bring students into contact with the ultimate questions which they are free to accept. Even if these questions have little or no ‘market value’, it should be obvious (...) that the way they are taught and learned is going to have a powerful impact upon the future of the students and society. It is suggested here that mathematics has an integral role in the study of the liberal arts in a first degree at a university where the ‘meal ticket’ is subsequently studied in the graduate or professional school. (shrink)

아우구스티누스의 『질서론』(De ordine)은 카펠라의 저작에 앞서 7자유교과를 체계적으로 다룬 최초의 작품이다. 아우구스티누스는 이 저작에서 3학(trivium)과 4과(quadrivium)의 기본 형태를 제시하고 7자유교과의 의미와 정당성을 철학과 기독교적 가치로 입증하는 데 천착한다. 그에게 있어 7자유교과는 총체적 지식, 즉 우주적 질서에 도달하기 위한 방법임과 동시에 우주적 질서(ordo universitatis)의 일부분이다. 아우구스티누스는 보편적 우주의 질서에 도달하기 위해서는 자유교과가 반드시 가르침의 올바른 순서(ordo eruditionis)에 의해 확장해야만 한다고 말한다. 그는 7자유교과를 언어 분과와 수학분과로 나누는데, 이렇게 나눌 수 있는 근거도 필연적 발달 단계에 따른 것이다. 또한 그는 7자유교과가 이성적 (...) 활동에 최적화된 교과로 구성되었기 때문에 개별 교과는 이성(ratio)의 활동 여부에 따라 우선순위를 갖는다고 강조한다. 아우구스티누스의 7자유교과는 철학과 기독교적 가치를 강조한다는 점에서 로마의 학자들과 구분되며, 자유교과를 표준화하려고 노력한다는 점에서 그리스 학자들과 구분된다. 또한 자유교과의 위상을 신적 질서의 일부분으로 상정한다는 점에서 이전 기독교 학자들과도 구분된다. 아우구스티누스의 7자유교과는 단순히 로마의 자유교과를 기독교적으로 변용한 것이 아니라, 전문화된 로마의 자유교과 체제에 신적 질서와 그리스의 철학적 정당화를 종합하여 독특한 자유교과 체제를 구성한 것이다. 중세 학자들은 카펠라의 문학적인 내용을 적극 수용하여 7자유교과를 발전시켰지만, 자유교과의 존재 이유를 밝혀주는 아우구스티누스가 없었다면 800년 동안 7자유교과에 천착하는 일은 없었을 것이다. (shrink)

The mode of making silence, as well as its distorted visibility represents a set of informational practices of the historical forms of governing that come from the arcana misterii, or secrets of state. These secrets will be the basis for the development of discursive projections, which are consolidated by proliferation, defining, according to a critical interpretation of the linguistic-Marxian background, the daily post-truths in the big data era. This article puts into dialogue the relations between language, secret and post-truth in (...) the contemporary scene. To this end, the reflection indicates the role of a certain cybernetic sophistics, founded on the confluence and application of the "liberal arts" of the trivium, as the methodology for the construction of a Metainformational State, combining, from language, the relation between domination and defense from the elements of arch-secrets and post-truths. (shrink)

"Language and its Public Features: Reorganizing the Trivium in Locke's Essay and Port-Royal Logic" The new theory of language in the 17th century coincides with the end the traditional order of disciplines in the trivium (grammar, logic and rhetoric), which in the mediaeval times provided a comprehensive view of the problems of discourse. The article focuses on some key passages in Port-Royal Logic and Locke's Essay that provide us with a typical early modern scheme of linguistic representation, characterised (...) by heavily emphasized dualism of ideas and words. Since ideas are also the meanings of words and are ontologically essentially private, one can raise the question, where in this analysis of language is it even possible to locate its public features. The article tries to show that private language is not only possible for Locke and the Port-Royalists, but that it is even a necessary and primary character of language. Language becomes a public medium of communication only on the junctures of private meanings constituted by the “common use” of words. The article then focuses on almost complete marginalisation in the two works of the theory of public speech. Rhetoric, in the 17th century often reduced to mere eloquence, has no place in philosophy, and the duties of making speeches persuasive are taken over by reason alone. To show how the domains of jurisdiction of the trivial disciplines had been transformed in the linguistic theories proposed by the Port-Royal Logic and Locke, one can construct a hypothetical early modern trivium in the light of the following order: idea – word – figure, or, logic – grammar – rhetoric. Rhetoric is found to have kept its structural place only to be singled out as dangerous. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Role of the Heavens in the Thought of Philip MelanchthonCharlotte MethuenPhilip Melanchthon has long been recognized as one of the central figures in the German Lutheran Reformation. His theological contribution to the Reformation may be found in his codifying of Lutheran theology in the Confessio Augustana and in the Loci Communes, the first major Lutheran theological textbook, which long remained a central text for the teaching of theology (...) in Lutheran schools and universities. A teacher at the University of Wittenberg from 1518 until his death, Melanchthon was also involved in the reform of universities and the establishment of school systems throughout Lutheran Germany. These reforms facilitated the spread of the Reformation by encouraging the development of Lutheran educational principles and the establishing of Humanist education as the basis for the schools and universities of Lutheran Germany, and Melanchthon’s role in this process has led to his being accorded the title Praeceptor Germaniae. 1 More recently, Melanchthon has also been hailed as the initiator of a new “Lutheran” approach to natural philosophy. 2 It is my contention in this article that Melanchthon’s interest in natural philosophy is integrally connected to his educational interest and that these hang upon a particular theological and cosmological [End Page 385] understanding of the universe, particularly the heavens, as becomes clear from his defense of astronomy.I. Despite his theological interests and his commitment to the dissemination of Lutheran theology, Melanchthon was reluctant to teach theology and remained primarily concerned with the teaching of the subjects which made up the curriculum of the arts faculty in a sixteenth-century university. It was as Professor of Greek that he was originally appointed to the University of Wittenberg, and he had a deep interest in the teaching of ancient languages, especially Greek, and in the study of ancient texts in their original form rather than through later commentators. His promotion of the trivium (grammar, logic, and rhetoric) led him to write a textbook in each of these areas; and these works continued to be used as prescribed works in many German universities into the seventeenth century. 3 As an educator Melanchthon was thus firmly in the humanist mold. However, Melanchthon’s interests did not only take in the teaching of languages; he also promoted the teaching of both moral and natural philosophy. 4 Moreover, he was a strong advocate of the teaching of the mathematical sciences, particularly arithmetic, geometry, and astronomy. These, together with music, made up the quadrivium, which complemented the linguistic arts.In Melanchthon’s day the mathematical sciences had long been accepted as part of the arts curriculum, 5 even if in practice minimal attention had been paid them at many universities. 6 Their ambiguous status is reflected by the attitude taken by many humanist reformers, who did not regard arithmetic, geometry, astronomy, and music as an essential part of the curriculum. Thus Erasmus believed that music, arithmetic, and geography should be taught only to pupils who had a particular interest in these subjects 7 and that knowledge of nature, astrology, architecture, and other related subjects would come from reading the ancient authors. 8 In a similar vein Juan Luis [End Page 386] Vives argued that mathematics tended to divorce the mind from the practical concerns of life and that its study was not, therefore, to be recommended. 9 In contrast Melanchthon seems to have recognized the value of the study of the mathematical sciences from the beginning of his scholarly career. Perhaps he was inspired by his professor of mathematics at Tübingen, Johannes Stöffler, a gifted mathematician who wrote his own Arithmetic and was also fluent in the praise of his subject. 10 In an early oration, De artibus liberalis, delivered in Tübingen in 1517, Melanchthon praises arithmetic as a principal part of philosophy; geometry for its role in producing the wonderful machines of war and the beautiful ornaments of cities; music for its elegance and harmony; and astronomy (very briefly) for its applications in medicine. 11This oration should almost certainly be read as part of the tradition of orations and odes which extolled each of the liberal arts for its practical (and often also... (shrink)

In twelfth-century Europe schools flourished in many centres. There were schools in monasteries and cathedrals, primarily for the education of monks and priests but often open also to laymen. In Italian towns, especially, there were lay schools teaching law and commercial skills to fee-paying students. In France, especially, also in England and other countries, there were schools for feepaying students of the liberal arts. The traditional list of the liberal arts included seven: grammar, logic and rhetoric (...) (the "trivium"), and arithmetic, geometry, astronomy and music (the "quadrivium"): most of the schools we're talking about taught the trivium, grammar, logic and rhetoric. These three disciplines in one way or other taught language skills; they were sometimes called the artes sermocinales. Students who had completed these "trivial" studies sometimes moved on to theology, or sometimes set up as teachers themselves of grammar, logic and rhetoric. Some students travelled from country to country looking for a good school, and sometimes made their living for a while by teaching before becoming students again. (shrink)

Theme of this article is the ancient Roman tradition of criticism based of the standard ">institutio oratoria« of the late Roman teacher of rhetoric Quintilianus and the reception of rhetorical and critical theory among German 18th century philologists. Just like Immanuel Kant's terminology of 'Kritik' the Latin terms critica and ars critica became in the 18th century basic terms for the research in the history of philology and the social importance of this scientific work. The researchers' documentations in the 18th (...) century demonstrate the ancient tradition between criticism and the liberal arts of the trivium which are studies in rethoric, dialectic and grammar. (shrink)

"The role of logic in the Middle Ages. Regarding the role of logic within the framework of arts and sciences during the Middle Ages, we have to distinguish two related aspects, one institutional and the other scientific. As to the first aspect, we have to remember that the medieval educational system was based on the seven liberal arts, which were divided into the trivium, i.e., three arts of language, and the quadrivium, i.e., four mathematical (...) class='Hi'>arts. The so-called trivial arts were grammar, rhetoric, and logic, and during a period of several centuries virtually every educated person, at least every university graduate, received a training in these matters, especially in logic. Students in the medieval faculty of arts probably spent more time studying logic than any other discipline. This first -- institutional -- aspect concerning the role of logic is explained by the second -- scientific -- aspect. The trivial disciplines provided techniques of analysis and a technical vocabulary that permeate philosophical, scientific and theological writings. Logic, as mentioned before, was referred to and was generally regarded as the art of arts and the science of sciences. The increasing cultural dominance of the universities with their obligatory disputationes and their hierarchy of examinations on the one hand and the outstanding status of logic on the other were corresponding features of the educational world of the 13th century. The core of the logic curriculum from the 12th century onwards was provided by the logical works of Aristotle. These represented the material for the study of types of predication, the analysis of simple propositions or statements (2) and their relations of inference and equivalence, the analysis of modal propositions, of the structure and the types of the syllogism, dialectical topics, fallacies and scientific reasoning as based on the demonstrative syllogism. Medieval logicians, however, realized that there were other, non-Aristotelian, approaches to logical subjects, questions and methods that could be investigated.. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Dante’s Vision and the Circle of KnowledgeAnthony RodaDante’s Vision and the Circle of Knowledge, by Giuseppe Mazzotta; 328 pp. Princeton: Princeton University Press, 1993, $37.50.Future students of Dante, The Divine Comedy, literature, criticism, the history of ideas, theology, philosophy, and many other disciplines will be in permanent debt to Giuseppe Mazzotta for his keen study of Dante’s Vision and the Circle of Knowledge. While tracing the principal streams (...) of Western thought which irrigate Dante’s fertile genius, Mazzotta reconstructs the intellectual topography of Dante’s Europe and show how “l’altissimo poeta” reorders and refines it and arrives at a radical reformulation of the foundation of knowledge in contrast to the standard philosophical and theological currents of the times. This new vision of the foundation of knowledge is the central concern of The Divine Comedy which for Mazzotta provides a world view no less monumental than the synthesis of the classical and Judeo-Christian traditions of Thomas Aquinas. Perhaps, more so, for he argues Dante’s great epic provides not only an alternative epistemology but one which captures much more adequately the human historical experience.Vico’s insights, a thorough familiarity of Dante’s sources and his alert appreciation of the unique treatment these sources receive in the context of “la commedia divina” supply Mazzotta with a theoretical framework for his own brilliant critical, historical, and etymological analyses. He marshals these researches around his overriding concern to show that inherent within the Comedy is the view of “poetry as nothing less than the foundation of all possible knowledge” (p. 3). Dante’s radical claim is designed to provide an account which accords with the educational and intellectual development of the individual within history. Consequently for Mazzotta, Dante’s poetic (metaphorical) mode attempts to reconcile what must have been an intellectual and moral landscape of hopeless contradictory systems and projects. Dante’s poem [End Page 194] provides a vivid survey of the breakdown of human bonds, human projects, and human justice and suggests a corrective that escaped the methods of reason, as well as those of the mystic’s. Since both of these are at bottom antihistorical, they attempted to deny conflict and uncertainty (Dewey’s ultimate traits of experience).The above comments should suggest both the general appeal as well as, and I must emphasize, the high level of scholarship Mazzotta exhibits in his project which is arranged into three parts. The first part (Chapter 1–5) is devoted to “poetry and the arts of language,” and a quick glance at these chapters reveals that it is concerned with that part of the liberal arts called the trivium (grammar, rhetoric, and dialectic). In addition to their educational role, the author examines the role and intricate connections these disciplines have to the central social structures of the times. Consequently, these are not mere sterile academic exercises but serious attempts that show the intimate connections between methods of knowing (discourses) and social structures, especially authority in all of its modes (moral, intellectual, political, etc.). Further, by virtue of this, he shows the need for a reexamination of knowledge which does justice to the lived experiences of the individual and to which the second part (Chapters 6–8) is devoted. Briefly, this means coming to terms with language, memory, imagination, dreams and visions, and that great nightmare, human history. It also invokes the aesthetic (poetic/metaphorical) foundations of all knowledge in contrast to the Cartesian dismissal. The claim, however, enlightening for the Comedy, is controversial as a general tenet and demands will be forthcoming for an evaluation, even though there is much good work in philosophy which lends support to it, e.g., Stephen Pepper’s World Hypotheses, R. G. Collingwood’s The Principles of Art, and Lewis E. Hahn’s A Contextualistic Theory of Perception, etc.In the last part (Chapters 9–11) Mazzotta argues that Dante’s final organizing vision figures the world sub specie ludi. These chapters examine the problems and experiences of order, transgression and exile which for Mazzotta demand a Theologia Ludens whose roots are imbedded deep in Aristotle’s Ethics and expressed by the virtue of eutrapelia, “a... (shrink)