In this paper, I begin with a discussion of Giere’s recent work arguing against taking models as works of fiction. I then move on to explore a spectrum of scientific models that goes from the obviously fictional to the not so obviously fictional. And then I discuss the modeling of the unobservable and make a case for the idea that despite difficulties of defining them, unobservable systems are modeled in a fundamentally different way than the observable systems. While (...) idealization and approximation is key to the making of models for the observable systems, they are in fact inoperable, at least not straightforwardly so, regarding models for the unobservable. And because of this point, which is so far neglected in the literature, I speculate that factionalism may have a better chance with models for the unobservable. (shrink)

Mauricio Suárez and Agnes Bolinska apply the tools of communication theory to scientific modeling in order to characterize the informational content of a scientific model. They argue that when represented as a communication channel, a model source conveys information about its target, and that such representations are therefore appropriate whenever modeling is employed for informational gain. They then extract two consequences. First, the introduction of idealizations is akin in informational terms to the introduction of noise in a signal; for in (...) an idealization we introduce ‘extraneous’ elements into the model that have no correlate in the target. Second, abstraction in a model is informationally equivalent to equivocation in the signal; for in an abstraction we “neglect” in the model certain features that obtain in the target. They conclude that it becomes possible in principle to quantify idealization and abstraction in informative models, although precise absolute quantification will be difficult to achieve in practice. (shrink)

This book provides both an introduction to the philosophy of scientific modeling and a contribution to the discussion and clarification of two recent philosophical conceptions of models: artifactualism and fictionalism. These can be viewed as different stances concerning the standard representationalist account of scientific models. By better understanding these two alternative views, readers will gain a deeper insight into what a model is as well as how models function in different sciences. Fictionalism has been a traditional epistemological stance related to (...) antirealist construals of laws and theories, such as instrumentalism and inferentialism. By contrast, the more recent fictional view of models holds that scientific models must be conceived of as the same kind of entities as literary characters and places. This approach is essentially an answer to the ontological question concerning the nature of models, which in principle is not incompatible with a representationalist account of the function of models. The artifactual view of models is an approach according to which scientific models are epistemic artifacts, whose main function is not to represent the phenomena but rather to provide epistemic access to them. It can be conceived of as a non-representationalist and pragmatic account of modeling, which does not intend to focus on the ontology of models but rather on the ways they are built and used for different purposes. The different essays address questions such as the artifactual view of idealization, the use of information theory to elucidate the concepts of abstraction and idealization, the deidealization of models, the nature of scientific fictions, the structural account of representation and the ontological status of structures, the role of surrogative reasoning with models, and the use of models for explaining and predicting physical phenomena. (shrink)

The ArgumentIdealizations and approximations are an indispensable tool for the scientist. This paper argues that idealizations and approximations are equally indispensable for the philosopher of science. In particular, it is shown that the deductive model of scientific theories is an idealization in precisely the same sense that frictionless motion is an idealization in mechanics. By its very nature, an idealization cannot be criticized as not being absolutely true to the facts, for it need not be. Thus, the usual type of (...) criticism levelled against the deductive model is shown to be irrelevant. The main step in the argument consists in using a logic of approximation to clarify the notions of approximate implication and approximate entailment, which are usually rejected as hopelessly vague. More generally, the conception underlying the paper is that the desiderata of science should be formulated in such a way that complying with them could be a matter of degree, and that pragmatic considerations could be taken into account. This conception is motivated by the wish to introduce some quantitative concepts in the philosophy of science, thereby bringing the philosopher's perspective closer to that of the scientist. (shrink)

Scientific models typically contain idealizations, or assumptions that are known not to be true. Philosophers have long questioned the nature of idealizations: Are they heuristic tools that will be abandoned? Or rather fictional representations of reality? And how can we reconcile them with realism about knowledge of nature? Immanuel Kant developed an account of scientific investigation that can inspire a new approach to the contemporary debate. Kant argued that scientific investigation is possible only if guided by ideal assumptions—what he calls (...) “regulative ideas”. These ideas are not true of objects of nature, and yet they are not heuristic tools or fictional represen- tations. They are necessary rules governing the construction and assessment of scientific explanations. In this paper, I suggest that some idealizations can be interpreted as having necessary regulative value and as being compatible with scientific realism. I first analyze the puzzle of the nature of idealization and present the main approaches to this topic in the literature. Second, I reconsider the puzzle vis-a-vis a restricted, Kantian definition of idealization and a novel characterization of the relation between idealization and truth. Finally, I discuss in detail an example of idealization (the Hardy-Weinberg equilibrium) along the suggested Kantian lines. (shrink)

Virtual objects, such as online shops, the elements that go to make up virtual life in computer games, virtual maps, e-books, avatars, cryptocurrencies, chatbots, holograms, etc., are a phenomenon we now encounter at every turn: they have become a part of our life and our world. Philosophers—and ontologists in particular—have sought to answer the question of what, exactly, they are. They fall into two camps: some, pointing to the chimerical character of virtuality, hold that virtual objects are like dreams, illusions (...) and fictions, while others, citing the real impact of virtuality on our world, take them to be real—an actual part of the real world, just like other real objects. In this article, we defend the thesis that both sides are wrong. Using Roman Ingarden’s phenomenological ontology, we advocate a position according to which a virtual object is a computationally grounded intentional object that has its existential foundation in computational processes, which are compliant with a certain model of computation. We point out that virtuality is framed by some kind of ideal mathematical objects: i.e., mathematical models of computation, which in turn fall, each of them, under their respective ideas. We also refer to the idea of natural computation, which in conjunction with the ontological analysis carried out leads to the thesis that an object can be more or less virtual. (shrink)

Preliminary words One important feature of Poincaré's conventionalism of geometry is linked to the relation between the abstract notion of space geometry and the representations of the free mobility of our bodies. In this sense «the group of rigid motions» identified by Helmholtz and Lie as the foundation of geometries of constant curvature is, according to Poincaré, an idealization of the primitive experience that acquaints us with the properties of space in the first place. 2 Furthermore, since Poincaré thinks that (...) the only adequate candidates for physical geometry – the geometries of constant curvature – are equivalent from a mathematical point of view (they are homeomorphic), we can choose any one of these. Actually, according to Poincaré, the idealization involved in passing from our own local motions to the group of motions makes use of temporal intuition: our notion of the large-space structure of space assumes that our displacements are infinitely iterables and this assumes temporal intuition. 3 Thus, it looks as Poincaré's notion of convention assumes some kind of idealization process. Indeed, the notion of convention involved in this cases seems to assume that in relation to a target system the choice between two idealizations is determined by some kind of equivalence relation, which in our case is displayed 1. (shrink)

This paper is a review of Suarez, M. (ed.) Fictions in Science (Routledge).

En este trabajo me propongo desarrollar un estudio crítico de la concepción mecanicista de la explicación científica. En primer lugar, argumento que la caracterización mecanicista de los modelos fenoménicos (no explicativos) es inadecuada, pues no ofrece un análisis aceptable de los conceptos de modelo científico y similitud, que son fundamentales para la propuesta. En segundo lugar, sostengo que la caracterización de los modelos mecanicistas (explicativos) es igualmente inadecuada, pues los análisis disponibles de la relación explicativa de relevancia constitutiva implican una (...) tesis metafísica que es rechazada por los mismos mecanicistas. Concluyo que el mecanicismo no ofrece todavía una elucidación aceptable de la explicación científica. In this paper, I offer a critical assessment of the mechanicist approach to scientific explanation. Firstly, I argue that the mechanicist characterization of (non explanatory) phenomenological models is inadequate, since it does not develop an explication of the concepts of scientific model and similarity, which are indispensable to the approach. Secondly, I claim that the mechanicist conception of (explanatory) mechanicist models is inadequate as well, since all the available analices of the explanatory relation of constitutive relevance imply a metaphysical thesis that is rejected by the mechanicists themselves. I conclude that mechanicism needs to be emended if it aims to be considered as a genuinely illuminating approach to scientific explanation. (shrink)

There are two traditions of thinking about idealization offering almost opposite views on their functioning and epistemic status. While one tradition views idealizations as epistemic deficiencies, the other one highlights the epistemic benefits of idealization. Both of these, however, identify idealization with misrepresentation. In this article, we instead approach idealization from the artifactual perspective, comparing it to the distortion-to-reality accounts of idealization, and exemplifying it through the case of the Hodgkin and Huxley model of nerve impulse. From the artifactual perspective, (...) the epistemic benefits and deficiencies introduced by idealization frequently come in a package due to the way idealization draws together different resources in model construction. Accordingly, idealization tends to be holistic in that it is not often easily attributable to just some specific parts of the model. Instead, the idealizing process tightly embeds theoretical concepts and formal tools into the construction of a model. (shrink)

Natalia Carrillo and Tarja Knuuttila claim that there are two traditions of thinking about idealization offering almost opposite views on their functioning and epistemic status. While one tradition views idealizations as epistemic deficiencies, the other one highlights the epistemic benefits of idealization. Both of them treat idealizations as deliberate misrepresentations, however. They then argue for an artifactual account of idealization, comparing it to the traditional accounts of idealization, and exemplifying it through the Hodgkin and Huxley model of the nerve impulse. (...) From the artifactual perspective, the epistemic benefits and deficiencies introduced by idealization frequently come in a package due to the way idealization draws together different resources in model construction. Accordingly, idealization tends to be holistic in that it is not often easily attributable to some specific parts of the model. They conclude that the artifactual approach offers a unifying view into idealization in that it is able to recover several basic philosophical insights motivating both the deficiency and epistemic benefit accounts, while being simultaneously detached from the idea of distortion by misrepresentation. (shrink)

Roman Frigg and James Nguyen present a detailed statement and defense of the fiction view of scientific models, according to which they are akin to the characters and places of literary fiction. They argue that while some of the criticisms this view has attracted raise legitimate points, others are myths. In this chapter, they first identify and then rebut the following seven myths: that the fiction view regards products of science as falsehoods; that the fiction view holds that models are (...) data-free; that the fiction view is antithetical to representation; that the fiction view trivializes epistemology; that the fiction view cannot account for the use of mathematics in the modeling; that the fiction view misconstrues the function of models in the scientific process; and that the fiction view stands on the wrong side of politics. As a result, they conclude that the fiction view of models, suitably understood, remains a viable position. (shrink)

RESUMO:A hipótese desenvolvida nos leva a confrontar três textos do corpusrousseauísta: o Segundo Discurso, Júlia ou A Nova Heloísa e o extrato do Primeiro Diálogo, em que há a ficção do mundo ideal, textos que, apesar do seu estatuto genérico diferente, estão em coerência e convergência teórica. Desejamos evidenciar um aspecto da unidade problemática do pensamento de Rousseau concernente à abordagem crítica da sociedade de seus contemporâneos e sua concepção do papel das Letras e dos Espetáculos. A preocupação do filósofo (...) é de refundar a natureza humana, a fim de lançar as bases de uma nova organização social. Nessa empreitada, a ficção desempenha um papel crucial, o prefácio do Segundo Discurso o comprova: para bem conhecer o homem atual, deve-se supor o que ele não é mais. O homem do estado de natureza, ser de ficção, cujas paixões são retas e naturais, é o modelo teórico que reativa a sociedade dos seres ideais de Júlia. Dessa forma, a ficção é chamada a desempenhar um papel referencial fundamental para o pensamento social e político de Rousseau, aparecendo como um poderoso meio de ação sobre o público. O romance pode reeducar os povos corrompidos, pois, assim como o teatro, como denuncia a Carta a d’Alembert, possui os meios para perverter uma sociedade tida como virtuosa. ABSTRACT:The hypothesis that we will develop leads us to confront three texts of Rousseau’s corpus: the Second Discourse, Julie, and the extract of the First Dialogue that speaks of the pedagogical fiction of the ideal world. These three texts, despite their different types, are theoretically coherent and convergent. We intend to highlight an aspect of the problematic unity of Rousseau’s thought, an aspect which concerns his contemporaries’ critical approach to society and Rousseau’s conception of the role of letters and spectacles. Rousseau’s concern is to refound human nature in order to lay the basis of a new social organization. In this effort, fiction plays a decisive role, as the preface to the Second Discourse affirms: in order to know modern man, we must consider a hypothesis about what he no longer is. Man in the state of nature, a fictional being whose passions are right and natural, is the theoretical model that reactivates the society of ideal beings in Julie. For Rousseau, fiction is called upon to play a fundamental referential role for social and political thought, and it appears as a powerful means of action on the public. The novel can reeducate depraved peoples, because, like the theater, it also has the means to pervert a so-called virtuous society. (shrink)

Book review: Alejandro Cassini & Juan Redmond (eds.), _Models and Idealizations in Science: Artifactual and Fictional Approaches_, Springer Iternational Publishing, Cham 2021, pp.xv+270.

Fiora Salis compares the fictional and the artifactual views of models. She argues that both accounts contain several deep insights concerning the nature of scientific models but they also face some difficult challenges. She then puts forward an account of the ontology of models intended to incorporate the benefits of both views avoiding their main difficulties. Her key idea is that models are human-made artifacts that are akin to literary works of fiction. In this view, models are complex objects that (...) are constituted by a model description and the model content generated within a game of make-believe. As per the fiction view, model descriptions are construed as props in a game of make-believe, where props are concrete objects that prescribe certain imaginings. As per the artifactual view, model descriptions are construed as concrete representational tools that enable and constrain a scientist’s cognitive processes and provide intersubjective epistemic access to their imaginings. (shrink)

Scientific models invariably involve some degree of idealization, abstraction, or nationalization of their target system. Nonetheless, I argue that there are circumstances under which such false models can offer genuine scientific explanations. After reviewing three different proposals in the literature for how models can explain, I shall introduce a more general account of what I call model explanations, which specify the conditions under which models can be counted as explanatory. I shall illustrate this new framework by applying it to the (...) case of Bohr's model of the atom, and conclude by drawing some distinctions between phenomenological models, explanatory models, and fictional models. (shrink)

Idealizations are ubiquitous in physics. They are distortions or falsities that enter into theories, laws, models, and scientific representations. Various questions suggest themselves: What are idealizations? Why do we appeal to idealizations and how do we justify them? Are idealizations essential to physics and, if so, in what sense and for which purpose? How can idealizations provide genuine understanding? If our motivation for believing in the existence of unobservable entities like electrons and quarks is that they are indispensable to (...) our best theories, should we also believe in the existence of indispensable idealizations? This Element will tackle such questions and offer an opinionated and selective introduction to philosophical issues concerning idealizations in physics. Topics to be covered include the concept of and reasons for introducing idealization, abstraction, and approximation, possible taxonomy and justification, and application to issues of mathematical Platonism, scientific realism, and scientific understanding. (shrink)

Resumen El lamento por el fin de la utopía que expresa la novela futurista, Cría terminal (2014), expone la crisis de un ideal ético: la pérdida de la posibilidad de un mundo mejor. Las bases del contrato moral implícitas en la amenaza de su disolución en un futuro cercano serán el objeto de indagación de este trabajo, que toma a la filosofía de Hans Jonas como principal referencia teórica. Se buscará, por consiguiente, precisar la relación entre la barbarización de la (...) cultura (con sus comportamientos y personajes modélicos) y los procesos económico-políticos tendientes a la dominación biotecnológica del medio humano. La perspectiva modalizadora de la acción y la intriga narrativas y su adecuación a un interés de tipo ético por establecer un modelo de vida óptimo para la sociedad, defraudado por la civilización técnica del futuro, serán motivo de análisis. Abstract The lament for the end of utopia which expresses the futuristic novel, Cría Terminal (2014), exposes the crisis of an ethical ideal: the loss of the possibility of a better world. The bases of the moral contract implicit in the threat of its dissolution in the near future will be the object of investigation of this work, which considers the philosophy of Hans Jonas as the main theoretical reference. Therefore, it will be sought to specify the relationship between the barbarization of culture (with its exemplary behaviors and characters) and the economic-political processes tending to the biotechnological domination of the human environment. The modalizing perspective of the narrative action and intrigue and its adaptation to an ethical interest in establishing an optimal life model for society, disappointed by the technical civilization of the future, will be the subject of analysis. (shrink)

Idealizations are ubiquitous in physics. They are distortions or falsities that enter into theories, laws, models, and scientific representations. Various questions suggest themselves: What are idealizations? Why do we appeal to idealizations and how do we justify them? Are idealizations essential to physics and, if so, in what sense and for which purpose? How can idealizations provide genuine understanding? If our motivation for believing in the existence of unobservable entities like electrons and quarks is that they are indispensable to (...) our best theories, should we also believe in the existence of indispensable idealizations? This Element will tackle such questions and offer an opinionated and selective introduction to philosophical issues concerning idealizations in physics. Topics to be covered include the concept of and reasons for introducing idealization, abstraction, and approximation, possible taxonomy and justification, and application to issues of mathematical Platonism, scientific realism, and scientific understanding. (shrink)

I critically examine some recent work on the philosophy of scientific fictions, focusing on the work of Winsberg. By considering two case studies in fracture mechanics, the strip yield model and the imaginary crack method, I argue that his reliance upon the social norms associated with an element of a model forces him to remain silent whenever those norms fail to clearly match the characteristic of fictions or non-fictions. In its place, I propose a normative epistemology of fictions which clarifies (...) a model's ontological commitments when the community of scientists lack any clear, shared norms of use. Specifically, I will introduce a variational account of fictions as an extension of Laymon's monotonic improvability account of idealizations. I will conclude by connecting this variational account of fictions to didactic fictions in general. (shrink)

Detailed examinations of scientific practice have revealed that the use of idealized models in the sciences is pervasive. These models play a central role in not only the investigation and prediction of phenomena, but in their received scientific explanations as well. This has led philosophers of science to begin revising the traditional philosophical accounts of scientific explanation in order to make sense of this practice. These new model-based accounts of scientific explanation, however, raise a number of key questions: Can the (...) fictions and falsehoods inherent in the modeling practice do real explanatory work? Do some highly abstract and mathematical models exhibit a noncausal form of scientific explanation? How can one distinguish an exploratory "how-possibly" model explanation from a genuine "how-actually" model explanation? Do modelers face tradeoffs such that a model that is optimized for yielding explanatory insight, for example, might fail to be the most predictively accurate, and vice versa? This chapter explores the various answers that have been given to these questions. (shrink)

The paper argues that there is a fruitful analogy to be made between classic pre-analytic Euclidean geometry and a certain kind of mechanism models, called ideal mechanisms. Both supply necessary truths. Bunge is of the opinion that pure mathematics is about fictions, but that mathematics nonetheless is useful in science and technology because we can go “to reality through fictions.” Similarly, the paper claims that ideal mechanisms are useful because we can go to real mechanisms through the fictions of ideal (...) mechanisms. The view put forward takes it for granted that two important distinctions concerned with the classification of fictions can be made. One is between ideal and non-ideal fictions, and the other between social and non-social fictions. Pure numbers, purely geometric figures, and ideal mechanisms are claimed to be ideal and social fictions. (shrink)

The logic of fiction has been a stand-alone research programme only since the early 1970s.1 It is a fair question as to why in the first place fictional discourse would have drawn the interest of professional logicians. It is a question admitting of different answers. One is that, since fictional names are “empty”, fiction is a primary datum for any logician seeking a suitably comprehensive logic of denotation. Another answer arises from the so-called incompleteness problem, exemplified by the fact (or (...) apparent fact) that some fictional sentences – think of “Sherlock Holmes’ mother was nick-named ‘Polly’” − are neither true nor false. These are sentences to command the attention of logicians who work on non-bivalent logics. A further spur to logical engagement is the supposed fictionality of certain kinds of ideal models in science and certain classes of mathematical objects. No doubt, there are other features of fictional discourse that provide the logician with a natural entré, but perhaps it would also be correct to say that the fiction’s biggest draw for logicians is that our quite common beliefs about the fictional constitute what Nicholas Rescher calls “aporetic clusters”, so named after the Latinized Greek aporos for “impassable”.2 An aporetic cluster is a set of claims such that.. (shrink)

We introduce an epistemic version of validity and completeness of first order logic, based on the notions of ideal agent and fictional model. We then show how the perspective here considered may help to solve an epistemic puzzle arising from Gödel's second incompleteness theorem.

In this paper I defend the possibility of robustness analysis as confirmatory. Given that models are highly idealized, multiple models with different sets of idealizations are constructed to show that some result is not dependent on those idealizations. This method of robustness analysis has been criticized since, no matter how many false models agree, all of them are false and lack confirmatory power. I argue that this line of criticism makes an assumption that a model is confirmatory only if it (...) ontically represents its target. I draw on work about explanations to motivate a challenge to this assumption, and argue that this assumption needs bolstering. (shrink)

“A model is a work of fiction(. There are the obvious idealizations of physics – infinite potentials, zero-time correlations, perfect rigid rods, and frictionless planes. But it would be a mistake to think entirely in terms of idealizations of properties we conceive of as limiting cases, to which we can approach closer and closer in reality. For some properties are not even approached in reality. They are pure fictions.” Nancy Cartwright..

Among the many functions of models, explanation is central to the functioning and aims of science. However, the discussions surrounding modeling and explanation in philosophy have largely remained separate from each other. This chapter seeks to bridge the gap by focusing on the puzzle of model-based explanation, asking how different philosophical accounts answer the following question: if idealizations and fictions introduce falsehoods into models, how can idealized and fictional models provide true explanations? The chapter provides a selective and critical overview (...) of the available strategies for solving this puzzle, mainly focusing on idealized models and how they explain. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MIMETIC SADISM IN THE FICTION OF YUKIO MISHIMA Jerry Piven New York University Mishima Yukio (1925-1970) was one ofthe mostenigmatic authors of the 20th century. Novelist, playwright, actor, exhibiionist —his novels are rife with homoerotic and violent imagery, while his fanatical and nihilistic philosophy calls for a return to a Samurai ethos. Mishima thus attained infamy in Japan and in the West, as his shocking novels inspired hordes ofyoung (...) Japanese into a cult ofMishima worship, while critics who acknowledge his genius are still nervous about his sadistic homosexuality and his suicide. Mishima's works are suffused with erotic bloodshed and misogyny, and Mishima finally ended his life by ritually disemboweling himself. I will make the case that Mishima was incessantly plagued by torturous mimetic frustrations, and that his final act of spilling his blood and intestines can be interpreted as the result of mimetic hatred against his rivals. I also argue that Mishima was fundamentally schizoidal; in Girardian terms, a man whose hypocrisy for the sakeofdesire rendered him an exhibitionistic maskdisguisingmimetic rage and fear. Having previously written about Mishima from a psychoanalytic perspective, I believe that a Girardian approach would often yield drastically different interpretations of identical biographical and literary materials. ' 1I initially wrote on Mishima for several diagnostic assignments at my psychoanalytic institute, the National Psychological Association for Psychoanalysis (NPAP). After considering the psychoanalytic and Girardian approaches, I expanded these original essays using identical material to determine whetherthe interpretations orconclusions would differ; I was struck by the way the same details could provide both remarkable congruences and vast divergences ofperspective. Read side by side, one can find compatible conclusions, but one also finds perceptions ofthe same details that would be difficultto conceive or articulate 70Jeremy Piven Mimesis, misogyny, and maculacy Kimitake Hiraoka was a frail, sickly child before he became the muscular and exhibitionistic novelist Yukio Mishima. His brutal and helpless childhood inaugurated his mimetic complexes: his need to escape the suffocating and diseased environment of his grandmother, his rivalry with her, and his mimetic ideal ofbeauty and muscular invulnerability. Mishima was an unhealthy youth, taken from the arms of his mother before he was two months old, and confined to the sickroom of his grandmother for the first twelve years ofhis life. Under the auspices ofhis tyrannical and ostensively psychotic grandmother, Mishima lived in the dark, could play only female friends (becausetheywere deemed harmless), and could eat only gentle foods. He thus lived an imprisoned life away from his parents, amid the excrescences of his sick and hysterical grandmother until adolescence, when his father "reclaimed him." Mishima later rebelled against this sickly nature, sculpting himself into a statuesque ideal of masculine beauty. He became obsessed with martial arts and the eroticism ofhis own engraved body. His fiction and philosophy were permeated by misogyny, glorification ofGrecian male sexuality and aesthetics, and the repudiation ofanything weak or feminine. He finally killed himselfbefore age could wither his masculine beauty. Mishima's fiction prominently features protagonists who mirror his sickly youth. The autobiographical Confessions of a Mask (Kamen no Kokuhaku) describes the homoerotic development ofthis frail child. Such fraiIcharacters inMishima'sfiction arealwaysdrawneroticallytobeautiful males as both mimetic rivals and models. The narrator of Confessions describes his sexual attraction to a sewage collector, a "ladler of excrement"(8). Thehandsomemanwith "ruddycheeks" and "shiningeyes" fascinates the narrator, and he is filled with desire lookingathistightjeans. using psychoanalytic perspectives andjargon. Two ofthe original essays will be published inthePsychoanalyticReview in comingmonths: "PhallicNarcissism, Anal Sadism, and Oral Discord: The Case ofYukio Mishima (part I)," and "Narcissistic Revenge and Suicide: The Case ofYukio Mishima (part H)." I am currently translating these articles for publication in Japan. I included a brief discussion of Mishima in the introduction to Psychological Undercurrents ofHistory (Piven and Lawton, eds.), to explore the complex methodological and psychological dynamics of the field of psychohistory. A commentary on Mishima's traumaticchildhood entitled "The Pathology ofGenius," will appearin aforthcomingedition ofTapestry: TheJournalofHistoricalMotivations andtheSocialFabric, and afinal article, "Voyeurism and Rage in The Sailor Who Fellfrom Grace with the Sea," will appear in Psychological Undercurrents ofHistory, Volume II (2002). Mimetic Sadism in the Fiction ofYukio Mishima71 The narrator thus emerges into a burgeoning homosexuality, but he also fantasizes about dying dramatically. His... (shrink)

It is often claimed—especially by scientific realists—that science provides understanding of the world only if its theories are (at least approximately) true descriptions of reality, in its observable as well as unobservable aspects. This paper critically examines this ‘realist thesis’ concerning understanding. A crucial problem for the realist thesis is that (as study of the history and practice of science reveals) understanding is frequently obtained via theories and models that appear to be highly unrealistic or even completely fictional. So (...) we face the dilemma of either giving up the realist thesis that understanding requires truth, or allowing for the possibility that in many if not all practical cases we do not have scientific understanding. I will argue that the first horn is preferable: the link between understanding and truth can be severed. This becomes a live option if we abandon the traditional view that scientific understanding is a special type of knowledge. While this view implies that understanding must be factive, I avoid this implication by identifying understanding with a skill rather than with knowledge. I will develop the idea that understanding phenomena consists in the ability to use a theory to generate predictions of the target system’s behavior. This implies that the crucial condition for understanding is not truth but intelligibility of the theory, where intelligibility is defined as the value that scientists attribute to the theoretical virtues that facilitate the construction of models of the phenomena. I will show, first, that my account accords with the way practicing scientists conceive of understanding, and second, that it allows for the use of idealized or fictional models and theories in achieving understanding. (shrink)

This paper critically analyzes the fiction-view of scientific modeling, which exploits presumed analogies between literary fiction and model building in science. The basic idea is that in both fiction and scientific modeling fictional worlds are created. The paper argues that the fiction-view comes closest to certain scientific thought experiments, especially those involving demons in science and to literary movements like naturalism. But the paper concludes that the dissimilarities prevail over the similarities. The fiction-view fails to do justice to the plurality (...) of model types used in science; it fails to realize that a function like idealization only makes sense in science because models, unlike works of fiction, can be de-idealized; it fails to distinguish sufficiently between the make-believe worlds created in fiction and the hypothetical worlds envisaged in models. Representation characterized in the fiction-view as a license to draw inferences does not sufficiently distinguish between inferences in fiction from inferences in scientific modeling. To highlight the contrast the paper proposes to explicate representation in terms of satisfaction of constraints. (shrink)

Manuel García Carpintero defends a form of antirealism for the explicit talk and thought both about fictional entities and scientific models: a version of StephenYablo’s figuralist brand of factionalism. He argues that, in contrast with pretense-theoretic fictionalist proposals, on his view, utterances in those discourses are straightforward assertions with straightforward truth-conditions, involving a particular kind of metaphors or figurative manner. But given that the relevant metaphors are all but “dead”, this might suggest that the view is after all realist, committed (...) to referents of some sort for singular terms in the relevant discourses. He revisits these issues from the perspective of the more recent work on them and applies his view to recent debates in semantics on the role and adequacy of supervaluationist models of indeterminacy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Cartography: The Ideal and Its History by Matthew H. EdneyAlex ZukasCartography: The Ideal and Its History BY MATTHEW H. EDNEY Chicago: University of Chicago Press, 2019As Matthew Edney notes in the introduction, “This book is the product of my entire career as a map historian (so far);” it does, indeed, represent the culmination of more than thirty years of his research in the history of maps and mapping (...) that began in graduate school (ix). From the outset of his career, Edney has followed and advocated a postmodern or poststructural approach to map studies. This book follows that theoretical approach, which is both a strength and a weakness. Adopting another theoretical approach would have enabled his desired critique of cartography without being self-refuting, as his poststructuralism turns out to be when he makes a positive case for studying mapping processes rather than cartography and “maps.”1Edney is a major and respected figure in the history of mapping. Along with Brian Harley, Denis Wood, Martin Dodge, Rob Kitchin, Chris Perkins, and John Pickles, he has helped reshape the field over the past thirty-plus years in the direction of “critical cartography” or “critical map studies.” He has directed the History of Cartography Project at the University of Wisconsin-Madison since 2005, and co-edited the fourth volume in that series, Cartography in the European Enlightenment (2019). He notes that co-editing that volume tested and tempered many of his ideas (ix). Since 2007 he has held the Osher Chair in the History of Cartography at the University of Southern Maine. [End Page 111]A provocative and complex polemic, the beautifully illustrated book is, as indicated by its title, divided into two main thematic sections: a philosophical deconstruction of the cartographic ideal and a retelling of the ideal’s historical development. It contains four content chapters with a brief introduction and conclusion. While the second historical half has much to recommend it (chapters 4 and 5), the first poststructurally-informed philosophical part (chapters 2 and 3) critiques propositions that he deploys to make his historical narrative work. Edney’s central argument in the book is that “cartography” is a prescriptive model that “exists only as an idealization produced by modern culture and that it cannot provide a valid conception of mapping in the past, present, or future. Cartography is not an endeavor common to all societies and cultures. Rather, it is very much a creation of the modern West and is permeated by many of the myths that Westerners tell themselves about their rationality and superiority” in which “the ideal of cartography is the entire belief system, while cartography is the fiction generated by the ideal” (8, 1). We will see that, in less sweeping form, there is value to these claims historically. However, key aspects of Edney’s philosophical position undermine his historical argument by undercutting its foundations. In fact, the polemics come mainly in the philosophical section whose tone is prescriptive, reproving, insistent, and absolute, which is ironic given his arguments against universality. His tone detracts from the value of the first section of the book and makes it a challenging read. Edney divides his book into philosophical and historical halves because he believes that “A true critique of cartography requires, first and foremost, the delineation of the ideal’s multiple tenets and all of their flaws” (26). However, he makes no specific argument on behalf of this sweeping, absolute, and universal premise, especially regarding its claims that it is a “true critique” and other critiques are “misguided and misleading” (26). If the book is supposed to provide the evidence for his premise and these claims, then the argument is circular.The introduction (chapter 1) lays out the ideal and the book’s structure. Chapter 2 examines sociocultural critiques of the ideal that emerged over the past thirty-five years and Edney’s recommended “processual approach” to mapping, which he claims “provides an intellectual framework to pursue map studies without running into the ideal’s flaws [End Page 112] and preconceptions” because “it encourages scholars to address issues about why and how maps are produced and consumed... in an explicit and empirically founded manner... (shrink)

Modeling is an important scientific practice, yet it raises significant philosophical puzzles. Models are typically idealized, and they are often explored via imaginative engagement and at a certain “distance” from empirical reality. These features raise questions such as what models are and how they relate to the world. Recent years have seen a growing discussion of these issues, including a number of views that treat modeling in terms of indirect representation and analysis. Indirect views treat the model as a bona (...) fide object, specified by the modeler and used to represent and reason about some portion of the concrete empirical world. On some indirect views, model systems are abstract entities, such as mathematical structures, while on other views they are concrete hypothetical things. Here I assess these views and offer a novel account of models. I argue that regarding models as abstracta results in some significant tensions with the practice of modeling, especially in areas where non-mathematical models are common. Furthermore, viewing models as concrete hypotheticals raises difficult questions about model-world relations. The view I argue for treats models as direct, albeit simplified, representations of targets in the world. I close by suggesting a treatment of model-world relations that draws on a recent work by Stephen Yablo concerning the notion of partial truth. (shrink)

Non-actual model systems discussed in scientific theories are compared to fictions in literature. This comparison may help with the understanding of similarity relations between models and real-world target systems. The ontological problems surrounding fictions in science may be particularly difficult, however. A comparison is also made to ontological problems that arise in the philosophy of mathematics.

Most scientific models are not physical objects, and this raises important questions. What sort of entity are models, what is truth in a model, and how do we learn about models? In this paper I argue that models share important aspects in common with literary fiction, and that therefore theories of fiction can be brought to bear on these questions. In particular, I argue that the pretence theory as developed by Walton (1990, Mimesis as make-believe: on the foundations of the (...) representational arts. Harvard University Press, Cambridge/MA) has the resources to answer these questions. I introduce this account, outline the answers that it offers, and develop a general picture of scientific modelling based on it. (shrink)

The growing field of machine morality has becoming increasingly concerned with how to develop artificial moral agents. However, there is little consensus on what constitutes an ideal moral agent let alone an artificial one. Leveraging a recent account of heroism in humans, the aim of this paper is to provide a prospective framework for conceptualizing, and in turn designing ideal artificial moral agents, namely those that would be considered heroic robots. First, an overview of what it means to be an (...) artificial moral agent is provided. Then, an overview of a recent account of heroism that seeks to define the construct as the dynamic and interactive integration of character strengths and situational constraints that afford the opportunity for moral behavior . With this as a foundation, a discussion is provided for what it might mean for a robot to be an ideal moral agent by proposing a dynamic and interactive connectionist model of robotic heroism. Given the limited accounts of robots engaging in moral behavior, a case for extending robotic moral capacities beyond just being a moral agent to the level of heroism is supported by drawing from exemplar situations where robots demonstrate heroism in popular film and fiction. (shrink)

Drawing on the Second Discourse and the Social Contract and Notes from Underground and “The Dream of a Ridiculous Man,” this essay examines the striking similarities and fundamental differences between Dostoevskij’s and Rousseau’s treatment of the problem of individual vs. society and their notions of ideal social relations. The essay investigates Rousseau’s attempt to absorb morality into politics and “to concretize” Diderot’s universal moral man into citizen. It also suggests that Dostoevskij takes Rousseau’s attempt at concretization a step further by (...) exposing humanist conceptions of man and society in general as fiction and creating a model of ideal society that absorbs morality, not into politics (as does Rousseau’s model), but into the sanctity of the Word. (shrink)

In his 1676 text De Quadratura Arithmetica, Leibniz distinguished infinita terminata from infinita interminata. The text also deals with the notion, originating with Desargues, of the point of intersection at infinite distance for parallel lines. We examine contrasting interpretations of these notions in the context of Leibniz’s analysis of asymptotes for logarithmic curves and hyperbolas. We point out difficulties that arise due to conflating these notions of infinity. As noted by Rodríguez Hurtado et al., a significant difference exists between the (...) Cartesian model of magnitudes and Leibniz’s search for a qualitative model for studying perspective, including ideal points at infinity. We show how respecting the distinction between these notions enables a consistent interpretation thereof. (shrink)

Thinking of models in science as fictions is said to be helpful, not merely because models are known or assumed to be false, but because work on the nature of fiction helps us understand what models are and how they work. I am unpersuaded. For example, instead of trying to assimilate truth-in-a model to truth-in-fiction we do better to see both as special and separate cases of the more general notion truth-according-to-a-corpus. Does enlightenment go the other way? Do we better (...) understand fiction's capacity to generate knowledge by thinking of it as a kind of modelling? If we see, as we should, fictions and models are parts of larger patterns of cognitive activity that include institutional frameworks, the best answer is no. (shrink)

A number of philosophers draw a close analogy between scientific modeling and fiction, often appealing to Kendall Walton’s make-believe view. I assess the models-fictions analogy from a cognitive a...

In this paper, I distinguish scientific models in three kinds on the basis of their ontological status—material models, mathematical models and fictional models, and develop and defend an account of fictional models as fictional objects—i.e. abstract objects that stand for possible concrete objects.

Many accounts of scientific modeling conceive of models as fictions: scientists interact with models in ways analogous to various aesthetic objects. Fictionalists follow most other accounts of modeling by taking them to be revelatory of the actual world in virtue of bearing some resemblance relation to a target system. While such fictionalist accounts capture crucial aspects of modelling practice, they are ill-suited to some design and engineering contexts. Here, models sometimes serve to underwrite design projects whereby real-world targets are constructed. (...) In such circumstances, it is unclear what the model is supposed to resemble. Further, while fictionalists often require that models qua models have their content in virtue of construal or interpretation, in some engineering and design contexts success-conditions do not require such content—all that is required is that the model generates the required outputs. I take these points to motivate a view which accommodates fictionalism, but is broader. I articulate and defend an account of models as tools: specifically, material objects which are put to particular uses in particular contexts. (shrink)

Many accounts of scientific modeling conceive of models as fictions: scientists interact with models in ways analogous to various aesthetic objects. Fictionalists follow most other accounts of modeling by taking them to be revelatory of the actual world in virtue of bearing some resemblance relation to a target system. While such fictionalist accounts capture crucial aspects of modelling practice, they are ill-suited to some design and engineering contexts. Here, models sometimes serve to underwrite design projects whereby real-world targets are constructed. (...) In such circumstances, it is unclear what the model is supposed to resemble. Further, while fictionalists often require that models qua models have their content in virtue of construal or interpretation, in some engineering and design contexts success-conditions do not require such content—all that is required is that the model generates the required outputs. I take these points to motivate a view which accommodates fictionalism, but is broader. I articulate and defend an account of models as tools: specifically, material objects which are put to particular uses in particular contexts. (shrink)

We propose a philosophical theory of scientific models. Our main claim is that they should be understood as fictions. We illustrate the relevance of the claim by illustrations drawn from the history of science, and we propose a typology.

Scientific models consist of fictitious elements and assumptions. Various attempts have been made to answer the question of how a model, which is sometimes viewed as a fiction, can explain or predict the target phenomenon adequately. I examine two accounts of models-as-fictions which are aiming at disentangling the myth of representing the reality by fictional models. I argue that both views have their own weaknesses in spite of many virtues. I propose to re-evaluate the problems of representation from a novel (...) perspective in which some of the model representations can be regarded as fictional representations. I argue that this type of model representation is credible despite being a fictional representation of the reality. (shrink)

The principal task of the book series Poznan Studies in the Philosophy of the Sciences and the Humanities is to promote those developments in philosophy that respect the tradition of great philosophical ideas, on the one hand, and the manner of philosophical thinking introduced by analytical philosophy, on the other. The aim is to contribute to practicing philosophy as deep as Marxism and as caring about justification as positivism.