Results for 'narration'

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Bibliography: Narration in Film in Aesthetics
  1.  4
    On Not Reading Derrida s Texts.Mistaking Hermeneutics & Neutralizing Narration - 1997 - In Ellen K. Feder, Mary C. Rawlinson & Emily Zakin (eds.), Derrida and Feminism: Recasting the Question of Woman. Routledge. pp. 87.
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  2.  9
    Movies, Narration and the Emotions.Noel Carroll - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Routledge. pp. 209-221.
    In “Movies, Narrative and Emotion” there is an attempt to suggest the ways in which a certain form of narrative organization, to which we can call “erotetic narration,” This can be co-ordinated with the emotional address of the motion picture in terms of what can be called “criterial prefocusing.” On this view, the primary way in which the emotions are engaged is character-directed, the protagonist’s goals providing grounds which generate the narrative questions that the movie goes on to answer.
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  3.  36
    The Evolution and Formation of Indigenous Narration in Chinese Philosophy.Zhiping Yu - 2009 - Frontiers of Philosophy in China 4 (4):511-523.
    Independent narration in Chinese philosophy has gone through the process of interpretation, critical differentiation, dialogue, and original thought, and so is a creative activity that surpasses the conjunctive pattern of universality and particularity. In modern Confucian studies, there has always been a tension between philosophical and historical explanations, which suggests a tension between ecumenical and indigenous experiences. Critical differentiation itself only has methodological significance, and is not a goal in itself. China’s development and strength has encouraged China to engage (...)
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  4. Fictional Indeterminacy, Imagined Seeing, and Cinematic Narration.Angela Curran - 2016 - In Katherine Thomson-Jones (ed.), Current Controversies in the Philosophy of Film. Routledge. pp. 99-114.
    This paper focuses on the debate over two central claims regarding cinematic narration: the claim that there are implicit cinematic narrators and the thesis that when we watch movies, we imagine seeing the events and characters in the film fiction. I examine what a consideration of the indeterminate nature of fictional narration, that is, what is specified by the fiction about how we come to imagine the story events, can contribute to the debate on these issues. It is (...)
     
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  5.  31
    Time, Action and Narration. On Some Exegetical Sources of Abhinavagupta’s Aesthetic Theory.Hugo David - 2016 - Journal of Indian Philosophy 44 (1):125-154.
    This article is an attempt at understanding the use that Abhinavagupta, the Kashmiri Śaiva philosopher and scholar of poetics, makes of a few concepts and theories stemming from the tradition of Vedic ritual exegesis. Its starting point is the detailed analysis of a key passage in Abhinavagupta’s commentary on the “aphorism on rasa” of the Nāṭyaśāstra, where the learned commentator draws an analogy between the operation of the non-prescriptive portions of the Veda in the ritual and the “generalisation” taking place, (...)
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  6.  7
    Collaborative Remembering in Conversational Narration.Neal R. Norrick - 2019 - Topics in Cognitive Science 11 (4):733-751.
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  7.  7
    Narration and the Experience of History.Roberto Flores - 2017 - Semiotica 2017 (219):511-528.
    Journal Name: Semiotica Issue: Ahead of print.
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  8. Reading Voltaire's Contes: A Semiotics of Philosophical Narration.Carol L. Sherman - 1985 - University of North Carolina Press.
     
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  9.  29
    Narration in Judiciary Fact-Finding: A Probabilistic Explication.Rafal Urbaniak - 2018 - Artificial Intelligence and Law 26 (4):345-376.
    Legal probabilism is the view that juridical fact-finding should be modeled using Bayesian methods. One of the alternatives to it is the narration view, according to which instead we should conceptualize the process in terms of competing narrations of what happened. The goal of this paper is to develop a reconciliatory account, on which the narration view is construed from the Bayesian perspective within the framework of formal Bayesian epistemology.
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  10.  33
    Narration in the Psychoanalytic Dialogue.Roy Schafer - 1980 - Critical Inquiry 7 (1):29-53.
    The primary narrative problem of the analyst is, then, not how to tell a normative chronological life history; rather, it is how to tell the several histories of each analysis. From this vantage point, the event with which to start the model analytic narration is not the first occasion of thought—Freud's wish-fulfilling hallucination of the absent breast; instead, one should start from a narrative account of the psychoanalyst's retelling of something told by an analysand and the analysand's response to (...)
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  11.  87
    Narration and Knowledge.Arthur C. Danto - 1982 - Philosophy and Literature 6 (1-2):17-32.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
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  12. Arendt's Rahel Varnhagen: A New Kind of Narration in the Impasses of German-Jewish Assimilation and Existenzphilosophie.Martine Leibovici - 2007 - Social Research: An International Quarterly 74 (3):903-922.
    A number of Jewish women invented a singular way of entering into German culture; singular in that no tradition in Judaism or in Germany had shown them the way. Rahel Varnhagen, one of the first, is the subject of a biography by Hannah Arendt. Varnhagen never wrote a book, only letters and a diary, in which she unsystematically mixed narration and reflection, political and philosophical thoughts. Arendt's biography is true to heterogeneity of this kind: her biographical writing offers no (...)
     
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  13.  61
    Narration and Knowledge.Arthur C. Danto, Lydia Goehr & Frank Ankersmit - 2007 - Cambridge University Press.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
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  14.  40
    Review: History as Orientation: Rüsen on Historical Culture and Narration[REVIEW]David Carr - 2006 - History and Theory 45 (2):229-243.
    Geschichte im Kulturprozeß by Jörn Rüsen History: Narration, Interpretation, Orientation by Jörn Rüsen.
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  15.  52
    Historical Narration: Foundation, Types, Reason.Jorn Rusen - 1987 - History and Theory 26 (4):87-97.
    Historical narration is a system of mental operations defining the field of historical consciousness. It is poetic in that it is the performance of creative activity by the human mind in the process of historical thinking. The purpose of historical narration is to make sense of the experience of time in order to orient practical life in the course of time. Three elements distinguish an historical narration from other forms of narration: an historical narration is (...)
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  16.  25
    The Thought-Provoking Power of Narration.Dietrich Harth - 2011 - Iris 3 (6):89-107.
    After a time of theoretical condemnation common sense as well as academic curiosity have rediscovered again the all-permeating powers of narration. Narrativity and culture are, this is a conviction grounding this essay, closely interwoven. But from this doesn’t follow that narration has to be seen as a guardian of general order. On the contrary, if we contemplate the appearance of narratives in everyday life and in literature we may detect differences but also affinities in subverting common beliefs. Yet, (...)
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  17.  22
    History, Differential Equations, and the Problem of Narration.Donald N. McCloskey - 1991 - History and Theory 30 (1):21-36.
    There is a similarity between the most technical scientific reasoning and the most humanistic literary reasoning. While engineers and historians make use of both metaphors and stories, engineers specialize in metaphors, and historians in stories. Placing metaphor, or pure comparison, at one end of a scale and simply a listing of events, or pure story, at the other, it can be seen that what connects them is a theme. The theme providing the connecting link between poles for both the engineer (...)
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  18.  9
    Entre narration et action: Herméneutique et reconstruction thérapeutique de l'identité.Vinicio Busacchi - 2010 - Études Ricoeuriennes / Ricoeur Studies 1 (1):21-33.
    La psychanalyse de Freud exerce un rôle constitutif dans le discours philosophique de Paul Ricœur sur l'homme. Autour de sa conception de “l' homme capable,” on peut voir s'articuler très clairement trois modèles théoriques: une théorie de la réflexion comme réappropriation, une théorie de la narration comme construction et comme reconstruction de l'identité, une théorie de la reconnaissance comme parcours d'émancipation. Il s'agit de trois modèles capables de donner à la psychanalyse d'aujourd'hui des éléments nouveaux pour l'élaboration d'une théorie (...)
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  19.  46
    The Subject of Narration: Blanchot and Henry James's The Turn of the Screw.Caroline Sheaffer-Jones - 2005 - Colloquy 10:231.
    Writing and that which it entails are the subject of countless texts by Maurice Blanchot. In particular, Blanchot has focused on the notion of the work, or more precisely on a groundlessness or an absence of the work, which he has designated from different perspectives over the course of more than half a century. In various ways, Blanchot has conceived of the work as an affirmation of its undoing. The question of narration, often about a confrontation with death, is (...)
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  20.  65
    The Politics of Yhwh: John Howard Yoder's Old Testament Narration and its Implications for Social Ethics.John C. Nugent - 2011 - Journal of Religious Ethics 39 (1):71-99.
    The apparent tension between the moral codes of the Old and New Testaments constitutes a perennial problem for Christian ethics. Scholars who have taken this problem seriously have often done so in ways that presume sharp discontinuity between the Testaments. They then proceed to devise a system for identifying what is or is not relevant today, or what pertains to this or that particular social sphere. John Howard Yoder brings fresh perspectives to this perennial problem by refuting the presumption of (...)
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  21.  37
    Memory, Utopia, Self-Understanding and Narration.Diego Fernando Barragan Giraldo - 2008 - Proceedings of the Xxii World Congress of Philosophy 21:121-130.
    Based on the philosophic hermeneutics, this text wants to open horizons of meaning around the dialogue between social sciences and philosophy, from what I have called in this work hermeneutic subjectivity. In the first part, there is an approximation to Heidegger concept of dasein, as an antithesis of the modern subject. Then, based on memory, utopia, self-understanding and narration, it presents a theoretical contribution to understand how hermeneutic subjectivity isconstituted. Finally, it makes an invitation to a necessary dialogue between (...)
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  22.  16
    Apuleius and the Art of Narration.Ken Dowden - 1982 - Classical Quarterly 32 (02):419-.
    Anyone who wants to understand the very considerable art which Apuleius displays in narrating the stories of the Metamorphoses must naturally first describe the various modes of narration which he employs. Such description can scarcely be photographic: it requires its own language of categories and concepts – a language which Apuleius might, or might not, have understood. A valuable modern addition to the vocabulary has been the concept of ‘Point of View’: this concept is used to categorize modes of (...)
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  23.  9
    Nation, Narration, and Health in Mohamedou Ould Slahi’s Guantánamo Diary.Neil Krishan Aggarwal - 2018 - Journal of Medical Humanities 39 (3):263-273.
    Scholars have mostly analyzed information from mental health practitioners, attorneys, and institutions to critique mental health practices in the War on Terror. These sources offer limited insights into the suffering of detainees. Detainee accounts provide novel information based on their experiences at Guantánamo. Mohamedou Ould Slahi’s Guantánamo Diary is the only text from a current detainee that provides a first-person account of his interrogations and interactions with health professionals. Despite being advertised as a diary, however, it has undergone redaction from (...)
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  24.  16
    The Design of a Collaborative Interface for Narration to Support Reconciliation in a Conflict.Oliviero Stock, Massimo Zancanaro, Cesare Rocchi, Daniel Tomasini, Chaya Koren, Zvi Eisikovits, Dina Goren-Bar & L. Patrice - 2009 - AI and Society 24 (1):51-59.
    This paper is about the development of a face-to-face collaborative technology to support shifting attitudes of participants in conflict via a narration task. The work is based on two cultural elements: conflict resolution theory and the design of a collaboration enforcing interface designed specifically for the task. The general claim is that participants may achieve a greater understanding of and appreciation for the other’s viewpoint under conditions that support partaking in a tangible joint task and creating a shared (...). Specifically, a co-located interface for producing a joint narration as a tool for favoring reconciliation is presented and discussed. The process based on this technology implicitly includes classical steps in conflict resolution approaches, such as escalation and de-escalation. Our goal is to show that this interface is effective and constitutes an alternative to a typical face-to-face moderated discussion. (shrink)
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  25.  10
    The Evolution of the Concept of Historical Narration: Apogee and Crisis of the Dialectical Idea of Narration.Mauricio Casanova Brito - 2014 - Estudios de Filosofía Práctica E Historia de Las Ideas 16 (2):9-19.
    A pesar de que los historiadores han considerado frecuentemente que el conocimiento histórico moderno surge como contraparte a la filosofía de la historia y el positivismo, en la idea tradicional de narración la herencia de la filosofía dialéctica de Hegel es recurrente: en ambos casos, el devenir de la auto-constitución del ser determina el método de conocimiento. Hegel afirma que las fases de la lógica no son solamente condiciones trascendentales que hacen posible la experiencia, sino etapas en la auto-determinación del (...)
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  26.  5
    Questions of Authorship : Some Comments on David Bordwell’s Narration in the Fiction Film.Paisley Nathan Livingston - unknown
    These comments concern Bordwell’s explicit and implicit claims about cinematic authorship in his 1985 Narration in the Fiction Film. Distinctions are drawn between causal and attributionist conceptions of authorship, and between actualist and fictionalist views about the spectator’s attitude toward authorship. A key question concerns the autonomy or independence of a viewer’s competent uptake of story and narration, as opposed to its dependence on knowledge of authorship or authorial design. The example of cinematic quotation in Resnais’s Mon oncle (...)
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  27.  3
    History as Orientation: Rüsen on Historical Culture and Narration.David Carr - 2006 - History and Theory 45 (2):229-243.
    Geschichte im Kulturprozeß. By Jörn RüsenHistory: Narration, Interpretation, Orientation. By Jörn Rüsen.
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  28.  4
    Raconter pour persuader : discours et narration des Actes des Apôtres.Philippe Asso - 2002 - Recherches de Science Religieuse 4 (4):555-571.
    Comment Luc réalise-t-il une œuvre littéraire ? A quel titre le livre des Actes des Apôtres peut-il être reçu comme un témoignage d' « effet littéraire » ? A travers le rapport particulier entre discours et narration que révèle à plusieurs reprises l'œuvre de Luc, Ph. Asso tente de montrer les « visées persuasives » qui y sont mises en œuvre. Ainsi, cette œuvre historiographique relève de l'art réthorique, témoignant du talent de son auteur et montrant à la fois (...)
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  29. Mahabharata Now: Narration, Aesthetics, Ethics.Arindam Chakrabarti & Sibaji Bandyopadhyay (eds.) - 2016 - Routledge India.
    The _Mahabharata _is at once an archive and a living text, a sourcebook complete by itself and an open text perennially under construction. Driving home this striking contemporary relevance of the famous Indian epic, _Mahabharata Now _focuses on the issues of narration, aesthetics and ethics, as also their interlinkages. The cross-disciplinary essays in the volume imaginatively re-interpret the ‘timeless’ classic in the light of the pre-modern Indian narrative styles, poetics, aesthetic codes, and moral puzzles; the Western theories on modern (...)
     
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  30. Resistance Through Re-Narration: Fanon on De-Constructing Racialized Subjectivities.Cynthia R. Nielsen - 2011 - African Identies 9 (4):363-385.
    Frantz Fanon offers a lucid account of his entrance into the white world where the weightiness of the ‘white gaze’ nearly crushed him. In chapter five of Black Skins, White Masks, he develops his historico-racial and epidermal racial schemata as correctives to Merleau-Ponty’s overly inclusive corporeal schema. Experientially aware of the reality of socially constructed (racialized) subjectivities, Fanon uses his schemata to explain the creation, maintenance, and eventual rigidification of white-scripted ‘blackness’. Through a re-telling of his own experiences of racism, (...)
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  31. Narration in the Fiction Film.David Bordwell - 1985 - University of Wisconsin Press.
    In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of ...
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  32. Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History.Arthur Coleman Danto - 1985 - Columbia University Press.
  33. Laying Down the Law: First-Person Narration and Moral Judgement in the Old English Letter of Alexander to Aristotle.Kathryn Powell - 2004 - Bulletin of the John Rylands Library 86 (2):55-68.
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  34.  7
    Testing Audio Narration: The Emotional Impact of Language in Audio Description.Marina Ramos Caro - 2016 - Perspectives 24 (4):606-634.
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  35.  84
    Rethinking the Ethical Approach to Health Information Management Through Narration: Pertinence of Ricœur’s ‘Little Ethics’.Corine Mouton Dorey - 2016 - Medicine, Health Care and Philosophy 19 (4):531-543.
    The increased complexity of health information management sows the seeds of inequalities between health care stakeholders involved in the production and use of health information. Patients may thus be more vulnerable to use of their data without their consent and breaches in confidentiality. Health care providers can also be the victims of a health information system that they do not fully master. Yet, despite its possible drawbacks, the management of health information is indispensable for advancing science, medical care and public (...)
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  36.  5
    Audio Narration: Re-Narrativising Film.Jan-Louis Kruger - 2010 - Perspectives 18 (3):231-249.
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  37.  71
    Le Grand Imagier Steps Out: The Primitive Basis of Film Narration.George M. Wilson - 1997 - Philosophical Topics 25 (1):295-318.
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  38.  5
    Paul Ricœur et Emmanuel Levinas: vulnérabilité, mémoire et narration: Peut-on raconter la vulnérabilité?Sophie Galabru - 2019 - Études Ricoeuriennes / Ricoeur Studies 10 (1):125-139.
    In Time and narrative then in Oneself as another Paul Ricœur proposes a philosophy of personal and collective identity, through research on time and narrative. According to these books, emplotment would synthesize and reconcile the temporal discordance, experienced by the selfhood. The subject’s fragmentation by the otherness of time could then define vulnerability. Our aim is to question this triad time-vulnerability-narrative thanks to the opposite positions of Emmanuel Levinas. Unlike Ricœur, Levinas severely criticizes the idea of memory and narrative in (...)
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  39.  17
    Experimental Systems: Historiality, Narration, and Deconstruction.Hans-Jörg Reinberger - 1994 - Science in Context 7 (1):65-81.
  40.  72
    Narration in Light: Studies in Cinematic Point of View.George Wilson - 1989 - Journal of Aesthetics and Art Criticism 47 (3):290-292.
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  41.  81
    History: Narration, Interpretation, Orientation.Jörn Rüsen - 2004 - Berghahn Books.
    Without denying the importance of the postmodernist approach to the narrative form and rhetorical strategies of historiography, the author, one of Germany's ...
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  42.  12
    Hermeneutics and Narration: A Way to Deal with Qualitative Data.Lena Wiklund, Lisbet Lindholm & Unni A. Lindstrom - 2002 - Nursing Inquiry 9 (2):114-125.
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  43.  21
    B. Louden: The Odyssey: Structure, Narration, and Meaning. Pp. Xviii + 182. Baltimore and London: The Johns Hopkins University Press, 1999. Cased, £30. ISBN: 0-8018-6058-X. [REVIEW]Johannes Haubold - 2000 - The Classical Review 50 (2):569-569.
  44.  15
    Genetic Code, Text, and Scripture: Metaphors and Narration in German Molecular Biology.Christina Brandt - 2005 - Science in Context 18 (4):629-648.
  45.  49
    The Philosophy of the Movies : Cinematic Narration.Berys Gaut - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell. pp. 230--253.
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  46.  45
    Narration, Identity, and Historical Consciousness.Jürgen Straub (ed.) - 2005 - Berghan Books.
    CHAPTER 1 Narrative Psychology and Historical Consciousness Relationships and Perspectives DONALD E. POLKINGHORNE Postmodern theory has severely undercut ...
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  47. Fiction, Reality and Radical Narration.Petr Kotatko - 2013 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 20 (1):72-96.
     
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  48.  9
    The State of Audio Description in the United Kingdom – From Description to Narration.Steve Finbow - 2010 - Perspectives 18 (3):215-229.
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  49. Music in Narrative Film. On Motion and Stasis : Photography, "Moving Pictures," Music / David Neumeyer, Laura Neumeyer ; the Topos of "Evil Medieval" in American Horror Film Music / James Deaville ; la Leggenda Del Pianista Sull'oceano : Narration, Music, and Cinema / Rosa Stella Cassotti ; Music in Aki Kaurismäki's Film the Match Factory Girl / Erkki Pekkilä ; It's a Little Bit Funny : Moulin Rouge's Sparkling Postmodern Critique.Susan Ingram - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
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  50.  9
    The Affective Tone of Narration and Posttraumatic Growth in Organ Transplant Recipients.Wojciech Laskowski, Rafał Kieszek, Jolanta Gozdowska, Marta Boczkowska, Mateusz Zatorski & Mariusz Zięba - 2015 - Polish Psychological Bulletin 46 (3):376-383.
    The aim of the study was to verify the hypothesis that positive affective tone of narratives is connected to the experience of posttraumatic growth among transplant patients. Kidney transplant patients and liver transplant patients participated in the study. In the first stage, about 10 weeks after transplant, the participants told two stories about important, freely chosen events from their lives. During the second meeting 10-12 months later we measured posttraumatic growth. Results indicated that the affective tone of narratives about past (...)
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