Results for 'parallax'

133 found
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  1.  18
    (1 other version)The Parallax View.Slavoj ŽI.žek - 2006 - MIT Press.
    The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek (...)
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  2.  5
    La parallaxe.Slavoj Žižek - 2008 - Paris: Fayard.
    La parallaxe est le déplacement apparent d'un objet que provoque un changement du point d'observation. Le philosophe ajoutera que la différence observée n'est pas simplement subjective. Dans la terminologie hégélienne, on dira plutôt que le sujet et l'objet sont en fait intrinsèquement " médiatisés " si bien qu'un changement épistémologique dans le point de vue du sujet traduit toujours un changement ontologique dans l'objet lui-même. On connaît aujourd'hui toute une série de parallaxes, dans des domaines très différents. Dans la physique (...)
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  3.  32
    Motion parallax as a determinant of perceived depth.Eleanor J. Gibson, James J. Gibson, Olin W. Smith & Howard Flock - 1959 - Journal of Experimental Psychology 58 (1):40.
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  4.  34
    The Parallax View.Slavoj Žižek - 2006 - MIT Press.
    In his formidable Transcritique: On Kant and Marx, Kojin Karatani endeavors to assert the critical potential of an in-between stance which he calls the “parallaxview”: when confronted with an antinomic stance, in the precise Kantian sense of the term, one should renounce all attempts to reduce one aspect to the other. One should, on the contrary, assert antinomy as irreducible, and conceive the point of radical critique not as a certain determinate position as opposed to another position, but as the (...)
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  5.  53
    The Parallax View.Slavoj Žižek - 2004 - Epoché: A Journal for the History of Philosophy 8 (2):255-269.
    In his formidable Transcritique: On Kant and Marx, Kojin Karatani endeavors to assert the critical potential of an in-between stance which he calls the “parallaxview”: when confronted with an antinomic stance, in the precise Kantian sense of the term, one should renounce all attempts to reduce one aspect to the other. One should, on the contrary, assert antinomy as irreducible, and conceive the point of radical critique not as a certain determinate position as opposed to another position, but as the (...)
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  6.  50
    The Parallax View between Merleau‑Ponty and Lacan: “Never Do You Gaze at Me There Where I See You”.Huaiyuan Zhang - 2023 - Studia Phaenomenologica 23:183–200.
    Since Narcissus sees himself seeing himself, i.e., comes to self‑ consciousness and plunges into self‑destruction under the gaze, thinkers have problematized the Delphic maxim of “knowing thyself” from a visual perspective. In this trend, psychoanalysis joins the self‑criticism of phenomenology in subverting the “myth” of the self‑reflective consciousness. Whereas Lacan relegates the mirror stage to the Imaginary and interprets the gaze as objet a to account for the split in the subject, Merleau‑Ponty overcomes the narcissistic enclosure of the tacit cogito (...)
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  7.  21
    Intercultural parallax: Comparative modeling, ethnic taxonomy, and the dynamic object.Jamin Pelkey - 2020 - Semiotica 2020 (232):147-185.
    Comparative modeling is necessary for semiotic inquiry. To better theorize such pursuits, a reflexive turn is in order: comparative modeling needs comparative modeling. In search of experientially grounded analogies better suited for understanding, validating, scrutinizing, and accounting for the situation of the semiotic inquirer, this paper applies insights from Peircean process semiotics and Göran Sonesson’s extended theory of cultural semiotics toward two ends: one theoretical, the other applied. First, I undertake a critical review of recent scholarly and creative works that (...)
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  8.  18
    Parallax: the dialectics of mind and world.Dominik Finkelde, Slavoj Žižek & Christoph Menke (eds.) - 2021 - New York, NY, USA: Bloomsbury Academic.
    Parallax, or the change in the position of an object viewed along two different lines of sight and more precisely, the assumption that this adjustment is not only due to a change of focus, but a change in that object's ontological status has been a key philosophical concept throughout history. Building upon Slavoj Žižek's The Parallax View, this volume shows how parallax is used as a figure of thought that proves how the incompatibility between the physical and (...)
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  9.  14
    Motion parallax and projective similarity as factors in slant perception.Richmond Willey & John W. Gyr - 1969 - Journal of Experimental Psychology 79 (3p1):525.
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  10.  21
    Motion-parallax cues in one-dimensional polar and parallel projections: Differential velocity and acceleration/displacement change.Wayne A. Hershberger & James J. Starzec - 1974 - Journal of Experimental Psychology 103 (4):717.
  11.  7
    Parallax: Witnessing Theory: Volume 10, Number 1.Rowan Bailey, Nicholas Chare & Peter Kilroy (eds.) - 2004 - Routledge.
    _Parallax_ is an international, peer-reviewed journal that aims towards a critical engagement with the production of culture and knowledge. The journal explores a wide range of cultural practices, reconfiguring the production and understanding of culture as well as the relation between theory and practice itself. This text brings together scholars from a number of different theoretical backgrounds to consider the ethical and political processes involved in witnessing, and the possible limits of theory in some situations. Contributors include J.M. Bernstein, Kelly (...)
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  12. The parallax view: the military origins of holography.Sean F. Johnston - 2009 - In Stefan Rieger & Jens Schroter (eds.), Das Holografische Wissen. Dortmund: Diaphane. pp. 33-57.
    The title of this piece is meant to evoke at least three sources. The first – and perhaps the only obvious one – concerns the ability of holograms to display parallax, a shifting of visual viewpoint that allows a three-dimensional image to reveal background objects behind those in the foreground. This parallax view is a unique feature of holograms as visual media. A second allusion is to the American film The Parallax View (1974, director A. J. Pakula), (...)
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  13.  7
    Parallax of Growth: The Philosophy of Ecology and Economy.Ole Bjerg - 2016 - Malden, MA: Polity.
    Contemporary capitalism is caught in a dual crisis of economy and ecology. Central to both dimensions of this crisis is the issue of growth. On the one hand, capitalist economies must exhibit perpetual growth in order to function properly. On the other hand, the expansion of capitalist production and consumption ultimately interferes with the processes of natural growth that we find within the domain of ecology. Parallax of Growth explores the ideas of economy and ecology and the factors that (...)
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  14.  48
    The parallax of individuation: Simondon and Schelling.Yuk Hui - 2016 - Angelaki 21 (4):77-89.
    This article explores the concept of individuation in the early Schelling and Simondon by bringing them into dialogue, thereby highlighting affinities and differences in their philosophical projects in light of their epistemological and historical backgrounds. Individuation stands out as a major component of both Schelling’s Naturphilosophie and Simondon’s theory of genesis. But its role within both authors’ thinking is quite different: while for Schelling individuation constitutes a major problem that the philosophy of nature ventures to solve, namely the constitution of (...)
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  15.  21
    The Analogical Parallax.Christine Evans - 2014 - International Journal of Žižek Studies 8 (2).
    Slavoj Žižek’s methodological reliance on analogy, tautology, and examples - and particularly on crude, humorous, or popular ones - is an oft-discussed and controversial feature of his work. My aim throughout this paper is to examine certain philosophical concerns - and namely universality - in Žižek’s work. As I will propose, tautology and analogy - particularly when understood vis-a-vis desire - offer us a rhetorical means of exploring these concerns; insofar as we accept tautology and analogy as strategic/pedagogic devices, they (...)
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  16.  23
    The Parallax Review, on Endless Night: Cinema and Psychoanalysis, Parallel Histories , edited by Janet Bergstrom.Jamie Clarke - 2003 - Film-Philosophy 7 (4).
    _Endless Night: Cinema and Psychoanalysis, Parallel Histories_ Edited by Janet Bergstrom Berkeley: University of California Press, 1999 ISBN 0-520-20747-5 (hbk); 0-520-20748-3 (pbk) 307 pp.
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  17.  21
    Motion parallax and absolute distance.Steven H. Ferris - 1972 - Journal of Experimental Psychology 95 (2):258.
  18. Parallax.Lieuwe op 'T. Land - 1968 - Delft,: W. D. Meinema.
     
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  19.  25
    Augmented Headspace: Digital Parallax.Garfield Benjamin - 2015 - International Journal of Žižek Studies 9 (1).
    This paper discusses an augmented reality installation presented at the 2014 International Žižek Studies Conference in Cincinnati, Ohio. The installation highlighted and expanded the conception of ‘headspace’ within the virtuality of contemporary subjectivity. By displacing our familiar view of reality onto a subjective engagement with cultural artefacts from many different symbolic spaces, remediated through an engagement with digital technology, the work frames the emergence of the contemporary subject as an ontological cyborg. The paper elucidates the theoretical underpinning of the project (...)
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  20. Conviviality and parallax in David Olusoga’s Black and British: A Forgotten History.Jack Black - 2019 - European Journal of Cultural Studies 22 (5-6):979-995.
    Through examining the BBC television series, Black and British: A Forgotten History, written and presented by the historian David Olusoga, and in extending Paul Gilroy’s assertion that the everyday banality of living with difference is now an ordinary part of British life, this article considers how Olusoga’s historicization of the Black British experience reflects a convivial rendering of UK multiculture. In particular, when used alongside Žižek’s notion of parallax, it is argued that understandings of convivial culture can be supported (...)
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  21.  35
    On motion parallax and perceived depth.Olin W. Smith & Patricia Cain Smith - 1963 - Journal of Experimental Psychology 65 (1):107.
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  22.  15
    Parallax Effect: Liberal Accommodation or Post-liberal Enjoyment? Lokaneeta's Transnational Torture.Paul A. Passavant - forthcoming - Theory and Event 16 (2).
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  23. The parallax effect.Leon Wainwright - 2021 - In Helen Westgeest, Kitty Zijlmans & Thomas J. Berghuis (eds.), Mix & stir: new outlooks on contemporary art from global perspectives. Amsterdam: Valiz.
     
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  24.  17
    Focused Listening: The Aesthetics of Parallax.James Wierzbicki - 2017 - International Journal of Žižek Studies 11 (3).
    Even though Slavoj Žižek has written many words about music without really saying much about it, his work nevertheless contains much that for the philosophically minded musicologist, or for the musically minded philosopher, can stimulate thinking. For the author of this article, for example, some of the ideas presented in Žižek’s 2006 The Parallax View have stimulated thinking about the possibilities of taking a comparable approach—that is, a metaphorically ‘parallax’ approach that involves considering an object of attention alternately (...)
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  25.  15
    Cube Living 221A: The Parallax of Spatial Commodities.Alex Grünenfelder - 2015 - International Journal of Žižek Studies 9 (1).
    Cube Living 221A is the most recent iteration of the Cube Living project, initiated in 2008. It appropriates the language, media and social practices of real estate development campaigns to engage in speculation about spatial ontologies, examining how social, legal and financial conventions determine the creation of space in our cities.This paper describes the staging and production process by which Cube Living 221A performs the creation of a spatial commodity. Drawing on the concepts presented in Žižek’s 2009 talk “Architectural (...): Spandrels and Other Phenomena of Class Struggle”, it goes on to speculate that urban real estate development results in an architectural parallax: real estate property must function simultaneously as a financial asset and also as a residence. Similarly, the property owner must play simultaneous but irreconcilable roles as both investor and citizen. The Cube object can be regarded as a spandrel at the hinge of this parallax. (shrink)
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  26.  23
    Motion parallax in depth and movement perception.Felix E. Goodson, Steven Ritter & Randy Thorpe - 1978 - Bulletin of the Psychonomic Society 12 (5):349-350.
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  27.  33
    Motion parallax in the perception of movement by a moving subject.Felix E. Goodson, Tracy Q. Snider & James E. Swearingen - 1980 - Bulletin of the Psychonomic Society 16 (2):87-88.
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  28. Parallax: The Dependence of Reality on its Subjective Constitution.G. Anthony Bruno - 2021
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  29.  34
    Relativité, determinatio et parallaxe, remarques sur le traitement cartésien de trois controverses scientifiques.Vincent Jullien - 2011 - Philosophiques 38 (2):493-521.
    Trois sujets de philosophie naturelle, fort controversés à l’époque où Descartes élabore sa physique sont particulièrement présents dans les Principes de la philosophie de Descartes, le principe de relativité des mouvements des corps matériels, la nature que l’on nommera plus tard vectorielle de la grandeur, qui caractérise l’état de mouvement d’un corps et que Descartes contribue à constituer par la notion de determinatio et l’objection parallactique contre l’héliocentrisme. On examine ici comment l’actualité du débat scientifique permet de comprendre l’argumentation cartésienne (...)
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  30.  25
    Depth perception from motion parallax in one-dimensional polar projections: Projection versus viewing distance.Wayne Hershberger & Daniel Urban - 1970 - Journal of Experimental Psychology 86 (2):133.
  31.  21
    INTRODUCTION - On Reading Parallax: Four Introductions to Arts-Based Philosophy.Kristopher Holland & Hallie De Catherine Jones - unknown
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  32.  21
    Sex differences in parallax view?Susan F. Chipman - 1988 - Behavioral and Brain Sciences 11 (2):188-188.
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  33.  31
    Simultaneity and the Parallax in Art: The Fallacy of Absolutes.Andrew Cozzens - 2015 - International Journal of Žižek Studies 9 (1).
  34.  24
    De Copernic à Descartes : l’Empyrée, la parallaxe stellaire et le mouvement de la Terre.Édouard Mehl - 2015 - Revue des Sciences Philosophiques Et Théologiques 99 (2):239-265.
    La révolution copernicienne a des conséquences cosmologiques sur lesquelles Copernic a été peu disert, et dont il faut attendre Giordano Bruno ou Descartes pour mesurer l’exacte portée. L’aspect le plus spectaculaire de cette révolution post-copernicienne est bien sûr la suppression de la sphère des étoiles fixes. L’article examine cette question sous deux aspects : (i) les conséquences problématiques de l’immobilisation copernicienne de la sphère des fixes par rapport à la fiction théologique d’un ciel empyrée, et (ii) la (vaine) recherche d’une (...)
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  35.  6
    Research environments vis-à-vis biological environments: ontological parallels, epistemic parallax, and metaphilosophical parallelization.Alejandro Fábregas-Tejeda - 2024 - European Journal for Philosophy of Science 14 (3):1-23.
    In a recent development of what may be called biological philosophy of science, scholars have proposed that aligning notions of research environments with biological concepts of environment holds great promise for understanding the socio-material contexts in and through which science happens. Here, I explore the prospects and potential shortcomings of building sound research environment concepts by contrasting them with biological environment concepts. In doing so, I emphasize the importance of adhering to two central desiderata: the need to clarify what is (...)
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  36. Temporal Ontology in Ecology: Developing an ecological awareness through time, temporality and the past-present parallax.Jack Black & Jim Cherrington - 2021 - Environmental Philosophy 18 (1):41-63.
    Theoretical applications of time and temporality remain a key consideration for both climate scientists and the humanities. By way of extending this importance, we critically examine Timothy Morton’s proposed “ecological awareness” alongside Slavoj Žižek’s “parallax view”. In doing so, the article introduces a “past-present parallax” in order to contest that, while conceptions of the past are marked by “lack”, equally, our conceptions of and relations to Nature remain grounded in an ontological incompleteness, marked by contingency. This novel approach (...)
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  37. Tolerating Architectural Parallax.Harman Graham - 2016 - Offramp 12.
     
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  38.  25
    Space perception and parallax.Leslie Smith - 1981 - Philosophy 56 (April):248-252.
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  39.  62
    The Event Divides into Two or the Parallax of Change: Badiou, Žižek, Bosteels, and Johnston.Kelly Louise Rexzy Agra - 2018 - International Journal of Žižek Studies 12 (3).
    This paper takes off from a growing preoccupation in Western political-social philosophy on the thinkability of the materiality of change, that became most pronounced in Alain Badiou's philosophy of the event. It traces the development of the discourse of radical change tied to a materialist theory of subjectivity beginning from Badiou, down to the strong criticism posed against it by Slavoj Žižek. This is then followed by the discussion of Bruno Bosteels' potent defense of Badiou's philosophy. Finally, the last part (...)
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  40.  17
    Sensory Ecology, Bioeconomy, and the Age of COVID: A Parallax View of Indigenous and Scientific Knowledge.Glenn H. Shepard & Lewis Daly - 2023 - Topics in Cognitive Science 15 (3):584-607.
    Drawing on original ethnobotanical and anthropological research among Indigenous peoples across the Amazon, we examine synergies and dissonances between Indigenous and Western scientific knowledge about the environment, resource use, and sustainability. By focusing on the sensory dimension of Indigenous engagements with the environment—an approach we have described as “sensory ecology” and explored through the method of “phytoethnography”—we promote a symmetrical dialogue between Indigenous and scientific understandings around such phenomena as animal–plant mutualisms, phytochemical toxicity, sustainable forest management in “multinatural” landscapes, and (...)
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  41. Karatani's Marxian parallax.Harry Harootunian - 2004 - Radical Philosophy 127:29-34.
  42.  37
    Three motion-parallax cues in one-dimensional polar projections of rotation in depth.Wayne A. Hershberger & Daniel Urban - 1970 - Journal of Experimental Psychology 86 (3):380.
  43.  66
    Slavoj Žižek's Hegelian Reformation: Giving a Hearing to The Parallax View.Adrian Johnston - 2007 - Diacritics 37 (1):3-20.
    In lieu of an abstract, here is a brief excerpt of the content:Slavoj Žižek’s Hegelian ReformationGiving a Hearing to The Parallax ViewAdrian Johnston (bio)Slavoj Žižek. THE PARALLAX VIEW. Cambridge: MIT P, 2006. [PV]Near the end of a two-hour presentation at Calvin College in Grand Rapids, Michigan, on November 10, 2006, Slavoj Žižek confesses that, in terms of the intellectual ambitions nearest to his heart, “my secret dream is to be Hegel’s Luther” [“Why Only an Atheist Can Believe”]. This (...)
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  44.  11
    Inside Out Outside In: In Search of ‘Gangs’, Finding Outside-In Groups and the Dual Parallax of Spaces and Positions.Richard McHugh - 2017 - International Journal of Žižek Studies 11 (1).
    Through a Zizekian framework, this article explores a doubled precarity as experienced by individuals involved in groups described as ‘gangs’. This dual precarity being the inability to parallel mainstream discourses of security, and abstracted precarity of mirrored images of ‘mainstream’ groups. The paper outlines brittle relationships between these two poles and the stories relating to learning and be-coming within such groups. These precarious relationships resonate Zizek's proposal of the '... blind leading the blind, or, more precisely, the blind leading the (...)
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  45. Slavoj Zizek, The Parallax View. [REVIEW]R. Butler - 2007 - Philosophy in Review 27 (2):154.
  46.  17
    Accuracy of absolute visual distance and size estimation in space as a function of stereopsis and motion parallax.James W. Dees - 1966 - Journal of Experimental Psychology 72 (3):466.
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  47.  29
    Žižek and the Kantian gesture: Parallax and beyond.Graham Harman - 2023 - Enrahonar: Quaderns de Filosofía 70:119-130.
    Early in his 1993 book Tarrying with the Negative, Slavoj Žižek asks contemporary philosophy to “repeat the Kantian gesture.” The implication is that (much like Plato did with the Sophists) Kant accepted the critique of metaphysics made by David Hume, affirming it in an unexpected positive sense. The analogous gesture for a would-be Kant in our time would be to accept deconstruction’s insistence on the contingency of meaning while treating contingency not as a failing, but as the very stuff of (...)
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  48. Theory as parallax and provocation.Andrea Ballestero - 2015 - In Dominic Boyer, James D. Faubion & George E. Marcus (eds.), Theory can be more than it used to be: learning anthropology's method in a time of transition. London: Cornell University Press.
     
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  49.  24
    Veridical rotation in depth in unidimensional polar projections devoid of three motion-parallax cues.Wayne Hershberger & David L. Carpenter - 1972 - Journal of Experimental Psychology 93 (1):213.
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  50.  43
    Factors influencing thresholds for monocular movement parallax.C. H. Graham, Katherine E. Baker, Maressa Hecht & V. V. Lloyd - 1948 - Journal of Experimental Psychology 38 (3):205.
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