« Réfléchir aux similarités entre des répertoires très éloignés dans le temps et l’espace permet parfois de repenser à nouveaux frais les oppositions catégorielles qui nous servent à appréhender les genres musicaux. C’est ce qu’avait fait Simha Arom dans un article sur les parentés inattendues entre polyphonies africaines et polyphonies médiévales. En décal(qu)ant ce rapprochement avec la musique techno née à Detroit dans les années 1980-1990, on propose de montrer que l’opposition entre musiques savantes, traditionnelles et populaires, opérante dans le (...) monde occidental depuis le début du xix e siècle, gagne à être enrichie par d’autres grilles d’analyse pour complexifier la cartographie des objets musicaux qui peuplent le monde de la musique aujourd’hui. ». (shrink)

[Under contract with CUP, in preparation] What is a mind? Is it possible for a computer or other machine to have a mind? And how would we know? Mental fictionalism offers a new approach to these timely questions. Its central idea is that mental states (thoughts, beliefs, desires) are useful fictions. When we talk about mental states, we should be seen as merely speaking “as if” humans (and perhaps other creatures or even artifacts) had such states, in order to make (...) sense of their behavior. -/- This book is unique in presenting and defending three versions of mental fictionalism in a single volume (prefix-semantical mental fictionalism, pretense mental fictionalism, and affective storyism). The authors are three of the world’s most prominent proponents (respectively) of each variety: T. Parent (Nazarbayev University), Adam Toon (University of Exeter), and Tamás Demeter (Corvinus University of Budapest). The book essentially pits these different varieties of mental fictionalism against each other, allowing the reader to size them up. In the process, fresh perspectives are offered on foundational matters in the philosophy of mind, such as the nature of mental states and folk psychology, as well as hot topics such as embodied cognition, animal cognition, consciousness, and AI. -/- UPDATE: The chapter on prefix-semantical mental fictionalism is available upon request; write to nontology "at" gmail. (shrink)

El presente trabajo tiene como objetivo fundamental discutir críticamente algunas de la tesis principales del planteo hilpineano sobre los artefactos técnicos y establecer las limitaciones inherentes a su modelo de autoría. Con este propósito se reconstruyen, en primer término, los conceptos vertebradores de la posición de Hilpinen para luego indagar sus supuestos a través de un análisis de su aplicación al campo de producción contemporánea y al territorio de los bioartefactos. The principal aim of this paper is discuss Hilpinen's main (...) theses concerning technical artifacts and to indicate some limitations to his model of authorship. We first reconstruct the essential arguments of Hilpinen's perspective then we explore its assumptions through an analysis of its application to the realms of contemporary production and bio-artifacts. (shrink)

This paper examines the logic of conditional obligation, which originates from the works of Hansson, Lewis, and others. Some weakened forms of transitivity of the betterness relation are studied. These are quasi-transitivity, Suzumura consistency, acyclicity and the interval order condition. The first three do not change the logic. The axiomatic system is the same whether or not they are introduced. This holds true under a rule of interpretation in terms of maximality and strong maximality. The interval order condition gives rise (...) to a new axiom. Depending on the rule of interpretation, this one changes. With the rule of maximality, one obtains the principle known as disjunctive rationality. With the rule of strong maximality, one obtains the Spohn axiom (also known as the principle of rational monotony, or Lewis’ axiom CV). A completeness theorem further substantiates these observations. For interval order, this yields the finite model property and decidability of the calculus. (shrink)

In Jacques Lacan's view, a woman is a reduced object of Phallic Power through the sacred path. Women are therefore "not all" in their desire. Lacan undertakes a localisation in the "Name of Father", where wo/man is given the vacuous place in the play of substitutions. Following Lacan, we attempt at an interpretation of the feminine condition.

This second of a two-part series of articles on applied semiotics and intercultural training provides a qualitative evaluation of the research initiative Tools for Cultural Development. The discussion will firstly centre on several theoretical and methodological challenges inherent to the qualitative research paradigm and then relate these shifting concerns to convergent findings in poststructuralist semiotics, especially with respect to phenomenology and pragmatics. Analysis of four focus group interviews in France and Australia will examine and evaluate the 2007 training experience in (...) light of the culture-specific contexts and stakeholder groups involved. Of particular concern will be the capacity of qualitative evaluative processes to account for the "local meanings" and "voices" within the trainee narratives so as to highlight their perceptions as to the use of semiotics for designing culturally significant practices in education and praxis. (shrink)

El presente trabajo aborda algunos aspectos destacados del problema ontológico de los bioartefactos con el objetivo de elaborar –en el interior del vocabulario de la filosofía de los artefactos técnicos– una noción deflacionada de bioartefacto que sea capaz de alumbrar una distinción valiosa entre aquellos procesos surgidos de una dinámica natural no intervenida intencionalmente y aquellos resultantes de una intervención intencional. Con este propósito se reconstruyen dos vías interpretativas sobre la naturaleza de dichos entes para luego evaluar sus alcances y (...) posibilidades. Finalmente este artículo recoge las críticas anteriores y procura cohesionarlas haciendo explícitos los niveles de intervención intencional y las condiciones de bioartefactualidad. (shrink)

Este trabajo presenta el esquema básico de una “teoría de los realizadores”, una propuesta programática que busca establecer una alternativa al modelo dominante en los debates actuales sobre la ontología de los artefactos. Nuestra posición es que podemos comprender mejor el mundo artificial si nos acercamos a los artefactos en términos de "realizadores" y sus correspondientes "realizaciones" en lugar de como objetos esencialmente "funcionales". Con este objetivo en mente, el artículo desarrolla en primer lugar la caracterización de los artefactos como (...) "realizadores" y, en segundo lugar, defiende esa idea en el contexto de la ontología de los artefactos y otras discusiones en filosofía de la tecnología. La última sección reconstruye a nuestros adversarios intelectuales: una serie de dualismos que estructuran los debates actuales tales como materialidad-función, material-simbólico, estructura-función. Sostenemos que la teoría de los realizadores / realizaciones puede superar estos dualismos dominantes y ofrecer una versión mucho más rica de la vida de los artefactos. (shrink)

This second of a two-part series of articles on applied semiotics and intercultural training provides a qualitative evaluation of the research initiative Tools for Cultural Development. Th e discussion will firstly centre on several theoretical and methodological challenges inherent to the qualitative research paradigmand then relate these shifting concerns to convergent findings in poststructuralist (and postcolonial) semiotics, especially with respect to pheno menology and pragmatics. Analysis of four focus group interviews in France and Australia will examine and evaluate the 2007 (...) training experience in light of the culture-specific contexts and stakeholder groups involved. Of particular concern will be the capacity of qualitative evaluative processes to account for the “local meanings”and “voices” within the trainee narratives so as to highlight their perceptions as to the use of semiotics for designing culturally significant practices in educationand praxis. (shrink)

È questa la prima raccolta completa dei frammenti relativi a questo autore, comprendente anche testimonianze biografiche che precedentemente non erano state prese in considerazione. This is the first comprehensive collection of fragments related to this author, including biographical accounts that had not previously been considered.

This draft now appears (in revised form) as Chapter 7 of _Self-Reflection for the Opaque Mind_. See http://philpapers.org/rec/PARSFT-3.

In eighteenth-century France, scientific progress and its spreading met a growing interest among public, an enthusiasm that was to be reflected in literature. Fictional works including scientific knowledge in their narrative made their appearance, paving the ground for a genre promised to a growing success in the following centuries—science fiction. The article presents three eighteenth-century French literary works, each one centered on a different domain of science: Voltaire’s Micromégas, Charles-François Tiphaigne’s Amilec, or the Seeds of Mankind and François-Félix Nogaret’s The (...) Mirror of Current Events, or Beauty to the Highest Bidder. The first one, an iconic Enlightenment work that promotes critical thinking, relies on discoveries made in astronomy and optics. Tiphaigne de la Roche is far from sharing the fame of Voltaire, but his odd Amilec is noteworthy as it is possibly the very first science-fiction work in which biology is central. Written in the unique atmosphere of the French revolution, Nogaret’s work The Mirror of Current Events depicts androids-like interacting with humans. Our purpose is to show that these works were a precursor of the science fiction genre in literature, to describe how and what science or technology was depicted in them, and how they influenced the view of Man in eighteenth-century France. (shrink)