Results for 'parody'

237 found
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  1.  12
    An Unintended Effect of Financing the University Education of the Most Brilliant and Poorest Colombian Students: The Case of the Intervention of the Ser Pilo Paga Program.Pablo Medina, Natalia Ariza, Pablo Navas, Fernando Rojas, Gina Parody, Juan Alejandro Valdivia, Roberto Zarama & Juan Felipe Penagos - 2018 - Complexity 2018:1-9.
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  2.  16
    Nietzsche’s Genealogy: A Textbook Parody.Andrew Inkpin - 2018 - Nietzsche Studien Gesamtregister Bände 1-20 47 (1):140-166.
    Given its apparently scholarly form, the Genealogy of Morals is often read as a succinct, relatively systematic, and canonical exposition of Nietzsche’s mature views on morality. This article argues, however, that the work was intended as a parody of a scholarly treatise and examines how this parody is best understood. It begins by surveying some evidence that supports reading the Genealogy as a ‘textbook’ presentation of Nietzsche’s views. It then develops an exegetic case for reading it as a (...)
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  3.  7
    The Use of Works for Parody and Caricature. Legal Criterions.Jūratė Usonienė - 2009 - Jurisprudencija: Mokslo darbu žurnalas 118 (4):147-166.
    The article deals with the exception to copyright for the purposes of parody and caricature. This exception is one of the tools ensuring the balance between the authors’ interest to have the monopoly on the use of their works and the right of the members of the society to the freedom of expression. Another aim of parody exception is the promotion of creativity by the permission of the transformative use of copyrighted works. Three main aspects of this issue (...)
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  4.  13
    Science With a Difference: Parody and Paradise in Margaret Cavendish's The Blazing World.Martina Mittag - 2018 - Berichte Zur Wissenschaftsgeschichte 41 (2):134-145.
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  5.  37
    Postmodernism and the Parody of Argument.Thomas A. Russman - 1995 - Argumentation 9 (1):123-135.
    Argument, in any full sense of the word, needs resources and assumptions that postmodernism does not provide. Postmodernism is not a phenomenon that emerged ‘after modernism,’ as it were, to replace it; postmodernism is just an ultimate expression of the nihilistic tendencies of modernism, tendencies which were present from its beginning and have continued to the present. A radical critique of modernism undercuts postmodernism as well and clears the way for a revival of realist foundations for argument and rhetoric.
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  6.  39
    Performativity, Parody, Politics.M. Lloyd - 1999 - Theory, Culture and Society 16 (2):195-213.
    The aim of this article is to examine both the work of Judith Butler on gender performativity and examples of how Butler's writings have been appropriated by certain other writers. I explore three areas in particular: the relation between performance and performativity in the work of Butler and her `adherents'; the developmental changes in Butler's argument between Gender Trouble and Bodies That Matter; and the question of the effectiveness of the politics of parody. I argue that it is the (...)
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  7.  22
    Defusing the Counterinduction Parody.Matt Lutz - 2018 - Philosophia 46 (2):379-385.
    In this paper, I defend an inductivist solution to Hume’s Problem of Induction against the popular counterinduction parody argument. Once we examine the structure of the inductivist position closely, we will see that there is no coherent way to parody it.
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  8.  13
    The growing parody of detective fiction by Alain Robbe-Grillet.Clemens August Franken Kurzen - 2017 - Alpha (Osorno) 45:139-155.
    Resumen: Luego de entregar algunos breves antecedentes biobibliográficos del autor francés Alain Robbe-Grillet, se analiza con profundidad los principios esenciales de la poética de la “Nueva Novela” francesa, ante todo las rupturas del tiempo y espacio convencional, para estudiar su presencia en sus primeras dos novelas, Las gomas y El mirón, que llevan aún ciertos rasgos policiales. Este análisis literario revela su carácter híbrido y posmoderno y una creciente parodización del género policial.: The paper provides a brief bio-bibliographical background of (...)
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  9.  16
    Hipponax Fragment 128W: Epic Parody or Expulsive Incantation?Christopher A. Faraone - 2004 - Classical Antiquity 23 (2):209-245.
    Scholars have traditionally interpreted Hipponax fragment 128 as an epic parody designed to belittle the grand pretensions and gluttonous habits of his enemy. I suggest, however, that this traditional reading ultimately falls short because of two unexamined assumptions: that the meter and diction of the fragment are exclusively meant to recall epic narrative and not any other early hexametrical genre, and that the descriptive epithets in lines 2 and 3 are the ad hoc comic creations of the poet and (...)
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  10.  13
    Liezi’s Retirement: A Parody of a Didactic Tale in the Zhuangzi.Hans-Georg Moeller - 2016 - Dao: A Journal of Comparative Philosophy 15 (3):379-392.
    The seventh chapter of the Zhuangzi 莊子 contains a narrative about Liezi 列子, his teacher Huzi 壺子, and a physiognomist named Jixian 季咸. Traditionally, the story has been read as a didactic tale about how to become a true Daoist sage or as an illustration of attaining spiritual perfection. This essay will argue for an alternative reading of the story as a humorous parody about failed sages, and, at the same time, as an illustration of the benefits of a (...)
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  11.  34
    Levinas, Messianism and Parody.Terence Holden - 2011 - Continuum.
    There is no greater testament to Emmanuel Levinas' reputation as an enigmatic thinker than in his meditations on eschatology and its relevance for contemporary thought. Levinas has come to be seen as a principal representative in Continental philosophy - alongside the likes of Heidegger, Benjamin, Adorno and Zizek - of a certain philosophical messianism, differing from its religious counterpart in being formulated apparently without appeal to any dogmatic content. To date, however, Levinas' messianism has not received the same detailed attention (...)
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  12. The Professor of Parody: The Hip Defeatism of Judith Butler.Martha Nussbaum - 1999 - The New Republic 22:37-45.
  13. The Parody of Conversation.Ian Hacking - 1986 - In Ernest LePore (ed.), Truth and Interpretation: Perspectives on the Philosophy of Donald Davidson. Cambridge: Blackwell. pp. 447--458.
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  14.  52
    Nietzsche, Polytheism and Parody.Pierre Klossowski - 2004 - Bulletin de la Société Américaine de Philosophie de Langue Française 14 (2):82-119.
  15.  36
    The Rhetoric of Parody in Plato's Menexenus.Franco V. Trivigno - 2009 - Philosophy and Rhetoric 42 (1):pp. 29-58.
  16.  61
    Klossowski’s Polytheism: An Introduction to Klossowski’s “Nietzsche, Polytheism, and Parody”.Russell Ford - 2004 - Bulletin de la Société Américaine de Philosophie de Langue Française 14 (2):75-81.
  17.  49
    Zombies Slap Back: Why the Anti-Zombie Parody Does Not Work.Duško Prelević - 2015 - Disputatio 7 (40):25–43.
    In his ‘anti-zombie argument’, Keith Frankish turns the tables on ‘zombists’, forcing them to find an independent argument against the conceivability of anti-zombies. I argue that zombists can shoulder the burden, for there is an important asymmetry between the conceivability of zombies and the conceivability of anti-zombies, which is reflected in the embedding of a totality-clause under the conceivability operator. This makes the anti-zombie argument susceptible to what I call the ‘Modified Incompleteness’, according to which we cannot conceive of scenarios. (...)
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  18.  83
    On Behalf of the Devil: A Parody of Anselm Revisited.Timothy Chambers - 2000 - Proceedings of the Aristotelian Society 100 (1):93–113.
    This paper treats a question which first arose in these Proceedings: Can Anselm's ontological argument be inverted so as to yield parallel proofs for the existence (or non-existence) of a least (or worst) conceivable being? Such 'devil parodies' strike some commentators as innocuous curiosities, or redundant challenges which are no more troubling than other parodies found in the literature (e.g., Gaunilo's Island). I take issue with both of these allegations; devil parodies, I argue, have the potential to pose substantive, and (...)
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  19.  11
    Science With a Difference: Parody and Paradise in Margaret Cavendish's The Blazing World.P. D. Martina Mittag - 2018 - Berichte Zur Wissenschaftsgeschichte 41 (2).
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  20.  15
    Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology.Ingrid Monson - 1994 - Critical Inquiry 20 (2):283-313.
  21.  74
    Pictorial Irony, Parody, and Pastiche: Comic Interpictoriality in the Arts of the 19th and 20th Centuries.J. M. Davis - 2013 - British Journal of Aesthetics 53 (3):365-367.
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  22.  22
    Tragedy, Comedy, Parody: From Hegel to Klossowski.Russell Ford - 2005 - Diacritics 35 (1):22-46.
  23. Parody and Intertextuality.Matei Calinescu - 1987 - Semiotica 65:1-2.
     
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  24.  42
    The Aesthetics of Parody.G. D. Kiremidjian - 1969 - Journal of Aesthetics and Art Criticism 28 (2):231-242.
  25.  4
    Imitation as Translation: From Western Theories of Parody to Japanese Postmodern Pastiches.Leo Tak-Hung Chan - 2017 - Perspectives 25 (2):214-226.
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  26.  54
    Criticism and Parody.Joe Lee Davis - 1951 - Thought: Fordham University Quarterly 26 (2):180-204.
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  27.  6
    V-On Behalf of the Devil: A Parody of Anselm Revisited.Timothy Chambers - 2000 - Proceedings of the Aristotelian Society 100 (1):93-113.
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  28.  28
    A Parody Imagining a Group of German Experts Advising Their Government About the National Traits of the British.Oliver Pritchett - 1991 - The Chesterton Review 17 (1):123-124.
  29.  32
    The Language of Aristophanic Parody The Language of Parody: A Study in the Diction of Aristophanes. By E. W. Hope. Baltimore: J. H. Furst Company, 1906. Pp. 62. [REVIEW]W. Rhys Roberts - 1908 - The Classical Review 22 (06):192-.
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  30.  27
    Philosophy as Rigorous Regional Studies: A Parody of E. Husserl's Philosophy as Rigorous Science.Kyeong-Seop Choi - 2007 - Idealistic Studies 37 (3):203-218.
    The present paper traces the trajectory of the development of Husserl’s phenomenology from its incipient eidetic phase over the transcendental to the lifeworld-phenomenological, and ascertains that, in spite of all their complexities, the idea of Zu den Sachen selbst is the very objective of all those ‘phenomenological’investigations. The search after the ‘immediately given’ (Vorgegebenheiten) finally discovers that the concrete cultural life-worlds are the authentically ‘immediatelypre-given’ and all kinds of knowledge and sciences (higher cultural configurations) are nothing but idealizations of those (...)
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  31.  10
    Nietzsche on Tragedy and Parody.Drew E. Griffin - 1994 - Philosophy and Literature 18 (2):339-347.
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  32.  40
    Hume's Reproduction Parody of the Design Argument.Paul Draper - 1991 - History of Philosophy Quarterly 8 (2):135 - 148.
  33.  14
    Parody in the Middle Ages: The Latin Tradition.Martha Bayless.Ronald Pepin - 1998 - Speculum 73 (3):807-809.
  34.  11
    Is the Apology of Socrates a Parody?Kenneth Seeskin - 1982 - Philosophy and Literature 6 (1-2):94-105.
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  35.  23
    Parody of Prayer Hermann Kleinknecht: Die. Gebetsparodie in der Antike (Tübinger Beiträge Zur Altertumswissenschaft, Heft 28). Pp. 220. Stuttgart and Berlin: Kohlhammer, 1937. Stiff Paper, RM. 12. [REVIEW]W. G. Waddell - 1937 - The Classical Review 51 (06):226-227.
  36.  28
    Translation Reuben A. Brower: Mirror on Mirror: Translation, Imitation, Parody. Pp. Vii + 183; 7 Illustrations. Cambridge, Mass.: Harvard University Press, 1974. Cloth, £4·75. [REVIEW]J. C. Maxwell - 1977 - The Classical Review 27 (01):96-98.
  37.  15
    The Paradigm and the Parody. Karl Marx and the French Revolution in the Class Struggles From 1848–1851.Gerhard Kluchert - 1992 - History of European Ideas 14 (1):85-99.
  38.  3
    Incipit Parodia: The Function of Parody in the Lyrical Poetry of Friedrich Nietzsche.Sander L. Gilman - 1975 - Nietzsche Studien Gesamtregister Bände 1-20 4:52-74.
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  39.  15
    Greene's Parody of Farce and Comedy in The Comedians.Michael Routh - 1974 - Renascence 26 (3):139-151.
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  40.  12
    "The Battle of Anesin": A Parody of Songs in Praise of War.John Haines - 2007 - Speculum 82 (2):348-379.
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  41.  15
    Types of Parody Peter Rau: Paratragodia: Untersuchung Einer Komischen Form des Aristophanes. (Zetemata, 45.) Pp. X+28. Munich: Beck, 1967. Paper, DM. 35. [REVIEW]N. G. Wilson - 1969 - The Classical Review 19 (02):158-159.
  42.  15
    Parody in Plavtvs.W. B. Sedgwick - 1927 - Classical Quarterly 21 (2):88-89.
    Miss Steuart, in her recent edition of the Annals of Ennius, prints the notorious line, ‘O Tite, tute, Tati, tibi tanta tyranne tulisti,’ among the fragmenta spuria, and shows that the attribution of it to Ennius is late and uncertain. That it is old is shown by the fact that it is quoted in the Ad Herennium. Miss Steuart classes it among the ‘freak’ lines by which Hardie thought Lucilius illustrated his hundred kinds of Solecism.
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  43.  9
    Ambivalent Conventions: Formula and Parody in Old French.Anne Elizabeth Cobby.Kathryn Gravdal - 1998 - Speculum 73 (3):824-825.
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  44.  9
    Christopher of Mytilene¿s Parody of the Haughty Mauropous 125-132.Frederick Lauritzen - 2008 - Byzantinische Zeitschrift 100 (1):125-132.
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  45.  24
    The Liar Parody.Don S. Levi - 1988 - Philosophy 63 (243):43 - 62.
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  46.  22
    A Homeric Parody in Lucian.M. D. Macleod - 1960 - The Classical Review 10 (02):103-.
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  47.  13
    "Impervious to Criticism": Contemporary Parody and Trash.Terry Caesar - 1991 - Substance 20 (1):67.
  48.  22
    Types of Parody.N. G. Wilson - 1969 - The Classical Review 19 (02):158-.
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  49.  10
    Parody and the Problem of the Anterior Text.Tony Bex - 1997 - Revue Belge de Philologie Et D’Histoire 75 (3):743-760.
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  50.  14
    Radical Parody American Culture and Critical Agency After Foucault.Ladelle McWhorter - 1993 - International Studies in Philosophy 25 (3):139-139.
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