Results for 'philosophy of music'

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  1. The Philosophy of Music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.
    This is an overview of analytic philosophy of music. It is in five sections, as follows: 1. What Is Music? 2. Musical Ontology 3. Music and the Emotions 4. Understanding Music 5. Music and Value.
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  2.  66
    The Philosophy of Music: Theme and Variations.Aaron Ridley - unknown
    Ridley's book is both an introduction to philosophy of music generally and an introduction to an individual, pungently flavoured philosophy of music. His arguments are lively and provocative, and to boot, he writes like a dream. This is the kind of book that reminds one why philosophy matters, especially as applied to the things we love most.-Jerrold Levinson, professor of philosophy, University of Maryland This outstanding book provides new and distinctive approaches to the five (...)
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  3. Philosophy of Music: An Introduction.R. A. Sharpe - 2004 - Routledge.
    This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the philosophy to practical matters throughout. Ideal for a beginning readership with little philosophical background, the author provides an overview of the central debates enlivened by a real sense of enthusiasm for the subject and why it matters. The book begins by (...)
     
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  4.  2
    Essays on the Philosophy of Music.Veikko Rantala, Lewis Eugene Rowell & Eero Tarasti (eds.) - 1988 - Akateeminen Kirjakauppa.
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  5.  94
    Philosophy of Modern Music.Theodor W. Adorno - 1984 - Continuum.
    A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.
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  6. Introduction to a Philosophy of Music.Peter Kivy - 2002 - Clarendon Press.
    Philosophy of music has flourished in the last thirty years, with great advances made in the understanding of the nature of music and its aesthetics. Peter Kivy has been at the center of this flourishing, and now offers his personal introduction to philosophy of music, a clear and lively explanation of how he sees the most important and interesting philosophical issues relating to music. Anyone interested in music will find this a stimulating introduction (...)
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  7. The Philosophy of Music a Comparative Investigation Into the Principles of Musical Aesthetics.Halbert Hains Britan - 1911 - Longmans, Green.
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  8. The Philosophy of Music.William Pole - 1924 - Routledge.
    First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
     
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  9. A Philosophy of Music Education.Bennett Reimer - 1970 - Englewood Cliffs, N.J., Prentice-Hall.
  10. What is Music?: An Introduction to the Philosophy of Music.Philip Alperson (ed.) - 1986 - Pennsylvania State University Press.
    Contributors to this volume are Philip Alperson, Francis Sparshott, Nicholas Wolterstorff, Edward T. Cone, Peter Kivy, Jenefer Robinson, Joseph Margolis, Arnold ...
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  11.  95
    Themes in the Philosophy of Music.Stephen Davies - 2003 - Oxford University Press.
    Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a (...)
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  12.  9
    A Philosophy of Music Education.Alfred Pike & Bennett Reimer - 1971 - Journal of Aesthetics and Art Criticism 29 (3):429.
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  13. The Philosophy of Music : Formalism and Beyond.Philip Alperson - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell.
     
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  14.  35
    Philosophy of Music: A History.Riccardo Martinelli - 2019 - Berlino, Germania: de Gruyter.
    Ranging from Antiquity to contemporary analytic philosophy, this book provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what (...) is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. (shrink)
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  15.  26
    Themes in the Philosophy of Music.Saam Trivedi - 2003 - Journal of Aesthetic Education 37 (3):108.
  16.  82
    What Is Philosophy of Music Education and Do We Really Need It?Elvira Panaiotidi - 2002 - Studies in Philosophy and Education 21 (3):229-252.
    The article deals with the problem of the disciplinary identification of thephilosophy of music education. It explores alternative approaches to thephilosophy of music education and its relation to musical pedagogy. On thebasis of this analysis an account of the philosophy of music education as aphilosophical discipline is suggested and its specific function identified.
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  17. Beethoven the Philosophy of Music : Fragments and Texts.Theodor W. Adorno, Rolf Tiedemann & Edmund Jephcott - 1998
     
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  18.  12
    A Philosophy of Music Education: Advancing the Vision (Review).Forest Hansen - 2003 - Philosophy of Music Education Review 11 (2):200-202.
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  19. Philosophy of Music: Analytic Perspectives.Matteo Ravasio - 2018 - Internet Encyclopedia of Philosophy.
    Analytic Perspectives in the Philosophy of Music The philosophy of music attempts to answer questions concerning the nature and value of musical practices. Contemporary analytic philosophy has tackled these issues in its characteristically piecemeal approach, and has revived interest in questions about the ontological nature of musical works, the experience of musical expressiveness, the value … Continue reading Philosophy of Music: Analytic Perspectives →.
     
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  20. Beethoven: The Philosophy of Music.[author unknown] - 2003 - Journal of Aesthetics and Art Criticism 61 (1):90-91.
     
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  21. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music.Lydia Goehr - 1992 - Oxford University Press.
    What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer this question, Goehr combines philosophical and historical methods of enquiry. She describes how the concept of a musical work emerged as late as 1800, and how it subsequently defined the norms, expectations, and behavior characteristic of classical musical practice. Out of the historical thesis, Goehr draws philosophical conclusions about the (...)
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  22.  73
    The Fine Art of Repetition: Essays in the Philosophy of Music.Peter Kivy - 1993 - Cambridge University Press.
    Peter Kivy is the author of many books on the history of art and, in particular, the aesthetics of music. This collection of essays spans a period of some thirty years and focuses on a richly diverse set of issues: the biological origins of music, the role of music in the liberal education, the nature of the musical work and its performance, the aesthetics of opera, the emotions of music, and the very nature of music (...)
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  23.  84
    Philosophies of Music in Medieval Islam.Fadlou Shehadi - 1995 - E.J. Brill.
    This surveys the philosophies of music of the most important thinkers in Islam between the 9th and the 15th centuries A.D. It covers topics ranging from the ...
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  24.  67
    Themes in the Philosophy of Music.Mark Debellis - 2004 - Mind 113 (452):747-750.
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  25.  19
    Feminism as Critique in Philosophy of Music Education.Roberta Lamb - forthcoming - Philosophy of Music Education Review.
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  26.  18
    The Philosophy of Rhythm: Aesthetics, Music, Poetics.Matteo Ravasio - 2021 - British Journal of Aesthetics 61 (2):262-269.
    The Philosophy of Rhythm: Aesthetics, Music, PoeticsCHEYNEPETER, HAMILTONANDY AND PADDISONMAX oup. 2020. pp. 432. £29.99.
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  27.  57
    Musical Understandings: And Other Essays on the Philosophy of Music.Stephen Davies - 2011 - New York;Oxford University Press.
    In this chapter, I discuss the kinds of understanding expected of and evinced by skilled listeners, performers, analysts, and composers. I confine the discussion to Western, purely instrumental music, mainly with the classical tradition in mind.[1] And I refer primarily to the Anglophone literature of "analytic" philosophy of music. As will become apparent, my concern is with an analysis that maps what are meant to be familiar aspects of musical experience. I investigate the various understandings expected of (...)
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  28.  87
    Philosophy of Music (Encyclopedia Entry).Cynthia R. Nielsen - 2013 - In Robert L. Fastiggi, Joseph W. Koterski, Trevor Lipscombe, Victor Salas & Brendan Sweetman (eds.), New Catholic Encyclopedia: Supplement 2012-2013: Ethics and Philosophy. Detroit, MI, USA: Gale. pp. 1031–1036.
  29.  86
    Consciousness Studies and a Philosophy of Music Education.Anthony J. Palmer - forthcoming - Philosophy of Music Education Review.
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  30. Philosophy of Music: An Introduction.R. A. Sharpe - 2004 - Routledge.
    This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the philosophy to practical matters throughout. Ideal for a beginning readership with little philosophical background, the author provides an overview of the central debates enlivened by a real sense of enthusiasm for the subject and why it matters. The book begins by (...)
     
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  31.  26
    Introduction to a Philosophy of Music.J. McKeown-Green - 2003 - Australasian Journal of Philosophy 81 (3):439 – 440.
    Book Information Introduction to a Philosophy of Music. By Peter Kivy. Clarendon Press. Oxford. 2002. Pp. xii + 283. Hardback, 45. Paperback, 14.99.
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  32.  28
    Is There a Methodological Divide Between Analytic and Continental Philosophy of Music? Response to Roholt.Andreas Vrahimis - 2018 - Journal of Aesthetics and Art Criticism 76 (1):108-111.
    Roholt’s discussion of the methodological divide between analytic and continental philosophy of music is undertaken with the hope of bringing about the divide’s dissolution. Roholt limits the scope of the discussion to methodological debates in the philosophy of music, without referring to the ongoing debate about the divide at large. This begs the question of how methodological differences in the philosophy of music correlate with differences between analytic and continental philosophy. Upon closer inspection, (...)
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  33.  18
    A Philosophy of Music Education According to Kant.Adrian Darnell Barnes - 2017 - Journal of Aesthetic Education 51 (2):33-39.
    Since the 1950s, the philosophy shared among many in the field of music education is that music education should "develop the aesthetic potential, with which every human being is endowed, to the highest possible level."1 This philosophy, presented by Charles Leonhard and Robert House in Foundations and Principles of Music Education, highlights theirs and others' philosophy of music education and the arts as a whole. Most notably, John Dewey's Art as Experience, Susan Langer's (...)
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  34.  33
    Aesthetic and Praxial Philosophies of Music Education Compared: A Semiotic Consideration.Maria B. Spychiger - forthcoming - Philosophy of Music Education Review 5 (1).
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  35.  19
    Philosophy of Music in the Consolatio of Boethius.David Chamberlain - 1970 - Speculum 45 (1):80-97.
    When Boethius first sketches his memorable classification of music, he promises to say more later about musica mundana and humana, but he does not do so in De musica itself, and scholars have thought that he never returned to the subject at all. What I would like to suggest now is that Boethius does take up the old interest again in his last and greatest work, De consolatione Philosophiae, but in a way quite different from that of De musica. (...)
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  36.  5
    The Philosophy of Music: A Comparative Investigation Into the Principles of Musical Esthetics. [REVIEW]H. B. Alexander - 1912 - Journal of Philosophy, Psychology and Scientific Methods 9 (11):305-306.
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  37. The Philosophy of Music.William Pole - 1924 - Routledge.
    First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
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  38. The Philosophy of Music.William Pole - 1924 - Routledge.
    First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
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  39.  3
    Philosophy of Music in the Mirror of the Contemporary Age. Article 1.Alexander S. Klujev - 2021 - Russian Journal of Philosophical Sciences 63 (12):7-25.
    The article examines the situation that has developed in the contemporary age and being named differently: postmodernism, post-postmodernism, digital modernism, metamodernism, etc. It is noted that, despite the difference in naming, all the terms indicate a global crisis of culture and man. The three most important signs of this crisis are identified: degradation of a man – the predominance of his animal nature; total technicism; oblivion of national traditions, sacred things. These features are briefly explained. It is concluded that the (...)
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  40. The Philosophy of Music.Tiger C. Roholt - 2014 - In Charles Hiroshi Garrett (ed.), The Grove Dictionary of American Music (2nd edition). Oxford University Press. pp. 284.
     
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  41.  38
    Philosophy of Music and its Aim. A Brief Account.Giovanni Piana - 1998 - Axiomathes 9 (1-2):213-222.
  42.  4
    The Philosophy of Music: A Comparative Investigation Into the Principles of Musical Aesthetics.F. R. Prout - 1912 - Philosophical Review 21 (4):482-483.
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  43.  17
    Sounding Off: Eleven Essays in the Philosophy of Music.Peter Kivy - 2012 - Oxford University Press.
    Mozart's skull -- The case of the purloined partitur -- A tale of two authenticities -- Ancient authenticities -- Operatic authenticity -- Messiah's message -- Is nothing sacred? -- Sound in sound -- Music, science, and semantics -- Authorial intention and the pure musical parameters -- Leonard Meyer's sonata.
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  44.  15
    Philosophy of Modern Music.Theodor W. Adorno - 1976 - Journal of Aesthetics and Art Criticism 35 (2):242-244.
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  45.  35
    On the Divide: Analytic and Continental Philosophy of Music.Tiger Roholt - 2017 - Journal of Aesthetics and Art Criticism 75 (1):49-58.
    On offer here is a tradition-neutral way of understanding the distinction between analytic and continental philosophy of music. The distinction is drawn in terms of methodology, rather than content, by identifying contrasting methodological tendencies of each tradition—initial maneuvers that frame an investigation, which are related to one another insofar as they involve, or do not involve, two kinds of methodological detachment. These maneuvers are extracted through a consideration of contrasting pairs of examples. The pairs consist of an analytic (...)
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  46.  11
    Philosophy of Music: An Introduction.J. Bicknell - 2005 - British Journal of Aesthetics 45 (4):447-448.
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  47.  4
    The Philosophy of Music: A Comparative Investigation Into the Principles of Musical Esthetics.H. B. Alexander - 1912 - Journal of Philosophy, Psychology and Scientific Methods 9 (11):305-306.
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  48.  17
    Philosophy of Music Education and the Burnout Syndrome: Female Viewpoints on a Male School World.Alexandra Kertz-Welzel - 2009 - Philosophy of Music Education Review 17 (2):144-161.
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    Philosophy of Music Education in a Slightly New Key.Forest Hansen - forthcoming - Philosophy of Music Education Review.
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  50. Philosophies of Music in Medieval Islam.Fadlou Shehadi - 1996 - Tijdschrift Voor Filosofie 58 (3):577-577.
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