The Philosophical Contribution of Kostas Axelos: The Issue of the Open System and Technological Civilization -/- Kostas Axelos (1924–2010) remains one of the most intriguing and underexplored figures in contemporary philosophy. His work, situated at the crossroads of Marxism, Heideggerian phenomenology, and the philosophy of technology, raises critical questions about the nature of modern civilization and the fate of thought in an increasingly technological world. One of the central academic issues in Axelos’ thought is his concept of the "open system," (...) which presents a radical alternative to both dialectical materialism and structuralism. This issue is especially relevant in our age of digital globalization and algorithmic governance, as it poses fundamental questions about the limits of human autonomy and the possibilities of thought in a technologically determined world. -/- The Open System: A Critique of Closed Philosophical Paradigms -/- Axelos’ notion of the "open system" challenges traditional metaphysical and epistemological assumptions that rely on closure, determinacy, and finality. Unlike Hegelian dialectics, which seeks resolution through synthesis, Axelos proposes a dynamic, ever-unfolding process that resists totalization. His critique extends to Marxist orthodoxy, which he argues falsely assumes a teleological closure in history. By advocating an open-ended view of reality, Axelos aligns himself with thinkers like Nietzsche and Heidegger, emphasizing a world in flux rather than one governed by fixed structures or ultimate goals. -/- This issue raises critical academic debates: How can philosophical thought remain relevant in an era dominated by technological systems that impose rigid structures on human existence? Is the "open system" a viable framework for understanding contemporary globalized societies, or does it risk devolving into an abstract and impractical relativism? -/- For Axelos, closed systems—whether philosophical, political, or scientific—seek to impose rigid frameworks that ultimately stifle thought and creativity. He sees Western metaphysical traditions as largely obsessed with categorization and finality, which leads to an artificial separation between subject and object, mind and world, theory and practice. In contrast, his "open system" embraces indeterminacy and fluidity, recognizing that reality is in perpetual motion and that any attempt to fix meaning within rigid boundaries leads to intellectual stagnation. -/- Axelos’ concept also engages with existentialist and phenomenological traditions, particularly in how it resists essentialist definitions of being. He challenges not only the dogmas of classical metaphysics but also structuralist tendencies that seek to analyze reality in terms of fixed codes and relationships. Instead, Axelos suggests that the world should be understood as a game (le jeu du monde), a process of continuous becoming where human existence is not predefined but rather shaped by the interactions of open-ended forces. This issue raises critical academic debates: How can philosophical thought remain relevant in an era dominated by technological systems that impose rigid structures on human existence? Is the "open system" a viable framework for understanding contemporary globalized societies, or does it risk devolving into an abstract and impractical relativism? Furthermore, how does Axelos' open system relate to contemporary discussions of complexity theory, cybernetics, and ecological thinking, all of which emphasize the interconnectedness and dynamism of systems? -/- A related issue in Axelos' work is his analysis of technological civilization. In Le Jeu du Monde (The Play of the World), he argues that technological advancement has not only transformed human existence but has also reshaped the very way we think and conceptualize reality. Technology, in Axelos’ view, is not merely a tool but a fundamental mode of being that structures our world and thought processes. -/- This raises significant academic concerns about autonomy, alienation, and the role of philosophy. If technology governs human thought as Axelos suggests, can there be genuine freedom in intellectual and political life? How does one resist technological determinism without retreating into romanticized notions of pre-technological existence? Axelos does not advocate for a rejection of technology but rather calls for a new form of thinking that embraces its presence while resisting its totalizing tendencies. -/- Axelos highlights the paradox of technological civilization: while it offers immense possibilities for connectivity, knowledge production, and efficiency, it also risks subordinating human creativity and autonomy to systemic logic. He critiques the way in which technology, rather than serving human purposes, increasingly dictates them—turning individuals into passive participants in a mechanized world. The dominance of algorithmic governance, artificial intelligence, and automation exemplifies the culmination of this technological destiny, raising profound concerns about the future of human agency. -/- Furthermore, Axelos’ thought resonates with contemporary debates about digital culture, surveillance capitalism, and the commodification of knowledge. As digital technologies reshape the nature of labor, communication, and governance, the question arises: To what extent can individuals maintain authentic engagement with the world when technological mediation defines nearly every aspect of existence? In this sense, Axelos anticipates concerns found in posthumanist and critical media theories, particularly regarding the erosion of subjectivity in the face of ever-expanding cybernetic systems. -/- Another crucial aspect of Axelos’ critique is the way in which technological civilization imposes a fragmented, instrumentalized view of knowledge. He challenges the reduction of thought to mere data-processing and the dominance of specialized, compartmentalized disciplines that fail to grasp the holistic nature of existence. By contrast, his open system philosophy encourages a mode of thinking that resists fragmentation and embraces a planetary perspective, one that acknowledges the interrelation of philosophy, science, politics, and art in an ever-evolving world. (shrink)

Why do people endorse conspiracy theories? There is no single explanation: different people have different attitudes to the theories they say they believe. In this paper, I argue that for many, conspiracy theories are serious play. They’re attracted to conspiracy theories because these theories are engaging: it’s fun to entertain them (witness the enormous number of conspiracy narratives in film and TV). Just as the person who watches a conspiratorial film suspends disbelief for its duration, so many conspiracy theorists (...) do not believe the theories they endorse; rather, they suspend disbelief in them. I argue that the serious play hypothesis explains some characteristic features of conspiracy theories, such as their gamification and the kind of relationship they have to evidence. (shrink)

After briefly reviewing some of the empirical and philosophical literature suggesting that there may be an adaptive role for delusion formation, we discuss the results of a recent study consisting of in-depth interviews with people experiencing delusions. We analyse three such cases in terms of the circumstances preceding the development of the delusion; the effects of the development of the delusion on the person’s situation; and the potential protective nature of the delusional belief as seen from the first-person perspective. We (...) argue that the development of the delusional belief can play a short-term protective function and we reflect on the implications that this might have for our understanding of psychotic symptoms, for the stigma associated with mental health issues, and for treatment options. (shrink)

The combination of logic and game theory provides a fine-grained perspective on information and interaction dynamics, a Theory of Play. In this paper we lay down the main components of such a theory, drawing on recent advances in the logical dynamics of actions, preferences, and information. We then show how this fine-grained perspective has already shed new light on the long-term dynamics of information exchange, as well as on the much-discussed question of extensive game rationality.

Recent behavioral experiments, along with imaging experiments and neuropsychological studies appear to support the hypothesis that emotions play a causal or constitutive role in moral judgment. Those who resist this hypothesis tend to suggest that affective mechanisms are better suited to play a modulatory role in moral cognition. But I argue that claims about the role of emotion in moral cognition frame the debate in ways that divert attention away from other plausible hypotheses. I suggest that the available (...) data may be more plausibly explained by appeal to predictive and evaluative mechanisms, which are neither wholly affective nor straightforwardly cognitive. By recognizing this fact, we can begin to see why questions about the role of emotion in moral psychology are likely to be empirically misguided. (shrink)

Unlike with randomized controlled trials (RCTs) in clinical research, little has been said about the ethical principles that should regulate the use of RCTs in experimental development economics. One well-known principle in clinical research ethics is the principle of clinical equipoise. Some recent commentators suggest that an analogue of clinical equipoise should play a role in experimental development economics. In this article, I first highlight some difficulties with importing the concept to experimental development economics. I then argue that MacKay’s (...) (2018, 2020) notion of policy equipoise avoids these difficulties and has a role to play in experimental development economics. (shrink)

This papers responds to a recent argument by Sophie Gibert concerning the wrong of wrongful manipulation. I argue that the more serious explanatory question is whether manipulation is wrong by default, not whether, when manipulation is wrong, this wrong is ‘basic’. The former better elucidates the significance of Gibert’s arguments. I then respond to her argument, construed as the argument that manipulation is not wrong by default. First, the putative counterexamples she presents are drawn from areas of work and (...) class='Hi'>play – legal advocacy, negotiation, and gameplay – where the moral status of manipulative tactics is very much in dispute; thus, her reported intuitions are not persuasive. Second, even if we grant that manipulation in these contexts is morally permissible, we can explain how it remains wrong by default by appealing to competitive conventions that realize common epistemic, aesthetic, and hedonistic goods. I also show why Gibert’s reply to this conventionalist maneuver fails. (shrink)

The philosophical and scientific literature on play is extensive and the approaches to the study, description, and explanation of play are diverse. In this paper I intend to provide an overview of approaches to play. My interest is in describing the most fundamental categories in terms of which play is characterized, explained, and evaluated. Insofar as these categories attempt to describe what kind of reality we are talking about when we make claims about play, I (...) hope to clarify the metaphysics of play. Once this categorical scheme is made clear, we will be in a better position to evaluate the task of definition, claims about the relation of sport and play, and assertions about the significance of play. First, I place the discussion in the context of Bernard Suits's account of play and some other recent approaches to play. Next, I distinguish the following approaches to play: (a) play as behavior or activity; (b) play as motive, attitude, or state of mind; (c) play as form or structure; (d) play as meaningful experience; (e) play as an ontologically distinctive phenomenon. There is a natural progression in the way the analysis unfolds. In the final section I argue that my analysis generates a pluralist, nonreductive account of play. (shrink)

When they are first introduced to the ethical study of humor, students and colleagues alike sometimes react skeptically. They worry that doing ethics about humor is somehow antithetical to the nature of humor, or that it risks impinging on what makes humor valuable. In this paper, I attempt to explore and explain this intuition. I provide an account of humor’s contribution to the good life which helps to explain how and in what sense we might think humor is resistant to (...) ethics. I argue that humor, understood as a sort of play, is resistant to the introduction of practical ethical restrictions, which I call ethical taboos. This is because one of humor’s central contributions to the good life is in relieving us of the burdens of our social, moral, and political obligations. In this way, humor’s value is liberatory. Ethical taboos are exactly the sort of thing we engage in humor to escape, and so they counteract our reasons for engaging in the activity in the first place. I conclude this paper by discussing what some implications might follow from my account on humor ethics more generally. I argue that there may be ways to both preserve the integrity of humorous play and take deal with ethical issues unique to humor. (shrink)

In recent years, Pop Warner, the world’s largest youth football organization, has seen its numbers decline. This decline is due to concerns about new research establishing a link between football and chronic traumatic encephalopathy, a debilitating neurodegenerative disease. Hundreds of thousands of parents are now struggling with a difficult ethical issue: should kids play football? Since parents have an obligation to help children develop the capacities required for autonomous choice, the risks posed by football establish a strong presumption against (...) allowing kids to play the game. I consider whether this presumption can be defeated by the arguments for allowing kids to play dangerous sports offered by John Russell in his papers ’The Value of Dangerous Sport’ and ‘Children and Dangerous Sport and Recreation’. While Russell does not argue that kids should be permitted to play football, and agrees that some sports may be too risky for children, he argues that kids should often be allowed to participate in.. (shrink)

This paper explores the human experience of game-playing and its implications for artificial intelligence. The author uses phenomenology to examine game-playing from a human-centered perspective and applies it to language games played by artificial intelligences and humans. The paper argues that AI cannot truly play games because it lacks the intentionality, embodied experience, and social interaction that are fundamental to human game-playing. Furthermore, current AI lacks the ability to converse, which is argued to be equivalent to Wittgenstein’s view of (...) engaging in “language games.” The author presents a formal ontology of game playing, agents, and their intentional states, and contrasts human agents playing games with artificial agents “playing games.” The paper concludes that while artificial intelligence can simulate some aspects of human language games, it lacks the essential capacities for game playing, such as cognition, creativity, will, intentionality, understanding, and personhood. (shrink)

Is there a right or wrong way to play a game? Many think not. Some have argued that, when we insist that players obey the rules of a game, we give too much weight to the author’s intent. Others have argued that such obedience to the rules violates the true purpose of games, which is fostering free and creative play. Both of these responses, I argue, misunderstand the nature of games and their rules. The rules do not tell (...) us how to interpret a game; they merely tell us what the game is. And the point of the rules is not always to foster free and creative play. The point can be, instead, to communicate a sculpted form of activity. And in games, as with any form of communication, we need some shared norms to ground communicative stability. Games have what has been called a “prescriptive ontology.” A game is something more than simply a piece of material. It is some material as approached in a certain specified way. These prescriptions help to fix a common object of attention. Games share this prescriptive ontology with more traditional kinds of works. Novels are more than just a set of words on a page; they are those words read in a certain order. Games are more than just some software or cardboard bits; they are those bits interacted with according to certain rules. Part of a game’s essential nature is the prescriptions for how we are to play it. What’s more, we investigate the prescriptive ontology of games, we will uncover at least distinct prescriptive categories of games. Party games prescribe that we encounter the game once; heavy strategy games prescribe we encounter the game many times; and community evolution games prescribe that we encounter the game while embedded in an ongoing community of play. (shrink)

This article presents a novel set of ten play scenarios for robot-assisted play for children with special needs. This set of scenarios is one of the key outcomes of the IROMEC project that investigated how robotic toys can become social mediators, encouraging children with special needs to discover a range of play styles, from solitary to collaborative play. The target user groups in the project were children with Mild Mental Retardation,1 children with Severe Motor Impairment and (...) children with Autism. The play scenarios were developed against specific educational and therapeutic objectives that were discussed with panels of experts in various countries, during several user panel meetings for each of the above mentioned target user groups. These objectives were classified with reference to the ICF-CY, the International Classification of Functioning – version for Children and Youth. The article presents a detailed description of the play scenarios, each with its relevant educational and therapeutic objectives in five key developmental areas. While the play scenarios described in this paper originally were developed for and tested with the above user groups and with the IROMEC robot, the play scenarios can potentially be applied to other user groups and to a wide range of other applications involving human-robot interaction using different robotic toys. Keywords: human-robot interaction; assistive technology; play scenarios; autism; mild mental retardation; sever motor impairment; assisted play. (shrink)

: Humor seems uniquely human, but it has deep biological roots. Laughter, the best evidence suggests, derives from the ritualized breathing and open-mouth display common in animal play. Play evolved as training for the unexpected, in creatures putting themselves at risk of losing balance or dominance so that they learn to recover. Humor in turn involves play with the expectations we share-whether innate or acquired-in order to catch one another off guard in ways that simulate risk and (...) stimulate recovery. An evolutionary approach to three great literary humorists, Shakespeare, Nabokov and Beckett, shows that a species-wide explanation not only cuts deeper but in no way diminishes individual difference. (shrink)

European Journal of Philosophy, Volume 29, Issue 3, Page 597-607, September 2021.

This lecture from 1946 presents Eugen Fink’s interpretation of Nietzsche’s metaphysics. Fink’s aim here is twofold: to work against the trend of psychologistic interpretations of Nietzsche’s work and to perform the philosophical interpretation of Nietzsche he finds lacking in his predecessors. Fink contends that play is the central intuition of Nietzsche’s philosophy, specifically in his rejection of Western metaphysics’ insistence on being and presence. Drawing instead from Heraclitus, Nietzsche argues for an ontology of becoming characterized by the Dionysian as (...) the temporalization of time and the Apollonian as temporalized in time. The play of becoming is thus the cosmic coming to be and passing away of appearance. Playing, as the creative projection of such a play-world of appearing and concealing, is central to understanding the Nietzschean theme of the will to power as the revaluation of values. (shrink)

A distinguished group of philosophers discuss a wide range of issues about games, sport, and play - a topic largely neglected in recent philosophical literature. They ask consider what games and sports have in common, pose questions about their value, and add philosophical voices to the on-going debates in game studies.

In the late 1980s, I wrote up some notes on the play of pick-up basketball and sent them to Harold Garfinkel, who incorporated them into an un-published monograph in 1988. They were motivated by an interest in exhibiting the sense of "detail" for ethnomethodological studies. An edited version is presented below. They follow a front piece of recollection and discussion about Garfinkel's distinctive interests in matters of "detail," their tie to structure and structure's circumstantiality, and their place in EM (...) studies. (shrink)

For the past 20 years or so the literature on noncooperative games has been centered on the search for an equilibrium concept that expresses the notion of rational behavior in interactive situations. A basic tenet in this literature is that if a “rational solution” exists, it must be a Nash equilibrium. The consensus view, however, is that not all Nash equilibria can be accepted as rational solutions. Consider, for example, the game of Figure 1.

Science has made a mighty advance since it originated in ancient Greece more than 2500 years ago. Yet we still live in Plato's cave today; we think everything around us moves continuously, but continuous motion is merely a shadow of real motion. This book will lead you to walk out the cave along a logical and comprehensible road. After passing Zeno's arrow, Newton's inertia, Einstein's light, and Schrodinger's cat, you will reach the real world, where every thing in the universe, (...) whether it is an atom or a ball or even a star, ceaselessly jumps in a random and discontinuous way. In a famous metaphor, God does play dice with the universe. Discovering motion is not continuous but discontinuous and random is like finding the Earth is not at rest but moving. The new discovery may finally solve Zeno's paradoxes and the quantum puzzle, and it will lead to a profound shift in our world view. (shrink)

Accounts of video game play developed from an ethnomethodological and conversation analytic perspective remain relatively scarce. This study collects together an emerging, if scattered, body of research which focuses on the material, practical “work” of video game players. The study offers an example-driven explication of an EMCA perspective on video game play phenomena. The materials are arranged as a “tactical zoom.” We start very much “outside” the game, beginning with a wide view of how massive-multiplayer online games are (...) played within dedicated gaming spaces; here, we find multiple players, machines, and many different sorts of activities going on. Still remaining somewhat distanced from the play of the game itself, we then take a closer look at the players themselves by examining a notionally simpler setting involving pairs taking part in a football game at a games console. As we draw closer to the technical details of play, we narrow our focus further still to examine a player and spectator situated “at the screen” but jointly analyzing play as the player competes in an online first-person shooter. Finally, we go “inside” the game entirely and look at the conduct of avatars on-screen via screen recordings of a massively multiplayer online game. Having worked through specific examples, we provide an elaboration of a selection of core topics of ethnomethodology and conversation analysis that is used to situate some of the unstated orientations in the presentation of data fragments. In this way, recurrent issues raised in the fragments are shown as coherent, interconnected phenomena. In closing, we suggest caution regarding the way game play phenomena have been analyzed in this study, while remarking on challenges present for the development of further EMCA-oriented research on video game play. (shrink)

(2001). Fruits, Apples, and Category Mistakes: On Sport, Games, and Play. Journal of the Philosophy of Sport: Vol. 28, No. 2, pp. 151-159. doi: 10.1080/00948705.2001.9714610.

_O presente artigo vai considerar alguns problemas da obra de Huizinga, _Homo Ludens_, onde foi proposto o fator social “_play_” como constante e base da civilização humana, enfim, que “tudo é _play_”. A crítica terá em conta alguns dos principais argumentos aí apresentados, o que resulta na análise do que se considera ser uma confusão conceptual entre “_play_” e “_game_”, ou “ludicidade” e “jogo”; uma contradição entre os próprios termos do autor aquando de uma comparação entre um suposto “_play_” do (...) passado e o que entende ser o do presente; e um _engagement_ que se co-relaciona com os dois pontos anteriores. Com este trajeto, a hipótese huizingiana de um “falso-jogo” também deve ficar esclarecida._. (shrink)

In Johan Huizinga’s most prolific study of play, Homo Ludens: A Study of the Play Element in Culture he states that for play to be considered authentic, genuine and real it must be fun, free, spont...

This paper has two main parts to it. First, it is an attempt to clarify certain metaphysical issues regarding play. Play scholars from any number of academic disciplines have created a vast body of literature on the topic that seems overwhelming. Therefore, I offer descriptions of four characteristics of play that seem most experientially prominent and most indicative of the many play descriptors that previous authors have used. Second, I make axiological claims that follow from the (...) metaphysical descriptions. I argue against many previous authors, as I assert that play is not different in kind from our normal workaday lives but instead is only different by degree. Play is a deeper engagement with the world than that which we normally experience. (shrink)

We are little accustomed in modern times to think of philosophy in terms of play. With few exceptions, philosophers in the last few centuries are conspicuous for their gravity. If a lighter touch enters their writings it is rather as a douceur with which to punctuate argument. To charge a philosopher with playing games is to condemn his activity as trivial and futile.

In this double case study of child psychotherapy, we demonstrate the positive effect of children’s involvement in play activities on their verbal expression of inner emotions and cognitions. Discourse analysis of therapy sessions complemented with the therapist’s reflections show that children who have difficulty in verbalizing hard feelings and cognitions gain control of the communicative situation by getting involved in playful activities. Therapists’ verbal entrance into play can be used to negotiate the therapist–child relationship in terms of power (...) and solidarity. (shrink)

Much research has studied the importance of play for children’s development. However, questions of its political importance and our public institutions’ duties to protect it have been largely neglected. This article argues that childhood play is politically important due to having both intrinsic and instrumental value, and it suggests that the duty to protect the capability for play in childhood falls especially on the public health system. If this argument succeeds, it follows that we have stronger duties (...) toward our children than we currently believe. (shrink)

Many of Mike Myers’ characters, both on Saturday Night Live (SNL) and in movies, take things either too seriously or too lightly. This chapter focuses on the pop‐cultural significance of “Wayne's World” by taking it broadly to include not just the SNL sketches but also the movies and various special appearances. In their way, Wayne Campbell and Garth (Dana Carvey) symbolize the importance of play, leisure, and fun in our lives, and in this respect touch on certain important aspects (...) of applied philosophy, specifically the philosophy of play. Activities that are playful or leisurely have intrinsic value, and are intrinsically motivated, which means that they are done for fun, or, “for their own sake.” One of the great twentieth‐century philosophers who champions the lazier, more leisurely side of life is Bertrand Russell. In their grasshopperly way, Wayne and Garth illustrate nicely John Huizinga's theory of play. (shrink)

A Hermeneutics of Poetic Education: The Play of the In-Between provides an account of poetic education as an alternative to aesthetic education. Drawing on philosophical hermeneutics and philosophy of play, Homan argues that rather than the cultivation of taste, education is the cultivation of formation and a learning to listen.

Thi Nguyen develops the view that games are, at least potentially, works of art that afford players the opportunity to experiment with agency and have aesthetically significant experiences. In this paper, I critically discuss this proposal. You can make art out of games, I argue, but only at the price of making bad games. I explore the significance of this rivalry between games and art.