This paper considers some of the ways in which ‘postmodernism’ is construed, before turning to several important representative examples of religious postmodern thought. It highlights some common features possessed by prominent examples of religious postmodern thought within Judaism and Christianity. Much postmodern religious thought is characterised by the separation of religious belief from religious experience, and is marked by the tendency to emphasise the latter at the expense of the former. This paper argues that, despite this tendency, (...) the work of certain key postmodern religious thinkersparticularly those associated with open-traditionalism and radical orthodoxy—does not conform to this characterisation and needs to be understood in a broader cultural and theological context. (shrink)
The Postmodern Situation In his work on Nietzsche, the 'first' of the ' postmodern' thinkers, Heidegger writes: 'That period we call modern . . . is defined ...
In face of the postmodern ideal of a 'mutiple' subject, there has been talk at regular classical psychoanalysis's normative orientation toward intervals since the end of the the ego's capacity to cope consistently with reality may Second World War of psy seem obsolete. However, a psychoanalytic theory choanalysis being obsolete. which is revised in the light of object-relations theory, In these fields - where the integrationist social psychology, and an intersubjectivist notion is not just an ideolo account of the (...) formation of the drives can answer the gical weapon - this signifies postmodern challenge. According to this alternative the tendency of a growing psychoanalytic view, the goal of a 'healthy' development discrepancy said to have of personality is a state of an inner capacity for dialo opened up between the origue, able to account normatively for altering forms of ginal and the current socio-ego-identity under changing social conditions. (shrink)
Are postmodern philosophy and Christian thought so diametrically opposed that "never the twain shall meet"? Or are various postmodern philosophies, in spite of their secular provenance, open to religious appropriation?
In theorizing the postmodern, one inevitably encounters the postmodern assault on theory, such as Lyotard's and Foucault's attack on modern theory for its alleged totalizing and essentializing character. The argument is ironic, of course, since it falsely homogenizes a heterogeneous "modern tradition" and since postmodern theorists like Foucault and Baudrillard are often as totalizing as any modern thinker (Kellner 1989 and Best 1995). But where Lyotard seeks justification of theory within localized language games, arguing that no universal (...) criteria are possible to ground objective truths or universal values, Foucault steadfastly resists any efforts, local or otherwise, to validate normative concepts and theoretical perspectives. For Foucault, justification ensnares one in metaphysical illusions like "truth" and the only concern of the philosopher-critic is to dismantle old ways of thinking, to attack existing traditions and institutions, and to open up new horizons of experience for greater individual freedom. What matters, then, is results, and if actions bring greater freedom, the theoretical perspectives informing them are "justified." From this perspective, theoretical discourse is seen not so much as "correct" or true," but as "efficacious," as producing positive effects. (shrink)
The article presents theoretical generalization and offers new solutions to the problem of developing creative skills in preschoolers in painting classes, taking into account the postmodern tendencies which are becoming increasingly common in the post-Soviet countries. The relevance of the article lies in the need to reform today’s education system in the post-Soviet space and develop pedagogical technologies to enhance the effectiveness of preschool education and reveal the creative potential of each child in the context of the postmodernism and (...) the latest achievements in psychology of creativity. The paper aims to develop and theoretically justify a technology for developing creative skills in preschoolers in painting classes in educational institutions for the postcolonial democracies on the example of Ukraine based on the analysis of relevant scientific sources and teaching placement. The article also substantiates the technology for developing creative skills in preschoolers in painting classes, which is defined as a model for organizing artistic and aesthetic activity of preschoolers aimed at expanding their cognitive experience and emotional perception of the world, as well as cultivating their aesthetic attitude to its objects and ensuring creative self-expression of each child. The article proves the validity of the open performative postmodernist approach, according to which playing activities, perception and enjoyment from creativity act as the main drivers of the creative activity of primary school children. (shrink)
Horan offers a substantial challenge to the narrative of radical orthodoxy's idiosyncratic take on Scotus and his role in ushering in the philosophical age of the modern. This volume not only corrects the received account of Scotus but opens a constructive way forward toward a positive assessment and appropriation of Scotus's work for contemporary theology. --Book cover.
This essay discusses the situation of philosophy today in an era of mixed modern, postmodern, and traditional values and social patterns. It argues, with reference to postmodern architecture and to the German philosophers Hegel and Heidegger, that we should reject polarizing conceptual dualities, and that we need to seek out new kinds of less centered and less hierarchical unities that take advantage of the internal tensions and spacings within intellectual and cultural formations. It concludes with a discussion of (...) the promises and problems of dialogue between Eastern and Western philosophies in today’s world. (shrink)
In this paper I seek to establish that a widely held criticism of postmodern Marxism – that it is morally relativist and does not offer a basis for a systematic analysis of capitalism – is not warranted. I provide a systematic review of the postmodern Marxist literature in three distinct areas – value theory, class analysis of the household and state, and class justice – and I draw on these contributions to show that postmodern Marxism offers new (...) insights into problems of concern to Marxian theorists. I argue, further, that it provides the normative grounds for a class politics that is open to new alliances and new strategies for engaging in class struggle. (shrink)
For the first time, the article analyses certain aspects of Russian poetry of the “Silver Age” in order to identify the rudiments or features which are characteristic of the postmodern creative paradigm. It is noted that a number of poets almost do not have any postmodernist tendencies. Despite the fact it is proved that postmodernism denies the personality-centric and aesthetically oriented concept of modernism, it nevertheless arose on the basis of modernism and has sharpened evolutionary features formulated in the (...) first half of the 20th century. The article aims to prove a hypothesis that arises in the authors during a preliminary perceptual reading of the poets` works of the “Silver Age”: in the early 20th century. Sporadically and consistently in individual authors can be observed irony, play, reconstruction and performance as precursor of postmodernist creative thinking. Specialties of the Russian poetry of the “Silver Age”, which directly correlate with postmodernist tendencies of the second half of the 20th century is not a description itself, but the realization of reality, ambivalence, as well as following the linguistic and figurative, conceptual, motive levels of gradual transitions between the paradigms of “symbolism – modernism” and “modernism – postmodernism”. The international significance of the article is that the material of one of the Eastern European literatures has proved the existence of postmodern features in the first half of the 20th century for the first time, which can serve as a deeper research in the field of literary typology, continuity; culturology and anthropology. (shrink)
The article talks about the postmodern education system, its focus on the modernization of distance learning in connection with quarantine, which requires new integration approaches to the organization and content of the educational process in higher education institutions. Innovative pedagogical technologies of distance learning are analyzed, in particular, the essence of inverted learning technology is described. A systematic approach to the integration processes in postmodern education as a result of the search for new innovations and the organization of (...) distance learning as a universal and most humanistic form of learning, which initiates multivariate strategies for the innovation process in the hyperspace of European education and cultivates the integration of educational values. The author's ideas on creating optimal conditions for the adaptation of a particular applicant for higher education to the requirements of the distance learning and professional environment with an innovative information technology system are substantiated. The optimal conditions for the information-technological system of activating interactive communication of all participants of the educational process not only of a certain university, but also outside it, thanks to Smart-learning are determined. Innovative changes in personnel management of postmodern education as the main factor of effective strategy of management of distance learning, capable to be provided only by competitive teachers with a high level of display of creativity in professional skill are outlined. Algorithms of optimal actions of personnel management on introduction of innovative technologies of distance learning in the conditions of quarantine taking into account prevention of conflicts and crisis states at participants of educational process in the conditions of pandemics and unexpected educational changes are developed. (shrink)
Sketching a new portrait of the human self in this thought-provoking book, leading American philosopher Calvin O. Schrag challenges bleak deconstructionist and postmodernist views of the self as something ceaselessly changing, without origin or purpose. Discussing the self in new vocabulary, he depicts an action-oriented self defined by the ways in which it communicates. The self, says Schrag, is open to understanding through its discourse, its actions, its being with other selves, and its experience of transcendence. In his discussion, Schrag (...) responds critically to both modernists and postmodernists, avoiding what he calls the modernists' overdetermination of unity and identity and the postmodernists' self-enervating pluralism. He agrees with postmodernist attacks on both the classical theory of the self as a metaphysical substance and the modern epistemological construal of the self as transparent mind, yet he maintains that jettisoning the self as understood in these terms does not mean jettisoning it altogether. The self as subject is not dead, nor are the constitutive features of self-formation and self-understanding. In addressing the role of culture in the dynamics of self-formation, the author offers a critique of Max Weber's and Jürgen Habermas's view of modernity as a radical differentiation of three cultural spheres: science, morality, and art; he adds religion as a legitimate fourth cultural sphere. The overview of Schrag's philosophy that _The Self after Postmodernity_ provides will appeal to readers with an interest in literary criticism and religion as well as philosophy. (shrink)
"Who are we to suppose we are capable of comprehending the world of which we are a part, and what is the world to suppose it can be understood by us, minuscule and insignificant spatiotemporal warps contained within it?" This provocative question opens Floyd Merrell's study of postmodernism and the thought of Charles Sanders Peirce, part of the author's ongoing effort to understand our contemporary cultural and intellectual environment. The specific focus in this interdisciplinary study is the modernism/postmodernism dichotomy and (...) Peirce's precocious realization that the world does not lend itself to the simplistic binarism of modernist thought. In Merrell's examination of postmodern phenomena, the reader is taken through various facets of the cognitive sciences, philosophy of science, mathematics, and literary theory. Merrell's consideration of Peirce's complex and inadequately understood concept of the sign is enhanced through numerous charts and figures. Theories, hypotheses, and speculation in the physical sciences are then brought to bear on Peircean semiotics. The final chapter critiques the often undiscriminating acceptance of postmodern practices in today's academic world. (shrink)
"This is an extremely intelligent, interesting, and well written book." --Murder Is Academic "... compelling analysis of the comedy thriller... " --Theatre Studies "... almost as much fun to read as is seeing the actual plays discussed... " --Journal of Popular Culture The phenomenal success of such plays as Deathtrap and Sleuth heralded the advent of a new form of detective play--the comedy thriller. Carlson takes the wraps off the comedy thriller and reveals its postmodern effects. He looks at (...) all the elements of the thriller--openings, settings, characters, plot lines, the role of the audience, and endings--and shows how they work to overturn the conventions of realism in detective drama. (shrink)
The objective is to introduce and describe a new philosophy for global science edification that will determine the extent and nature of humans’ accomplishments. These will affect life quality worldwide. Science as an ultimate essence encircles theoretical and applied findings and discoveries. These can only contribute to forming a trivial core, whilst the most crucial are insightful moral surroundings. Morality is most concerned with mentorship commitments. To sustain a dense and rigid shape that progressively improves science and life quality, imagination (...) must be complemented with harmonizing approaches. Such perceptions become an obligation as growing knowledge creates novel questions and challenges. The upper tree of science glorified with blooming branches of knowledge, particularly over the last few centuries, is predicted to undergo progressive declines in the strength of its edification foundations unless the lower tree receives most-deserving mentorship contemplations. The upper tree describes tangible science products in routin life, and the lower tree represents sustainable mentorship. Mentors must replace teachers, by definition, and commit to generating more qualified educators than themselves. Mentors are expected to welcome and manage challenges from mentees. Challenges play crucial roles in granting mentees with integrated pathways of scientific development. The resulting pictures will be eagerly prone to revisions and elaborations as mentees themselves step into the pathway. This systematic edification will strengthen science roots in mentees’ minds and will uphold a sturdy science body for society. Science pictured as an integrated circle grants a prospect to envision where humans are and where not to end up. Maintaining a definitive shape for science in any major before and while enriching central cores with experimental novelties in minds and laboratories is crucial to improving man’s fulfillment of time in the third millennium. Such integrities are an obligation to optimally preserve and utilize what humans have achieved thus far and continue to accomplish. (shrink)
In theorizing the postmodern, one inevitably encounters the postmodern assault on theory, such as Lyotard's and Foucault's attack on modern theory for its alleged totalizing and essentializing character. The argument is ironic, of course, since it falsely homogenizes a heterogeneous "modern tradition" and since postmodern theorists like Foucault and Baudrillard are often as totalizing as any modern thinker (Kellner 1989 and Best 1995). But where Lyotard seeks justification of theory within localized language games, arguing that no universal (...) criteria are possible to ground objective truths or universal values, Foucault steadfastly resists any efforts, local or otherwise, to validate normative concepts and theoretical perspectives. For Foucault, justification ensnares one in metaphysical illusions like "truth" and the only concern of the philosopher-critic is to dismantle old ways of thinking, to attack existing traditions and institutions, and to open up new horizons of experience for greater individual freedom. What matters, then, is results, and if actions bring greater freedom, the theoretical perspectives informing them are "justified." From this perspective, theoretical discourse is seen not so much as "correct" or true," but as "efficacious," as producing positive effects. (shrink)
This far-ranging collection of essays represents a conference of the same name held at Emory University in conjunction with a meeting of the “Rethinking Plato’s Parmenides” seminar sponsored by the Society of Biblical Literature.In embracing authors as diverse as Plato himself, Epictetus, Ralph Cudworth, Yeats, and Levinas, to name a few of the Platonists identified herein, the volume clearly and deliberately stretches the meaning of this rubric to its outer limits. This review will reprise some of the articles from each (...) of the book’s sections—Ancient, Late Antique, Renaissance and Modern, and Post-modern Platonisms—in an effort to help readers gauge the argument of the book, which may or may not be endorsed by each of the individual contributors. The editors, at least in compiling this anthology, do so in the belief that Platonism might better be considered “as an inexhaustible mine of possible trajectories each of which helps us to see the richness of Platonic texts,” rather than “as a series of determinate doctrines” .Thomas Slezak opens the volume with a rehearsal of his programmatic way of reading Plato’s dialogues, involving two possibly competing claims: what Plato means by philosophy is not contained within the. (shrink)
The paper discusses the category "sublime" as it was used by J.-F. Lyotard. The author argues that Lyotard had made substantial change in the category's content regardless to the history of aesthetics . Lyotard's notion falls in line with notions "differentiation", "ope_ness", "indefinite", "paradoxical", "contradictory", etc. If it is to describe postmo_dern culture, the sublime must be accompanied by other notions, and particularly by notions as "mimesis", "form", "originality", "aesthetic norm", and "catharsis". In accordance with the current developments in Euro-Atlantic (...) culture the author argues that "sublime" is less valid for description now than it was before. Current culture is changing - it prefers norms and canons much wider than during last two decades. The time we were opened to tolerance and differences, is probably over, therefore, the author argues, the postmodern time has come to its end. (shrink)
At the heart of two recent theological traditions are hermeneutical principles which are not only consistent but are integrated in the hermeneutics of Augustine. According to the doctrine of biblical inerrancy as it has been recently articulated by Evangelicals, Scripture has an original meaning, and that meaning is not open to the possibility of error. According to some thinkers in postmodern theology, including Jean-Luc Marion, the meaning of Scripture transcends its original meaning. After examining postmodernism and inerrancy, I consider (...) their harmony in the writings of Augustine, who takes original meaning as a guide for understanding that biblical meaning which transcends it. An Augustinian hermeneutic consistent with inerrancy is thus an alternative to the more typical non-inerrantist postmodern theologies. (shrink)
The crucial point of Brill’s study is that of fit: which critical methods prove most useful towards opening up which texts? Close investigations into the parameters of the language games of texts, critics, and methods enable us to determine which paths to take towards more complete descriptive analyses and critique. Such an emphasis on the philosophical method of Ludwig Wittgenstein reorients literary criticism to involve a conjoint responsibility to both reader and text as the literary critic assumes the humbler role (...) of a guide who assists a reader in/to diverse literary texts. Wittgenstein’s philosophical approach provides us with a strong means of developing such a method for literary criticism—a method that points the way forward beyond postmodern criticisms and to a categorically new approach to literary texts. Brill’s work discusses at length the implications of Wittgenstein for literary criticism and theory. The volume specifically investigates the implications of Wittgenstein’s work for a number of contemporary critical orientations. In addition, the research includes actual applications of Wittgenstein for literary criticism: diverse literary texts are approached via a Wittgensteinian method as a means of discerning which critical approaches might be more or less efficacious. Not only does the book provide a solid introduction to Wittgensteinian philosophy for the critical scholars, but it also provides a clear methodology useful to critics seeking a means to navigate through the entanglement of contemporary criticism and theory. Brill argues that a reliance upon the philosophy of Ludwig Wittgenstein can enable literary critics to escape the seemingly endless dialectic between modern and postmodern theory. Instead of debating which theory is theoretically best, we need to describe when theories work—and when they do not. (shrink)
The ArgumentTheorists of science and culture, seeking to explicate the implications of chaos theory, quantum mechanics, or special and general relativity, have drawn parallels to the constellation of intellectual and social phenomena collected in the concept of postmodernism. The notion thereby invoked of a postmodern physics is suggestive and worth exploring. But it remains ungrounded so long as the argument moves in the realm of parallels. Moreover, these discussions prove to be tacitly constrained by a preexisting genre of physicists' (...) own literary production, a genre whose argumentative structures have been taken over implicitly into the subsequent exchanges. Attending critically in this way to the intellectual interests of the discussants — asking who it is that wants to constitute a postmodern physics — should open up more productive ways of framing the debate. (shrink)
Using a popular Sufi tale as a starting point, the author shows that in a postmodern age, wisdom can best be characterized as a willingness to see how parts and wholes relate to each other and how new meanings emerge from a dialogical interplay between the two. Wisdom can also be characterized by openness, by the ability to perceive connections among various viewpoints, and by a strong tolerance for ambiguity.
In an attempt to clarify our present-day postmodern context and to ascertain the critical consciousness of our time, I study a number of main lines of thought in the work of the postmodernist thinkers Wolfgang Welsch, Jean-François Lyotard and Richard Rorty. Afterwards, I elaborate on the position of Jürgen Habermas in the postmodern debate. In the second section I present a schematic overview of this postmodern panorama, pointing out the main similarities and differences of the theorists under (...) consideration. A critical discussion of and with these authors, in the third section, yields the model of the “open narrative” as a possible form of contemporary critical consciousness. This model will help me to recontextualize the Christian narrative in our postmodern context. In the conclusion I shed some light upon this recontextualization. (shrink)
This article explores the epistemological and strategic issues facing feminists embarking upon narrative explorations into women's experiences. It considers the implications for feminist epistemology of acknowledging women's participation in dominant ideologies about their social role. Focusing upon questions of women's agency, it asks how this `conforming knowledge' might complicate postmodernist feminist notions of resisting and reconstructing law's categorisation of `Woman'. It also represents an attempt to clarify, in advance of my own analysis of women's agency in abortion decision-making, why (...) class='Hi'>postmodern feminists might talk to women – the `subjects' of law's constructive power. It seeks additionally to open a discussion among a wider audience of feminists about what we might do with the information uncovered through listening to women's own stories in an area pronounced upon authoritatively by a multitude of discourses. (shrink)
Christian fundamentalist dominionism is susceptible to a conventional ecological critique; that is to say, one framed in scientific-environmentalist terms of its unsustainability as a practice, given nature’s finite resources and the fragility of ecosystems. Alternatively, a postmodern ecological critique has the conceptual tools to contest dominionism at the level of its discursive transactions, that is to say, the narrative frames and interpretive methods through which fundamentalists have constructed their understanding of the natural world. I shall suggest how postmodernism enables (...) critical standpoints which, collectively, open a second front in an engagement with the dominionist model of humanity’s relationship to nature. (shrink)
In the first issue of the renewed Analyic Teaching, A. T. Lardner opens a debate on how to react to postmodern and multi-culturalist positions and their critique on Philosophy for Children. Lardner concludes: This paper has not been set out to disagree with either the postmodern or multi-culturalist positions. Indeed, it accepts most of the claims made. It has attempted to show that the critique from these quarters of the work of Philosophy for Children in settings outside the (...) USA is based on a misunderstanding of what we do. It has suggested how those working in the program might answer such critiques along with suggesting caution in how we describe our goals and methods. Finally, it has suggested an uncomfortable parallel between the extreme postmodern and multi-cultualist position about eduactional work based on critical, reflective inquiry, and previous, elitist notions which the same people are sure to reject.I'd like to comment on some of Lardner's theses. (shrink)
The relevance of the chosen direction of research is that e-learning at the present stage of development of society is one of the most popular forms of organization of the educational process. This primarily applies to vocational and postgraduate education. Its main advantage is that it focuses on creating a barrier-free learning environment, ensuring the availability of quality education without separation from work and family and regardless of the place of residence. The article analyzes the features of updating the education (...) system in the postmodern era and the urgent problems of the education system that need to be addressed. Features of e-learning as a means of meeting the demand for educational services, its advantages and disadvantages are characterized. The peculiarities of functioning of open educational resources as prospects of e-learning development are analyzed. Continuation of the initiated research is to study the specific characteristics of mobile learning as one of the possible options for e-learning. (shrink)
In this reply to the article by I.T. Kasavin “Creativity as a social phenomenon” the authors discuss the possibilities of the scientific precariat as a free creative class, which having entered the scientific community, will give it a new creative potential. The authors express some doubts that such a merger will preserve precariat's special creative spirit. The article draws attention to the diversity in understanding the nature, goals and values of creativity. The specificity of understanding creativity in the scientific community (...) is due to its rational and methodological guidelines, while the precariat is part of postmodern society, and its creative potential stems from a break with traditional rationalistic methodology. However, as long as peer review remains in the hands of the exclusively institutionalized scientific community, there is a high probability that the creativity of the precariat will be marginalized, and becoming part of the scientific community, the precariat will be forced to accept its epistemic values and lose the creative potential that is expected from them. The authors refer to P. Feyerabend’s theory of creativity, in which he rejects the subject-centered model of scientific creativity. According to Feyerabend, creativity is intersubjective in nature and grows organically from the sociocultural environment of the subject. The scientist creates following a cultural instinct, but the subject does not disappear from the creative process, since the cultural instinct is refracted through his individual style. If creativity is a reflection of the spirit of times, the precariat is the best way to embody it. In conclusion, a way for overcoming the social is outlined and, in a broad sense, the methodological problematic nature of the unification of the scientific community and the precariat, which the authors see in the general democratization and pluralism of society. (shrink)
The following jurisprudence paper examines the implications of postmodern thought upon our conception of law. In this paper I argue that, despite the absolute, all-consuming moral relativism towards which postmodernism seems to lead in its most extreme form, its acceptance in fact in no way undermines the possibility of finding solid ground for our legal principles. This paper contends that moral objectivity can be found in the individual experience of suffering generated by these very subjective concoctions. Subjective concoctions or (...) not, they are real in that they imbue a sense of value into conditions, and may thus serve as foundational principles for law. While our value systems are stripped of all claim to objective authority, ultimately, all postmodernism does is force us to set aside our larger concepts of “justice,” and instead root our legal conceptions at this far more fundamental level of human experience. (shrink)
This book redraws the intellectual map and sets the agenda in philosophy for the next fifty or so years. By making the theory of signs the dominant theme in "Four Ages of Understanding," John Deely has produced a history of philosophy that is innovative, original, and complete. The first full-scale demonstration of the centrality of the theory of signs to the history of philosophy, "Four Ages of Understanding" provides a new vantage point from which to review and reinterpret the development (...) of intellectual culture at the threshold of "globalization." Deely examines the whole movement of past developments in the history of philosophy in relation to the emergence of contemporary semiotics as the defining moment of Postmodernism. Beginning traditionally with the Pre-Socratic thinkers of early Greece, Deely gives an account of the development of the notion of signs and of the general philosophical problems and themes which give that notion a context through four ages: Ancient philosophy, covering initial Greek thought; the Latin age, philosophy in European civilization from Augustine in the 4th century to Poinsot in the 17th; the Modern period, beginning with Descartes and Locke; and the Postmodern period, beginning with Charles Sanders Peirce and continuing to the present. Reading the complete history of philosophy in light of the theory of the sign allows Deely to address the work of thinkers never before included in a general history, and in particular to overcome the gap between Ockham and Descartes which has characterized the standard treatments heretofore. One of the essential features of the book is the way in which it shows how the theme of signs opens a perspective for seeing the Latin Age from its beginning with Augustine to the work of Poinsot as an indigenous development and organic unity under which all the standard themes of ontology and epistemology find a new resolution and place. A magisterial general history of philosophy, Deely's book provides both a strong background to semiotics and a theoretical unity between philosophy's history and its immediate future. With "Four Ages of Understanding" Deely sets a new agenda for philosophy as a discipline entering the 21st century. (shrink)
The paper begins by tracing the development of the understanding of truth as adjunct to the self in postmodernity. It then proceeds to ask what history is in postmodernity in the light of the reconfiguration of truth, and what kinds of response Christianity, and especially Catholic Christianity might develop to the postmodern situation. Using a critique of Habermas’ speech “Modernity – an incomplete project” it develops a notion of postmodernity as an extreme interpretation of modernity, solely through reference to (...) the self. By analysing the concept of the universal horizon in Habermas and in Hegel it shows how postmodernity both produces and deflects the notion of modernity, so that prior to the postmodern, neither modernity nor postmodernity can really be said to be thought at all.The paper suggests that postmodernity is not really ‘thought’ at all, but rather thinks for us, so that we take it for granted. It then takes a sketch of Nietzsche’s critique of the death of God as a springboard to ask what arenas a thoughtless theological response might be tempted into – especially that of conceiving the world purely and baldly as “sacramental” in structure. Finally it concludes by asking what possibilities postmodernity opens up through a thoughtful discernment of how it constitutes us at all. (shrink)
The article provides a theoretical analysis of the study of the issue of introducing innovations into educational activities on the basis of foreign and domestic experience of postmodern education. The essence of the problem of introducing innovative technologies in the system of postmodern education in the countries of the world and in Ukraine is revealed. The role of the teacher's professional competence in the application of innovative techniques for organizing the educational process was emphasized. The essential features of (...)postmodern tendencies in foreign and domestic education and teaching practice are combined. In the context of professional postmodern education and to optimize innovative teaching with postmodern tendencies, pedagogical recommendations were submitted on the new conditions and requirements of innovative teaching. The goals of the article, as well as its scientific novelty, theoretical and practical significance for postmodern or innovative pedagogy are determined. It is substantiated that the development of innovative technologies in the field of training future specialists is carried out on the basis of a postmodern approach to the analysis of vocational education, which was integrated by means of personality-oriented, activity-based, professional-creative and psychological-pedagogical approaches at the systemic universal level. Considered professional requirements for educators-innovators. (shrink)
The paper begins by tracing the development of the understanding of truth as adjunct to the self in postmodernity. It then proceeds to ask what history is in postmodernity in the light of the reconfiguration of truth, and what kinds of response Christianity, and especially Catholic Christianity might develop to the postmodern situation. Using a critique of Habermas’ speech “Modernity – an incomplete project” it develops a notion of postmodernity as an extreme interpretation of modernity, solely through reference to (...) the self. By analysing the concept of the universal horizon in Habermas and in Hegel it shows how postmodernity both produces and deflects the notion of modernity, so that prior to the postmodern, neither modernity nor postmodernity can really be said to be thought at all.The paper suggests that postmodernity is not really ‘thought’ at all, but rather thinks for us, so that we take it for granted. It then takes a sketch of Nietzsche’s critique of the death of God as a springboard to ask what arenas a thoughtless theological response might be tempted into – especially that of conceiving the world purely and baldly as “sacramental” in structure. Finally it concludes by asking what possibilities postmodernity opens up through a thoughtful discernment of how it constitutes us at all. (shrink)
The article is devoted to topical issues of the culture of professional speech of representatives of the field of law, the level of which is an indicator of professionalism and general culture of the specialist in today's conditions. The purpose of the article is a comprehensive review of speech culture in the professional activities of lawyers at the present stage of development of Ukraine. In the research process, a descriptive method was used, as well as linguistic observation. The content of (...) the concepts of “culture of speech”, “culture of speech”, “culture of professional speech”, “culture of professional speech of a jurist” is highlighted and delimited, and it is also determined that they are in a logical mutual dependence and interdependence. It is revealed that the main standards in the speech activity of a lawyer are correctness, accuracy, logic, clarity, purity, conciseness and expediency, where normativity plays a key role. The studied material demonstrates typical mistakes of irregularity of language norms in professional speech. The causes of these mistakes are identified and ways to eliminate them are named. After analyzing the importance of language literacy and noting the importance of increasing its level for perfect mastery of the Ukrainian language standards and application in practice, it is emphasized that the culture of professional literacy today is the key to the success of a professional personality of a lawyer. (shrink)
Today, in a post-pandemic space, all types of art, comprehending, due to their figurative specificity, certain spheres of objective reality, already as a result of this, circumstances have their own, only inherent laws. Using the inexhaustible possibilities of the plasticity of the human body, choreography has refined and developed expressive dance movements for many centuries. As a result of this complex process, a system of choreographic movements arose, that is, a special artistic and expressive speech of plastics, constitutes the creative (...) material of dance imagery. Choreographic art includes various types of arts: music, choreography itself, drama, painting. Each of them, changing in accordance with the requirements of this type of art, becomes a necessary component of choreographic figurative thinking. Each type of art is achieved thanks to its own figurative specificity, patterns and certain pictorial and expressive means. Choreographic activity dictates its own laws of reflection of reality, is based not on the correspondence of life and artistic material, but on the degree of devotion to the metaphorical reflection of life. A comprehensive study of social constituting dance art in today's post-pandemic space is a complex and versatile task, it mainly involves the study of all its components. Moreover, each of them should be considered not in isolation, but in the general system of their internal connections - in the aspect of their rhythmic and metric, that is, motor organization. (shrink)