Results for 'queer cinema'

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  1.  16
    The Burden of Poofs: Criminal Pathology, Clinical Scrutiny, and Homosexual Etiology in Queer Cinema[REVIEW]Lance Wahlert - 2013 - Journal of Medical Humanities 34 (2):149-175.
    Given the resurgence of scientific studies on the etiology of homosexuality in the wake of the AIDS epidemic, this article considers the effects these studies had on contemporaneous queer filmmakers. By using the subject of criminality as a way to talk about homosexual causality, queer films of the 1990s illustrate that contemporary scientific studies on homosexuality were historically and politically situated in relation to cultural anxieties about other forms of deviance. This article focuses on films that dissect the (...)
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  2.  8
    Art/Cinéma/Queer.Kantuta Quirós & Aliocha Imhoff - 2008 - Multitudes 35 (4):164.
    Queer cinema takes shape between experimental film, the intimate diary form, art video, documentary, dream fiction, recording and militant video-tracts. In the introductory article, we address several dimensions of this creation : one reflects a practice in queer art according to localized experience, as in the films of Hervé Guibert, David Wojnarowicz, and Raphaël Vincent or the photographic work of Del LaGrace Volcano, based on the experience of AIDS or trans-identities. Another dimension is the attempt to constitute (...)
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  3.  22
    Katharina Lindner Film Bodies: Queer Feminist Encounters with Gender and Sexuality in Cinema.Jules O'Dwyer - 2018 - Film-Philosophy 22 (3):510-513.
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  4.  61
    Andrew Asibong (2008) François Ozon.Ger Zielinski - 2010 - Film-Philosophy 14 (2):146-152.
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  5.  43
    I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes.Helen Darby - 2013 - Film-Philosophy 17 (1):330-347.
    This article reads a selection of films by Todd Haynes - Superstar: The Karen Carpenter Story (1987), Velvet Goldmine (1998) and I'm Not There (2007) - through the post-structuralist lens of Deleuzian theorising about the self as a networked singularity rather than an essential subject. The overall aim of the piece is to consider Haynes' films as artefacts that require the participatory audience to be involved in their making. Gilles Deleuze and Felix Guattari's concept of the schizo is addressed to (...)
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  6.  12
    Cross-Dressing and Gender (Tres)Passing: The Transgender Move as a Site of Agential Potential in the New Iranian Cinema.Roshanak Kheshti - 2009 - Hypatia 24 (3):158 - 177.
    This article traces the historical becoming of the contemporary supersaturation of images of queer and transgendered Iran through the narrative and tropic devices introduced by filmmakers in the past twenty years. I argue that the censorship code enforced by the Ministry of Culture and Islamic Guidance is partly responsible for the formation of what has come to be a ubiquitous figure in the New Iranian cinema: the "cross-dressing" or "passing" figure. By performing close readings of "Baran" and "Dokhtaraneh (...)
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  7. Is Queer Parenting Possible?Shelley M. Park - 2009 - In Rachel Epstein (ed.), Who’s Your Daddy? And Other Writings on Queer Parenting. Toronto: Sumach Press. pp. 316-327.
    This paper examines the possibility of parenting as a queer practice. Examining definitions of “queer” as resistant to presumptions and practices of reprosexuality and repro-narrativity (Michael Warner), bourgeouis norms of domestic space and family time (Judith Halberstam), and policies of reproductive futurism (Lee Edelman), I argue that queer parenting is possible. Indeed, parenting that resists practices of normalization are, in part, realized by certain types of postmodern families. However, fully actualizing the possibility of parenting queerly—and thus teaching (...)
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  8. The Queer Art of Failure.Judith Halberstam - 2011 - Duke University Press.
    Introduction : low theory -- Animating revolt and revolting animation -- Dude, where's my phallus? forgetting, losing, looping -- The queer art of failure -- Shadow feminisms : queer negativity and radical passivity -- "The killer in me is the killer in you" : homosexuality and fascism -- Animating failure: ending, fleeing, surviving.
     
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  9.  28
    Lessons From Queer Bioethics: A Response to Timothy F. Murphy.Cristina Richie - 2016 - Bioethics 30 (5):365-371.
    ‘Bioethics still has important work to do in helping to secure status equality for LGBT people’ writes Timothy F. Murphy in a recent Bioethics editorial. The focus of his piece, however, is much narrower than human rights, medical care for LGBT people, or ending the HIV/AIDS pandemic. Rather, he is primarily concerned with sexuality and gender identity, and the medical intersections thereof. It is the objective of this response to provide an alternate account of bioethics from a Queer perspective. (...)
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  10. Queer Theory: An Introduction.Annamarie Jagose - 1996 - New York University Press.
    "Annamarie Jagose knows that queer theory did not spring full-blown from the head of any contemporary theorist. It is the outcome of many different influences and sources, including the homophile movement, gay liberation, and lesbian feminism. In pointing to the history of queer theory-a history that all too often is ignored or elided-Jagose performs a valuable service." -Henry Abelove, co-editor of The Lesbian and Gay Studies Reader The political and academic appropriation of the term queer over the (...)
     
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  11.  65
    The Queer Politics of Migration: Reflections on “Illegality” and Incorrigibility.Nicholas De Genova - 2010 - Studies in Social Justice 4 (2):101-126.
    The most resounding expression of the truly unprecedented mobilizations of migrants throughout the United States in 2006 was a mass proclamation of collective defiance: ¡Aquí Estamos, y No Nos Vamos! [Here we are, and we're not leaving!]. This same slogan was commonly accompanied by a still more forcefully incorrigible rejoinder: ¡Y Si Nos Sacan, Nos Regresamos! [... and if they throw us out, we'll come right back!]. It is quite striking and, as this essay contends, not merely provocative but genuinely (...)
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  12. The Dutch Homo-Emancipation Policy and its Silencing Effects on Queer Muslims.Suhraiya Jivraj & Anisa de Jong - 2011 - Feminist Legal Studies 19 (2):143-158.
    The recent Dutch homo-emancipation policy has identified religious communities, particularly within migrant populations, as a core target group in which to make homosexuality more ‘speakable’. In this article we examine the paradoxical silencing tendencies of this ‘speaking out’ policy on queer Muslim organisations in the Netherlands. We undertake this analysis as the Dutch government is perhaps unique in developing an explicit ‘homo-emancipation’ policy and is often looked to as the model for sexuality politics and legal redress in relation to (...)
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  13.  36
    Screening the Church: A Study of Clergy Representation in Contemporary Afrikaans Cinema.Shaun Joynt & Chris Broodryk - 2018 - Hts Theological Studies 74 (2):1-8.
    The church-funded CARFO or KARFO (Afrikaans Christian Filmmaking Organisation) was established in 1947, and aimed to ‘[socialise] the newly urbanized Afrikaner into a Christian urban society’ (Tomaselli 1985:25; Paleker 2009:45). This initiative was supported and sustained by the Dutch Reformed Church (DRC), which had itself been part of the sociopolitical and ideological fabric of Afrikaans religious life for a while and would guide Afrikaners through tensions between religious conservatism and liberalism and into apartheid. Given Afrikaans cinema’s ties with Christian (...)
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  14.  22
    Queer Patients and the Health Care Professional—Regulatory Arrangements Matter.Udo Schuklenk & Ricardo Smalling - 2013 - Journal of Medical Humanities 34 (2):93-99.
    This paper discusses a number of critical ethical problems that arise in interactions between queer patients and health care professionals attending them. Using real-world examples, we discuss the very practical problems queer patients often face in the clinic. Health care professionals face conflicts in societies that criminalise same sex relationships. We also analyse the question of what ought to be done to confront health care professionals who propagate falsehoods about homosexuality in the public domain. These health care professionals (...)
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  15.  17
    Clique Size and Network Characteristics in Hyperlink Cinema.Jaimie Arona Krems & R. I. M. Dunbar - 2013 - Human Nature 24 (4):414-429.
    Hyperlink cinema is an emergent film genre that seeks to push the boundaries of the medium in order to mirror contemporary life in the globalized community. Films in the genre thus create an interacting network across space and time in such a way as to suggest that people’s lives can intersect on scales that would not have been possible without modern technologies of travel and communication. This allows us to test the hypothesis that new kinds of media might permit (...)
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  16. Queer Theory/Sociology.Steven Seidman (ed.) - 1996 - Blackwell.
    This book aims to productively engage the pioneering work of Queer theorists and point toe way towards a new sociological Queer studies.
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  17. A Critical Introduction to Queer Theory.Nikki Sullivan - 2003 - New York University Press.
    "This book is a succinct, pedagogically designed introduction. As classroom text, Sullivan's work is heady with vibrant debate and slim heuristics; her intellectual clarity is stunning." - Choice A Critical Introduction to Queer Theory explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts. The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how and why queer theory emerged in the West in (...)
     
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  18.  68
    The Queer Thing About Neoliberal Pleasure: A Foucauldian Warning.Shannon Winnubst - 2012 - Foucault Studies 14:72-97.
    Through a careful reading of Foucault’s 1979 lectures on neoliberalism alongside Volumes 1 and 2 of The History of Sexuality, I argue that scholarship on both neoliberalism and queer theory should heed Foucault’s framing of both neoliberalism and sexuality as central to biopolitics. I thus offer two correctives to these fields of scholarship: for scholarship on neoliberalism, I locate a way to address the ethical bankruptcy of neoliberalism in a manner that Marxist analyses fail to provide; for scholarship in (...)
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  19.  50
    Queer/Fear: Disability, Sexuality, and The Other. [REVIEW]Nancy J. Hirschmann - 2013 - Journal of Medical Humanities 34 (2):139-147.
    This paper examines the relationship between disability and “queerness.” I argue that the hostility frequently expressed against both disabled and queer individuals is a function of fear of the undecidability of the body. I draw on feminist, queer, and disability theory to help us understand this phenomenon and suggest that these different kinds of theories have a complementary relationship. That is, feminist and queer theory help us see how this fear works, disability theory helps us see why (...)
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  20.  74
    Jean Baudrillard and Cinema: The Problems of Technology, Realism and History.Gerry Coulter - 2010 - Film-Philosophy 14 (2):6-20.
    Jean Baudrillard loved cinema and was fascinated by the collusions which occur between it and life. He also believed that technologies of virtualization and the pursuit of realism were deeply harmful to the quality of the cinematic image. Precisely at the time when cinema was subject to these forces he pointed out that it is coming to play a far more important role in the collective understanding of history than are the best scholarly histories. Because of the focus (...)
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  21.  37
    Queer Reproduction Revisited and Why Race, Class and Citizenship Still Matters: A Response to Cristina Richie.Doris Leibetseder - 2018 - Bioethics 32 (2):138-144.
    In the dialogue between Timothy F. Murphy and Cristina Richie about queer bioethics and queer reproduction in this journal, significant points of the emergent and extremely important discussions on lesbian, gay, bisexual, transgender and queer bioethics are raised. Richie specifies correctly that queer bioethics can either complement or contradict LGBT bioethics and the queer standpoint against heteroconformity and heterofuturity is decisive here. As the field of queer bioethics is such a recent and essential part (...)
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  22.  45
    Polyamory Is to Polygamy as Queer Is to Barbaric?Shelley M. Park - 2017 - Radical Philosophy Review 20 (2):297-328.
    This paper critically examines the ways in which dominant poly discourses position polyamorists among other queer and feminist-friendly practices while setting polygamists outside of those practices as the heteronormative and hyper-patriarchal antithesis to queer kinship. I begin by examining the interlocking liberal discourses of freedom, secularism and egalitarianism that frame the putative distinction between polyamory and polygamy. I then argue that the discursive antinomies of polyamory/polygamy demarcate a distinction that has greater affective resonance than logical validity—an affective resonance, (...)
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  23. Adoptive Maternal Bodies: A Queer Paradigm for Rethinking Mothering?Shelley Park - 2006 - Hypatia 21 (1):201-226.
    : A pronatalist perspective on maternal bodies renders the adoptive maternal body queer. In this essay, I argue that the queerness of the adoptive maternal body makes it a useful epistemic standpoint from which to critique dominant views of mothering. In particular, exploring motherhood through the lens of adoption reveals the discursive mediation and social regulation of all maternal bodies, as well as the normalizing assumptions of heteronormativity, "reprosexuality," and family homogeneity that frame a traditional view of the biological (...)
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  24.  8
    Queer in the Clinic.Lance Wahlert & Autumn Fiester - 2013 - Journal of Medical Humanities 34 (2):85-91.
    Beginning with a rumination on the AIDS-inspired poetry of Thom Gunn, this article by the guest editors introduces the special issue of the Journal of Medical Humanities titled “Queer in the Clinic.” After providing an overview of the historical legacy and contemporary dilemmas of LGBTQ persons in biomedical practice, the authors describe the rationale of the issue and the contributions included.
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  25.  49
    Critical Investments: AIDS, Christopher Reeve, and Queer/Disability Studies. [REVIEW]Robert McRuer - 2002 - Journal of Medical Humanities 23 (3-4):221-237.
    In his contribution, “Critical Investments: AIDS, Christopher Reeve, and Queer/Disability Studies,” Robert McRuer calls for the recognition of the points of convergence between AIDS theory, queer theory, and disability theory. McRuer points out ways in which minority identity groups such as people with AIDS, gays, lesbians, and bisexuals, and those with so-called disabilities, whose status has been described by others as “impaired,” have resisted this judgment by calling its ideological underpinnings into question. He contends that a critical alliance (...)
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  26.  64
    The Afterlives of Queer Theory.Michael O'Rourke - 2011 - Continent 1 (2):102-116.
    What might queer theory look like if we were to consider it as a hybrid, viral, shapeshifting, post-continental philosophy with cosmopolitical world-making aspirations?
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  27.  51
    A filosofia eo cinema catástrofe:“O Dia depois de Amanhã” na relação Homem x Natureza.Laécio Almeida Gomes - 2010 - Cadernos Do Pet Filosofia 1 (2):p - 50.
    É possível estabelecer uma relação didática entre filosofia e cinema para ilustrar, esclarecer ou levantar instigantes discussões em torno dos conceitos e das idéias filosóficas. Ainda que a linguagem cinematográfica seja diferente os gêneros do cinema podem apresentar distintas formas da realidade humana de modo crítico e conciso, como por exemplo no cinema catástrofe, onde são evidenciadas as relações entre homem e natureza como mostra o filme “The Day After Tomorrow” de Roland Emmerich exposto neste artigo com (...)
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  28.  85
    Il Rilievo Della Visione Movimento, Profondità, Cinema Ne Le Monde Sensible et Le Monde De L’Expression.Anna Caterina Dalmasso - 2010 - Chiasmi International 12:83-110.
    Le relief de la vision. Mouvement, profondeur et cinéma dansLe monde sensible et le monde de l’expressionEst-il possible d’établir une connexion entre Le monde sensible et le monde de l’expression et la pensée du dernier Merleau-Ponty? De quelle manière une formulation germinale de la réflexion ontologique serait-elle présente dans le cours de 1953? Et quels sont les éléments de contact et de convergence qui permettent de retracer un tel lien?J’ai l’intention de proposer cette hypothèse à partir d’une considération du thème (...)
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  29.  22
    The Queer Art of Biblical Reading: Matthew 25:31-46 Through Caritas Romana.Luis Menéndez-Antuña - 2017 - Journal of Religious Ethics 45 (4):732-759.
    The place of eros in Christian theology has always been a contested one, not least because it is positioned as being at odds with agape, the kind of love that embodies gospel ethics. Matthew 25:31–46 calls us to “feed the hungry,” “quench the thirsty,” “shelter the homeless,” “clothe the naked,” and “visit the imprisoned” as emblematic examples of agapic love. This essay shows how a queer act, specifically that of a woman breastfeeding a starving man as depicted in the (...)
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  30.  55
    Corpo nudo, deforme, violato. Un montaggio nelle Histoire(s) du cinéma di Jean-Luc Godard.Alberto Brodesco - 2012 - Scienza and Politica. Per Una Storia Delle Dottrine 24 (47).
    L’articolo ragiona intorno al film-saggio Histoire(s) du cinéma (1988-1998) di Jean-Luc Godard e si sofferma in particolare su un controverso montaggio in cui il regista francese accosta estratti da un film pornografico, Freaks di Tod Browning e riprese dai campi di concentramento. In questa sequenza Godard sottopone a una verifica estrema la sua teoria del montaggio, l’idea della riconciliazione, destinata a produrre scintille di pensiero, tra realtà contrapposte. Questa forzatura delle immagini richiama un’analoga forzatura del testimone mostrata in una scena (...)
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  31.  40
    Deleuze, Leitor de Espinosa: Automatismo Espiritual E Fascismo No Cinema.Susana Viegas - 2014 - Kriterion: Journal of Philosophy 55 (129):363-378.
    Neste texto, procuro encontrar as origens de um dos mais importantes conceitos de Gilles Deleuze, o conceito de Imagem-tempo. Este conceito remete-nos para os primeiros textos de Deleuze dedicados à filosofia de Espinosa e ao problema do autómato espiritual e relaciona-se directamente com o problema da passividade/actividade do espectador. Ou seja, o conceito crucial na sua filosofia do cinema, a Imagem-tempo, esconde uma importante reflexão sobre a Imagem cinematográfica como arte de massas, os (im)poderes do pensamento e o modo (...)
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  32.  12
    Imaging Bodies, Imagining Relations: Narratives of Queer Women and “Assisted Conception”.Jacquelyne Luce - 2004 - Journal of Medical Humanities 25 (1):47-56.
    This article is based on ethnographic research conducted between 1998 and 2000 in British Columbia, Canada. In this article Luce brings together the narratives of queer women she interviewed about their experiences of trying to become parents with her own stories about doing the research. Both sets of stories explore the ways in which relationships between people are reproduced and represented through images of sexuality, reproduction, queerness, parents, and families. Shifting between telling about the tensions she experienced while doing (...)
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  33.  57
    Review of Scotland: Global Cinema: Genres, Modes and Identities. [REVIEW]John Marmysz - 2011 - Film-Philosophy 15 (2):159-165.
    A review of Scotland: Global Cinema, by David Martin-Jones.
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  34.  36
    The Paradox of Film: An Industry of Sex, a Form of Seduction (Notes on Jean Baudrillard's Seduction and the Cinema).Hunter Vaughan - 2010 - Film-Philosophy 14 (2):41-61.
    Jean Baudrillard, the misfit. Jean Baudrillard, who told us that the Gulf Warnever happened, who drew our attention to the perils of a civilization thatchoses to lead a virtual existence in an arena of images and simulacra - this isthe Baudrillard we are mostly familiar with. But Jean Baudrillard, thechampion of appearances? Baudrillard, more-feminist-than-the-feminists?This Baudrillard remains buried in the stacks of a prolific career spanningover forty years and involving some of the most radical systematicdeconstructions of Western culture, society and politics. (...)
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  35. Feminism Meets Queer Theory.Elizabeth Weed & Naomi Schor (eds.) - 1997 - Indiana University Press.
  36.  4
    Aesthetics and Politics of the Fashion Image: A Queer Perspective.Roberto Filippello - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):75-85.
    This essay theorizes the fashion photographic image as a privileged site for queer sensory experience. It takes the stance that the aesthetic engagement with the fashion image occurs through sensation, and more precisely, through a haptic and periperformative experience that activates desires, meanings, and fantasies. Through the circulation of feelings sparked via the sensorial experiencing of the photo, queer subjects can sense belongings and form affiliations that bind them in an egalitarian community of sense exceeding sexual and social (...)
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  37.  13
    Queer Theory, Sex Work, and Foucault’s Unreason.Brooke M. Beloso - 2017 - Foucault Studies 23:141-166.
    During the late nineties, leading voices of the sex worker rights movement began to publicly question queer theory’s virtual silence on the subject of prostitution and sex work. However, this attempt by sex workers to “come out of the closet” into the larger queer theoretical community has thus far failed to bring much attention to sex work as an explicitly queer issue. Refusing the obvious conclusion—that queer theory’s silence on sex work somehow proves its insignificance to (...)
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  38. Cinema: Display, Medium, Work.Trevor Ponech - 2013 - Revista Portuguesa de Filosofia 69 (3-4):543-564.
    Resumo Neste artigo, tentar-se-á reconstruir e defender a noção de “especificidade média” que se refere ao cinema. Começar-se-á por discutir a ontologia de um certo tipo de exibição visual, geralmente encontrada em conexão com uma vasta gama de obras cinematográficas. Argumentar-se-á que estas exibições têm uma natureza essencial ou real. Obras construídas em torno de tais exibições estão aptas a manifestar certas qualidades e poderes peculiares. Assim, o “meio de cinema” consiste em parte, num tipo particular de meio (...)
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  39.  46
    Deleuze and the Queer Ethics of an Empirical Education.Paul Andrew Moran - 2013 - Studies in Philosophy and Education 32 (2):155-169.
    Axiomatic and problematic approaches to ontology are discussed, at first in relation to the work of Badiou and Deleuze in mathematics. This discussion is then broadened focussing on problematics in Deleuze and Guattari’s critiques of capitalism and psychoanalysis which results in an analysis of the implications of this discussion for education. From this, education as being already there, which is an assumption in some strands of philosophy of education, following Deleuze’s critique of axiomatic presentations of ontological identities, is described as (...)
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  40.  22
    What Does Queer Family Equality Have to Do with Reproductive Ethics?Amanda Roth - 2016 - Ijfab: International Journal of Feminist Approaches to Bioethics 9 (1):27-67.
    In this paper, I attempt to bring together two topics that are rarely put into conversation in the philosophical bioethics literature: lesbian, gay, bisexual, and queer family equality on one hand, and, on the other, the morality of such alternative reproductive practices as artificial insemination by donor, egg donation, and surrogacy.2 In contrast to most of the philosophical bioethics literature on ARP, which has little to say about queer families, I will suggest that the ethics of ARP and (...)
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  41.  13
    MOLETTA, Alex. Fazendo cinema na escola: arte audiovisual dentro e fora da sala de aula.Samuel Mota Silva - 2016 - Cadernos Do Pet Filosofia 7 (14):107-108.
    Resenha do livro: MOLETTA, Alex. Fazendo cinema na escola: arte audiovisual dentro e fora da sala de aula.
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  42.  24
    Cinema and the Artificial Passions: A Conversation with the Abbé Du Bos.Paisley Nathan Livingston - 2013 - Revista Portuguesa de Filosofia 69 (3-4):419-430.
    Resumo Na entrevista ficcional que se segue, as ideias de Abbé Jean-Baptiste Du Bos sobre as artes de representação serão aplicadas a aspectos relevantes do cinema. Du Bos argumenta que, normalmente, as obras de ficção cinematográfica são projectadas para dar origem a “paixões artificiais”, que têm a função de fornecer alívio ao tédio, sem as consequências negativas que muitas actividades alternativas têm. Também será considerada a questão, se os filmes têm um significado filosófico. O resultado é uma perspectiva desconhecida, (...)
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  43.  15
    Performing the Real and Its Lack: The Dialectical Performances of Slavoj Žižek in The Pervert’s Guide to Cinema and The Pervert’s Guide to Ideology.Joseph Rachel - 2017 - International Journal of Žižek Studies 11 (1).
    This essay focuses on the dialectics of The Pervert’s Guide to Cinema and The Pervert’s Guide to Ideology. I argue both films translate into a dialectical encounter between cinema and performance. Each documentary’s filmic texture offers a look at the shifting ideologies of the screened stage and critical theory. Both films use Jacques Lacan and Slavoj Žižek as intermediary figures between elusive psychoanalytic/materialist ideas and performance. The Pervert’s Guide to Cinema does it in a glossy, beautifully filmed (...)
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  44.  21
    Voiding Cinema: Subjectivity Beside Itself, or Unbecoming Cinema in Enter the Void.William Brown & David H. Fleming - 2015 - Film-Philosophy 19 (1):124-145.
    This essay examines Gaspar Noë's film, Enter the Void, in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and describe by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion (...)
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  45.  28
    Dreams Rise in Darkness: The White Magic of Cinema.David B. Clarke - 2010 - Film-Philosophy 14 (2):21-40.
    This paper considers Baudrillard’s thought in relation to cinema. It begins with a discussion of the way in which Baudrillard’s work typically invokes film and of the consequent paucity of Baudrillardian studies of cinema, making reference to the literature on Blade Runner and The Matrix . It proceeds to excavate a fuller account of Baudrillard’s conception of cinema, drawing, initially, on Baudrillard’s use of the 1926 German silent film, The Student of Prague , in his conclusion to (...)
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  46.  23
    Review Essay: Daniel Morgan, Late Godard and the Possibilities of Cinema.Andrew Ryder - 2013 - Journal of French and Francophone Philosophy 21 (2):158-162.
    A review of Daniel Morgan, Late Godard and the Possibilities of Cinema (Berkeley, CA: University of California Press, 2013).
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  47.  17
    Christianity: Queer Pasts, Queer Futures?Lisa Isherwood - 2015 - Horizonte 13 (39):1345-1374.
    This paper asks whether Christianity has always been queer, is the very nature of it beyond what one might expect from reality? Does the core of Christianity destabilise the categories by which subsequent Christian leaders have created doctrine, developed ethics and controlled the faithful? Is this queer core located in the very notion of incarnation itself, an event that truly changes all we thought we knew about the nature of materiality? The paper is not attempting to find a (...)
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  48.  15
    The Ethics of Uncovering Something Else in Histoire du Cinema.Jiewon Baek - 2014 - Journal of French and Francophone Philosophy 22 (1):40-60.
    In lieu of an abstract, here is the essay's opening paragraph: Marguerite Duras prefaces the second edition of Le navire night , from which an excerpt is cited above, by explaining that after writing the story of a man named J.M., everything came too late, including the realization of the film version of Le navire night. Once the event has been written and the common night of history been closed up, did she have the right to flash a light into (...)
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  49. A resistência armada: Lamarca e Marighella no cinema nacional.Cristiane Gutfreind & Helena Stigger - 2013 - Logos: Comuniação e Univerisdade 20 (1).
    O presente artigo estuda a ditadura militar no cinema brasileiro, e em especial, analisa a representação de dois líderes da esquerda armada: Carlos Marighella e Carlos Lamarca. O assassinato de Marighella foi evidenciado em filmes como Batismo de sangue (Helvécio Ratton, 2007) e Marighella, retrato falado de um guerrilheiro (Silvio Tendler, 2001). Assim como o caráter humanista de Lamarca foi destacado no filme Lamarca – o capitão da guerrilha (Sérgio Rezende, 1994). Portanto, partindo dessa identificação, buscamos estudar a relação (...)
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  50.  14
    Da ficção científica para a ficção religiosa: ideias para pensar o cinema de ficção científica como o culto da religião vivida (From Science Fiction to Religious Fiction: ideas to think on Science Fiction cinema as the cult of lived religion).Júlio Cézar Adam - 2012 - Horizonte 10 (26):552-565.
    Da ficção científica para a ficção religiosa: ideias para pensar o cinema de ficção científica como o culto da religião vivida (From Science Fiction to Religious Fiction: ideas to think on Science Fiction cinema as the cult of lived religion). DOI - 10.5752/P.2175-5841.2012v10n26p552 Este artigo tem como objetivo refletir sobre a chamada religião vivida como uma forma de repensar o papel da teologia e das ciências da religião na contemporaneidade. O estudo da religião vivida será investigado na relação (...)
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