This text gives a critical account of various, often conflicting interpretations of slash fiction - stories based on characters from popular TV show, The Star Trek, written by fans. What makes slash fiction, a subgenre of fan fiction, specific is a homoeroticization of characters that in the original narratives are either explicitly or implicitly heterosexual. Whether such?homoerotic pairing? has any foundation in the original Star Trek narrative, remains an open question. Answers to this question vary greatly. An affirmative (...) answer, however, begs a further question: whether these narratives are?homosexual representations? in a strict gay/lesbian sense? The authors propose that slash represents a non-hegemonic narrative which transgresses borders set up in the original narrative - queering, reexamining thus both sex and gender. (shrink)

This text gives a critical account of various, often conflicting interpretations of slash fiction - stories based on characters from popular TV show, The Star Trek, written by fans. What makes slash fiction, a subgenre of fan fiction, specific is a homoeroticization of characters that in the original narratives are either explicitly or implicitly heterosexual. Whether such?homoerotic pairing? has any foundation in the original Star Trek narrative, remains an open question. Answers to this question vary greatly. An affirmative (...) answer, however, begs a further question: whether these narratives are?homosexual representations? in a strict gay/lesbian sense? The authors propose that slash represents a non-hegemonic narrative which transgresses borders set up in the original narrative - queering, reexamining thus both sex and gender. (shrink)

Much has changed since the beginnings of the gay liberation movement and the feminist movement in the 1970s in Aotearoa/New Zealand. Yet, to a degree, the invisibility of gay male, lesbian and transsexual lifestyles as well as individual struggles for rights and recognition remains. The diverse contributions in this book discuss how the reframing of ‘queer’ as a proud, border-crossing identity challenges conventional views of gay, lesbian, transsexual and heterosexual identities. At the heart of queer politics and theory lies the (...) double irony that ‘queers’ still experience different social positions and are confronted differently by public challenges, and they also seldom agree about how, and for what political reasons, sexuality should be defined and categorised. In this book, 'queer' brings together wide-ranging commentaries on the history, politics and culture of thirty years of sexual history in Aotearoa/New Zealand. (shrink)

Beginning with a rumination on the AIDS-inspired poetry of Thom Gunn, this article by the guest editors introduces the special issue of the Journal of Medical Humanities titled “Queer in the Clinic.” After providing an overview of the historical legacy and contemporary dilemmas of LGBTQ persons in biomedical practice, the authors describe the rationale of the issue and the contributions included.

"This book is a succinct, pedagogically designed introduction. As classroom text, Sullivan's work is heady with vibrant debate and slim heuristics; her intellectual clarity is stunning." - Choice A Critical Introduction to Queer Theory explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts. The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how and why queer theory emerged in the West in the late (...) twentieth century. Sullivan goes on to provide a detailed overview of the complex ways in which queer theory has been employed, covering a diversity of key topics including: race, sadomasochism, straight sex, fetishism, community, popular culture, transgender, and performativity. Each chapter focuses on a distinct issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Freud, Foucault, Derrida, Judith Butler, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), introduces key terms, and uses contemporary cinematic texts as examples. (shrink)

This article deals with the formation of both queer movements and theories, with the relations that they entertain with feminisms and the political uses to which they put Foucault and Deleuze. It also explores the theoretical and political advantages provided by the concept of « multitudes » over that of « sexual difference »for queer theory and movements. In contrast to the American scene, queer movements in Europe are inspired by anarchist culture and the emergence of transgendered cultures to counter (...) the « sexual Empire », notably by proposing a de-ontologisation of identity politics. No more natural base which can legitimise political action. The emphasis is no longer on « sexual difference » or « the difference of homosexuals », but on queer multitudes. A multitude of bodies, transgendered bodies, men without penises, dykes, cyborgs, butch girls... The « sexual multitude » appears henceforth as the possible subject of a queer politics. (shrink)

As such, the book will interest readers of gay/lesbian/bisexual/transgender studies, intellectual history, political theory, and the history of gender/sexuality ...

The notion of gender, introduced into France by queens and drags in the late 20th century (the glorious period of the "drag-queens") and revitalized by American "queer", follows a traditionally feminist path where homosexual and particularly male issues are once again being hidden away. Having played a big part in popularizing that first version, Patrick Cardon proposes, in order to avoid any misunderstanding and escape once for all from any attempts at reification, to use the term and the universal notion (...) of transgender, which would cover the deconstructivist notions of queer, post-colonial and cultural studies, in order to give a place intelligently to ALL diversities beyond any binarism and with a foresight of future hybridity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 32.2 (2002) 3-19 [Access article in PDF] (Queer) Theory and the Universal Alternative James Penney Judith Butler. Antigone's Claim: Kinship Between Life and Death. New York: Columbia UP, 2000. Judith Butler, Ernesto Laclau, and Slavoj Žižek. Contingency, Hegemony, Universality: Contemporary Dialogues on the Left. London: Verso, 2000. In October 2000, just a few weeks before the US presidential election, a young, fashionable, handsome man handed me a political (...) leaflet while I crossed Christopher Street in Greenwich Village. I didn't give it much thought at the time (apart from noticing that the boy was kind of cute): I was in transit toward the 4th Street subway station and the Port Authority where I would catch the bus back to Cornell. When I decided to write a review essay on the current state of poststructuralism, Marxism, and queer theory through the lens of the two books listed above, I discovered I had lost the pamphlet, certain that my hostile reaction to what I considered its fundamental conservatism and trendy political correctness had unconsciously caused its mysterious disappearance.When I rediscovered the leaflet in the chaos of my move away from Ithaca, I realized that my relation to it had been hysterical: I was reluctant to address its traumatic content, unwilling to excavate my multiple frustrations at the apparent impossibility of being a homosexual and a socialist in America. And yet I couldn't really forget about it either: though not an American citizen and therefore unable to vote, I found myself equally unable simply to dismiss the leaflet as a mere inconsequential symptom of the pseudo-democracy that America has always been, or unequivocally to endorse the snooty CBC/Queen Street condescension of my fellow Canadian Lefties toward the primitive, superficial, liberal (in the worst psychologistic sense), irremediably ideological, and thoroughly depressing state of American political discourse. "Those poor Americans," the far-from-irrelevant logic goes. "They either unquestioningly submit to the individualistic fantasy of the American Dream in order to participate in the 'political process,' or they become hermetically imprisoned in their pseudo-political anti-statist minoritarianism, too cool and too radical to condescend to the public sphere." After six years in the United States, I've now become aware that my inability to swallow much of contemporary queer theory—authored overwhelmingly by young, elite-educated Americans with relatively narrow political horizons—is mostly due to the manner in which it articulates numerous political assumptions fundamentally alien to my own socialization in a country whose political differences from the US are insufficiently appreciated in that nation, and in which extremes of climate and geography have engendered a collectivist ethos in many ways fundamentally hostile to the American-style extreme individualism with which I had lived for so many years.But the interest of this sort of political autobiography is in this context undoubtedly limited. What—you might now find yourself impatiently wondering if you don't already [End Page 3] know—were the contents of this famous pamphlet? And what exactly was my problem with it? Published by a coalition of queer voters in New York called the Empire State Pride Agenda, the pamphlet presented extremely selective profiles of the main candidates, both Democrat and Republican, running for the offices of President, US Senator, State Senator, and Member of the State Assembly. Each profile summarized the history of a candidate's positions with respect to rights issues of concern to gay, lesbian, bisexual, and transgendered persons. The profiles made no concerted effort to represent the candidates' perspectives on any other issue: gun control, education, foreign policy, the death penalty, taxation, health care (generally speaking, that is to say above and beyond the issues related to AIDS-related illness and reproductive rights); only policies directly concerning civil rights for nonheterosexual citizens were thoroughly broached.I should confess that once I got the general idea I threw the pamphlet away in disgust: "Am I supposed to feel interpellated," I asked myself in full hysterical Althusserian mode, "by this utterly pseudo-political claptrap?" Is this what it means to be gay and political in America... (shrink)

This paper analyzes the ethical themes and theory portrayals by particular characters in Star Trek: Into Darkness. It is concluded that the film can be understood as explicating the pros and cons of both "male" and "female" ethical perspectives, and that a comprehensive understanding of morality requires some synthesis of both perspectives.

The recent Dutch homo-emancipation policy has identified religious communities, particularly within migrant populations, as a core target group in which to make homosexuality more ‘speakable’. In this article we examine the paradoxical silencing tendencies of this ‘speaking out’ policy on queer Muslim organisations in the Netherlands. We undertake this analysis as the Dutch government is perhaps unique in developing an explicit ‘homo-emancipation’ policy and is often looked to as the model for sexuality politics and legal redress in relation to inequalities (...) on the basis of sexual orientation. We highlight how the ‘speakability’ imperative in the Dutch homo-emancipation policy reproduces a paradigmatic, ‘homonormative’ model of an ‘out’ and ‘visible’ queer sexuality that has also come to be embedded in an anti-immigrant and specifically anti-Muslim discourse in the Netherlands. Drawing on the concept of habitus, particularly in the work of Gloria Wekker, we suggest that rather than relying on a ‘speakability’ policy model, queer Muslim sexualities need to be understood in a more nuanced and intersecting way that attends to their lived realities. (shrink)

In 1966 Gene Roddenberry, then a relatively unknown TV writer, created what was to become a cultural sensation. From cell phones and tablets, to MRI machines and medical jet injectors, Star Trek has undoubtedly anticipated much of the technology that we take for granted today. Moreover, the disagreements, fights and jokes between Captain Kirk (William Shatner), Dr Leonard ‘Bones’ McCoy (DeForest Kelley) and Mr Spock (Leonard Nimoy) were expertly crafted for dramatic impact. But I’m not writing this to confess (...) to you my obsessive infatuation with the Star Trek universe. Instead I want to discuss how the beliefs and practices of Vulcans like Spock are similar to those of the Stoic school of philosophy. (shrink)

Philosophy and space travel are characterized by the same fundamental purpose: exploration. An essential guide for both philosophers and Trekkers, Star Trek and Philosophy combines a philosophical spirit of inquiry with the beloved television and film series to consider questions not only about the scientific prospects of interstellar travel but also the inward journey to examine the human condition. The expansive topics range from the possibilities for communication among different cultural backgrounds to questions about the stoic temperament exhibited by (...) Vulcans to Ferengi business practices. Specifically chosen to break new ground in exploring the philosophical dimensions of Star Trek, these articles boldly go where no philosopher has gone before. (shrink)

Science fiction fandoms tend to contain significant numbers of fans who feel angry and resentful about the handling of the franchise they are fans of, because of the stories the franchises owners have told. The paper addresses the question of when, if ever, such anger and resentment are justified. Special attention will be paid to Star Trek fandom, but other fandoms will be considered, including those for Star Wars and Doctor Who. Various proposed justifications for anger and resentment (...) will be considered, including that franchise owners have misled fans about the stories they would tell, have wasted opportunities to produce good art, have reduced the value of older art, have engaged in a form of cultural appropriation by repurposing old characters, have caused needless offense of a sort akin to the offense of religious sensibilities, have offended against the principle of utility, and have taken advantage of unjust copyright laws. The paper does not champion a conclusion about when, if ever, fan anger and resentment are justified. However, it is concluded that, contrary to what is often assumed, it is not obvious that fan anger and resentment are always unjustified, and so fan anger and resentment cannot always be dismissed out of hand. (shrink)

The Absolute, philosophized most saliently about by Georg Hegel, encompasses the entirety of reality. The absolute is composed of five dimensions – height, length, width, time, and justice. The five dimensions operate dialectically, and the normative values of reality inhere within the fifth dimension – hard, soft, moral, ethical, yellow, etc. ad infinitum. The normative values from the fifth dimension, in combination with the brain, comprise the human mind. With the issues of climate change, world-wide biosphere destruction, nuclear weapons, international (...) trade regimes, humanity has created the phenomenon of global politics – thereby changing the fifth dimension. The argument in this volume is that the broadcast iterations of Star Trek allow us to comprehend significant aspects of justice and the politics of globalism – created through the advent of science, technology, engineering, etc. The creators of Star Trek hold that nationalism is a psychological pathology and internationalism is rationality. (shrink)

This book examines how humanity faces the absence of a coherent, universal conception of justice. By analyzing Star Trek, this book argues that in order to obtain true democracy and justice the productive forces of society must be geared toward achieving a thriving society, the whole individual, and the ecology.

This paper outlines the main tenets of poststructuralism and considers how they are applied by practitioners of queer theory. Drawing on both Michel Foucault and Jacques Derrida, queer theory explores the ways in which homosexual subjectivity is at once produced and excluded within culture, both inside and outside its borders. This approach is contrasted with more sociological studies of sexuality (labeling theory, social constructionism). Whereas queer theory investigates the relations between heterosexuality and homosexuality, sociologists tend to examine homosexual identities and (...) communities, paradoxically ignoring the social construction of heterosexuality. Poststructuralism can inform a sociological approach to sexuality by emphasizing the generative character of all sexual identities. A sociological study of sexuality which is informed by poststructuralism would examine the exclusions implicit in a heterosexual/homosexual opposition. In this process, bisexual and transgender identities can become viable cultural possibilities, and a broad-based political coalition established. Whereas mainstream sociology focuses on the ways in which homosexuals are outside social norms, and whereas queer theory exploits the ways in which this outside is already inside, this perspective suggests that a critical sexual politics seeks to move beyond an inside/outside model. (shrink)

Freud divided people in three libidinal types: narcissist (doer), obsessional (thinker), and libidinal (lover). Kirk (narcissist), Spock (obsessional) and McCoy (libidinal) complemented each other, giving the show depth and balance.

Star Trek scripts have often grappled with dilemmas of medical ethics. The most explicitly medical-ethics-oriented Star Trek episode is named, aptly enough, “Ethics.” The script was written by Sara Charno and Stuart Charno, authors of two other Star Trek episodes. “Ethics” first aired on 2 March 1992. In the fall of 1992, we began to use this “Ethics” episode to motivate discussions in our first-year medical students’ course on medical ethics and the doctor-patient relationship. We asked students (...) to write essays addressing one of the many ethical dilemmas posed by the episode. Over the years, the episode has become a tradition. Both students and instructors find the formulation of dilemmas in the context of a science-fiction story to be both liberating and stimulating. In this essay, we will discuss this particular episode in some detail and then provide a brief synopsis of other episodes that might be used in ethics courses in a similar way. (shrink)

This volume explains how Star Trek allows viewers to comprehend significant aspects of Georg Hegel's concept the absolute, the driving force behind history. Gonzalez, with wit and wisdom, explains how Star Trek exhibits central elements of the absolute. He describes how themes and ethos central to the show display the concept beautifully. For instance, the show posits that people must possess the correct attitudes in order to bring about an ideal society: a commitment to social justice; an unyielding (...) commitment to the truth; and a similar commitment to scientific, intellectual discovery. These characteristics serve as perfect embodiments of Hegel's conceptualization, and Gonzalez's analysis is sharp and exacting. George A. Gonzalez is Associate Professor of Political Science at the University of Miami, USA. He specializes in the fields of political theory, popular culture, and environmental politics and policy. In the areas of popular culture and political theory he has published two articles in the journal Foundation: The International Review of Science Fiction, as well as the book The Politics of Star Trek: Justice, War, and the Future. (shrink)

Reunites the editors of Star Trek and Philosophy with Starfleet’s finest experts for 31 new, highly logical essays Features a complete examination of the Star Trek universe, from the original series to the most recent films directed by J.J. Abrams, Star Trek and Star Trek Into Darkness Introduces important concepts in philosophy through the vast array of provocative issues raised by the series, such as the ethics of the Prime Directive, Star Trek’s philosophy of peace, (...) Data and Voyager’s Doctor as persons, moral relativism and the Federation’s quest for liberation, the effect of alternate universes on reality and identity, the Borg as transhumanists, Federation Trekonomics, Star Trek’s secular society, and much, much more…! An enterprising and enlightening voyage into deep space that will appeal to hardcore fans and science fiction enthusiasts alike Publishing in time to celebrate the 50th Anniversary of the original TV series. (shrink)

For 50 years, Star Trek has been an inspiration to its fans around the world, helping them to dream of a better future. This inspiration has entered our culture and helped to shape much of the technology of the early 21st Century. The contributors to this volume are researchers and teachers in a wide variety of disciplines; from Astrophysics to Ethnology, from English and History to Medicine and Video Games, and from American Studies to the study of Collective Computing (...) Systems. What the authors have in common is that some version of Star Trek has inspired them, not only in their dreams of what may be, but in the ways in which they work - and teach others to work - here in the real world. Introduced with references to Star Trek films and television shows, and illustrated with original cartoons, each of the 15 chapters included in this volume provides insights into research and teaching in this range of academic fields. (shrink)

Henrik Hansemann, Star-Trek-Experte und früherer Chefredakteur des deutschen Fanportals Treknews.de, sucht und findet Antworten auf Fragen der Logik, Ethik und Moral, die sich im Star-Trek-Universum stellen - immer fundiert und durchweg unterhaltsam. In "Die Philosophie bei Star Trek" werden zum Beispiel folgende Fragen beleuchtet: - Kann es irdische Existenzen zwischen den Sternen überhaupt geben? - Welche Auswirkungen hat das Leben im Enterprise-Universum auf die menschliche Gesundheit und auf die moderne Medizinethik? - Ist Beamen tatsächlich möglich und was (...) würde beim Beamen mit der Seele geschehen? - Wie geht Star Trek mit den Themen Tod, Jenseits und Auferstehung um? - Welche philosophischen Überlegungen stecken hinter der ethnischen und linguistischen Vielfalt des Star-Trek-Universums und wo sind die Grenzen des Universalübersetzers? - Wie realistisch sind die in Star Trek gezeigten technologischen Erfindungen und welche Fragen ergeben sich daraus für unser Verständnis von uns selbst - vom Menschen und seinem Wesen? - Ist eine vermenschlichte Maschine überhaupt noch eine Maschine? - Was ist das Q-Kontinuum und warum hilft es der Besatzung der "Enterprise" in Notsituationen? "Die Philosophie bei Star Trek" beleuchtet auf spannende und humorvolle Weise die Fernsehserien und zahlreichen Kinofilme rund um Kirk, Spock & Co. (shrink)

This paper focuses on salient features and benefits of the assimilation of popular culture into classroom discussions in philosophy courses with students of diverse backgrounds. Specifically, the author accounts for the pedagogical success of the incorporation of Star Trek episodes, as a hermeneutical tool, into the curriculum. Each episode provides a forum for students to comprehend the timeless character of philosophy and persistent problems in the history of philosophy. The varied philosophical themes explored in each episode also provide students (...) with a general introduction to a wide variety of philosophical issues and topics ranging from metaphysics, epistemology, ethics, aesthetics and politics. (shrink)

A discussion of José-Antonio Orosco’s new book, Star Trek’s Philosophy of Peace and Justice: A Global, Anti-Racist Approach. Orosco has been finding wisdom in Star Trek episodes since he watched late night reruns with his mother. Then, recently, in honor of the 50th anniversary of Star Trek’s debut, Orosco began to teach the series as source material for peace philosophy. Philosophical concepts can be brought to bear on Star Trek stories; but Orosco argues that the stories (...) also assert philosophical meanings that are instructive to peace studies. Martin Luther King Jr. was a fan of the first season, famously encouraging the late Nichelle Nichols (1932-2022) to persist in the role of Nyota Uhura after she had decided to resign. In our book discussion, Orosco centers the importance of Critical Race Theory as a tool for exploring Star Trek’s presentation of peace and justice. Andrew Fiala questions Orosco about Star Trek’s militarism. Jennifer Kling asks how the treatment of refugees intersects with Starfleet’s Prime Directive, which commands noninterference with intergalactic populations. (shrink)

Professor Richard Hanley faced the dilemma plaguing so many philosophy professors today—how to entice students into the classroom. Based upon his own successful course, Is Data Human presents a thoroughly unique and enjoyable way of introducing students to the basic concepts of philosophy as seen through the lens of Star Trek. From the nature of a person, of minds, and of consciousness, to ethics and morality, to the nature and extent of knowledge and free will, Hanley brings a fresh (...) perspective to the contemporary debates concerning humankind’s place in the world.Dare to boldly go where no philosophy professor has gone before—a classroom packed with eager and enthusiastic students. (shrink)

Themes of peace and violence arise throughout the Star Trek canon. Indeed, Star Trek reveals a sweeping understanding of the multiple dimensions and issues related to peace studies, including explorations of various forms, causes, and justifications of violence, along with alternatives to violence. Peace, understood as freedom to pursue opportunities and not merely as freedom from violence, is intimately related to justice. Any genuine attempt to understand and promote peace requires addressing issues of injustice as both a form (...) and cause of violence. In exploring the nature of peace, it is useful to comprehend the connections among conflict, violence, and force. Violence seems to be universal, and efforts to eliminate it seem futile. Examples of choosing not to kill or engage in violence belie the claim that violence is natural for humans. Indeed, Star Trek is replete with examples of how to respond to violence in nonviolent ways. (shrink)

Star Trek creator Gene Roddenberry's humanism is well known. While it may be that the inclusion of talk about gods reflected the interest in religion in his own time, the way that the show talked about gods reflects a humanist theology that's at least compatible with, and perhaps an expression of, Roddenberry's own vision. If the relationship of Star Trek to humanism has been unambiguous, its relationship to, and view of, posthumanism is less clear. Posthumanism can refer to (...) the notion that an all‐embracing ethos of the kind offered by humanism ought to be reconfigured to incorporate other beings besides terrestrial ones. If compassion is the defining attribute of a god, then Star Trek's humanist theology encourages not only to believe that divinity is a real possibility for humanity in the future, but also to recognize it as a possibility in the present. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Utopian Enterprises: Growing Up with Star TrekMark Jendrysik (bio)It might be hard to imagine today, when new Star Trek entertainment product seems to be everywhere, that there was once a time when Star Trek meant the seventy-nine episodes of the original series and nothing else. And it might be hard to imagine a time when episodes of a television series had to be watched at one (...) particular time, with no guarantee those episodes would ever be seen again—before the VCR, before streaming, when you had to race home and not miss a moment of the program. When Star Trek came on at 4 p.m., I sat glued to the TV, hoping my mother wouldn’t call me to dinner until 5. You might also remember telling friends who missed the program about the plot and experiencing the Rashomon effect as debates raged about what happened or did not happen on the show the afternoon before.In this article, I try to reconstruct the experience of watching Star Trek (“the Original Series,” or TOS, not that we called it that) for the first time as a child in the mid-1970s. This will be a reconstruction in Margaret Atwood’s sense of the term. I cannot at this distance of time be certain that my recollections have not been modified with the knowledge of years, or by a desire to make the experience of Star Trek perhaps more central to my life than it [End Page 359] was at the time. I will also reflect on Star Trek as a utopian and anti-utopian artifact. I do this because it seems to me that the Original Series has become the object of various caricatures that don’t do justice to the complexity and ambiguity of the program.Sci-fi in a Simpler Time?I ask you, if you are old enough, to cast your mind back to a time when Star Trek was not a multiplatform cultural juggernaut. I was born in 1964 and, perhaps predictably, I was enthralled by the space program as a child. After all, I grew up in the waxing years of the space race, just after Alan Shepard made his orbit around Earth. I was five years old when Neil Armstrong made his famed walk on the moon. The moon landings and Skylab missions provided hours of respite for my mother, too, as I sat glued to the television listening to Walter Cronkite’s calm voice. I read issues of National Geographic about the space race until they fell apart. I read all the books in my school’s library about space. A picture book with an introduction by Werner Von Braun showing future space habitants seemed to present an obvious future path for humanity.1 My friends and I were firmly convinced that one day, and soon, we would go live and work in space!By the early 1970s I had become a big fan of science fiction. In that simpler time sci-fi meant my Uncle Tom’s collection of anthologies that he had left at my grandmother’s house. On many afternoons in her sunroom, I tried to work through stories that were more than a little above my reading level. Poul Anderson’s story “The Queen of Air and Darkness” (1971) made a particularly strong impression on me in its treatment of colonialism and resistance (not that I would have used those terms at the time). Isaac Asimov’s Y/A2 book series Lucky Starr: Space Ranger (1952–58) was another favorite. I was enthralled with the stories set on Mars, Venus, and across the solar system. When I met the author in 1974, he seemed embarrassed by my love of these fairly slight works that he had published under the pseudonym “Paul French.” When I asked him to sign one of my “Lucky Starr” books, he laughed and said something like “those were a long time ago.”Sci-fi also meant movies that showed up on our local independent television stations, often as part of programs with titles like “Sunday Adventure Theater.” My friends and I became quite the connoisseurs of various voyages to the... (shrink)

This chapter reviews Star Trek's course in wrestling with issues of political and social secularization. Any debate about secularization is a set of arguments about the best relationship between religious beliefs and institutions on the one hand, and political, social, and economic structures on the other. The chapter provides several moral arguments as to why liberal democracies like the United States should pursue greater secularism in the future. A popular but particularly unhelpful way of framing this debate is in (...) terms of religion versus reason. Deep Space Nine is the Trek series in which one society's religious interests and the Federation's secular commitments create the most friction. Some characteristics of religious thinking are quite antagonistic to political principles of a liberal democracy. Long since grown out of the antagonistic Roddenberry attitude toward religion in the public sphere, secularism in the Star Trek series reminds the human adventure is just beginning. (shrink)

Discutir a potencialidade imagem em movimento no ensino de Filosofia e a compreensão do filme como discurso significante, conjugando as experiências desenvolvidas em pesquisas e sala de aula. Apresentar também recortes de disciplina ministrada que utilizou textos filosóficos e episódio de StarTrek Deep Space Nine. O filme é entendido como texto fílmico, um objeto em cuja materialidade estão inscritos diferentes códigos da linguagem cinematográfica, e como documento informacional, que comporta diferentes níveis de informações que necessitam ser reconhecidas e trabalhadas, a (...) fim de que o uso pedagógico seja satisfatório. Assim, para além do entretenimento, o texto fílmico tem a possibilidade de ser usado como recurso pedagógico e de análise social. Observa-se como constitutivos do universo Trek os filmes realizados para o cinema e as séries televisivas. (shrink)

Utilitarianism is the theory that whether an action is morally right or wrong depends entirely on how beneficial or harmful it will be for everyone involved, only the net balance of benefit and harm matters. Most utilitarians believe that the only thing valuable in itself is happiness, and the only thing bad in itself is suffering; so, to maximize utility is to maximize happiness and minimize suffering. Utilitarians would be baffled by the common Vulcan view that emotions are best gotten (...) rid of. According to utilitarianism, the duty to put the needs of the many ahead of the needs of the few extends even to people one has personal relationships with, like friends and family. The protagonists of the Star Trek franchise would seem to agree, as they generally place personal loyalty over public duty. (shrink)

Philosophers and other thinkers have pondered tough questions about the nature of reality for thousands of years. Now, science seems to be discovering increasing support for this ancient concept, and Star Trek's holodeck technology offers great insights into understanding both old and new theories about what's real. The accumulation of data over the last twenty‐five years from a variety of scientific fields reveals that the reality seems to be holographic in nature. On the holodeck, there are two types of (...) people: players, like Data pretending to be Henry V or Sherlock Holmes, and non‐player characters (NPCs), holographic people created to interact with the players. Traditional mystical approaches offer the examples of prophets, saints, and saviors as similar to these holocharacters, with some traditions even providing teachings and techniques for individuals who seek to overcome their own holoprogramming. (shrink)

As with many science fiction works, the Star Trek franchise uses allegory to address contemporary social issues. Taking a liberal humanistic stance, it addresses race and racism using aliens as allegorical stand-ins for humanity. However, the producers of the Star Trek franchise were inadvertently perpetuating the racism they were advocating against. Operating within the framework of normative Whiteness, the producers privilege the White American male as the average human being. The characters of other racial and cultural backgrounds try (...) to assimilate into the normative Whiteness defined by the producers or they are simply in the background to support the White lead characters. By drawing on previous work on the original series and The Next Generation, this article examines episodes from Deep Space Nine, Voyager, and Enterprise to determine how the Star Trek franchise reinscribes, or sometimes destabilizes, the mode of racial and cultural homogeneity assumed by the producers. (shrink)

Clears up misconceptions about irrationalism and looks at madness, dreams, laughter, genius, imagination, altered states, and emotions.

Clears up misconceptions about irrationalism and looks at madness, dreams, laughter, genius, imagination, altered states, and emotions.

Homosexuality in Islam: Critical Reflection on Gay, Lesbian, and Transgender Muslims. By Scott SiraJ al-Haqq Kugle. Oxford: Oneworld, 2010. Pp. × + 335. $90 ; $29.95.

What's Good on TV? Understanding Ethics Through Television presents an introduction to the basic theories and concepts of moral philosophy using concrete examples from classic and contemporary television shows. Utilizes clear examples from popular contemporary and classic television shows, such as The Office, Law and Order, Star Trek and Family Guy, to illustrate complex philosophical concepts Designed to be used as a stand-alone or supplementary introductory ethics text Features case studies, study questions, and suggested readings Episodes mentioned are from (...) a wide variety of television shows, and are easily accessible Offers a balanced treatment of a number of controversial ethical issues including environmental ethics, animal welfare, abortion, homosexuality, capital punishment, assisted suicide, censorship and the erosion of values Includes a companion website at http://whatsgoodontv.webs.com. (shrink)