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  1.  30
    Proper name as an object of semiotic research.Ülle Pärli - 2011 - Sign Systems Studies 39 (2/4):197-222.
    The present article is divided into two parts. Its theoretical introductory part takes under scrutiny how proper name has been previously dealt with in linguistics, philosophy and semiotics. The purpose of this short overview is to synthesise different approaches that could be productive in the semiotic analysis of naming practices. Author proposes that proper names should not be seen as a linguistic element or a type of (indexical) signs, but rather as a function that can be carried by different linguistic (...)
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  2. Память текста и текст как память.Ülle Pärli - 1999 - Σημιοτκή-Sign Systems Studies 1:182-195.
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  3. Лингвистические термины как тропы в поезии и. бродского.Ülle Pärli - 1998 - Σημιοτκή-Sign Systems Studies 1:256-273.
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  4.  37
    Mask in an artistic world of Gogol, and the masks of Anatoli Kaplan.Ülle Pärli & Eleonora Rudakovskaja - 2002 - Sign Systems Studies 30 (2):695-704.
    Juri Lotman. Mask in an artistic world of Gogol, and the masks of Anatoli Kaplan. The paper deals with an intersemiotic problem — how it is possible to represent a verbal image by the means of sculpture. It was written as an afterword for a German edition of N. Gogol’s Dead Souls (illustrated by photos on mask-sculpures by Anatoli Kaplan) thus using a style meant for general reader. However, it includes a deep analysis and several important conclusions about the fancy (...)
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  5.  14
    Juri Lotman pärisnimest. Kokkuvõte.Ülle Pärli & Eleonora Rudakovskaja - 2002 - Sign Systems Studies 30 (2):591-591.
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  6.  19
    On postmodernism, “the stairs of avant-garde”, and Brodsky.Ülle Pärli - 2003 - Sign Systems Studies 31 (2):483-497.
    This article attempts to analyse Russian postmodernist poetics, proceeding from the concept of the “trans-semiotic stairs”, as presented by J. Faryno for describing the avant-garde. Examples from various texts are used to demonstrate how postmodernist texts contain divergent processes: the culturally specific and unique dissolves in tautology, meaningful entireties are dispersed into atomized empty particles. The significant teleological model of the avant-garde ceases to function here. A play by J. Brodsky, Marble, is examined on this background, as well as the (...)
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  7.  34
    О постмодернизме, “лестнице авангарда” и бродском. Резюме.Ülle Pärli - 2003 - Sign Systems Studies 31 (2):498-498.
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  8.  35
    Proper name as an object of semiotic research.Ülle Pärli - 2011 - Sign Systems Studies 39 (2/4):197-222.
    The present article is divided into two parts. Its theoretical introductory part takes under scrutiny how proper name has been previously dealt with in linguistics, philosophy and semiotics. The purpose of this short overview is to synthesise different approaches that could be productive in the semiotic analysis of naming practices. Author proposes that proper names should not be seen as a linguistic element or a type of (indexical) signs, but rather as a function that can be carried by different linguistic (...)
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  9.  26
    Parisnimi semiootilise uurimuse objektina. Kokkuvõte.Ülle Pärli - 2011 - Sign Systems Studies 39 (2/4):223-223.
    The present article is divided into two parts. Its theoretical introductory part takes under scrutiny how proper name has been previously dealt with in linguistics, philosophy and semiotics. The purpose of this short overview is to synthesise different approaches that could be productive in the semiotic analysis of naming practices. Author proposes that proper names should not be seen as a linguistic element or a type of signs, but rather as a function that can be carried by different linguistic units. (...)
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