Linked bibliography for the SEP article "The Concept of the Aesthetic" by James Shelley

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If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

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Augustine, 389–390/2005 De vera religione in Works of Saint Augustine. A Translation for the 21st Century, Book 1, Volume 8, John E. Rotelle et al. (eds.), New York: New City Press. (Scholar)
Beardsley, M.C., 1958, Aesthetics, Indianapolis: Hackett. (Scholar)
–––, 1962, “On the Generality of Critical Reasons,” The Journal of Philosophy, 59: 477–486. (Scholar)
–––, 1982, The Aesthetic Point of View, Ithaca, NY: Cornell University Press (Scholar)
Bell, C., 1914 [1958], Art, New York: Capricorn Books. (Scholar)
Bender, J., 1995, “General but Defeasible Reasons in Aesthetic Evaluation: The Generalist/Particularist Dispute,” The Journal of Aesthetics and Art Criticism, 53: 379–392. (Scholar)
Bentham, J., 1789, An Introduction to the Principles of Morals and Legislation, London: T. Payne and Son. (Scholar)
Binkley, T., 1970, “Piece: Contra Aesthetics,” The Journal of Aesthetics and Art Criticism, 35: 265–277. (Scholar)
Budd, M., 1985, Music and the Emotions: The Philosophical Theories, London: Routledge. (Scholar)
–––, 1995, Values of Art: Painting, Poetry, and Music, London: Penguin. (Scholar)
–––, 2002, The Aesthetic Appreciation of Nature, Oxford: Oxford University Press. (Scholar)
–––, 2003, “Aesthetics of Nature,” in The Oxford Handbook of Aesthetics, J. Levinson (ed.), Oxford: Oxford University Press, 117–135. (Scholar)
–––, 2008, Aesthetic Essays, Oxford: Oxford University Press. (Scholar)
Bullough, E., 1995, “‘Psychical Distance’ as a Factor in Art and as an Aesthetic Principle,” in The Philosophy of Art: Readings Ancient and Modern, A. Neill and A. Ridley (eds.), New York: McGraw-Hill, 297-311. (Scholar)
Carlson, A., 1979, “Formal Qualities in the Natural Environment,” Journal of Aesthetic Education, 13: 99–114. (Scholar)
–––, 1981, “Nature, Aesthetic Judgment, and Objectivity,” The Journal of Aesthetics and Art Criticism, 40: 15–27. (Scholar)
Carroll, N., 2000, “Art and the Domain of the Aesthetic,” The British Journal of Aesthetics, 40: 191–208. (Scholar)
–––, 2001, Beyond Aesthetics, Cambridge: Cambridge University Press. (Scholar)
–––, 2009, On Criticism, New York: Routledge Press. (Scholar)
Cohen, T., 1973, “Aesthetics/Non-Aesthetics and the Concept of Taste,” Theoria, 39: 113–52. (Scholar)
Coleridge, S., 1821, “Letter to Mr. Blackwood,” in Blackwood’s Edinburgh Magazine, 10: 253–255. (Scholar)
Cooper, A., (Third Earl of Shaftesbury), 1711, Characteristics of Men, Manners, Opinions, Times, Indianapolis: Liberty Fund, 2001. (Scholar)
Costello, D., 2008, “Kant and Danto, Together at Last?,” in K. Stock and K. Thomson-Jones (eds.), New Waves in Aesthetics, Houndmills, Basingstoke, Hampshire: Palgrave MacMillan, 244–266. (Scholar)
–––, 2013, “Kant and the Problem of Strong Non-Perceptual Art,” The British Journal of Aesthetics, 53: 277–298. (Scholar)
Danto, A., 1981, The Transfiguration of the Commonplace, Cambridge, MA: Harvard University Press. (Scholar)
–––, 1986, The Philosophical Disenfranchisement of Art, New York: Columbia University Press. (Scholar)
–––, 1997, After the End of Art: Contemporary Art and the Pale of History, Princeton: Princeton University Press. (Scholar)
–––, 2003, The Abuse of Beauty, Peru, IL: Open Court. (Scholar)
Davies, D., 2004, Art as Performance, Oxford: Blackwell. (Scholar)
Davies, S., 1990, “Replies to Arguments Suggesting that Critics’ Strong Evaluations Could Not Be Soundly Deduced,” Grazer Philosophische Studien, 38: 157–175. (Scholar)
–––, 1994. “The Evaluation of Music”, in What is Music?, Philip Alperson (ed.), University Park: Pennsylvania State University Press, 307–25. (Scholar)
–––, 2006, “Aesthetic Judgments, Artworks, and Functional Beauty,” Philosophical Quarterly, 56: 224–241. (Scholar)
Dewey, J., 1934, Art and Experience, New York: Putnam. (Scholar)
Dickie, G., 1964, “The Myth of the Aesthetic Attitude,” American Philosophical Quarterly, 1: 56–65. (Scholar)
–––, 1965, “Beardsley’s Phantom Aesthetic Experience,” Journal of Philosophy, 62: 129–136. (Scholar)
–––, 1974, Art and the Aesthetic: An Institutional Analysis, Ithaca, NY: Cornell University Press. (Scholar)
–––, 1988, Evaluating Art, Philadelphia: Temple University Press. (Scholar)
–––, 1996, The Century of Taste, Oxford: Oxford University Press. (Scholar)
Dorsch, F., 2013, “Non-Inferentialism about Justification—The Case of Aesthetic Judgments,” The Philosophical Quarterly, 63: 660–682. (Scholar)
Dubos, J.-B. 1748, Critical Reflections on Poetry, Painting, and Music, T. Nugent (trans.), London. (Scholar)
Elster, J., 1983, Sour Grapes: Studies in the Subversion of Rationality, Cambridge: Cambridge University Press. (Scholar)
Fried, M., 1980, Absorption and Theatricality: Painting and Beholder in the Age of Diderot, Berkeley and Los Angeles: University of California Press. (Scholar)
Gerard, A., 1759, An Essay on Taste, London: Millar. (Scholar)
Goldman, A.H., 1990, “Aesthetic Qualities and Aesthetic Value,” Journal of Philosophy, 87: 23–37. (Scholar)
–––, 1995, Aesthetic Value, Boulder, CO: Westview. (Scholar)
–––, 2004, “Evaluating Art,” in P. Kivy (ed.), The Blackwell Guide to Aesthetics, Malden, MA: Blackwell, 93–108. (Scholar)
–––, 2005, “The Aesthetic,” in The Routledge Companion to Aesthetics, B. Gaut and D. Lopes (eds.), London: Routledge, 255–266. (Scholar)
–––, 2006, “The Experiential Account of Aesthetic Value,” The Journal of Aesthetics and Art Criticism, 64: 333–342. (Scholar)
Gorodeisky, K. and Marcus, E., 2018, “Aesthetic Rationality,” Journal of Philosophy, 115: 113–140. (Scholar)
Gorodeisky, K., 2021a, “The Authority of Pleasure,” Noûs, 55: 199–220. (Scholar)
–––, 2021b,“On Liking Aesthetic Value,” Philosophy and Phenomenological Research, 102: 261–280. (Scholar)
Greenberg, C., 1986, The Collected Essays and Criticism, Chicago: University of Chicago Press. (Scholar)
Guyer, P., 1993, “The dialectic of disinterestedness: I. Eighteenth-century aesthetics”, in Kant and the Experience of Freedom: Essays on Aesthetics and Morality, New York: Cambridge University Press, 48–93. (Scholar)
–––, 2004, “The Origins of Modern Aesthetics: 1711–1735” in The Blackwell Guide to Aesthetics, P. Kivy (ed.), Malden, MA: Blackwell Publishing, 15–44. (Scholar)
Hanslick, E., 1986, On the Musically Beautiful, G. Payzant (trans.), Indianapolis: Hackett. (Scholar)
Hepburn, R.W., 1966, “Contemporary Aesthetics and the Neglect of Natural Beauty,” in British Analytical Philosophy, B. Williams and A. Montefiori (eds.), London: Routledge and Kegan Paul, 285–310. (Scholar)
–––, 1968, “Aesthetic Appreciation of Nature” in Aesthetics in the Modern World, H. Osborne (ed.), London: Thames and Hudson, 49–66. (Scholar)
Herodotus, The Histories, R. Waterfield (trans.), Oxford: Oxford University Press, 1998.
Home, H. (Lord Kames), 2005, Elements of Criticism (Volume 1), Indianapolis: Liberty Fund. (Scholar)
Hopkins, R., 2000, “Beauty and Testimony” in Philosophy, the Good, the True and the Beautiful, A. O’Hear (ed.), Cambridge: Cambridge University Press, 209–236. (Scholar)
–––, 2004, “Critical Reasoning and Critical Perception,” in Knowing Art, M. Kieran and D. Lopes (eds.), Dordrecht: Springer, 137–154. (Scholar)
–––, 2011, “How to Be a Pessimist about Aesthetic Testimony,” The Journal of Philosophy, 108: 138–157. (Scholar)
Hume, D., 1751 [1985], Enquiry Concerning the Principles of Morals, in L.A. Selby-Bigge and P. Nidditch (eds.), Enquiries Concerning Human Understanding and Concerning the Principles of Morals, Oxford: Oxford University Press, 1986. (Scholar)
–––, 1757 [1985], “Of the Standard of Taste,” in E. Miller (ed.), Essays Moral, Political, and Literary, Indianapolis: Liberty Fund, 226–249. (Scholar)
Hutcheson, F., 1725 [2004], An Inquiry into the Origin of Our Ideas of Beauty and Virtue, W. Leidhold (ed.), Indianapolis: Liberty Fund. (Scholar)
Iseminger, G., 2003, “Aesthetic Experience,” in The Oxford Handbook of Aesthetics, J. Levinson (ed.), Oxford: Oxford University Press, 99–116. (Scholar)
–––, 2004, The Aesthetic Function of Art, Ithaca, NY: Cornell University Press. (Scholar)
Isenberg, A., 1949, “Critical Communication,” Philosophical Review, 58(4): 330–344. (Scholar)
Kant, I., 1790 [2000], Critique of the Power of Judgment, trans. P. Guyer, and E. Matthews, Cambridge: Cambridge University Press. (Scholar)
Kemp, G., 1999, “The Aesthetic Attitude,” The British Journal of Aesthetics, 39: 392–399. (Scholar)
Kieran, M., 2005, Revealing Art, London: Routledge. (Scholar)
Kivy, P., 1973, Speaking of Art, The Hague: Martinus Nijhoff. (Scholar)
–––, 2003, The Seventh Sense: Francis Hutcheson and Eighteenth-Century British-Aesthetics, Oxford: Oxford University Press. (Scholar)
–––, 2015, De Gustibus: Arguing About Taste and Why We Do It, Oxford: Oxford University Press. (Scholar)
Kubala, R., 2021, “Aesthetic Practices and Normativity,” Philosophy and Phenomenological Research, 103: 408–425. (Scholar)
Levinson, J., 1996, The Pleasures of Aesthetics, Ithaca, NY: Cornell University Press. (Scholar)
–––, 2002, “Hume’s Standard of Taste: The Real Problem,” The Journal of Aesthetics and Art Criticism, 60: 227–238. (Scholar)
–––, 2006, Contemplating Art: Essays in Aesthetics, Oxford: Oxford University Press. (Scholar)
Lewis, C.I., 1946, An Analysis of Knowledge and Valuation, La Salle, IL: Open Court Press. (Scholar)
Lopes, D., 2011, “The Myth of (Non-Aesthetic) Artistic Value,” The Philosophical Quarterly, 61: 518–536. (Scholar)
–––, 2014, Beyond Art, Oxford: Oxford University Press. (Scholar)
–––, 2015, “Aesthetic Experts, Guides to Value,” Journal of Aesthetics and Art Criticism, 73: 235–246. (Scholar)
–––, 2018, Being for Beauty: Agency and Aesthetic Value, Oxford: Oxford University Press. (Scholar)
–––, 2021, “Normativity, Agency, and Value: A View from Aesthetics,” Philosophy and Phenomenological Research, 102: 232–242. (Scholar)
Matherne, S., 2020, “Edith Landmann-Kalischer on Aesthetic Demarcation and Normativity,” British Journal of Aesthetics, 60: 315–334. (Scholar)
Matthen, M., 2017, “The Pleasure of Art,” Australasian Philosophical Review, 1: 6–28. (Scholar)
Mill, J.S., 1863 [2001], Utilitarianism, 2nd edition, Indianapolis: Hackett. (Scholar)
Miller, R., 1998, “Three Versions of Objectivity: Aesthetic, Moral, and Scientific,” in J. Levinson (ed.), Aesthetics and Ethics, Cambridge: Cambridge University Press, 26–58. (Scholar)
Mothersill, M., 1984, Beauty Restored, Oxford: Oxford Clarendon Press. (Scholar)
Nguyen, C.T., 2019, “Autonomy and Aesthetic Engagement,” Mind, 129: 1127–1156. (Scholar)
Peacocke, A., 2021, “Let’s be Liberal: An Alternative to Aesthetic Hedonism,” British Journal of Aesthetics, 61: 163–183. (Scholar)
Prettejohn, E., 2005, Beauty and Art: 1750–2000, Oxford: Oxford University Press. (Scholar)
Railton, P., 1998, “Aesthetic Value, Moral Value, and the Ambitions of Naturalism,” in J. Levinson (ed.), Aesthetics and Ethics, Cambridge: Cambridge University Press, 59–105. (Scholar)
Reid, T., 1785 [1969], Essays on the Intellectual Powers of Man, Cambridge, MA: The M.I.T. Press. (Scholar)
Riggle, N., 2015, “On the Aesthetic Ideal,” The British Journal of Aesthetics, 55: 433–447. (Scholar)
–––, 2016, “On the Interest in Beauty and Disinterest,” Philosophers’ Imprint, 16: 1–14. (Scholar)
–––, 2022, “Toward a Communitarian Theory of Aesthetic Value,” Journal of Aesthetics and Art Criticism, 80: 16–30. (Scholar)
Rind, M., 2002, “The Concept of Disinterestedness in Eighteenth-Century British Aesthetics,” The Journal of the History of Philosophy, 40: 67–87. (Scholar)
Schopenhauer, A., 1819 [1969], The World as Will and Representation, vol. 1, trans. E. Payne, New York: Dover. (Scholar)
Sharpe, R.A., 2000, “The Empiricist Theory of Artistic Value,” Journal of Aesthetics and Art Criticism, 58: 312–332. (Scholar)
Shelley, J., 2003, “The Problem of Non-Perceptual Art,” The British Journal of Aesthetics, 43: 363–378. (Scholar)
–––, 2004, “Critical Compatibilism,” in Knowing Art, D. Lopes and M. Kieran (eds.), Dordrecht: Springer, 125–136. (Scholar)
–––, 2007, “Aesthetics and the World at Large,” The British Journal of Aesthetics, 47: 169–183. (Scholar)
–––, 2010, “Against Value Empiricism in Aesthetics,” Australasian Journal of Philosophy, 88: 707–720. (Scholar)
–––, 2011, “Hume and the Value of the Beautiful,” British Journal of Aesthetics, 51: 213–222. (Scholar)
–––, 2019, “The Default Theory of Aesthetic Value,” British Journal of Aesthetics, 59: 1–12. (Scholar)
–––, 2021, “Punting on the aesthetic question,” Philosophy and Phenomenological Research, 102: 214–219. (Scholar)
–––, 2022, “Aesthetic Acquaintance,” Pacific Philosophical Quarterly, first published 03 January 2022. doi:10.1111/papq.12402 (Scholar)
Sibley, F., 2001, Approach to Aesthetics: Collected Papers on Philosophical Aesthetics, J. Benson, B. Redfern, and J. Cox (eds.), Oxford: Clarendon Press. (Scholar)
Stang, N., 2012, “Artworks are Not Valuable for Their Own Sake,” Journal of Aesthetics and Art Criticism, 70: 271–280. (Scholar)
Stecker, R., 1997a, Artworks: Definition, Meaning, Value University Park: Pennsylvania State University Press. (Scholar)
–––, 1997b, “Two Conceptions of Artistic Value,” Iyyun, 46: 51–62. (Scholar)
–––, 1997c, “The Correct and the Appropriate in the Appreciation of Nature,” The British Journal of Aesthetics, 37: 393–402. (Scholar)
–––, 2004, “Value in Art,” in J. Levinson (ed.), The Oxford Handbook of Aesthetics, Oxford: Oxford University Press, 307–324. (Scholar)
–––, 2005, Aesthetics and the Philosophy of Art, Lanham, MD: Rowman and Littlefield. (Scholar)
–––, 2019, Intersections of Value: Art, Nature, and the Everyday, Oxford: Oxford University Press. (Scholar)
Stolnitz, J., 1960, Aesthetics and Philosophy of Art Criticism, New York: Houghton Mifflin. (Scholar)
Terrasson, J., 1715, Dissertation Critique sur L’lliade d’Homère, Paris: Fournier and Coustelier. (Scholar)
Urmson, J. O., 1957, “What Makes a Situation Aesthetic?,” Proceedings of the Aristotelian Society (Supplementary Volumes), 31: 75–106. (Scholar)
Van der Berg, S., 2020, “Aesthetic Hedonism and Its Critics,” Philosophy Compass, 15: 1–15. (Scholar)
Walton, K.L., 1970, “Categories of Art,” The Philosophical Review, 79 (3): 334–367. (Scholar)
–––, 1993, “How Marvelous!: Towards a Theory of Aesthetic Value,” Journal of Aesthetics and Art Criticism, 51: 499–510. (Scholar)
Watkins, G.M., and Shelley, J., 2012, “Response-Dependence about Aesthetic Value,” Pacific Philosophical Quarterly, 93: 338–352. (Scholar)
Wimsatt, W. and Brooks, C., 1957, Literary Criticism: A Short History, New York: Knopf. (Scholar)
Wolf, S., 2011, “Good-for-Nothings,” Proceedings and Addresses of the American Philosphical Association, 85: 47–64. (Scholar)
Zangwill, N., 1998, “Aesthetic/Sensory Dependence,” British Journal of Aesthetics, 38: 66–81. (Scholar)
–––, 1999, “Art and Audience,” The Journal of Aesthetics and Art Criticism, 57: 315–332. (Scholar)
–––, 2001, The Metaphysics of Beauty, Ithaca, NY: Cornell University Press. (Scholar)
–––, 2007, Aesthetic Creation, Oxford: Oxford University Press. (Scholar)

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