Linked bibliography for the SEP article "Aesthetic Experience" by Antonia Peacocke

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If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

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Adorno, Theodor, 1970 [1997], Aesthetic Theory, Gretel Adorno and Rolf Tiedemann (eds.), Robert Hullot-Kentor (trans.), Minneapolis: University of Minnesota Press. (Scholar)
Addison, J. and R. Steele, 1712 [1879], The Spectator, A. Chalmers (ed.), New York: D. Appleton. (Scholar)
Alberti, Leon Battista, 1443–1452 [1988], On the Art of Building in Ten Books, J. Rykwert, N. Leach, and R. Tavernor (trans.), Cambridge, MA: MIT Press. (Scholar)
André, Yves Marie, 1741, Essai sur le beau, où l’on examine en quoi consiste précisément le beau dans le physique, dans le moral, dans les ouvrages d’esprit et dans la musique, Paris: Guérin. (Scholar)
Aquinas, Thomas, Summa Theologiae, Fathers of the English Dominican Province (trans.), London: Washbourne, 1920.
Aristotle, Poetics, Ingram Bywater (trans.), Oxford: Clarendon Press, 1920; reprinted in Cahn and Meskin (eds.) 2007, pp. 41–56. (Scholar)
Augustine, De musica, W.F. Jackson Knight (trans.), London: The Orthological Institute, 1949, pp. 107–20, 122–4; reprinted in Cahn and Meskin (eds.) 2007, pp. 64–71.
–––, The City of God against the Pagans, R.W. Dyson (trans.), Cambridge: Cambridge University Press, 1998.
Baudelaire, Charles, 1857 [1965], “Further Notes on Edgar Poe,” in The Painter of Modern Life and Other Essays, Jonathan Mayne (trans. and ed.), London: Phaidon. (Scholar)
Baumgarten, Alexander, 1735 [1954], Reflections on Poetry: Alexander Gottlieb Baumgarten’s Meditationes philosophicae de nonnullis ad poema pertinentibus, Karl Aschenbrenner and William B. Holther (trans.), Berkeley and Los Angeles: University of California Press. (Scholar)
–––, 1750 [2007], Aesthetica, ed. Dagmar Mirbach, 2 volumes, Hamburg: Felix Meiner Verlag; partial translation in Alexander Gottlieb Baumgarten and Hans Rudolf Schweizer, Ästhetik als Philosophie der sinnlichen Erkenntnis: Eine Interpretation der “Aesthetica” A.G. Baumgartens mit teilweiser Wiedergabe der lateinischen Textes und deutscher Übersetzung, Basel: Schwabe, 1973. (Scholar)
Beardsley, Monroe C., 1958 [1981]: Aesthetics: Problems in the Philosophy of Criticism, Indianapolis: Hackett, 2^nd edition.
–––, 1970, “The Aesthetic Point of View,” in Howard Kiefer and Milton Munitz (eds.), Perspectives in Education, Religion, and the Arts, Albany: SUNY Press, pp. 219–37; reprinted in Michael J. Wreen and Donald M. Callen (eds.), 1982, The Aesthetic Point of View: Selected Essays, Ithaca, NY: Cornell University Press. (Scholar)
Bell, Clive, 1914, Art, London: Chatto & Windus; reprinted in Cahn and Meskin (eds.) 2007, pp. 261–9. (Scholar)
Boghossian, Paul, 2002, “On Hearing the Music in the Sound: Scruton on Musical Expression,” Journal of Aesthetics and Art Criticism, 60 (1): 49–55. (Scholar)
–––, 2010, “The Perception of Music: Comments on Peacocke,” British Journal of Aesthetics, 50 (1): 71–76. (Scholar)
–––, 2020, “Meaning and Scepticism,” in Tomás McAuley, Nanette Nielsen, Jerrold Levinson, and Ariana Phillips-Hutton (eds.), The Oxford Handbook of Western Music and Philosophy, New York: Oxford University Press, pp. 785–804. (Scholar)
Bosanquet, Bernard, 1892 [1904], History of Aesthetic, London: George Allen and Unwin, 2nd edition. (Scholar)
–––, 1915, Three Lectures on Aesthetic, London: Macmillan. (Scholar)
Bouhours, Dominque, 1671 [1705], Entretiens d’Ariste et Eugène, Paris: Mabre-Cramois; translated as The Art of Criticism, 1705; reprinted Delmar, NY: Scholar’s Facsimiles & Reprints, 1981. (Scholar)
Brady, Emily and Jerrold Levinson (eds.), 2001, Aesthetic Concepts: Essays After Sibley, New York: Oxford University Press. (Scholar)
Bramble, Benjamin, 2013, “The Distinctive Feeling Theory of Pleasure,” Philosophical Studies, 162: 201–217. (Scholar)
Budd, Malcolm, 1985, Music and the Emotions: The Philosophical Theories, London: Routledge. (Scholar)
–––, 1995, Values of Art: Pictures, Poetry, and Music, London: Allen Lane, The Penguin Press. (Scholar)
–––, 1996, “The Aesthetic Appreciation of Nature,” British Journal of Aesthetics, 36 (3): 207–222. (Scholar)
–––, 2008, “Wollheim on Correspondence, Projective Properties, and Expressive Perception,” in Aesthetic Essays, New York: Oxford University Press, 239–251. (Scholar)
Bullough, Edward 1912, “‘Psychical distance’ as a factor in art and an aesthetic principle,” British Journal of Psychology 5: 87–117; reprinted in Cahn and Meskin (eds.) 2007, pp. 243–260 (citations to the reprint). (Scholar)
–––, 1957, Aesthetics: Lectures and Essays, Elizabeth M. Wilkinson (ed.), Stanford: Stanford University Press. (Scholar)
Burke, Edmund, 1756 [2007], A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, London: R. and J. Dodsley; reprinted in Cahn and Meskin (eds.) 2007, pp. 113–122. (Scholar)
Camus, Albert, 1942 [1979], The Myth of Sisyphus, and Other Essays, Justin O’Brien (trans.), London: Hamish Hamilton. (Scholar)
Cahn, Steven M. and Aaron Meskin (eds.), 2007, Aesthetics: A Comprehensive Anthology, Malden, MA: Blackwell Publishing. (Scholar)
Carlson, Allen, 1979, “Appreciation and the Natural Environment,” Journal of Aesthetics and Art Criticism, 37 (3): 267–275; reprinted in Cahn and Meskin (eds.) 2007, pp. 538–546. (Scholar)
–––, 2005, “Budd and Brady on the Aesthetics of Nature,” The Philosophical Quarterly, 55 (218): 106–113. (Scholar)
Carroll, Noël, 2002, “Aesthetic Experience Revisited,” British Journal of Aesthetics, 42 (2): 145–168. (Scholar)
–––, 2006, “Aesthetic experience: A question of content,” in Kieran (ed.) 2006, pp. 69–97. (Scholar)
–––, 2013, “Formalism,” in Berys Gaut and Dominic McIver Lopes (eds.), The Routledge Companion to Aesthetics, London: Routledge, pp. 87–95. (Scholar)
–––, 2015, “Defending the Content Approach to Aesthetic Experience,” Metaphilosophy, 46 (2): 171–188. (Scholar)
–––, 2019, “Recent Approaches to Aesthetic Experience,” in Lamarque and Olsen (eds.) 2019, pp. 170–181. (Scholar)
Cassirer, Ernst, 1944, An Essay on Man: An Introduction to a Philosophy of Human Culture, New Haven: Yale University Press. (Scholar)
Cavell, Stanley, 1965 [2007] “Aesthetic Problems of Modern Philosophy,” in Max Black (ed.), Philosophy in America, Ithaca, NY: Cornell University Press, pp. 74–97; reprinted in Cahn and Meskin (eds.) 2007, pp. 396–408. (Scholar)
Cochrane, Tom, 2010, “A Simulation Theory of Musical Expressivity,” Australasian Journal of Philosophy, 88 (2): 191–207. (Scholar)
Coleridge, Samuel Taylor, 1817 [1907], Biographia Literaria, with his Aesthetical Essays, J. Shawcross (ed.), Oxford: Oxford University Press. (Scholar)
Collingwood, R.G.C., 1938 [1958], The Principles of Art, New York: Oxford University Press. (Scholar)
Cousin, Victor, 1854 [1873], Lectures on the True, the Beautiful, and the Good, O.W. Wight (trans.), New York: Appleton. (Scholar)
Croce, Benedetto, 1902 [1992], The Aesthetic as the Science of Expression and of the Linguistic in General, Colin Lyas (trans.), Cambridge: Cambridge University Press. (Scholar)
–––, 1938 [2007], “Aesthetics,” in Encyclopaedia Britannica (14th edition); reprinted in Cahn and Meskin (eds.) 2007, pp. 270–281. (Scholar)
Cross, Anthony, 2017, “Obligations to Artworks as Duties of Love,” Estetika, 54 (1): 85–101. (Scholar)
–––, forthcoming, “Aesthetic Commitments and Aesthetic Obligations,” Ergo. (Scholar)
Crousaz, Jean-Pierre de, 1714 [2000], “Treatise on Beauty” in Charles Harrison, Paul Wood, and Jason Gaiger (eds.), Art in Theory, 1648–1815: An Anthology of Changing Ideas, Oxford: Blackwell Publishers, Chapter 70. (Scholar)
Danto, Arthur, 1964, “The Artworld,” The Journal of Philosophy, 61: 571–84. (Scholar)
–––, 1981, The Transfiguration of the Commonplace, Cambridge, MA: Harvard University Press. (Scholar)
–––, 1984, “Mind as Feeling; Form as Presence; Langer as Philosopher,” The Journal of Philosophy, 81 (11): 641–647. (Scholar)
Davies, Stephen, 1994, “The evaluation of music,” in What Is Music?, Philip Alperson (ed.), University Park, PA: Pennsylvania State University Press, 307–25. (Scholar)
–––, 2006, “Artistic Expression and the Hard Case of Pure Music,” in Kieran (ed.) 2006, pp. 179–191. (Scholar)
De Clercq, Rafael, 2013, “Beauty,” in Gaut and Lopes (eds.) 2013, pp. 299–308. (Scholar)
Dean, Jeffrey T., 1996, “Clive Bell and G.E. Moore: The good of art,” British Journal of Aesthetics, 36 (2): 135–145. (Scholar)
Dewey, John, 1934 [1980], Art as Experience, New York: Perigee Books; partially reprinted in Cahn and Meskin (eds.) 2007, pp. 296–316; quotations from separate versions as marked. (Scholar)
Dickie, George, 1964, “The Myth of the Aesthetic Attitude,” American Philosophical Quarterly, 1 (1): 56–65; reprinted in Cahn and Meskin (eds.) 2007, pp. 455–465 (page reference is to the original). (Scholar)
–––, 1974, Art and the Aesthetic: An Institutional Analysis, Ithaca, NY: Cornell University Press. (Scholar)
–––, 1984 [1997], The Art Circle: A Theory of Art, Evanston, IL: Chicago Spectrum Press. (Scholar)
–––, 2006, “Iron, Leather, and Critical Principles,” in Kieran (ed.) 2006, pp. 313–326. (Scholar)
Diderot, Denis, 1751, “Beau”, in Diderot and d’Alembert (eds.) 1751–1765 (Volume 1), pp. 169–181. (Scholar)
Diderot, Denis and Jean le Rond d’Alembert (eds.), 1751–1765, Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, 17 volumes, Paris: Briasson. (Scholar)
Ducasse, Curt J., 1929, The Philosophy of Art, New York: Dial. (Scholar)
Du Bos, Jean-Baptiste, 1719 [1748], Critical Reflections on Poetry, Painting and Music, Thomas Nugent (trans.), London: John Nourse, 1748. (Scholar)
Dufrenne, Mikel, 1953, The Phenomenology of Aesthetic Experience, Evanston, IL: Northwestern University Press. (Scholar)
Dyck, John, 2021, “There Are No Purely Aesthetic Obligations,” Pacific Philosophical Quarterly, 102 (4): 592–612. (Scholar)
Eaton, Marcia, 2001, Merit: Aesthetic and Ethical, New York: Oxford University Press. (Scholar)
Erigena, Johannes Scotus, De divisione naturae, trans J.J. O’Meara and I.P. Sheldon Williams, Scriptores Latini Hiberniae, vol 13, Dublin: Institute for Advanced Studies, 1995. (Scholar)
Feagin, Susan, 1983, “The Pleasures of Tragedy,” American Philosophical Quarterly, 20 (1): 95–104. (Scholar)
Fry, Roger, 1981, Vision and Design, J.B. Bullen (ed.), Oxford: Oxford University Press. (Scholar)
Gadamer, Hans-Georg, 1960 [2005], Truth and Method, Joel Weinsheimer and Donald G. Marshall (trans.), London: Continuum International Publishing, second revised edition. (Scholar)
Galgut, Elisa, 2010, “Projective Properties and Expression in Literary Appreciation,” Journal of Aesthetics and Art Criticism, 68 (2): 143–153. (Scholar)
Gallie, W.B., 1956, “Art as an essentially contested concept,” Philosophical Quarterly, 6: 97–114. (Scholar)
Gaut, Berys, 2007, Art, Emotion and Ethics, New York: OUP. (Scholar)
Gaut, Berys and Dominic McIver Lopes (eds.), 2013, The Routledge Companion to Aesthetics, London: Routledge, third edition. (Scholar)
Gautier, Théophile, 1835–6 [2005], Mademoiselle de Maupin, Helen Constantine (trans.), London: Penguin Books. (Scholar)
Ginsborg, Hannah, 1997, “Lawfulness Without a Law: Kant on the Free Play of Imagination and Understanding,” Philosophical Topics, 25 (1): 37–81. (Scholar)
–––, 2015, The Normativity of Nature: Essays on Kant’s Critique of Judgment, New York: Oxford University Press. (Scholar)
Goldman, Alan, 1995, Aesthetic Value, Boulder, CO: Westview Press. (Scholar)
–––, 2006, “There Are No Aesthetic Principles,” in Kieran (ed.) 2006, pp. 299–312. (Scholar)
–––, 2013, “The Broad View of Aesthetic Experience,” Journal of Aesthetics and Art Criticism, 71 (4): 323–333. (Scholar)
Goodman, Nelson, 1968 [1976], Languages of Art, Indianapolis: Hackett. (Scholar)
Gorodeisky, Keren, 2019, “The Authority of Pleasure,” Noûs, 55 (1): 199–220. (Scholar)
–––, 2021, “On Liking Aesthetic Value,” Philosophy and Phenomenological Research, 102: 261–280. (Scholar)
Gorodeisky, Keren and Eric Marcus, 2018, “Aesthetic rationality,” The Journal of Philosophy, 115 (3): 113–40. (Scholar)
Gotshalk, Dilman Walter, 1947, Art and the Social Order, New York: Dover. (Scholar)
Groos, Karl, 1898, The Play of Animals, Elizabeth L. Baldwin (trans.), New York: Appleton. (Scholar)
–––, 1896–9 [1901], The Play of Man, Elizabeth L. Baldwin (trans.), New York: Appleton. (Scholar)
Guyer, Paul, 2004, “The origins of modern aesthetics: 1711–35,” in Peter Kivy (ed.), The Blackwell Guide to Aesthetics, Malden, MA: Blackwell Publishing, pp. 15–44. (Scholar)
–––, 2014a, A History of Modern Aesthetics (Volume I: The Eighteenth Century), Cambridge: Cambridge University Press. (Scholar)
–––, 2014b, A History of Modern Aesthetics (Volume II: The Nineteenth Century), Cambridge: Cambridge University Press. (Scholar)
–––, 2014c, A History of Modern Aesthetics (Volume III: The Twentieth Century), Cambridge: Cambridge University Press. (Scholar)
–––, 2020, “18th Century German Aesthetics,” The Stanford Encyclopedia of Philosophy (Fall 2020 Edition), Edward N. Zalta (ed.), URL = <https://plato.stanford.edu/archives/fall2020/entries/aesthetics-18th-german/>.
Haldane, John, 2013, “Medieval Aesthetics,” in Berys Gaut and Dominic McIver Lopes (eds.) 2013, pp. 25–35. (Scholar)
Hamawaki, Arata, 2006, “Kant on Beauty and the Normative Force of Feeling,” Philosophical Topics, 34 (1): 107–144. (Scholar)
Hanslick, Eduard, 1891 [2007], The Beautiful in Music, Gustav Cohen (trans.), partially reprinted in Cahn and Meskin (eds.) 2007, pp. 217–221. (Scholar)
Hanson, Louise, 2018, “Moral Realism, Aesthetic Realism, and the Asymmetry Claim,” Ethics, 129 (1): 39–69. (Scholar)
Hegel, G.W.F., 1807 [1979], The Phenomenology of Spirit, A.V. Miller (trans.), Oxford: Oxford University Press. (Scholar)
–––, 1820–29 [1920], The Philosophy of Fine Art, F.P.B. Osmaston (trans.), London: G. Bell & Sons; partially reprinted in Cahn and Meskin (eds.) 2007, pp. 180–192. (Scholar)
Heidegger, Martin, 1935 [1971], “The Origin of the Work of Art,” in Poetry, Language, Thought, New York: Harper Collins Publishers; reprinted in Cahn and Meskin (eds.) 2007, pp. 344–357. (Scholar)
Hepburn, Ronald, 1966, “Contemporary Aesthetics and the Neglect of Natural Beauty,” in B. Williams and A. Montefiore (eds.), British Analytical Philosophy, London: Routledge and Kegan Paul, pp. 285–310; reprinted in A. Carlson & A. Berleant (eds.), The Aesthetics of Natural Environments, Peterborough, ON: Broadview Press, 2004, pp. 44–62. (Scholar)
Hölderlin, Friedrich, 1795 [1963], Werke-Dokumente-Briefe, Pierre Bertaux (ed.), Munich: Winker Verlag. (Scholar)
Hopkins, Robert, 2017, “Imaginative Understanding, Affective Profiles, and the Expression of Emotion in Art,” Journal of Aesthetics and Art Criticism, 75 (4): 363–374. (Scholar)
–––, 2004, “Critical Reasoning and Critical Perception,” in Matthew Kieran and Dominic McIver Lopes (eds.), Knowing Art: Essays in Aesthetics and Epistemology, Dordrecht: Springer, pp. 137–161. (Scholar)
Hume, David, 1739–40 [1987], A Treatise of Human Nature, L. A. Shelby-Bigge (ed.), Oxford: Clarendon Press, 2nd edition. (Scholar)
–––, 1757 [1987a], “Of the standard of taste,” in Essays Moral, Political, and Literary, E. Miller (ed.), Indianapolis: Liberty Fund; reprinted in Cahn and Meskin (eds.) 2007, pp. 103–112. (Scholar)
–––, 1757 [1987b], “Of tragedy,” in Essays Moral, Political, and Literary, E. Miller (ed.), Indianapolis: Liberty Fund. (Scholar)
Hutcheson, Frances, 1726 [2004], An Inquiry into the Original of Our Ideas of Beauty and Virtue, W. Leidhold (ed.), Indianapolis: Liberty Fund. (Scholar)
Iseminger, Gary, 2003, “Aesthetic experience,” in J. Levinson (ed.), The Oxford Handbook of Aesthetics, Oxford: Oxford University Press, pp. 99–116. (Scholar)
–––, 2006, “The Aesthetic State of Mind,” in Kieran (ed.) 2006, pp. 98–110. (Scholar)
–––, 2008, “Experiential theories of aesthetic value,” in Shusterman and Tomlin (eds.) 2008, pp. 45–58. (Scholar)
Isenberg, Arnold, 1949, “Critical Communication,” Philosophical Review, 58 (4): 330–344. (Scholar)
–––, 1973, “Music and Ideas,” in Aesthetics and the Theory of Criticism: Selected Essays of Arnold Isenberg, Chicago: The University of Chicago Press, pp. 3–21. (Scholar)
Kania, Andrew, 2013, “Music,” in Gaut and Lopes (eds.) 2013, pp. 649–660. (Scholar)
Kant, Immanuel, 1789 [1987], Critique of Judgment, Werner S. Pluhar (trans.), Indianapolis: Hackett Publishing Company. (Scholar)
Kennick, William E., 1958, “Does Traditional Aesthetics Rest on a Mistake?” Mind, 67 (267): 317–334. (Scholar)
Kieran, Matthew (ed.), 2006, Contemporary Debates in Aesthetics and the Philosophy of Art, Malden, MA: Blackwell Publishing. (Scholar)
King, Alex, 2022, “Reasons, Normativity, and Value in Aesthetics,” Philosophy Compass, 17 (1): 1–17. (Scholar)
Kivy, Peter, 1989, Sound Sentiment, Philadelphia, PA: Temple University Press. (Scholar)
–––, 2002, “Emotions in the Music,” in Introduction to a Philosophy of Music, Oxford: Oxford University Press, pp. 31–48; reprinted in Cahn and Meskin (eds.) 2007, pp. 628–634. (Scholar)
–––, 2011, Once Told Tales, Oxford: Wiley-Blackwell. (Scholar)
Korsmeyer, Carolyn, 2013, “Taste,” in Gaut and Lopes (eds.) 2013, pp. 257–266. (Scholar)
Kriegel, Uriah, forthcoming, “A Fitting-Attitude Approach to Aesthetic Value?” British Journal of Aesthetics. (Scholar)
Kubala, Robbie, 2021, “Aesthetic Practices and Normativity,” Philosophy and Phenomenological Research, 103 (2): 408–425. (Scholar)
Küplen, Mojca, 2015, Beauty, Ugliness, and the Free Play of Imagination: An Approach to Kant’s Aesthetics, Berlin: Springer. (Scholar)
Labukt, Ivar, 2012, “Hedonic Tone and the Heterogeneity of Pleasure,” Utilitas, 24: 172–185. (Scholar)
Lamarque, Peter and Stein Haugom Olsen (eds.), 2019, Aesthetics and the Philosophy of Art: The Analytic Tradition, An Anthology, Hoboken, NJ: Wiley Blackwell, 2nd edition. (Scholar)
Lambert, Anne-Thérèse, Marquise de, 1748 [1770], “Some Thoughts on Taste”, in The Works of the Marchioness de Lambert (Volume 2), Dublin: J. Potts, pp. 1–5. (Scholar)
Landy, Joshua, 2004, Philosophy as Fiction: Self, Deception, and Knowledge in Proust, New York: Oxford University Press. (Scholar)
Langer, Susanne, 1942, Philosophy in a New Key, Cambridge, MA: Harvard University Press. (Scholar)
–––, 1953, Feeling and Form, New York: Macmillan. (Scholar)
Langfeld, Herbert Sidney, 1920, The Aesthetic Attitude, New York: Harcourt, Brace and Howe. (Scholar)
Lee, Vernon and Clementina Anstruther-Thomson, 1912, Beauty & Ugliness and Other Studies in Psychological Aesthetics, London: John Lane. (Scholar)
Leibniz, G.W., 1684 [1969], “Meditations on Knowledge, Truth and Ideas,” in Philosophical Papers and Letters, Leroy E. Loemker (trans. and ed.), Dordrecht: D. Reidel, 2nd edition. (Scholar)
Levinson, Jerrold, 1996a, The Pleasures of Aesthetics, Ithaca: Cornell University Press. (Scholar)
–––, 1996b, “What is aesthetic pleasure?” in Levinson 1996a, pp. 3–10. (Scholar)
–––, 1996c, “Pleasure and the value of works of art,” in Levinson 1996a, pp. 11–24. (Scholar)
–––, 2006a, Contemplating Art, Oxford: Clarendon Press. (Scholar)
–––, 2006b, “Musical expressiveness as hearability as expression,” in Kieran (ed.) 2006, pp. 192–204. (Scholar)
–––, 2016a, Aesthetic Pursuits, New York: Oxford University Press. (Scholar)
–––, 2016b, “Towards an adequate conception of aesthetic experience,” in Levinson 2016a, 28–46. (Scholar)
Lipps, Theodor, 1903–6, Ästhetik: Psychologie des Schönen under der Kunst, Hamburg and Leipzig: Voss, 2 volumes; quotation translated by Guyer 2014b. (Scholar)
–––, 1935, “Empathy, inner imitation and sense-feelings,” in Melvin R. Rader (ed.), A Modern Book of Esthetics, New York: Henry Holt and Company, Inc., pp. 291–304. (Scholar)
Locke, John, 1689 [1975], An Essay Concerning Human Understanding, Peter H. Nidditch (ed.), Oxford: Clarendon Press. (Scholar)
Lopes, Dominic McIver, 2018, Being for Beauty: Aesthetic Agency and Value, New York: Oxford University Press. (Scholar)
–––, 2021, “Beyond the Pleasure Principle: A Kantian Aesthetics of Autonomy,” Estetika: The European Journal of Aesthetics, 58 (1): 1–18. (Scholar)
Lotze, Hermann, 1885 [1899], Microcosmus: An Essay Concerning Man and His Relation to the World, E. Hamilton and E. E. C. Jones (trans.), Edinburgh: T. & T. Clark. (Scholar)
Mandelbaum, Maurice, 1965, “Family resemblances and generalization concerning the arts,” American Philosophical Quarterly, 2: 219–28. (Scholar)
Marcel, Gabriel, 1951 [1960], The Mystery of Being, G.S. Fraser and R. Hague (trans.), Chicago: Henry Regnery. (Scholar)
Matherne, Samantha, 2016, “Kant’s theory of the imagination,” in Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination, London: Routledge, pp. 55–68. (Scholar)
–––, 2020, “Edith Landmann-Kalischer on Aesthetic Demarcation and Normativity,” British Journal of Aesthetics, 60 (3): 315–344. (Scholar)
Matherne, Samantha and Nick Riggle, 2020, “Schiller on Freedom and Aesthetic Value,” British Journal of Aesthetics, 60 (4): 375–402. (Scholar)
Matthen, Mohan, 2017a, “The Pleasure of Art,” Australasian Philosophical Review, 1 (1): 6–28. (Scholar)
–––, 2017b, “Constructing Aesthetic Value: Responses to My Commentators,” Australasian Philosophical Review, 1 (1): 100–111. (Scholar)
–––, 2018, “New Prospects for Aesthetic Hedonism,” in Jennifer A. McMahon (ed.) 2018, pp. 13–33. (Scholar)
Matravers, Derek, 1996, “Aesthetic Concepts and Aesthetic Experience,” British Journal of Aesthetics, 36 (3): 265–277. (Scholar)
–––, 1998, Art and Emotion, New York: Oxford University Press. (Scholar)
–––, 2007, “Expression in Music,” in Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work, New York: Oxford University Press. (Scholar)
–––, 2013, “Art, expression, and emotion,” in Gaut and Lopes (eds.) 2013, pp. 404–414. (Scholar)
McMahon, Jennifer A., 2007, Aesthetics and Material Beauty: Aesthetics Naturalized, New York: Routledge. (Scholar)
–––, 2018, Social Aesthetics and Moral Judgment: Pleasure, Reflection, and Accountability, London: Routledge. (Scholar)
Mendelssohn, Moses, 1758 [1997], “On the Sublime and Naïve in the Fine Sciences,” in Philosophical Writings, Daniel O. Dahlstrom (ed.), Cambridge: Cambridge University Press. (Scholar)
–––, 1785 [1979], Morgenstunden, oder Vorlesungen über das Dasein Gottes, Dominique Bourel (ed.), Stuttgart: Philipp Reclam Jun. (Scholar)
Meier, Georg Friedrich, 1999, Frühe Schriften zur Ästhetischen Erziehung der Deutschen, Hans-Joachim Kertscher and Günter Schenk (eds.), Halle: Hallescher Verlag. (Scholar)
Meskin, Aaron, 2001, “Review of Theories of Art Today, Noël Carroll (ed.),” Journal of Aesthetics and Art Criticism, 59: 219–20. (Scholar)
Montero, Barbara, 2006a, “Proprioceiving Someone Else’s Movement,” Philosophical Explorations, 9 (2): 149–161. (Scholar)
–––, 2006b, “Proprioception as an Aesthetic Sense,” Journal of Aesthetics and Art Criticism, 64 (2): 231–242. (Scholar)
Montesquieu, C., Voltaire, and Jean Le Rond d’Alembert, 1757, “Goût”, in Diderot and d’Alembert (eds.), 1751–1765 (Volume 7): 758–770. (Scholar)
Moore, G.E., 1903 [1993], Principia Ethica, Thomas Baldwin (ed.), Cambridge: Cambridge University Press, revised edition. (Scholar)
Moran, Richard, 2012, “Kant, Proust, and the Appeal of Beauty,” Critical Inquiry, 38 (2): 298–329. (Scholar)
Moritz, Karl Philipp, 1785 [1993], Werke, Horst Günther (ed.), Frankfurt am Main: Insel Verlag, 2nd edition. (Scholar)
Mothersill, Mary, 1988, Beauty Restored, Oxford: Clarendon Press. (Scholar)
Nagel, Thomas, 1971, “The Absurd,” Journal of Philosophy, 68 (20): 716–727. (Scholar)
Nanay, Bence, 2015, “Aesthetic Attention,” Journal of Consciousness Studies, 22 (5–6): 96–118. (Scholar)
–––, 2016, Aesthetics as Philosophy of Perception, New York: Oxford University Press. (Scholar)
Nehamas, Alexander, 1998, “Richard Shusterman on Pleasure and Aesthetic Experience,” Journal of Aesthetics and Art Criticism, 56 (1): 49–65. (Scholar)
–––, 2007, Only a Promise of Happiness, Princeton: Princeton University Press. (Scholar)
Nietzsche, Friedrich, 1872 [1992], The Birth of Tragedy, or: Hellenism and Pessimism, Walter Kaufmann (trans.), in Walter Kaufmann (ed.), Basic Writings of Nietzsche, New York: The Modern Library. (Scholar)
–––, 1882 [1974], The Gay Science, Walter Kaufmann (trans.), New York: Vintage. (Scholar)
Noë, Alva, 2016, Strange Tools: Art and Human Nature, New York: Hill and Wang. (Scholar)
–––, 2022, Learning to Look: Dispatches from the Art World, New York: Oxford University Press. (Scholar)
Noordhof, Paul, 2008, “Expressive Perception as Projective Imagining,” Mind and Language, 23 (3): 329–358. (Scholar)
Nussbaum, Charles O., 2007, The Musical Representation: Meaning, Ontology, and Emotion, Cambridge, MA: MIT Press. (Scholar)
Nussbaum, Martha, 1990, Love’s Knowledge: Essays on Philosophy and Literature, New York: Oxford University Press. (Scholar)
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