Linked bibliography for the SEP article "Aesthetics and Cognitive Science" by Jon Robson and Gregory Currie
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- Anderson, Judith L., Charles B. Crawford, Joanne Nadeau, and Tracy Lindberg, 1992, “Was the Duchess of Windsor Right? A Cross-Cultural Review of the Socioecology of Ideals of Female Body Shape”, Ethology and Sociobiology, 13(3): 197–227. doi:10.1016/0162-3095(92)90033-z (Scholar)
- Andow, James, 2018, “Aesthetic Testimony and Experimental Philosophy”, in Cova and Réhault 2018: 35–58. (Scholar)
- Arcangeli, Margherita, Marco Sperduti, Amélie Jacquot, Pascale Piolino, and Jérôme Dokic, 2020, “Awe and the Experience of the Sublime: A Complex Relationship”, Frontiers in Psychology, 11(June): 1340. doi:10.3389/fpsyg.2020.01340 (Scholar)
- Aubert, Maxime, Rustan Lebe, Adhi Agus Oktaviana, Muhammad Tang, Basran Burhan, Hamrullah, Andi Jusdi, Abdullah, Budianto Hakim, Jian-xin Zhao, I. Made Geria, Priyatno Hadi Sulistyarto, Ratno Sardi, and Adam Brumm, 2019, “Earliest Hunting Scene in Prehistoric Art”, Nature, 576(7787): 442–445. doi:10.1038/s41586-019-1806-y (Scholar)
- Bartel, Christopher, 2018, “The Ontology of Musical Works and the Role of Intuitions: An Experimental Study: Ontology of Musical Works: An Experimental Study”, European Journal of Philosophy, 26(1): 348–367. doi:10.1111/ejop.12247 (Scholar)
- Bastian, Brock, Madeline Lee Pe, and Peter Kuppens, 2017, “Perceived Social Pressure Not to Experience Negative Emotion Is Linked to Selective Attention for Negative Information”, Cognition and Emotion, 31(2): 261–268. doi:10.1080/02699931.2015.1103702 (Scholar)
- Baumgarten, Alexander Gottlieb, 1750–58, Aesthetica/Ästhetik, Dagmar Mirbach (ed.), 2 volumes, Hamburg: Felix Meiner Verlag, 2007; partial translation in Alexander Gottlieb Baumgarten and Hans Rudolf Schweizer, Ästhetik als Philosophie der sinnlichen Erkenntnis: Eine Interpretation der “Aesthetica” A.G. Baumgartens mit teilweiser Wiedergabe der lateinischen Textes und deutscher Übersetzung, Basel: Schwabe, 1973. (Scholar)
- Begg, Ian Maynard, Ann Anas, and Suzanne Farinacci, 1992, “Dissociation of Processes in Belief: Source Recollection, Statement Familiarity, and the Illusion of Truth”, Journal of Experimental Psychology: General, 121(4): 446–458. doi:10.1037/0096-3445.121.4.446 (Scholar)
- Boden, Margaret, 2006, Mind as Machine: A History of Cognitive Science, 2 volumes, New York: Oxford University Press. (Scholar)
- Brooks, R., 1986, “A Robust Layered Control System for a Mobile Robot”, IEEE Journal on Robotics and Automation, 2(1): 14–23. doi:10.1109/jra.1986.1087032 (Scholar)
- Brumm, Adam, Adhi Agus Oktaviana, Basran Burhan, Budianto Hakim, Rustan Lebe, Jian-xin Zhao, Priyatno Hadi Sulistyarto, Marlon Ririmasse, Shinatria Adhityatama, Iwan Sumantri, and Maxime Aubert, 2021, “Oldest Cave Art Found in Sulawesi”, Science Advances, 7(3): eabd4648. doi:10.1126/sciadv.abd4648 (Scholar)
- Budd, Malcolm, 2001, “Review of Aesthetics and the Environment, by Allen Carlson”, Mind, 110(438): 448–452. doi:10.1093/mind/110.438.448 (Scholar)
- Bullot, Nicolas J. and Rolf Reber, 2013, “The Artful Mind Meets Art History: Toward a Psycho-Historical Framework for the Science of Art Appreciation”, Behavioral and Brain Sciences, 36(2): 123–137. doi:10.1017/s0140525x12000489 (Scholar)
- Burke, Edmund, 1757, A Philosophical Inquiry into the Origin of our Idea of the Sublime and Beautiful, London: R. and J. Dodsley. (Scholar)
- Calarco, Navona, Katrina Fong, Marina Rain, and Raymond Mar, 2017, “Absorption in narrative fiction and its possible impact on social abilities”, in Frank Hakemulder, Moniek M. Kuijpers, Ed S. Tan, Katalin Bálint and Miruna M. Doicaru (eds.), Narrative Absorption, Amsterdam: John Benjamins. doi:10.1075/lal.27.15cal (Scholar)
- Carlson, Allen, 2000, Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture, London: Routledge. (Scholar)
- Carroll, Noël, 1990, The Philosophy of Horror, or, Paradoxes of the Heart, New York: Routledge. (Scholar)
- –––, 1996, “Moderate Moralism”, British Journal of Aesthetics, 36(3): 223–238. doi:10.1093/bjaesthetics/36.3.223 (Scholar)
- –––, 1999, Philosophy of Art: A Contemporary Introduction, London: Routledge (Scholar)
- –––, 2003, “Art and Mood: Preliminary Notes and Conjectures”, The Monist, 86(4): 521–555. doi:10.5840/monist200386426 (Scholar)
- –––, 2014, “The Arts, Emotion, and Evolution”, in Currie, Kieran, Meskin, and Robson 2014: 159–180. doi:10.1093/acprof:oso/9780199669639.003.0009 (Scholar)
- Carroll, Noël and Margaret Moore, 2007, “Not Reconciled: Comments for Peter Kivy”, The Journal of Aesthetics and Art Criticism, 65(3): 318–322. doi:10.1111/j.1540-594x.2007.00263.x (Scholar)
- Carroll, Noël, Margaret Moore, and William P. Seeley, 2012, “The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Music, and Visual Arts”, in Shimamura and Palmer 2012: 31–62. doi:10.1093/acprof:oso/9780199732142.003.0019 (Scholar)
- Carruthers, Peter, 1996, “Simulation and Self-Knowledge: A Defence of Theory-Theory”, in Carruthers and Smith 1996: 22–38. doi:10.1017/cbo9780511597985.004">10.1017/cbo9780511597985.004 (Scholar)
- Carruthers, Peter and Peter K. Smith (eds.), 1996, Theories of Theories of Mind, Cambridge: Cambridge University Press. doi:10.1017/CBO9780511597985 (Scholar)
- Casati, Roberto and Alessandro Pignocchi, 2007, “Mirror and Canonical Neurons Are Not Constitutive of Aesthetic Response”, Trends in Cognitive Sciences, 11(10): 410. doi:10.1016/j.tics.2007.07.007 (Scholar)
- Chahboun, Sobh, Andrea Flumini, Carmen Pérez González, I. Chris McManus, and Julio Santiago, 2017, “Reading and Writing Direction Effects on the Aesthetic Appreciation of Photographs”, Laterality: Asymmetries of Body, Brain and Cognition, 22(3): 313–339. doi:10.1080/1357650x.2016.1196214 (Scholar)
- Chatterjee, Anjan, 2013, “Neuroaesthetics: Range and Restrictions”, Behavioral and Brain Sciences, 36(2): 137–138. doi:10.1017/s0140525x12001586 (Scholar)
- –––, 2017, “Orange Is the New Aesthetic”, Behavioral and Brain Sciences, 40: e355. doi:10.1017/s0140525x17001637 (Scholar)
- Cixous, Hélène, 1974, “The Character of ‘Character’”, Keith Cohen (trans.), New Literary History, 5(2): 383–402. doi:10.2307/468401 (Scholar)
- Clewis, Robert R., 2019, “Towards a Theory of the Sublime and Aesthetic Awe”, in The Sublime Reader, Robert R. Clewis (ed.), London: Bloomsbury, pp. 340–353. (Scholar)
- Cochrane, Tom, 2012, “The emotional experience of the sublime”, Canadian Journal of Philosophy, 42(2): 125–148. doi:10.1353/cjp.2012.0003 (Scholar)
- –––, 2021a, The Aesthetic Value of the World, Oxford: Oxford University Press. (Scholar)
- –––, 2021b, “Moved by Music Alone”, British Journal of Aesthetics, 61(4): 455–470. doi:10.1093/aesthj/ayab007 (Scholar)
- Collingwood, R. G., 1938, The Principles of Art, Oxford: Oxford University Press. (Scholar)
- Cornélio, Alianda M., Ruben E. de Bittencourt-Navarrete, Ricardo de Bittencourt Brum, Claudio M. Queiroz, and Marcos R. Costa, 2016, “Human Brain Expansion during Evolution Is Independent of Fire Control and Cooking”, Frontiers in Neuroscience, 10(April): 167. doi:10.3389/fnins.2016.00167 (Scholar)
- Cova, Florian and Nicolas Pain, 2012, “Can Folk Aesthetics Ground Aesthetic Realism?”, The Monist, 95(2): 241–263. doi:10.5840/monist201295214 (Scholar)
- Cova, Florian and Sébastien Réhault (eds.), 2018, Advances in Experimental Philosophy of Aesthetics, London: Bloomsbury Academic. (Scholar)
- Cova, Florian, Christopher Y. Olivola, Edouard Machery, Stephen Stich, David Rose, Mario Alai, Adriano Angelucci, Renatas Berniūnas, Emma E. Buchtel, Amita Chatterjee, et al., 2019, “De Pulchritudine Non Est Disputandum? A Cross‐cultural Investigation of the Alleged Intersubjective Validity of Aesthetic Judgment”, Mind & Language, 34(3): 317–338. doi:10.1111/mila.12210 (Scholar)
- Cova, Florian and Fabrice Teroni, 2016, “Is the Paradox of Fiction Soluble in Psychology?”, Philosophical Psychology, 29(6): 930–942. doi:10.1080/09515089.2016.1164306 (Scholar)
- Currie, Greg, 1989, An Ontology of Art, Basingstoke: Macmillan. (Scholar)
- –––, 1996, “Simulation-Theory, Theory-Theory, and the Evidence from Autism”, in Carruthers and Smith 1996: 242–256. doi:10.1017/cbo9780511597985.016 (Scholar)
- –––, 2007, “Visual Conceptual Art”, in Philosophy and Conceptual Art, Peter Goldie and Elisabeth Schellekens (eds.), Oxford: Oxford University Press, 33–50. (Scholar)
- –––, 2011, “Empathy for Objects”, in Empathy: Philosophical and Psychological Perspectives, Amy Coplan and Peter Goldie (eds.), Oxford: Oxford University Press, 82–95. (Scholar)
- –––, 2012, “Art and the Anthropologists”, in Shimamura and Palmer 2012: 107–128. doi:10.1093/acprof:oso/9780199732142.003.0034 (Scholar)
- ––– 2018, “Pictures and their surfaces”, in J. Pelletier & A. Voltolini (eds.), The Pleasure of Pictures, London: Routledge. (Scholar)
- –––, 2020, Imagining and Knowing: The Shape of Fiction, New York: Oxford University Press. doi:10.1093/oso/9780199656615.001.0001 (Scholar)
- Currie, Greg and Ian Ravenscroft, 2002, Recreative Minds. Oxford University Press. (Scholar)
- Currie, Greg and Xuanqi Zhu, 2021, “Aesthetic Sense and Social Cognition: A Story from the Early Stone Age”, Synthese, 198(7): 6553–6572. doi:10.1007/s11229-019-02476-3 (Scholar)
- Currie, Greg, Matthew Kieran, Aaron Meskin, and Jon Robson (eds.), 2014, Aesthetics and the Sciences of Mind, Oxford: Oxford University Press. doi:10.1093/acprof:oso/9780199669639.001.0001 (Scholar)
- Cutting, James E., 2003, “Gustave Caillebotte, French Impressionism, and Mere Exposure”, Psychonomic Bulletin & Review, 10(2): 319–343. doi:10.3758/bf03196493 (Scholar)
- –––, 2017, “Mere Exposure and Aesthetic Realism: A Response to Bence Nanay”, Leonardo, 50(1): 64–66. doi:10.1162/leon_a_01081 (Scholar)
- Danto, Arthur C., 2001, “The Pigeon within Us All: A Reply to Three Critics”, The Journal of Aesthetics and Art Criticism, 59(1): 39–44. doi:10.1111/0021-8529.00005 (Scholar)
- Davies, David, 2014, “‘This Is Your Brain on Art’: What Can Philosophy of Art Learn from Neuroscience?”, in Currie, Kieran, Meskin, and Robson 2014: 57–74. doi:10.1093/acprof:oso/9780199669639.003.0004 (Scholar)
- Davies, Stephen, 1997, “Why Listen to Sad Music if It Makes One Feel Sad?” in Music and Meaning, Jenefer Robinson (ed.), Ithaca, NY: Cornell University Press, 242–254. (Scholar)
- –––, 2010, “Why Art Is Not a Spandrel”, British Journal of Aesthetics, 50(4): 333–341. doi:10.1093/aesthj/ayp071 (Scholar)
- –––, 2012, The Artful Species: Aesthetics, Art, and Evolution, Oxford: Oxford University Press. doi:10.1093/acprof:oso/9780199658541.001.0001 (Scholar)
- –––, 2017, “Distancing, Not Embracing, the Distancing-Embracing Model of Art Reception”, Behavioral and Brain Sciences, 40: e357. doi:10.1017/s0140525x17001650 (Scholar)
- De Tiège, Alexis, Jan Verpooten, and Johan Braeckman, 2021, “From Animal Signals to Art: Manipulative Animal Signaling and the Evolutionary Foundations of Aesthetic Behavior and Art Production”, The Quarterly Review of Biology, 96(1): 1–27. doi:10.1086/713210 (Scholar)
- Delplanque, Sylvain, Géraldine Coppin, Laurène Bloesch, Isabelle Cayeux, and David Sander, 2015, “The Mere Exposure Effect Depends on an Odor’s Initial Pleasantness”, Frontiers in Psychology, 6(3 July): art. 920. doi:10.3389/fpsyg.2015.00920 (Scholar)
- Dickie, George, 1962, “Is Psychology Relevant to Aesthetics?”, The Philosophical Review, 71(3): 285–302. doi:10.2307/2183429 (Scholar)
- Dissanayake, Ellen, 1992, Homo Aestheticus: Where Art Comes from and Why, New York: Free Press. (Scholar)
- –––, 2000, Art and Intimacy: How the Arts Began, Seattle, WA: University of Washington Press. (Scholar)
- –––, 2017, “Ethology, Interpersonal Neurobiology, and Play: Insights into the Evolutionary Origin of the Arts”, American Journal of Play, 9(2): 143–168. (Scholar)
- Dorsch, Fabian, 2011, “The Aesthetic Relevance of Empirical Findings”, Kongress-Akten der Deutschen Gesellschaft für Ästhetik, 2: 1–21 (Scholar)
- Dutton, Denis, 1979, “Artistic crimes: The problem of forgery in the arts”, British Journal of Aesthetics, 19(4): 302–314. doi:10.1093/bjaesthetics/19.4.302 (Scholar)
- –––, 2003, “Aesthetics and Evolutionary Psychology”, in The Oxford Handbook of Aesthetics, Jerrold Levinson (ed.), New York: Oxford University Press, 693–705. (Scholar)
- –––, 2009, The Art Instinct: Beauty, Pleasure, and Human Evolution, New York: Bloomsbury Press. (Scholar)
- Egloff, Boris, 2017, “You Are Not Alone—Social Sharing as a Necessary Addition to the Embracing Factor”, Behavioral and Brain Sciences, 40: e358. doi:10.1017/s0140525x17001662 (Scholar)
- Falk, John H. and John D. Balling, 2010, “Evolutionary Influence on Human Landscape Preference”, Environment and Behavior, 42(4): 479–493. doi:10.1177/0013916509341244 (Scholar)
- Feagin, Susan L., 1983, “The Pleasures of Tragedy”, American Philosophical Quarterly, 20(1): 95–104. (Scholar)
- Fechner, Gustav Theodor, 1871, Zur experimentalen Aesthetik, Leipzig: Hirzel. (Scholar)
- Fodor, J.A., 1983, The Modularity of Mind, Cambridge, MA: MIT Press. (Scholar)
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- Frazer, James George, 1890 [1994], The Golden Bough: A Study in Comparative Religion, 2 volumes, London: Macmillan. An abridged version of the second and third editions as The Golden Bough: A Study in Magic and Religion, Robert Fraser (ed.), Oxford: Oxford University Press, 1994. (Scholar)
- Freedberg, David and Vittorio Gallese, 2007, “Motion, Emotion and Empathy in Esthetic Experience”, Trends in Cognitive Sciences, 11(5): 197–203. doi:10.1016/j.tics.2007.02.003 (Scholar)
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