Primary Literature

• Adorno, Theodor W., 1945, “A Social Critique of Radio Music”, The Kenyon Review, 7(2): 208–217. (Scholar)
• –––, 1961, “Erpreßte Versöhnung”, in Noten zur Literatur II, Frankfurt am Main: Surhkamp Verlag; translated in 1977a, “Reconciliation under Duress”, in Aesthetics and Politics, F. Jameson (ed.), London: Verso. (Scholar)
• –––, 1965, “Engagement” in Noten zur Literatur II, Frankfurt am Main: Surhkamp Verlag; translated in 1977b, “Commitment”, in Aesthetics and Politics, F. Jameson (ed.), London: Verso. (Scholar)
• –––, 1966, Negative Dialektik, Frankfurt am Main: Suhrkamp Verlag; translated in Negative Dialectics, E. B. Ashton (trans.), Abingdon: Routledge, 2006. (Scholar)
• –––, 1968, Alban Berg: Der Meister des Kleinten Übergangs, Vienna: Verlag Elizabeth Lafite; translated in 1991, Alban Berg: Master of the Smallest Link, Juliane Brand and Christopher Hailey (trans.), Cambridge and New York: Cambridge University Press. (Scholar)
• –––, 1970, Ästhetische Theorie, Frankfurt am Main: Suhrkamp Verlag; translated in Aesthetic Theory, Robert Hullot-Kentor (trans.), London, New York: Continuum, 2004. (Scholar)
• –––, 1977c, “Letters to Walter Benjamin”, in Aesthetics and Politics, F. Jameson (ed.), London: Verso. (Scholar)
• Adorno, Theodor W. and Max Horkheimer, 1944, Philosophische Fragmente, New York: Institute for Social Research; translated in 2002, Dialectic of Enlightenment: Philosophical Fragments, Edmund Jephcott (trans.), Gunzelin Schmid Noerr (ed.), Stanford: Stanford University Press. (Scholar)
• Adorno, Theodor W., Walter Benjamin, Ernst Bloch, Bertolt Brecht and Georg Lukács, 2020, Aesthetics and Politics, London and New York: Verso Books. (Scholar)
• Alcaraz León, María José, 2022, “On the Aesthetic Appreciation of Damaged Environments”, The Journal of Aesthetics and Art Criticism, 80(4): 420–431. (Scholar)
• Berleant, Arnold, 1995, The Aesthetics of Environment, Philadelphia: Temple University Press. (Scholar)
• Bloch, Ernst, 1918, Geist der Utopie, München: Duncker & Humblot; translated in The Spirit of Utopia, Anthony A. Nassar (trans.), Stanford: Stanford University Press, 2000. (Scholar)
• –––, 1954–59 [1986a], Das Prinzip Hoffnung, Frankfurt am Main: Suhrkamp; translated as The Principle of Hope (Volumes I–III), Neville Plaice, Stephen Plaice, and Paul Knight (trans.), Cambridge, MA: MIT Press, 1986. (Scholar)
• –––, 1989, The Utopian Function of Art and Literature: Selected Essays, Cambridge, MA: MIT Press. (Scholar)
• Bradley, A. C., 1909, Oxford Lectures on Poetry, London: MacMillan & Co. (Scholar)
• Brady, Emily, 2003, Aesthetics of the Natural Environment, Alabama: University of Alabama Press. (Scholar)
• Brooks, Cleanth, 1947, The Well-Wrought Urn, New York: Harcourt, Brace and Company. (Scholar)
• Budd, Malcolm, 1996, “The Aesthetic Appreciation of Nature”. British Journal of Aesthetics, 36(3): 207–222. (Scholar)
• Caillois, Roger, 1937, La Mante Religuieuse, Paris: Les Amis des Livres. (Scholar)
• –––, 2003, The Edge of Surrealism: A Roger Caillois Reader, Claudine Frank (ed.), Claudine Frank and Camille Naish (trans.), Durham and London: Duke University Press. (Scholar)
• Carlson, Allen, 1979, “Appreciation and the Natural Environment”. The Journal of Aesthetics and Art Criticism, 37(3): 267–275. (Scholar)
• –––, 2018, “Environmental Aesthetics, Ethics, and Ecoaesthetics”, The Journal of Aesthetics and Art Criticism, 76(4): 399–410. (Scholar)
• Carlson, Allen and Sheila Lintott, (eds), 2008, Nature, Aesthetics, and Environmentalism: From Beauty to Duty, New York: Columbia University Press. (Scholar)
• Eaton, Marcia, 1998, “Fact and Fiction in the Aesthetic Appreciation of Nature”, The Journal of Aesthetics and Art Criticism, 56(2): 149–156. (Scholar)
• Frazer, James George 1890: The Golden Bough: A Study in Comparative Religion, 2 volumes, London: MacMillan & Co Ltd. (Scholar)
• Horkheimer, Max, 1937 [2002], “Traditional and Critical Theory”, in Horkheimer 2002, pp. 188–243. (Scholar)
• –––, 1947, Eclipse of Reason, Oxford and New York: Oxford University Press. (Scholar)
• –––, 2002, Critical Theory: Selected Essays, Matthew J. O’Connell, et al. (trans.), New York: Continuum Press. (Scholar)
• Lowenthal, Leo and Norbert Guterman, 1949, Prophets of Deceit: A Study of the Techniques of the American Agitator, New York: Harper. (Scholar)
• Lukács, Georg, 1910 [2010], A lélek és a formák – Kísérletek, Budapest: Franklin-Társulat; German publication, Die Seele und Der Formen, Berlin: Egon Fleische & Co., 1911; English edition, Soul and Form, John T. Sanders and Katie Terezakis (eds.), Anna Bostock (trans.), New York: Columbia University Press, 2010.
• –––, 1923, Geschichte und Klassenbewußtsein. Studien über marxistische Dialektik, Berlin: Malik-Verlag; translated in History and Class Consciousness, Rodney Livingstone (trans.), London: Merlin Press, 1971. (Scholar)
• –––, 1958, Gegenwartsbedeutung des Kritischen Realismus, Hamburg: Claasen; translated in 1971b: Realism in Our Time, New York: Harper. (Scholar)
• Marcuse, Herbert, 1955, Eros and Civilization: A Philosophical Inquiry Into Freud, Boston: Beacon. (Scholar)
• –––, 1964, One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society, Boston: Beacon. (Scholar)
• –––, 1965, “Remarks on a Redefinition of Culture”, Daedalus, 94(1): 190–207. (Scholar)
• –––, 1978, The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics, Boston: Beacon. (Scholar)
• –––, 2006, Art and Liberation (Collected Papers of Herbert Marcuse: Volume 4), Abingdon: Routledge. (Scholar)
• Marx, Karl, 1867, Das Kapital. Kritik der politischen Oekonomie (Book 1), Hamburg: Verlag von Otto Meisner; Capital: A Critique of Political Economy (Volume One), Samuel Moore and Edward Aveling (trans.), Friedrich Engels (ed.), Charles H. Kerr & Company, 1932. (Scholar)
• Mauss, Marcel and Henri Hubert, 1902–1903, “Esquisse d’une théorie générale de la magie”, L’Année Sociologique, 7: 1–146. (Scholar)
• Parsons, Glenn 2006, “Freedom and Objectivity in the Aesthetic Appreciation of Nature”, British Journal of Aesthetics, 46(1): 17–37. (Scholar)
• Saito, Yuriko, 1984, “Is There a Correct Aesthetic Appreciation of Nature?”, The Journal of Aesthetic Education, 18(4): 35–46. (Scholar)
• –––, 1998, “Appreciating Nature on Its Own Terms”, Environmental Ethics, 20(2): 135–149 (Scholar)
• –––, 2018, “Consumer Aesthetics and Environmental Ethics: Problems and Possibilities”, The Journal of Aesthetics and Art Criticism, 76: 429–39. (Scholar)

Secondary Literature

• Allen, Amy and Eduardo Mendieta (eds.), 2019, The Cambridge Habermas Lexicon, Cambridge and New York: Cambridge University Press. (Scholar)
• Bartonek, Anders and Sven-Olov Wallenstein (eds.), 2021, Critical Theory: Past, Present, Future, Stockholm: Södertörns högskola. (Scholar)
• Benhabib, Seyla, 1986, Critique, Norm, and Utopia: A Study of the Foundations of Critical Theory, New York: Columbia University Press. (Scholar)
• Bernstein, J. M., 1996, The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno, Cambridge, Oxford, Boston, New York: Polity. (Scholar)
• –––, 2001, Adorno: Disenchantment and Ethics, Cambridge and New York: Cambridge University Press. (Scholar)
• –––, 2006, Against Voluptuous Bodies: Late Modernism and the Meaning of Painting, Stanford: Stanford University Press. (Scholar)
• Best, Beverley, Werner Bonefeld, and Chris O’Kane (ed.), 2018, The SAGE Handbook of Frankfurt School Critical Theory, London: Sage Publications. (Scholar)
• Buck-Morss, S., 1977, The Origin of Negative Dialectics; Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute, New York: Free Press. (Scholar)
• –––, 1991, The Dialectics of Seeing: Walter Benjamin and the Arcades Project, Cambridge, MA: MIT Press. (Scholar)
• Claussen, Detlev, 2008, Theodor W. Adorno: One Last Genius, Rodney Livingstone (trans.), Cambridge, MA: Harvard University Press. (Scholar)
• Cook, Deborah, 2006, “Adorno’s critical materialism”, Philosophy and Social Criticism, 32(6): 719–737. (Scholar)
• –––, 2011, Adorno on Nature, Abingdon: Routledge. (Scholar)
• Daniels, Jordan, 2020, “Adorno, Benjamin, and Natural Beauty on ‘This Sad Earth’”, The Journal of Speculative Philosophy, 34(2): 159–178. (Scholar)
• Duvenage, Pieter, 2003, Habermas and Aesthetics: The Limits of Communicative Reason, Hoboken, New Jersey: Wiley. (Scholar)
• –––, 2019: “Aesthetics” in Amy Allen, and Eduardo Mendieta (eds.), 2019, The Cambridge Habermas Lexicon, Cambridge and New York: Cambridge University Press, 3–6. (Scholar)
• Feenberg, Andrew, 1981, Lukács, Marx, and the sources of critical theory, Oxford and New York: Oxford University Press. (Scholar)
• –––, 2017, “Why Students of the Frankfurt School Will Have to Read Lukács”, in The Palgrave Handbook of Critical Theory, Michael J. Thompson (ed.), London: Palgrave Macmillan US. (Scholar)
• Flodin, Camilla, 2018, “’The eloquence of something that has no language’: Adorno on Hölderlin’s Late Poetry”, Adorno Studies, 2(1). [Flodin 2018 available online] (Scholar)
• –––, 2022, “In the name of the rhinoceros: expression beyond human intention”, in Adorno’s Rhinoceros: Art, Nature, Critique, Hofstätter, Antonia and Daniel Steuer (eds.), London: Bloomsbury. (Scholar)
• Freyenhagen, Fabian, 2013, Adorno’s Practical Philosophy: Living Less Wrongly, Cambridge and New York: Cambridge University Press. (Scholar)
• –––, 2011, “Adorno’s Ethics Without the Ineffable”, Telos, 155: 127–149. (Scholar)
• Finlayson, Gordon, 2002, “Adorno on the Ethical and the Ineffable”, European Journal of Philosophy, 10(1): 1–25. (Scholar)
• Goehr, Lydia, 2008, Elective Affinities: Musical Essays on the History of Aesthetic Theory, Cambridge and New York: Cambridge University Press. (Scholar)
• Gordon, Peter, Espen Hammer and Axel Honneth (eds.), 2019, The Routledge Companion to the Frankfurt School, Abingdon: Routledge. (Scholar)
• Hammer, Espen, 2015, Adorno’s Modernism: Art, Experience, and Catastrophe, Cambridge and New York: Cambridge University Press. (Scholar)
• Hartle, Johan, 2018, “Aesthetics and its Critique: The Frankfurt Aesthetic Paradigm”, in The SAGE Handbook of Frankfurt School Critical Theory, Beverley Best, Werner Bonefeld, and Chris O’Kane (eds.), London: Sage Publications. (Scholar)
• Hepburn, Ronald, 1966, “Contemporary Aesthetics and the Neglect of Natural Beauty”, in British Analytical Philosophy, Bernard Williams and Alan Montefiore (eds.), London: Routledge & Kegan Paul. (Scholar)
• Hofstätter, Antonia and Daniel Steuer (eds.), 2022, Adorno’s Rhinoceros: Art, Nature, Critique, London: Bloomsbury. (Scholar)
• Honneth, Axel, 2007, “Artist of Dissonance: Albrecht Wellmer and Critical Theory”. Constellations, 14(3): 305–314. (Scholar)
• Huhn, Tom and Lambert Zuidervaart (eds.), 1997, The Semblance of Subjectivity: Essays in Adorno’s Aesthetic Theory, Cambridge, MA: MIT Press. (Scholar)
• Hulatt, Owen, 2016a, Adorno’s Theory of Philosophical and Aesthetic Truth, New York: Columbia University Press. (Scholar)
• –––, 2016b, “Hegel, Danto, Adorno, and the End and After of Art”, British Journal for the History of Philosophy, 24(4): 742–763. (Scholar)
• Jarvis, Simon, 1998, Adorno: A Critical Introduction, Cambridge and Oxford: Polity Press. (Scholar)
• Jay, Martin, 1992, Marxism and Totality: The Adventures of a Concept from Lukács to Habermas, Berkeley, CA: University of California Press. (Scholar)
• Jenemann, David, 2007, Adorno in America, Minneapolis: University of Minnesota Press. (Scholar)
• Johnson, Harriet, 2011, “Undignified Thoughts After Nature: Adorno’s Aesthetic Theory”, Critical Horizons, 12(3): 372–395 (Scholar)
• Kavoulakos, Konstantinos, 2017, “Lukács’ Theory of Reification and the Tradition of Critical Theory”, in The Palgrave Handbook of Critical Theory, Michael J. Thompson (ed.), London: Palgrave Macmillan US. (Scholar)
• Kautzer, Chad, 2017, “Marx’s Influence on the Early Frankfurt School”, in The Palgrave Handbook of Critical Theory, Michael J. Thompson (ed.), London: Palgrave Macmillan. (Scholar)
• Kellner, Douglas, 1999, “Marcuse and the Quest for Radical Subjectivity”, Social Thought & Research, 22(1/2): 1–24. (Scholar)
• Kellner, Douglas and Harry O’Hara, 1976, “Utopia and Marxism in Ernst Bloch”, New German Critique, 9: 11–34. (Scholar)
• Klasen, Isabelle, 2018, “Rather no art than socialist realism: Adorno, Beckett and Brecht”, in The SAGE Handbook of Frankfurt School Critical Theory, Beverley Best, Werner Bonefeld, and Chris O’Kane (eds.), London: Sage Publications. (Scholar)
• Krebber, André, 2020, “Traces of the Other: Adorno on Natural Beauty”, New German Critique, 47(2): 169–189. (Scholar)
• Levitas, Ruth, 1990, “Educated Hope: Ernst Bloch on Abstract and Concrete Utopia”, Utopian Studies, 1(2): 13–26. (Scholar)
• Lewandowski, Joseph D., 1996, “Adorno on Jazz and Society”, Philosophy and Social Criticism, 22(5): 103–121. (Scholar)
• Mackin, Glenn, 2022, “The Aesthetic Habermas: Communicative Power and Judgement”, Political Theory, 50(5): 780–808. (Scholar)
• Maharaj, Ayon, 2013, The Dialectics of Aesthetic Agency: Revaluating German Aesthetics from Kant to Adorno, New York: Bloomsbury Academic. (Scholar)
• McMahon, Jennifer A., 2011, “Aesthetic Autonomy and Praxis: Art and Language in Adorno and Habermas”, International Journal of Philosophical Studies, 19(2): 155–175. (Scholar)
• Menke, Christoph, 1998, The Sovereignty of Art: Aesthetic Negativity in Adorno and Derrida, Cambridge, MA: MIT Press. (Scholar)
• Moir, Cat, 2018, “Ernest Bloch: The Principle of Hope” in The SAGE Handbook of Frankfurt School Critical Theory, Beverley Best, Werner Bonefeld, and Chris O’Kane (eds.), London: Sage Publications. (Scholar)
• Moran, Brendan, and Carlo Salzani (eds.), 2013, Philosophy and Kafka, London: Rowman & Littlefield. (Scholar)
• Nicholsen, S. W., 1997a, Exact Imagination, Late Work: On Adorno’s Aesthetics, Cambridge, MA: MIT Press. (Scholar)
• –––, 1997b, “Aesthetic Theory’s Mimesis of Walter Benjamin”, in The Semblance of Subjectivity: Essays in Adorno’s Aesthetic Theory, Tom Huhn and Lambert Zuidervaart (eds.), Cambridge, MA: MIT Press. (Scholar)
• O’Connor, Brian, 2013, “On the Mimesis of Reification: Adorno’s Critical Theoretical Interpretation of Kafka”, in Philosophy and Kafka, Brendan Moran and Carlo Salzani (eds.), London: Rowman & Littlefield. (Scholar)
• Paddison, Max, 2011, Adorno’s Aesthetics of Music, Cambridge and New York: Cambridge University Press. (Scholar)
• Rebentisch, Juliane and Felix Trautmann, 2019, “The Idea of the Culture Industry”, in The Routledge Companion to the Frankfurt School, Peter Gordon, Espen Hammer and Axel Honneth (eds.), Abingdon: Routledge. (Scholar)
• Rosen, Michael, 2004, “Benjamin, Adorno, and the decline of the aura”, in The Cambridge Companion to Critical Theory, Fred Rush (ed.), Cambridge and New York: Cambridge University Press. (Scholar)
• Rothe, Matthias, 2018, “Adorno’s Brecht: The Other Origin of Negative Dialectics”, in The SAGE Handbook of Frankfurt School Critical Theory, Beverley Best, Werner Bonefeld, and Chris O’Kane (eds.), London: Sage Publications. (Scholar)
• Rush, Fred (ed.), 2004, The Cambridge Companion to Critical Theory, Cambridge and New York: Cambridge University Press (Scholar)
• Schoolman, Morton, 1976, “Marcuse’s Aesthetics and the Displacement of Critical Theory”, New German Critique, 8: 54–79. (Scholar)
• Sherratt, Yvonne, 2009, Adorno’s Positive Dialectic, Cambridge and New York: Cambridge University Press. (Scholar)
• Singh, Surti, 2016, “The Spiritualization of Art in Adorno’s Aesthetic Theory”, Adorno Studies, 1(1): 31–42. (Scholar)
• Stone, Alison, 2006, “Adorno and The Disenchantment of Nature”, Philosophy and Social Criticism, 32(2): 231–253. (Scholar)
• Thompson, Michael J. (ed.), 2017, The Palgrave Handbook of Critical Theory, London: Palgrave Macmillan. (Scholar)
• Vogel, S., 1996, Against Nature: The Concept of Nature in Critical Theory, Albany: State University of New York Press. (Scholar)
• Wikström, Josefine, 2021, “Interest in the Body: Art, Autonomy and Natural Beauty in Adorno”, in Critical Theory: Past, Present, Future, Anders Bartonek and Sven-Olov Wallenstein (eds.) Stockholm: Södertörns högskola. (Scholar)
• Williams, Bernard and Alan Montefiore (eds.), 1966, British Analytical Philosophy, London: Routledge & Kegan Paul. (Scholar)
• Wolin, R., 1994, An Aesthetics of Redemption, Berkeley, Los Angeles: University of California Press. (Scholar)
• Zuidervaart, Lambert, 1994, Adorno’s Aesthetic Theory: The Redemption of Illusion, Cambridge, MA: MIT Press. (Scholar)