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• Bazin, André, 1947 ‘The technique of Citizen Kane’, trans. by Alain Piette and Bert Cardullo, in Ronald Gottesman (ed.), Perspectives on Citizen Kane, New York: G.K. Hall & Co., 1996, 229–37; first published in Les Temps Modernes, 2 (1947). (Scholar)
• Camus, Albert, 1965, Essais, Paris: Gallimard. (Scholar)
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• –––, 1938b, “‘La Nausée’ de Jean-Paul Sartre”, in Essais, Paris: Gallimard, 1417–1419. (Scholar)
• –––, 1939, “‘Le Mur’ de Jean-Paul Sartre”, in Essais, Paris: Gallimard, 1419–1421. (Scholar)
• –––, 1942a, The Outsider, trans. by Joseph Laredo, London: Penguin, 1982. (Scholar)
• –––, 1942b, The Myth of Sisyphus, and Other Essays, trans. by Justin O’Brien, London: Hamish Hamilton, 1979. (Scholar)
• –––, 1943, “Lettre au sujet du ‘Parti pris’ de Francis Ponge”, in Essais, Paris: Gallimard, 1662–1668. (Scholar)
• –––, 1944, “‘On the Philosophy of Expression’ by Brice Parain”, in Lyrical and Critical Essays, London: Vintage, 228–241. (Scholar)
• –––, 1945, “Non, je ne suis pas existentialiste”, in Essais, Paris: Gallimard, 1424–1426. (Scholar)
• –––, 1951, The Rebel. An Essay on Man in Revolt, trans. by Anthony Bowen, London: Vintage, 1992. (Scholar)
• –––, 1935–1951, Notebooks, New York: Marlowe and Company, 1998. (Scholar)
• –––, 1995, Resistance, Rebellion and Death, London: Vintage. (Scholar)
• de Beauvoir, Simone, 1943, She Came to Stay, trans. by Roger Senhouse and Yvonne Moyse, New York: W. W. Norton & Co., 1954. (Scholar)
• –––, 1944, Pyrrhus et Cinéas, in Philosophical Writings, Chicago: University of Illinois Press, 2005. (Scholar)
• –––, 1945a, Who Shall Die?, trans. by Claude Francis and Fernande Gontier, Florissant: River Press, 1983. (Scholar)
• –––, 1945b, Les Bouches Inutiles, Paris: Gallimard. (Scholar)
• –––, 1946, “Literature and Metaphysics”, in Simone de Beauvoir: Philosophical Writings, M. Simons (with M. Timmerman and M.B. Mader) ed., Champaign: University of Illinois Press, 2004, 261–278. (Scholar)
• –––, 1947, The Ethics of Ambiguity, trans. by Bernard Frechtman, New York: Philosophical Library, 1948. (Scholar)
• –––, 1948, Existentialism and Popular Wisdom, in Simone de Beauvoir: Philosophical Writings, M. Simons (with M. Timmerman and M.B. Mader) ed., Champaign: University of Illinois Press, 2004, 195–220. (Scholar)
• –––, 1960, The Prime of Life, trans. by Peter Green, Cleveland: World Publishing Company, 1962. (Scholar)
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• Dufrenne, Mikel, 1953, The Phenomenology of Aesthetic Experience, trans. by Edward Casey, Evanston: Northwestern University Press, 1973. (Scholar)
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• –––, 1945, Homo Viator. Introduction to a Metaphysics of Hope, trans. by E. Craufurd, Chicago: Henry Regnery, 1951. (Scholar)
• –––, 1947, Regard en arrière, in E. Gilson (ed.), L’existentialisme chrétien, Paris: Plon. (Scholar)
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• Merleau-Ponty, Maurice, 1945a, Phenomenology of Perception, trans. by Colin Smith, New York: Humanities Press. (Scholar)
• –––, 1945b, “Cézanne’s Doubt”, in Sense and Non-Sense, trans. by Hubert Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern University Press, 1964, pp. 9–25.
• –––, 1945c, “Metaphysics and the Novel”, in Sense and Non-Sense, trans. by Hubert Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern University Press, 1964, pp. 26–40. (Scholar)
• –––, 1947a, Humanism and Terror, trans. by John O’Neill, Boston: Beacon Press, 1969. (Scholar)
• –––, 1947b, “The Film and the New Psychology”, in Sense and Non-Sense, trans. by Hubert Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern University Press, 1964, pp. 48–62. (Scholar)
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• –––, 1954/1955, L’Institution. La Passivité. Notes de Cours au Collège de France, Paris: Belin, 2003.
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• –––, 1960, “Eye and Mind”, trans. by Carleton Dallery, in Phenomenology, Language and Sociology, John O’Neill (ed.), London: Heinemann, 1974, pp. 280–311. (Scholar)
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• Sartre, Jean-Paul, 1924, “Apologie pour le Cinéma”, in Ecrits de Jeunesse, Paris: Gallimard, 1990. (Scholar)
• –––, 1931, “L’Art cinématographique”, in Michel Contat and Michel Rybalka, Ecrits de Sartre, Paris, Gallimard, 1970, 546–552.
• –––, 1938, Nausea, trans. by L. Alexander, New York: New Directions Books, 1969. (Scholar)
• –––, 1940, The Psychology of Imagination, London: Rider and Company, 1950. (Scholar)
• –––, 1943a, Being and Nothingness, trans. by Hazel Barnes, New York: Philosophical Library, 1948. (Scholar)
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• –––, 1947a, Situations I, Paris: Gallimard. (Scholar)
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• –––, 1948b, L’Engrenage, Paris: Gallimard, 1996.
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• –––, 1971/72, The Family Idiot, trans. by Carol Cosman, 5 volumes, Chicago: University of Chicago Press, 1981–93. (Scholar)
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Selected Secondary Sources

• Boule, J.-P., and E. McCaffrey (eds.), 2011, Existentialism and Cinema: A Sartrean Perspective, New York: Berghahn. (Scholar)
• Boule, J.-P., and U. Tidd (eds.), 2012, Existentialism and Cinema: A Beauvoirian Perspective, New York: Berghahn. (Scholar)
• Chenu, Joseph, 1948, Le théâtre de Gabriel Marcel et sa signification métaphysique, Paris: Aubier. (Scholar)
• Connor, J.D., 2001, “Sartre and Cinema: The Grammar of Commitment”, Comparative Literature Issue, 116(5): 1045–1068. (Scholar)
• Cooper, David, 1964, “Sartre on Genet”, New Left Review, 25: 69–73. (Scholar)
• Cox, Gary, 2009, Sartre and Fiction, London: Continuum. (Scholar)
• Dreyfus, Hubert & Wrathall, Marx, 2006, A Companion to Phenomenology and Existentialism, Oxford: Blackwell. (Scholar)
• Fallaize, Elizabeth, 1988, The Novels of Simone de Beauvoir, London: Routledge. (Scholar)
• Foti, Veronique, 1980, “Painting and the Re-orientation of Philosophical Thought in Merleau-Ponty”, Philosophy Today, 24 (Summer): 114–120. (Scholar)
• –––, 1986, “Heidegger’s and Merleau-Ponty’s Turn from Technicity to Art”, Philosophy Today, 30 (Winter): 306–316. (Scholar)
• –––, 1988, “Merleau-Ponty on Silence” in The Horizons of Continental Philosophy, H. Silverman et al. (eds.), Dordrecht: Kluwer, 272–288. (Scholar)
• –––, 1996, “The Evidences of Paintings: Merleau-Ponty and Contemporary Abstraction”, in Merleau-Ponty: Difference, Materiality, Painting, V. Foti (ed.), New Jersey: Humanities Press. (Scholar)
• ––– (ed.), 1996, Merleau-Ponty: Difference, Materiality, Painting, New Jersey: Humanities Press. (Scholar)
• Francis, Claude and Gontier, Fernande, 1979, Les Ecrits de Simone de Beauvoir, Paris: Gallimard. (Scholar)
• Goldthorpe, Rhiannon, 1986, Sartre: Literature and Theory, Cambridge University Press. (Scholar)
• –––, 1992, “Understanding the Committed Writer”, in The Cambridge Companion to Sartre, Cambridge: Cambridge University Press, pp. 140–176. (Scholar)
• Grene, Marjorie, 1998, “The Aesthetic Dialogue of Sartre and Merleau-Ponty”, in The Debate between Sartre and Merleau-Ponty, Evanston: Northwestern University Press, pp. 293–314. (Scholar)
• Haar, Michel, 1996, “Painting, Perception, Affectivity”, in Merleau-Ponty: Difference, Materiality, Painting, V. Foti (ed.), New Jersey: Humanities Press, 1996. (Scholar)
• Harvey, Robert, 1991, “Sartre/Cinema: Spectator/Art That is Not One”, Cinema Journal, 30(3): 43–59. (Scholar)
• Johnson, Galen, 1994, “The Colors of Fire: Depth and Desire in Merleau-Ponty’s ‘Eye and Mind’”, Journal of the British Society for Phenomenology, 25(1): 53–63. (Scholar)
• ––– (ed.), 1994, The Merleau-Ponty Aesthetic Reader: Philosophy and Painting, Evanston: Northwestern University Press. (Scholar)
• ––– 2010, The Retrieval of the Beautiful. Thinking through Merleau-Ponty’s Aesthetics, Evanston: Northwestern University Press. (Scholar)
• Johnson, Patricia, 1984, “Art against Art: The Cinema and Sartre’s La Nausée”, The French Review, 58(1): 68–76. (Scholar)
• Kaelin, Eugene, 1962, An Existential Aesthetic: the Theories of Sartre and Merleau-Ponty, Madison: University of Wisconsin Press. (Scholar)
• Kaushik, Rajiv, 2011, Art and Institution: Aesthetics in the Late Works of Merleau-Ponty, London: Continuum. (Scholar)
• Kearney, Richard, 1991, Poetics of Imagining: From Husserl to Lyotard, New York: Routledge. (Scholar)
• Lapointe, Francois, 1973, Selected Bibliography on Art and Aesthetics in Merleau-Ponty, Philosophy Today, 17: 292-296. (Scholar)
• Lazaron, Hilda, 1978, Gabriel Marcel the Dramatist, London: Colin Smythe. (Scholar)
• McBride, Joseph, 1992, Albert Camus, Philosopher and Littérateur, New York: St. Martin’s Press. (Scholar)
• McBride, William, 1996a, Sartre’s Life, Times and Vision du Monde, London: Routledge. (Scholar)
• –––, 1996b, Existentialist Background: Kierkegaard, Dostoevsky, Nietzsche, Jaspers, Heidegger, London: Routledge. (Scholar)
• –––, 1997, Existentialist Literature and Aesthetics, New York: Garland. (Scholar)
• Macquarrie, John, 1972, Existentialism, London: Penguin Books. (Scholar)
• Mancini, Sandro, 1996, “Merleau-Ponty’s Phenomenology as a Dialectical Philosophy of Expression”,International Philosophical Quarterly, 36(40): 389–398. (Scholar)
• Menase, Stéphanie, 2003, Passivité et Création: Merleau-Ponty et L’Art Moderne, Paris: Presses Universitaires de France. (Scholar)
• Natanson, Maurice, 1968, Literature, Philosophy and the Social Sciences: Essays in Existentialism and Phenomenology, The Hague: Martinus Nijhoff, 1968 (3^rd edition). (Scholar)
• O’Neill, John, 1970, Perception, Expression, History: The Social Phenomenology of Merleau-Ponty, Evanston: Northwestern Univ. Press. (Scholar)
• Pilardi, Jo-Anne, 1999, Writing the Self: Philosophy becomes Autobiography, Westport: Praeger Paperback. (Scholar)
• Pingaud, Bernard, 1971, “Merleau-Ponty, Sartre et la Littérature”, L’Arc, 46: 80–87. (Scholar)
• Place, James, 1973, “Merleau-Ponty and the Spirit of Painting”, Philosophy Today, 17: 280–290. (Scholar)
• –––, 1976, “The Painting and the Natural Thing in the Philosophy of Merleau-Ponty”, Cultural Hermeneutics, 4: 75–92. (Scholar)
• Polan, Dana, 1987, “Sartre and Cinema”, Post-Script, 7(1): 66–88. (Scholar)
• Pollmann, Leo, 1970, Sartre and Camus: Literature of Existence, trans. by Helen and Gregor Sebba, New York: F. Ungar Publishing Co. (Scholar)
• Sallis, John, 1973, Phenomenology and the Return to Beginnings, Pittsburgh: Duquesne University Press. (Scholar)
• ––– (ed.), 1981, Merleau-Ponty: Perception, Structure, Language. New Jersey: Humanities Press. (Scholar)
• Sepp, Hans Rainer, Embree, Lester (ed.), 2010, Handbook of Phenomenological Aesthetics, Dordrecht: Springer. (Scholar)
• Silverman, Hugh, et al. (eds.), 1988, The Horizons of Continental Philosophy: Essays on Husserl, Heidegger, Merleau-Ponty, Dordrecht: Kluwer. (Scholar)
• Sirridge, Mary, 2003, “Philosophy in Beauvoir’s Fiction”, in Cambridge Companion to Simone de Beauvoir, Cambridge: Cambridge University Press. (Scholar)
• Slatman, Jenny, 2003, L’Expression au-delà de la Representation: Sur L’Aisthesis et L’Esthétique chez Merleau-Ponty, Paris: Vrin.
• Smith, Michael, 1988, “L’Esthétique de Merleau-Ponty”. Les Etudes Philosophiques, 1: 73–98.
• Solomon, Robert, 2006, Grim Thoughts: Experience and Reflection in Camus and Sartre, New York: Oxford University Press. (Scholar)
• Sprintzen, David & Van den Hoven, Adrian (eds.), 2004, Sartre and Camus: A Historic Confrontation, Amherst: Humanity Books. (Scholar)
• Stewart, Jon (ed.), 1998, The Debate between Sartre and Merleau-Ponty, Evanston: Northwestern University Press. (Scholar)
• Troisfontaines, Roger, 1953, De l’Existence à l’Être, Paris: Vrin. (Scholar)
• Vintges, Karen, 1996, Philosophy as Passion: The Thinking of Simone de Beauvoir, trans. by Anne Lavelle, Bloomington: Indiana University Press. (Scholar)
• Witkus, Jessica, 2013, The Rhythm of Thought: Art, Literature and Music After Merleau-Ponty, Chicago: Chicago University Press. (Scholar)