Linked bibliography for the SEP article "Existentialist Aesthetics" by Jean-Philippe Deranty
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If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.
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Primary Sources
- Alain, 1920, Système des Beaux-Arts, Paris: Gallimard, 1983. (Scholar)
- Bazin, André, 1947 ‘The technique of Citizen Kane’, trans. by Alain Piette and Bert Cardullo, in Ronald Gottesman (ed.), Perspectives on Citizen Kane, New York: G.K. Hall & Co., 1996, 229–37; first published in Les Temps Modernes, 2 (1947). (Scholar)
- Camus, Albert, 1965, Essais, Paris: Gallimard. (Scholar)
- –––, 1932–1933, Youthful Writings, New York: Marlowe and Company, 1994. (Scholar)
- –––, 1933, “Poème sur la Méditerranée”, in Essais, Paris: Gallimard, 1207. (Scholar)
- –––, 1938a, “Nuptials”, in Lyrical and Critical Essays, trans. by Ellen Kennedy, London: Vintage, 1970, 63–105. (Scholar)
- –––, 1938b, “‘La Nausée’ de Jean-Paul Sartre”, in Essais, Paris: Gallimard, 1417–1419. (Scholar)
- –––, 1939, “‘Le Mur’ de Jean-Paul Sartre”, in Essais, Paris: Gallimard, 1419–1421. (Scholar)
- –––, 1942a, The Outsider, trans. by Joseph Laredo, London: Penguin, 1982. (Scholar)
- –––, 1942b, The Myth of Sisyphus, and Other Essays, trans. by Justin O’Brien, London: Hamish Hamilton, 1979. (Scholar)
- –––, 1943, “Lettre au sujet du ‘Parti pris’ de Francis Ponge”, in Essais, Paris: Gallimard, 1662–1668. (Scholar)
- –––, 1944, “‘On the Philosophy of Expression’ by Brice Parain”, in Lyrical and Critical Essays, London: Vintage, 228–241. (Scholar)
- –––, 1945, “Non, je ne suis pas existentialiste”, in Essais, Paris: Gallimard, 1424–1426. (Scholar)
- –––, 1951, The Rebel. An Essay on Man in Revolt, trans. by Anthony Bowen, London: Vintage, 1992. (Scholar)
- –––, 1935–1951, Notebooks, New York: Marlowe and Company, 1998. (Scholar)
- –––, 1995, Resistance, Rebellion and Death, London: Vintage. (Scholar)
- de Beauvoir, Simone, 1943, She Came to Stay, trans. by Roger Senhouse and Yvonne Moyse, New York: W. W. Norton & Co., 1954. (Scholar)
- –––, 1944, Pyrrhus et Cinéas, in Philosophical Writings, Chicago: University of Illinois Press, 2005. (Scholar)
- –––, 1945a, Who Shall Die?, trans. by Claude Francis and Fernande Gontier, Florissant: River Press, 1983. (Scholar)
- –––, 1945b, Les Bouches Inutiles, Paris: Gallimard. (Scholar)
- –––, 1946, “Literature and Metaphysics”, in Simone de Beauvoir: Philosophical Writings, M. Simons (with M. Timmerman and M.B. Mader) ed., Champaign: University of Illinois Press, 2004, 261–278. (Scholar)
- –––, 1947, The Ethics of Ambiguity, trans. by Bernard Frechtman, New York: Philosophical Library, 1948. (Scholar)
- –––, 1948, Existentialism and Popular Wisdom, in Simone de Beauvoir: Philosophical Writings, M. Simons (with M. Timmerman and M.B. Mader) ed., Champaign: University of Illinois Press, 2004, 195–220. (Scholar)
- –––, 1960, The Prime of Life, trans. by Peter Green, Cleveland: World Publishing Company, 1962. (Scholar)
- –––, 1965, “Que peut la littérature ?”, in Yves Buin (ed.), Que peut la Littérature ?, Paris: UGE, 73–92. (Scholar)
- Dufrenne, Mikel, 1953, The Phenomenology of Aesthetic Experience, trans. by Edward Casey, Evanston: Northwestern University Press, 1973. (Scholar)
- Husserl, Edmund, 1937, The Crisis of European Sciences and Transcendental Phenomenology, trans. by David Carr Evanston, Northwestern University Press, 1970. (Scholar)
- Ingarden, Roman, 1962, The Ontology of Art: The Musical Work, Painting, Architecture, the Film, Athens, Ohio: Ohio University Press, 1989. (Scholar)
- –––, 1965, The Literary Work of Art, trans. by George Grabowicz, Evanston: Northwestern University Press, 1973. (Scholar)
- Malraux, André, 1951, The Voices of Silence, trans. by Stuart Gilbert, Garden City: Doubleday, 1953. (Scholar)
- Marcel, Gabriel, 1927, Metaphysical Journal, trans. by Bernard Wall, Chicago: Henry Regnery, 1952. (Scholar)
- –––, 1935, Being and Having, trans. by K. Farrer, Westminster: Dacre Press, 1949. (Scholar)
- –––, 1945, Homo Viator. Introduction to a Metaphysics of Hope, trans. by E. Craufurd, Chicago: Henry Regnery, 1951. (Scholar)
- –––, 1947, Regard en arrière, in E. Gilson (ed.), L’existentialisme chrétien, Paris: Plon. (Scholar)
- –––, 1951, Man against Mass Society, trans. by G.S. Fraser, London: Harvill Press, 1952. (Scholar)
- –––, 1954, The Decline of Wisdom, trans. by M. Harari, London: Harvill Press. (Scholar)
- –––, 1960a,b, The Mystery of Being, 2 volumes, (Reflection and Mystery = 1960a, and Faith and Reality = 1960b), trans. by G.S. Fraser and R. Hague, Chicago: Henry Regnery. (Scholar)
- –––, 1973, Tragic Wisdom and Beyond, trans. by S. Jolin and P. McCormick, Evanston: Northwestern University Press. (Scholar)
- Merleau-Ponty, Maurice, 1945a, Phenomenology of Perception, trans. by Colin Smith, New York: Humanities Press. (Scholar)
- –––, 1945b, “Cézanne’s Doubt”, in Sense and Non-Sense, trans. by Hubert Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern University Press, 1964, pp. 9–25.
- –––, 1945c, “Metaphysics and the Novel”, in Sense and Non-Sense, trans. by Hubert Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern University Press, 1964, pp. 26–40. (Scholar)
- –––, 1947a, Humanism and Terror, trans. by John O’Neill, Boston: Beacon Press, 1969. (Scholar)
- –––, 1947b, “The Film and the New Psychology”, in Sense and Non-Sense, trans. by Hubert Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern University Press, 1964, pp. 48–62. (Scholar)
- –––, 1955, Adventures of the Dialectic, trans. by Joseph Bien, Evanston: Northwestern University Press, 1973. (Scholar)
- –––, 1954/1955, L’Institution. La Passivité. Notes de Cours au Collège de France, Paris: Belin, 2003.
- –––, 1956/1957, Nature, trans. by Robert Vallier, Evanston: Northwestern University Press, 2003. (Scholar)
- –––, 1960, “Eye and Mind”, trans. by Carleton Dallery, in Phenomenology, Language and Sociology, John O’Neill (ed.), London: Heinemann, 1974, pp. 280–311. (Scholar)
- –––, 1964a, The Visible and the Invisible, trans. by Alphonso Lingis, Evanston: Northwestern Univ. Press, 1968. (Scholar)
- –––, 1964b, The Prose of the World, trans. by John O’Neill, Evanston: Northwestern University Press, 1973. (Scholar)
- Sartre, Jean-Paul, 1924, “Apologie pour le Cinéma”, in Ecrits de Jeunesse, Paris: Gallimard, 1990. (Scholar)
- –––, 1931, “L’Art cinématographique”, in Michel Contat and Michel Rybalka, Ecrits de Sartre, Paris, Gallimard, 1970, 546–552.
- –––, 1938, Nausea, trans. by L. Alexander, New York: New Directions Books, 1969. (Scholar)
- –––, 1940, The Psychology of Imagination, London: Rider and Company, 1950. (Scholar)
- –––, 1943a, Being and Nothingness, trans. by Hazel Barnes, New York: Philosophical Library, 1948. (Scholar)
- –––, 1943b, “Camus’ ‘The Outsider’”, in Literary and Philosophical Essays, trans. by Annette Michelson, New York: Crowell-Collier, 1955. (Scholar)
- –––, 1944] “L’Homme et les Choses”, in Situations I, 226–270.
- –––, 1947a, Situations I, Paris: Gallimard. (Scholar)
- –––, 1947b, Baudelaire, London: French & European Publications, 1988. (Scholar)
- –––, 1947c, Les Jeux sont faits, Paris: Gallimard, 1996. (Scholar)
- –––, 1948a, What is Literature?, trans. by Bernard Frechtman, London: Methuen, 1967. (Scholar)
- –––, 1948b, L’Engrenage, Paris: Gallimard, 1996.
- –––, 1952a, Saint Genet. Actor and Martyr, trans. by Bernard Frechtman, Allen, 1963. (Scholar)
- –––, 1952b, Mallarmé, or the Poet of Nothingness, trans. by Ernest Sturm, Pennsylvania University Press, 1991. (Scholar)
- –––, 1963, Essays in Aesthetics, trans. by Wade Baskin, London: Peter Owen. (Scholar)
- –––, 1964, The Words, trans. by Bernard Frechtman, New York: Braziller. (Scholar)
- –––, 1971/72, The Family Idiot, trans. by Carol Cosman, 5 volumes, Chicago: University of Chicago Press, 1981–93. (Scholar)
- –––, 1976, Sartre on Theatre, Michel Contat and Michel Rybalka (eds.), New York: Pantheon. (Scholar)
Selected Secondary Sources
- Boule, J.-P., and E. McCaffrey (eds.), 2011, Existentialism and Cinema: A Sartrean Perspective, New York: Berghahn. (Scholar)
- Boule, J.-P., and U. Tidd (eds.), 2012, Existentialism and Cinema: A Beauvoirian Perspective, New York: Berghahn. (Scholar)
- Chenu, Joseph, 1948, Le théâtre de Gabriel Marcel et sa signification métaphysique, Paris: Aubier. (Scholar)
- Connor, J.D., 2001, “Sartre and Cinema: The Grammar of Commitment”, Comparative Literature Issue, 116(5): 1045–1068. (Scholar)
- Cooper, David, 1964, “Sartre on Genet”, New Left Review, 25: 69–73. (Scholar)
- Cox, Gary, 2009, Sartre and Fiction, London: Continuum. (Scholar)
- Dreyfus, Hubert & Wrathall, Marx, 2006, A Companion to Phenomenology and Existentialism, Oxford: Blackwell. (Scholar)
- Fallaize, Elizabeth, 1988, The Novels of Simone de Beauvoir, London: Routledge. (Scholar)
- Foti, Veronique, 1980, “Painting and the Re-orientation of Philosophical Thought in Merleau-Ponty”, Philosophy Today, 24 (Summer): 114–120. (Scholar)
- –––, 1986, “Heidegger’s and Merleau-Ponty’s Turn from Technicity to Art”, Philosophy Today, 30 (Winter): 306–316. (Scholar)
- –––, 1988, “Merleau-Ponty on Silence” in The Horizons of Continental Philosophy, H. Silverman et al. (eds.), Dordrecht: Kluwer, 272–288. (Scholar)
- –––, 1996, “The Evidences of Paintings: Merleau-Ponty and Contemporary Abstraction”, in Merleau-Ponty: Difference, Materiality, Painting, V. Foti (ed.), New Jersey: Humanities Press. (Scholar)
- ––– (ed.), 1996, Merleau-Ponty: Difference, Materiality, Painting, New Jersey: Humanities Press. (Scholar)
- Francis, Claude and Gontier, Fernande, 1979, Les Ecrits de Simone de Beauvoir, Paris: Gallimard. (Scholar)
- Goldthorpe, Rhiannon, 1986, Sartre: Literature and Theory, Cambridge University Press. (Scholar)
- –––, 1992, “Understanding the Committed Writer”, in The Cambridge Companion to Sartre, Cambridge: Cambridge University Press, pp. 140–176. (Scholar)
- Grene, Marjorie, 1998, “The Aesthetic Dialogue of Sartre and Merleau-Ponty”, in The Debate between Sartre and Merleau-Ponty, Evanston: Northwestern University Press, pp. 293–314. (Scholar)
- Haar, Michel, 1996, “Painting, Perception, Affectivity”, in Merleau-Ponty: Difference, Materiality, Painting, V. Foti (ed.), New Jersey: Humanities Press, 1996. (Scholar)
- Harvey, Robert, 1991, “Sartre/Cinema: Spectator/Art That is Not One”, Cinema Journal, 30(3): 43–59. (Scholar)
- Johnson, Galen, 1994, “The Colors of Fire: Depth and Desire in Merleau-Ponty’s ‘Eye and Mind’”, Journal of the British Society for Phenomenology, 25(1): 53–63. (Scholar)
- ––– (ed.), 1994, The Merleau-Ponty Aesthetic Reader: Philosophy and Painting, Evanston: Northwestern University Press. (Scholar)
- ––– 2010, The Retrieval of the Beautiful. Thinking through Merleau-Ponty’s Aesthetics, Evanston: Northwestern University Press. (Scholar)
- Johnson, Patricia, 1984, “Art against Art: The Cinema and Sartre’s La Nausée”, The French Review, 58(1): 68–76. (Scholar)
- Kaelin, Eugene, 1962, An Existential Aesthetic: the Theories of Sartre and Merleau-Ponty, Madison: University of Wisconsin Press. (Scholar)
- Kaushik, Rajiv, 2011, Art and Institution: Aesthetics in the Late Works of Merleau-Ponty, London: Continuum. (Scholar)
- Kearney, Richard, 1991, Poetics of Imagining: From Husserl to Lyotard, New York: Routledge. (Scholar)
- Lapointe, Francois, 1973, Selected Bibliography on Art and Aesthetics in Merleau-Ponty, Philosophy Today, 17: 292-296. (Scholar)
- Lazaron, Hilda, 1978, Gabriel Marcel the Dramatist, London: Colin Smythe. (Scholar)
- McBride, Joseph, 1992, Albert Camus, Philosopher and Littérateur, New York: St. Martin’s Press. (Scholar)
- McBride, William, 1996a, Sartre’s Life, Times and Vision du Monde, London: Routledge. (Scholar)
- –––, 1996b, Existentialist Background: Kierkegaard, Dostoevsky, Nietzsche, Jaspers, Heidegger, London: Routledge. (Scholar)
- –––, 1997, Existentialist Literature and Aesthetics, New York: Garland. (Scholar)
- Macquarrie, John, 1972, Existentialism, London: Penguin Books. (Scholar)
- Mancini, Sandro, 1996, “Merleau-Ponty’s Phenomenology as a Dialectical Philosophy of Expression”,International Philosophical Quarterly, 36(40): 389–398. (Scholar)
- Menase, Stéphanie, 2003, Passivité et Création: Merleau-Ponty et L’Art Moderne, Paris: Presses Universitaires de France. (Scholar)
- Natanson, Maurice, 1968, Literature, Philosophy and the Social Sciences: Essays in Existentialism and Phenomenology, The Hague: Martinus Nijhoff, 1968 (3rd edition). (Scholar)
- O’Neill, John, 1970, Perception, Expression, History: The Social Phenomenology of Merleau-Ponty, Evanston: Northwestern Univ. Press. (Scholar)
- Pilardi, Jo-Anne, 1999, Writing the Self: Philosophy becomes Autobiography, Westport: Praeger Paperback. (Scholar)
- Pingaud, Bernard, 1971, “Merleau-Ponty, Sartre et la Littérature”, L’Arc, 46: 80–87. (Scholar)
- Place, James, 1973, “Merleau-Ponty and the Spirit of Painting”, Philosophy Today, 17: 280–290. (Scholar)
- –––, 1976, “The Painting and the Natural Thing in the Philosophy of Merleau-Ponty”, Cultural Hermeneutics, 4: 75–92. (Scholar)
- Polan, Dana, 1987, “Sartre and Cinema”, Post-Script, 7(1): 66–88. (Scholar)
- Pollmann, Leo, 1970, Sartre and Camus: Literature of Existence, trans. by Helen and Gregor Sebba, New York: F. Ungar Publishing Co. (Scholar)
- Sallis, John, 1973, Phenomenology and the Return to Beginnings, Pittsburgh: Duquesne University Press. (Scholar)
- ––– (ed.), 1981, Merleau-Ponty: Perception, Structure, Language. New Jersey: Humanities Press. (Scholar)
- Sepp, Hans Rainer, Embree, Lester (ed.), 2010, Handbook of Phenomenological Aesthetics, Dordrecht: Springer. (Scholar)
- Silverman, Hugh, et al. (eds.), 1988, The Horizons of Continental Philosophy: Essays on Husserl, Heidegger, Merleau-Ponty, Dordrecht: Kluwer. (Scholar)
- Sirridge, Mary, 2003, “Philosophy in Beauvoir’s Fiction”, in Cambridge Companion to Simone de Beauvoir, Cambridge: Cambridge University Press. (Scholar)
- Slatman, Jenny, 2003, L’Expression au-delà de la Representation: Sur L’Aisthesis et L’Esthétique chez Merleau-Ponty, Paris: Vrin.
- Smith, Michael, 1988, “L’Esthétique de Merleau-Ponty”. Les Etudes Philosophiques, 1: 73–98.
- Solomon, Robert, 2006, Grim Thoughts: Experience and Reflection in Camus and Sartre, New York: Oxford University Press. (Scholar)
- Sprintzen, David & Van den Hoven, Adrian (eds.), 2004, Sartre and Camus: A Historic Confrontation, Amherst: Humanity Books. (Scholar)
- Stewart, Jon (ed.), 1998, The Debate between Sartre and Merleau-Ponty, Evanston: Northwestern University Press. (Scholar)
- Troisfontaines, Roger, 1953, De l’Existence à l’Être, Paris: Vrin. (Scholar)
- Vintges, Karen, 1996, Philosophy as Passion: The Thinking of Simone de Beauvoir, trans. by Anne Lavelle, Bloomington: Indiana University Press. (Scholar)
- Witkus, Jessica, 2013, The Rhythm of Thought: Art, Literature and Music After Merleau-Ponty, Chicago: Chicago University Press. (Scholar)