Linked bibliography for the SEP article "Existentialist Aesthetics" by Jean-Philippe Deranty
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- Alain, 1920, Système des Beaux-Arts, Paris: Gallimard, 1983. (Scholar)
- Bazin, André, 1947 ‘The technique of Citizen
Kane’, trans. by Alain Piette and Bert Cardullo, in Ronald
Gottesman (ed.), Perspectives on Citizen Kane, New York: G.K.
Hall & Co., 1996, 229–37; first published in Les Temps
Modernes, 2 (1947). (Scholar)
- Camus, Albert, 1965, Essais, Paris: Gallimard. (Scholar)
- –––, 1932–1933, Youthful
Writings, New York: Marlowe and Company, 1994. (Scholar)
- –––, 1933, “Poème sur la
Méditerranée”, in Essais, Paris:
Gallimard, 1207. (Scholar)
- –––, 1938a, “Nuptials”, in
Lyrical and Critical Essays, trans. by Ellen Kennedy, London:
Vintage, 1970, 63–105. (Scholar)
- –––, 1938b, “‘La
Nausée’ de Jean-Paul Sartre”, in Essais,
Paris: Gallimard, 1417–1419. (Scholar)
- –––, 1939, “‘Le Mur’ de Jean-Paul
Sartre”, in Essais, Paris: Gallimard, 1419–1421. (Scholar)
- –––, 1942a, The Outsider, trans. by Joseph Laredo,
London: Penguin, 1982. (Scholar)
- –––, 1942b, The Myth of Sisyphus, and Other Essays, trans. by Justin O’Brien, London: Hamish Hamilton, 1979. (Scholar)
- –––, 1943, “Lettre au sujet du
‘Parti pris’ de Francis Ponge”, in Essais,
Paris: Gallimard, 1662–1668. (Scholar)
- –––, 1944, “‘On the Philosophy of
Expression’ by Brice Parain”, in Lyrical and Critical
Essays, London: Vintage, 228–241. (Scholar)
- –––, 1945, “Non, je ne suis pas
existentialiste”, in
Essais, Paris: Gallimard, 1424–1426. (Scholar)
- –––, 1951, The Rebel. An Essay on Man in Revolt, trans. by Anthony Bowen, London: Vintage, 1992. (Scholar)
- –––, 1935–1951, Notebooks, New
York: Marlowe and Company, 1998. (Scholar)
- –––, 1995, Resistance, Rebellion and
Death, London: Vintage. (Scholar)
- de Beauvoir, Simone, 1943, She Came to Stay,
trans. by Roger Senhouse and Yvonne Moyse, New York: W. W. Norton &
Co., 1954. (Scholar)
- –––, 1944, Pyrrhus et Cinéas, in Philosophical Writings, Chicago: University of Illinois Press, 2005. (Scholar)
- –––, 1945a, Who Shall Die?, trans. by
Claude Francis and Fernande Gontier, Florissant: River Press,
1983. (Scholar)
- –––, 1945b, Les Bouches Inutiles,
Paris: Gallimard. (Scholar)
- –––, 1946, “Literature and
Metaphysics”, in
Simone de Beauvoir: Philosophical Writings, M. Simons (with
M. Timmerman and M.B. Mader) ed., Champaign: University of Illinois Press,
2004, 261–278. (Scholar)
- –––, 1947, The Ethics of Ambiguity, trans. by Bernard Frechtman, New York: Philosophical Library, 1948. (Scholar)
- –––, 1948, Existentialism and Popular
Wisdom, in Simone de Beauvoir: Philosophical Writings, M. Simons (with
M. Timmerman and M.B. Mader) ed., Champaign: University of Illinois Press,
2004, 195–220. (Scholar)
- –––, 1960, The Prime of Life, trans. by
Peter Green, Cleveland: World Publishing Company, 1962. (Scholar)
- –––, 1965, “Que peut la littérature
?”, in Yves Buin (ed.), Que peut la Littérature
?, Paris: UGE, 73–92. (Scholar)
- Dufrenne, Mikel, 1953, The Phenomenology of Aesthetic Experience, trans. by Edward Casey, Evanston: Northwestern University Press, 1973. (Scholar)
- Husserl, Edmund, 1937, The Crisis of European Sciences and Transcendental Phenomenology, trans. by David Carr Evanston, Northwestern University Press, 1970. (Scholar)
- Ingarden, Roman, 1962, The Ontology of
Art: The Musical Work, Painting, Architecture, the Film,
Athens, Ohio: Ohio University Press, 1989. (Scholar)
- –––, 1965, The Literary Work of Art, trans. by George Grabowicz, Evanston: Northwestern University Press, 1973. (Scholar)
- Malraux, André, 1951, The Voices of Silence, trans. by Stuart Gilbert, Garden City: Doubleday, 1953. (Scholar)
- Marcel, Gabriel, 1927, Metaphysical Journal, trans. by Bernard Wall, Chicago: Henry Regnery, 1952. (Scholar)
- –––, 1935, Being and Having, trans. by K. Farrer, Westminster: Dacre Press, 1949. (Scholar)
- –––, 1945, Homo Viator. Introduction to a Metaphysics of Hope, trans. by E. Craufurd, Chicago: Henry Regnery, 1951. (Scholar)
- –––, 1947, Regard en arrière, in
E. Gilson (ed.),
L’existentialisme chrétien, Paris: Plon. (Scholar)
- –––, 1951, Man against Mass Society, trans. by G.S. Fraser, London: Harvill Press, 1952. (Scholar)
- –––, 1954, The Decline of Wisdom, trans. by M. Harari, London: Harvill Press. (Scholar)
- –––, 1960a,b, The Mystery of Being, 2 volumes, (Reflection and Mystery = 1960a, and Faith and Reality = 1960b), trans. by G.S. Fraser and R. Hague, Chicago: Henry Regnery. (Scholar)
- –––, 1973, Tragic Wisdom and Beyond, trans. by S. Jolin and P. McCormick, Evanston: Northwestern University Press. (Scholar)
- Merleau-Ponty, Maurice, 1945a, Phenomenology of Perception, trans. by Colin Smith, New York: Humanities Press. (Scholar)
- –––, 1945b, “Cézanne’s
Doubt”, in Sense and Non-Sense, trans. by Hubert
Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern
University Press, 1964, pp. 9–25.
- –––, 1945c, “Metaphysics and the
Novel”, in Sense and Non-Sense, trans. by Hubert
Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern
University Press, 1964, pp. 26–40. (Scholar)
- –––, 1947a, Humanism and Terror, trans. by John O’Neill, Boston: Beacon Press, 1969. (Scholar)
- –––, 1947b, “The Film and the New
Psychology”, in Sense and Non-Sense, trans. by Hubert
Dreyfus & Patricia Allen Dreyfus, Evanston: Northwestern
University Press, 1964, pp. 48–62. (Scholar)
- –––, 1955, Adventures of the Dialectic, trans. by Joseph Bien, Evanston: Northwestern University Press, 1973. (Scholar)
- –––, 1954/1955, L’Institution. La
Passivité. Notes de Cours au Collège de France,
Paris: Belin, 2003.
- –––, 1956/1957, Nature, trans. by Robert Vallier, Evanston: Northwestern University Press, 2003. (Scholar)
- –––, 1960, “Eye and Mind”, trans. by Carleton Dallery, in Phenomenology, Language and Sociology, John O’Neill (ed.), London: Heinemann, 1974, pp. 280–311. (Scholar)
- –––, 1964a, The Visible and the Invisible, trans. by Alphonso Lingis, Evanston: Northwestern Univ. Press, 1968. (Scholar)
- –––, 1964b, The Prose of the World, trans. by John O’Neill, Evanston: Northwestern University Press, 1973. (Scholar)
- Sartre, Jean-Paul, 1924, “Apologie pour le
Cinéma”, in Ecrits de Jeunesse, Paris:
Gallimard, 1990. (Scholar)
- –––, 1931, “L’Art
cinématographique”, in Michel Contat and Michel
Rybalka, Ecrits de Sartre, Paris, Gallimard, 1970,
546–552.
- –––, 1938, Nausea, trans. by L. Alexander,
New York: New Directions Books, 1969. (Scholar)
- –––, 1940, The Psychology of Imagination, London: Rider and Company, 1950. (Scholar)
- –––, 1943a, Being and Nothingness, trans. by Hazel Barnes, New York: Philosophical Library, 1948. (Scholar)
- –––, 1943b, “Camus’ ‘The
Outsider’”, in Literary and Philosophical Essays,
trans. by Annette Michelson, New York: Crowell-Collier, 1955. (Scholar)
- –––, 1944] “L’Homme et les Choses”, in
Situations I, 226–270.
- –––, 1947a, Situations I, Paris: Gallimard. (Scholar)
- –––, 1947b, Baudelaire, London: French
& European Publications, 1988. (Scholar)
- –––, 1947c, Les Jeux sont faits, Paris:
Gallimard, 1996. (Scholar)
- –––, 1948a, What is Literature?, trans. by Bernard Frechtman, London: Methuen, 1967. (Scholar)
- –––, 1948b, L’Engrenage, Paris:
Gallimard, 1996.
- –––, 1952a, Saint Genet. Actor and
Martyr, trans. by Bernard Frechtman, Allen, 1963. (Scholar)
- –––, 1952b, Mallarmé, or the Poet of
Nothingness, trans. by Ernest Sturm, Pennsylvania University
Press, 1991. (Scholar)
- –––, 1963, Essays in Aesthetics, trans. by Wade Baskin, London: Peter Owen. (Scholar)
- –––, 1964, The Words, trans. by Bernard Frechtman, New York: Braziller. (Scholar)
- –––, 1971/72, The Family Idiot,
trans. by Carol Cosman, 5 volumes, Chicago: University of Chicago
Press, 1981–93. (Scholar)
- –––, 1976, Sartre on Theatre, Michel
Contat and Michel Rybalka (eds.), New York: Pantheon. (Scholar)
- Boule, J.-P., and E. McCaffrey (eds.), 2011, Existentialism and
Cinema: A Sartrean Perspective, New York: Berghahn. (Scholar)
- Boule, J.-P., and U. Tidd (eds.), 2012, Existentialism and
Cinema: A Beauvoirian Perspective, New York: Berghahn. (Scholar)
- Chenu, Joseph, 1948, Le théâtre de Gabriel Marcel
et sa signification métaphysique, Paris: Aubier. (Scholar)
- Connor, J.D., 2001, “Sartre and Cinema: The Grammar of
Commitment”, Comparative Literature Issue,
116(5): 1045–1068. (Scholar)
- Cooper, David, 1964, “Sartre on Genet”, New Left
Review, 25: 69–73. (Scholar)
- Cox, Gary, 2009, Sartre and Fiction, London:
Continuum. (Scholar)
- Dreyfus, Hubert & Wrathall, Marx, 2006, A Companion to Phenomenology and Existentialism, Oxford: Blackwell. (Scholar)
- Fallaize, Elizabeth, 1988, The Novels of Simone de Beauvoir,
London: Routledge. (Scholar)
- Foti, Veronique, 1980, “Painting and the Re-orientation of Philosophical Thought in Merleau-Ponty”, Philosophy Today, 24 (Summer): 114–120. (Scholar)
- –––, 1986, “Heidegger’s and Merleau-Ponty’s Turn from Technicity to Art”, Philosophy Today, 30 (Winter): 306–316. (Scholar)
- –––, 1988, “Merleau-Ponty on
Silence” in The Horizons of Continental Philosophy,
H. Silverman et al. (eds.), Dordrecht: Kluwer,
272–288. (Scholar)
- –––, 1996, “The Evidences of Paintings: Merleau-Ponty and Contemporary Abstraction”, in Merleau-Ponty: Difference, Materiality, Painting, V. Foti (ed.), New Jersey: Humanities Press. (Scholar)
- ––– (ed.), 1996, Merleau-Ponty: Difference, Materiality, Painting, New Jersey: Humanities Press. (Scholar)
- Francis, Claude and Gontier, Fernande, 1979, Les Ecrits de Simone de
Beauvoir, Paris: Gallimard. (Scholar)
- Goldthorpe, Rhiannon, 1986, Sartre: Literature and Theory, Cambridge University Press. (Scholar)
- –––, 1992, “Understanding the Committed Writer”, in The Cambridge Companion to Sartre, Cambridge: Cambridge University Press, pp. 140–176. (Scholar)
- Grene, Marjorie, 1998, “The Aesthetic Dialogue of Sartre and
Merleau-Ponty”, in The Debate between Sartre and
Merleau-Ponty, Evanston: Northwestern University Press,
pp. 293–314. (Scholar)
- Haar, Michel, 1996, “Painting, Perception, Affectivity”, in Merleau-Ponty: Difference, Materiality, Painting, V. Foti (ed.), New Jersey: Humanities Press, 1996. (Scholar)
- Harvey, Robert, 1991, “Sartre/Cinema: Spectator/Art That is Not
One”, Cinema Journal, 30(3): 43–59. (Scholar)
- Johnson, Galen, 1994, “The Colors of Fire: Depth and Desire in
Merleau-Ponty’s ‘Eye and Mind’”, Journal of
the British Society for Phenomenology, 25(1): 53–63. (Scholar)
- ––– (ed.), 1994, The Merleau-Ponty Aesthetic Reader: Philosophy and Painting, Evanston: Northwestern University Press. (Scholar)
- ––– 2010, The Retrieval of the
Beautiful. Thinking through Merleau-Ponty’s Aesthetics, Evanston:
Northwestern University Press. (Scholar)
- Johnson, Patricia, 1984, “Art against Art: The Cinema and
Sartre’s La Nausée”, The French
Review, 58(1): 68–76. (Scholar)
- Kaelin, Eugene, 1962, An Existential Aesthetic: the Theories of Sartre and Merleau-Ponty, Madison: University of Wisconsin Press. (Scholar)
- Kaushik, Rajiv, 2011, Art and Institution: Aesthetics in the Late Works of Merleau-Ponty, London: Continuum. (Scholar)
- Kearney, Richard, 1991, Poetics of Imagining: From Husserl to Lyotard, New York: Routledge. (Scholar)
- Lapointe, Francois, 1973, Selected Bibliography on Art and Aesthetics in
Merleau-Ponty, Philosophy Today, 17: 292-296. (Scholar)
- Lazaron, Hilda, 1978, Gabriel Marcel the Dramatist, London:
Colin Smythe. (Scholar)
- McBride, Joseph, 1992, Albert Camus, Philosopher and Littérateur, New York: St. Martin’s Press. (Scholar)
- McBride, William, 1996a, Sartre’s Life, Times and Vision du
Monde, London: Routledge. (Scholar)
- –––, 1996b, Existentialist Background:
Kierkegaard, Dostoevsky, Nietzsche, Jaspers, Heidegger, London:
Routledge. (Scholar)
- –––, 1997, Existentialist Literature and Aesthetics, New York: Garland. (Scholar)
- Macquarrie, John, 1972, Existentialism, London: Penguin Books. (Scholar)
- Mancini, Sandro, 1996, “Merleau-Ponty’s Phenomenology as a
Dialectical Philosophy of Expression”,International
Philosophical Quarterly, 36(40): 389–398. (Scholar)
- Menase, Stéphanie, 2003, Passivité et
Création: Merleau-Ponty et L’Art Moderne, Paris:
Presses Universitaires de France. (Scholar)
- Natanson, Maurice, 1968, Literature, Philosophy and the Social Sciences: Essays in Existentialism and Phenomenology, The Hague: Martinus Nijhoff, 1968 (3rd edition). (Scholar)
- O’Neill, John, 1970, Perception, Expression, History: The Social Phenomenology of Merleau-Ponty, Evanston: Northwestern Univ. Press. (Scholar)
- Pilardi, Jo-Anne, 1999, Writing the Self: Philosophy becomes
Autobiography, Westport: Praeger Paperback. (Scholar)
- Pingaud, Bernard, 1971, “Merleau-Ponty, Sartre et la
Littérature”, L’Arc, 46: 80–87. (Scholar)
- Place, James, 1973, “Merleau-Ponty and the Spirit of Painting”, Philosophy Today, 17: 280–290. (Scholar)
- –––, 1976, “The Painting and the Natural Thing in the Philosophy of Merleau-Ponty”, Cultural Hermeneutics, 4: 75–92. (Scholar)
- Polan, Dana, 1987, “Sartre and
Cinema”, Post-Script, 7(1): 66–88. (Scholar)
- Pollmann, Leo, 1970, Sartre and Camus: Literature of Existence, trans. by Helen and Gregor Sebba, New York: F. Ungar Publishing Co. (Scholar)
- Sallis, John, 1973, Phenomenology and the Return to Beginnings, Pittsburgh: Duquesne University Press. (Scholar)
- ––– (ed.), 1981, Merleau-Ponty: Perception,
Structure, Language. New Jersey: Humanities Press. (Scholar)
- Sepp, Hans Rainer, Embree, Lester (ed.), 2010, Handbook of
Phenomenological Aesthetics, Dordrecht: Springer. (Scholar)
- Silverman, Hugh, et al. (eds.), 1988, The Horizons of Continental Philosophy: Essays on Husserl, Heidegger, Merleau-Ponty, Dordrecht: Kluwer. (Scholar)
- Sirridge, Mary, 2003, “Philosophy in Beauvoir’s
Fiction”, in Cambridge Companion to Simone de Beauvoir,
Cambridge: Cambridge University Press. (Scholar)
- Slatman, Jenny, 2003, L’Expression au-delà de la
Representation: Sur L’Aisthesis et L’Esthétique chez
Merleau-Ponty, Paris: Vrin.
- Smith, Michael, 1988, “L’Esthétique de
Merleau-Ponty”. Les Etudes Philosophiques, 1:
73–98.
- Solomon, Robert, 2006, Grim Thoughts: Experience and
Reflection in Camus and Sartre, New York: Oxford University
Press. (Scholar)
- Sprintzen, David & Van den Hoven, Adrian (eds.), 2004, Sartre and Camus: A Historic Confrontation, Amherst: Humanity Books. (Scholar)
- Stewart, Jon (ed.), 1998, The Debate between Sartre and Merleau-Ponty, Evanston: Northwestern University Press. (Scholar)
- Troisfontaines, Roger, 1953, De l’Existence à
l’Être, Paris: Vrin. (Scholar)
- Vintges, Karen, 1996, Philosophy as Passion: The Thinking of Simone de Beauvoir, trans. by Anne Lavelle, Bloomington: Indiana University Press. (Scholar)
- Witkus, Jessica, 2013, The Rhythm of Thought: Art, Literature and Music After Merleau-Ponty, Chicago: Chicago University Press. (Scholar)