Linked bibliography for the SEP article "Philosophy of Architecture" by Saul Fisher

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  • Acharya, Prasanna Kumar, 1928, Indian Architecture according to Mānasāra-śilpaśāstra [Mānasāra English trans.] London: Oxford University Press. (Scholar)
  • Alberti, Leon Battista, 1485, On the Art of Building in Ten Books (De re aedificatoria, Florence: Niccolò di Lorenzo), Joseph Rykwert, Robert Tavernor, and Neil Leach (trans.), Cambridge, MA: The MIT Press, 1988. (Scholar)
  • Alexander, Christopher, 1979, The Timeless Way of Building. Oxford: Oxford University Press. (Scholar)
  • Alexander, Christopher, Sara Ishikawa, and Murray Silverstein, 1977, A Pattern Language: Towns, Buildings, Construction, Oxford: Oxford University Press. (Scholar)
  • Anderson, James C. and Jeffrey T. Dean, 1998, “Moderate Autonomism”, British Journal of Aesthetics, 38(2): 150–166. (Scholar)
  • Bacon, Francis, 1625, The Essays or Counsels Civil and Moral (London: Iohn Haviland for Hanna Barret), Brian Vickers (ed.), Oxford: Oxford University Press, 1999. (Scholar)
  • Baird, George, 1969, “‘La Dimension Amoureuse’ in Architecture”, in Jencks and Baird 1969: 78–99. (Scholar)
  • Batteux, Charles, 1746, Les Beaux-Arts réduits à un même principe (Paris: Durand), reprint of 1746 ed., Paris: Amateurs des livres, 1989. (Scholar)
  • Beardsley, Monroe, 1958/1981, Aesthetics: Problems in the Philosophy of Criticism, Harcourt, Brace & World, 1st edition; Indianapolis: Hackett Publishing Company, Inc., 2nd edition. (Scholar)
  • Bentham, Jeremy, 1787, “Panopticon; or, The Inspection-House”, in John Bowring (ed.), The Works of Jeremy Bentham, 4, Edinburgh: William Tait, 1843; also in Miran Božovič (ed.), The Panopticon Writings, London: Verso, 1995. (Scholar)
  • Berkeley, George, 1732, Alciphron, or the Minute Philosopher, in Alciphron or the Minute Philosopher in Focus, David Berman (ed.), London: Routledge, 1993. (Scholar)
  • Berleant Arnold, 2007, “Cultivating an Urban Aesthetic”, in Arnold Berleant and Allen Carlson (eds.), The Aesthetics of Human Environments, Peterborough: Broadview Press, pp. 79–91. (Scholar)
  • Bicknell, Jeanette, 2014, “Architectural Ghosts”, Journal of Aesthetics and Art Criticism, 72(4): 435–441. (Scholar)
  • Blondel, François, 1675–1683, Cours d’architecture enseigné dans l’Académie royale d’architecture, Paris: P. Auboin et F. Clouzier. (Scholar)
  • Borissavliévitch, Miloutine [Borisavljevic, Milutin], 1923, Prolégomènes a une Esthétique Scientifique de l’Architecture, Paris: Fischbacher. (Scholar)
  • –––, 1954, Traite d’Esthétique Scientifique de l’Architecture, Paris: Albert Blanchard. (Scholar)
  • Bosse, Abraham, 1643, La manière universelle de Mr. Desargues, Lyonnais, Paris: Pierre Des-Hayes. (Scholar)
  • Boyce, James R., 1969, “What is the Systems Approach”, Progressive Architecture, 50(11): 118–121. (Scholar)
  • Buchenau, Stefanie, 2013, The Founding of Aesthetics in the German Enlightenment, Cambridge: Cambridge University Press. (Scholar)
  • Burry, Jane and Mark Burry, 2012, The New Mathematics of Architecture, London: Thames & Hudson. (Scholar)
  • Caicco, Gregory, 2005, “Architectural Ethics”, in Carl Mitcham (ed.), Encyclopedia of Science, Technology and Ethics, Detroit: Macmillan Reference, pp. 97–102. (Scholar)
  • Capdevila-Werning, Remei, 2013, “Constructing the Absent—Preservation and Restoration of Architecture”, Proceedings of the European Society for Aesthetics, 5: 163–177. (Scholar)
  • Carlson, Allen, 1994, “Existence, Location, and Function: The Appreciation of Architecture”, in Mitias 1994: 141–164. (Scholar)
  • –––, 1999, “The Aesthetic Appreciation of Everyday Architecture”, Architecture and Civilization, in Mitias 1999a: 107–121. (Scholar)
  • –––, 2000, Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture, London: Routledge. (Scholar)
  • Carroll, Noël, 1996, “Moderate Moralism”, British Journal of Aesthetics, 36(3): 223–238. (Scholar)
  • Clarke, Georgia and Paul Crossley (eds.), 2000, Architecture and Language: Constructing Identity in European Architecture c. 1000–1650, Cambridge: Cambridge University Press. (Scholar)
  • Currie, Gregory, 1989, An Ontology of Art. London: Palgrave Macmillan. (Scholar)
  • Cushman, Robert F. and G. Christian Hedemann, 1995, Architect and Engineer Liability: Claims Against Design Professionals, New York: Wiley Law Publications. (Scholar)
  • Danto, Arthur, 1964, “The Artworld”,The Journal of Philosophy, 61(19): 571–584. (Scholar)
  • –––, 1993, “Responses and Replies”, in Mark Rollins (ed.), Danto and His Critics, Oxford: Blackwell, pp. 193–216. (Scholar)
  • Davies, David, 2004, Art as Performance. Malden, MA: Blackwell. (Scholar)
  • Davies, Stephen, 1991, Definitions of Art, Ithaca, NY: Cornell University Press. (Scholar)
  • –––, 1994, “Is Architecture Art?” in Mitias 1994: 31–47. (Scholar)
  • –––, 2006, “Aesthetic Judgment, Artworks and Functional Beauty”, Philosophical Quarterly, 56(223): 224–241. (Scholar)
  • Day, Henry Noble, 1872/1888, The Science of Aesthetics, or the nature, kinds, laws, and uses of Beauty, New York: Putnam, 3rd Edition. (Scholar)
  • De Clercq, Rafael, 2008, “Lopes on the Ontology of Japanese Shrines”, Journal of Aesthetics and Art Criticism, 66(2): 193–194. (Scholar)
  • –––, 2009, “Scruton on Rightness of Proportion in Architecture”,British Journal of Aesthetics, 49(4): 405–414. (Scholar)
  • –––, 2012, “Architecture”, in Anna Christina Ribeiro (ed.), The Continuum Companion to Aesthetics, London: Continuum, pp. 201–214. (Scholar)
  • Desargues, Girard, 1642, La Perspective practique necessaire a tous peintres, sculpteurs, graveurs, architectes, orphevres, brodeurs, tapissiers, et autres se servans du dessein, Paris: Melchior Tavernier et François Langlois, dit Chartres. (Scholar)
  • Dodd, Julian, 2007, Works of Music: An Essay in Ontology, Oxford: Oxford University Press. (Scholar)
  • Donougho, Martin, 1987, “The Language of Architecture”, Journal of Aesthetic Education, 21(3): 53–67. (Scholar)
  • Dutton, Denis, 1979, “Artistic Crimes”, British Journal of Aesthetics, 19(4): 302–314. (Scholar)
  • Eaton, Ruth, 2002, Ideal Cities: Utopianism and the (Un)built Environment, London: Thames & Hudson. (Scholar)
  • Eco, Umberto, 1968, “Function and Sign: Semiotics of Architecture”, (“La funzione e il segno (semiologia dell’architettura)”, in La struttura assente: Introduzione alla ricerca semiologica, Milan: Bompiani), in Rethinking Architecture: A Reader in Cultural Theory, Neil Leach (ed.), New York: Routledge, 1977, pp. 166–204. (Scholar)
  • Eisenman, Peter, 2004, Eisenman Inside Out: Selected Writings, 1963–1988, New Haven: Yale University Press. (Scholar)
  • Essbach, Wolfgang, 2004, “In Gesellschaft der Dinge. Einleitung”, in Stefan Kaufmann, Wolfgang Essbach, Dirk Verdicchio, Wolfram Lutterer, Silke Bellanger, and Gereon Uerz (eds.), Landschaft, Geschlecht, Artefakte, Zur Soziologie naturaler und artifizieller Alterität, Würzburg: Ergon-Verlag, pp. 17–24. (Scholar)
  • Fechner, Gustav, 1876, Vorschule der Ästhetik, Leipzig: Breitkopf und Härtel. (Scholar)
  • Feng Jiren, 2012, Chinese Architecture and Metaphor: Song Culture in the Yingzao Fashi Building Manual, Honolulu: University of Hawai’i Press. (Scholar)
  • Fisher, Saul, 2000a, “How to Think About the Ethics of Architecture”, Warwick Fox (ed.), Ethics and the Built Environment, London: Routledge, pp. 170–182. (Scholar)
  • –––, 2000b, “Architectural Notation and Computer Aided Design”, Journal of Aesthetics and Art Criticism, 58(3): 273–289. (Scholar)
  • –––, 2002, “Why Is Architecture a ‘Social’ Art”, in C. Gould (ed.), Constructivism and Practice: Towards a Historical Epistemology, Lanham, MD: Rowman and Littlefield, pp. 193–203. (Scholar)
  • Fisher, Thomas, 2010, Ethics for Architects: 50 Dilemmas of Professional Practice, Princeton: Princeton Architectural Press. (Scholar)
  • Forty, Adrian, 2000, Words and Buildings: A Vocabulary of Modern Architecture, London: Thames and Hudson. (Scholar)
  • Foucault, Michel, 1975, Discipline and Punish: The Birth of the Prison (Surveiller et punir: Naissance de la prison; Paris: Gallimard) Alan Sheridan (trans.), New York: Vintage Books, 1979. (Scholar)
  • Frampton, Kenneth, 2001, Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture, Cambridge, MA: The MIT Press. (Scholar)
  • Gadamer, Hans-Georg, 1960, Truth and Method, Joel Weinsheimer and Donald G. Marshall (rev. trans.), London and NY: Continuum, 2nd edition, 1989. (Scholar)
  • Gaut, Berys, 1998, “The Ethical Criticism of Art”, in Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection, Cambridge: Cambridge University Press, pp. 182–203. (Scholar)
  • Gieryn, Thomas F., 2002, “What Buildings Do”, Theory and Society, 31(1): 35–74. (Scholar)
  • Ginsburg Robert, 1994, “Aesthetics in Hiroshima”, in Mitias 1994: 221–234. (Scholar)
  • Göller, Adolf, 1887, “What is the Cause of the Perpetual Style Change in Architecture”, (“Was ist die Ursache der immerwährenden Stilveränderung in der Architectur”, in Zur Aesthetik der Architektur: Vorträge und Studien, Stuttgart: Konrad Wittwer, 1887, pp. 1–48), in Mallgrave and Ikonomou 1994, pp. 193–225. (Scholar)
  • Goodman, Nelson, 1968/1976, Languages of Art, Indianapolis, IN: Hackett Publishing Company, 2nd edition. (Scholar)
  • –––, 1985, “How Buildings Mean”, Critical Inquiry, 11(4): 642–653. (Scholar)
  • Graham, Gordon, 1989, “Art and Architecture”, British Journal of Aesthetics, 29(3): 248–257. (Scholar)
  • –––, 2012, “Scruton on Architecture”, in Andy Hamilton, Nick Zangwill (eds.), Scruton’s Aesthetics, London: Palgrave Macmillan, pp. 164–176. (Scholar)
  • Greenstreet, Robert, 1998, “The Case for Copyright: Protecting Originality and the Architect’s Rights of Ownership”, AIArchitect, (March): 20. (Scholar)
  • Gutman, Robert, 1988, Architectural Practice: A Critical View, Princeton: Princeton Architectural Press. (Scholar)
  • Guyer, Paul, 2014, “18th Century German Aesthetics” (Spring 2014 Edition), Edward N. Zalta (ed.), The Stanford Encyclopedia of Philosophy, URL = <https://plato.stanford.edu/archives/spr2014/entries/aesthetics-18th-german/> (Scholar)
  • –––, 2011, “Kant and the Philosophy of Architecture”, Journal of Aesthetics and Art Criticism, 69: 7–19. (Scholar)
  • Halbwachs, Maurice, 1938,Population and society: introduction to social morphology (Morphologie sociale, Paris: Librairie Armand Colin), Otis Dudley Duncan and Harold W. Pfautz (trans.), Glencoe, Ill., Free Press, 1960. (Scholar)
  • Haldane, John, 1990, “Architecture, Philosophy and the Public World”, British Journal of Aesthetics, 30: 207–213. (Scholar)
  • Handler, A. Benjamin, 1970, Systems Approach to Architecture, New York: American Elsevier Pub. Co. (Scholar)
  • Hansell, Mike, 2007, Built by Animals, Oxford: Oxford University Press. (Scholar)
  • Harries, Karsten, 1997, The Ethical Function of Architecture, Cambridge, MA: The MIT Press. (Scholar)
  • Hartmann, Nicolai, 1953, Ästhetik, Berlin: De Gruyter.
  • Hatfield, Gary, 1993, “Helmholtz and Classicism: The Science of Aesthetics and the Aesthetics of Science”, in David Cahan (ed.), Hermann von Helmholtz and the Foundations of Nineteenth-Century Science, Berkeley: University of California Press, pp. 522–58. (Scholar)
  • Hegel, G.W.F., 1826, Aesthetics: Lectures on Fine Art, T.M. Knox (trans.), Oxford: Clarendon Press, 1975. (Scholar)
  • Heidegger, Martin, 1951, “Building, dwelling, thinking”, in Poetry, Language, Thought, Albert Hofstadter (trans.), New York: Harper and Row, 1975, pp. 145–161. (Scholar)
  • Hillier, Bill and Julienne Hanson, 1984, The Social Logic of Space, Cambridge: Cambridge University Press. (Scholar)
  • Hintikka, Jaakko, 1974, “Practical vs. Theoretical Reason—An Ambiguous Legacy”, in Stephan Körner (ed.), Practical Reason, Oxford: Basil Blackwell, pp. 83–102. (Scholar)
  • Holl, Steven, Juhani Pallasmaa, and Alberto Pérez-Gómez, 1994, “Questions of Perception: Phenomenology of Architecture”, special issue of Architecture and Urbanism, (July), Tokyo: A + U Publishing. (Scholar)
  • Hume, David, 1739-40, A Treatise of Human Nature, L. A. Selby-Bigge (ed.), Oxford: Oxford University Press, 1960. (Scholar)
  • Ingarden, Roman, 1962, The Ontology of the Work of Art (Untersuchungen zur Ontologie der Kunst: Musikwerk. Bild. Architektur. Film., Tübingen: Max Niemeyer), Raymond Meyer with John T. Goldthwait (trans.), Athens, Ohio: Ohio University Press, 1989. (Scholar)
  • Iseminger, Gary, 1981, “Aesthetic Appreciation”, Journal of Aesthetics and Art Criticism, 39(4): 389–397 (Scholar)
  • Jencks, Charles, 1969, “Semiology and Architecture”, in Jencks and Baird 1969: 10–25. (Scholar)
  • –––, 1977, The Language of Post-Modern Architecture, New York: Rizzoli. (Scholar)
  • Jencks, Charles and George Baird (eds.), 1969, Meaning in Architecture, London: Barrie and Jenkins. (Scholar)
  • Johnson, Paul-Allen, 1994, The Theory of Architecture—Concepts, Themes, and Practices. New York: Van Nostrand Reinhold. (Scholar)
  • Kania, Andrew, 2008, “New Waves in Musical Ontology”, in New Waves in Aesthetics, Kathleen Stock and Katherine Thomson-Jones (ed.), Houndmills: Palgrave Macmillan, pp. 20–40. (Scholar)
  • Kant, Immanuel, 1790, Critique of the Power of Judgment, Paul Guyer (ed.); Paul Guyer and Eric Mathews (trans.), Cambridge: Cambridge University Press, 2000. (Scholar)
  • Kieran, Matthew, 2001, “In Defence of the Ethical Evaluation of Art”, British Journal of Aesthetics, 41: 337–351. (Scholar)
  • Kieran, Matthew and Dominic McIver Lopes (eds.), 2006, Knowing Art: Essays in Aesthetics and Epistemology, Dordrecht: Springer. (Scholar)
  • Kivy, Peter, 1983, “Platonism in Music: A Kind of Defense”, Grazer Philosophische Studien, 19: 109–129. (Scholar)
  • Koenig, Giovanni Klaus, 1964, Analisi del linguaggio architettonico, Firenze: Libreria editrice fiorentina. (Scholar)
  • –––, 1970, Architettura e communicazione, Firenze: Libreria editrice fiorentina. (Scholar)
  • Koolhaas Rem, 1978, Delirious New York: a retroactive manifesto for Manhattan, Oxford: Oxford University Press. (Scholar)
  • Korab-Karpowicz, W. Julian, 2012, “Schopenhauer’s Theory of Architecture”, in Bart Vandenabeele (ed.), A Companion to Schopenhauer, London: Blackwell Publishing, pp. 178–192. (Scholar)
  • Krier, Léon, 2009, The Architecture of Community, Dhiru A. Thadani & Peter J. Hetzel (eds.), Washington, DC: Island Press. (Scholar)
  • Kruft, Hanno-Walter, 1994, A History of Architectural Theory: From Vitruvius to the Present, Princeton: Princeton Architectural Press. (Scholar)
  • Langer, Susanne K., 1953, Feeling and Form, New York: Macmillan Publishing Company. (Scholar)
  • –––, 1967, Mind: An Essay on Human Feeling, Baltimore: The Johns Hopkins University Press. (Scholar)
  • Laugier, Marc Antoine, 1753/1755, Essai sur l’architecture, Paris: Duchesne. (Scholar)
  • Lavin, Sylvia, 1992, Quatremère de Quincy and the Invention of a Modern Language of Architecture, Cambridge, MA: The MIT Press. (Scholar)
  • –––, 2004, Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture, Cambridge, MA: The MIT Press. (Scholar)
  • Le Corbusier, 1923, Toward A New Architecture (Vers Une Architecture, Paris: G. Crès et Cie), Frederick Etchells (trans.), New York: Praeger, 1960; John Goodman (trans.) Santa Monica, CA: Getty Publications, 2007. (Scholar)
  • Leder, Helmut; Benno Belke; Andries Oeberst; and Dorothee Augustin, 2004, “A Model of Aesthetic Appreciation and Aesthetic Judgments”, British Journal of Psychology, 95(4): 489–508. (Scholar)
  • Lefebvre, Henri, 1970, The Urban Revolution (La révolution urbaine, Paris: Gallimard), Robert Bononno (trans.), Minneapolis: University of Minnesota Press, 2003. (Scholar)
  • –––, 1974, The Production of Space (La production de l’espace, Paris: Anthropos), Donald Nicholson-Smith (trans.), Oxford: Basil Blackwell, 1991. (Scholar)
  • Levinson, Jerrold, 2007, “Artworks as Artifacts”, in Eric Margolis and Stephen Laurence (eds.), Creations of the Mind: Theories of Artifacts and Their Representation, Oxford: Oxford University Press, pp. 74–84. (Scholar)
  • Livingston, Paisley, 2011, revised 2013, “History of the Ontology of Art” (Summer 2013 Edition), Edward N. Zalta (ed.), The Stanford Encyclopedia of Philosophy, URL= <https://plato.stanford.edu/archives/sum2013/entries/art-ontology-history/> (Scholar)
  • Loos, Adolf, 1913, “Ornament and Crime” (“Ornement et crime”, Cahiers d'aujourd'hui (5): 247–256), in Ulrich Conrads (ed.), Programs and Manifestoes on 20th Century Architecture, Cambridge, MA: The MIT Press, 1970, pp. 19–24. (Scholar)
  • Lopes, Dominic Mciver, 2007, “Shikinen Sengu and the Ontology of Architecture in Japan”, Journal of Aesthetics and Art Criticism, 65(1): 77–84. (Scholar)
  • Mallgrave, Harry Francis, 2005, Modern Architectural Theory: A Historical Survey, 1673–1969, Cambridge: Cambridge University Press. (Scholar)
  • Mallgrave, Harry Francis and Eleftherios Ikonomou (eds. and trans.), 1994, Empathy, Form and Space: Problems in German Aesthetics, 1873–1893, Santa Monica: Getty Centre for the History of Art and the Humanities. (Scholar)
  • Malo, Paul, 1999, Personal correspondence. (Scholar)
  • Margolis, Joseph, 1958, “The Mode of Existence of a Work of Art”, Review of Metaphysics, 12(1): 26–34. (Scholar)
  • Matravers, Derek, 1999, “Revising Principles of Architecture”, The Journal of Architecture, 4(1): 39–45. (Scholar)
  • Merleau-Ponty, Maurice, 1945, Phénoménologie de la perception, Paris: Gallimard, 1998. (Scholar)
  • Mitchell, William J., 1990, The Logic of Architecture: Design, Computation, and Cognition, Cambridge, MA: The MIT Press. (Scholar)
  • Mitias, Michael (ed.), 1994, Philosophy and Architecture, Amsterdam and Atlanta: Rodopi. (Scholar)
  • ––– (ed.), 1999a, Architecture and Civilization, Amsterdam and Atlanta: Rodopi. (Scholar)
  • –––, 1999b, “The Aesthetic Experience of the Architectural Work”, Journal of Aesthetic Education, 33(3): 61–77. (Scholar)
  • Mitrovic, Branko, 2011, Philosophy for Architects, Princeton: Princeton Architectural Press. (Scholar)
  • –––, 2013, Visuality for Architects: Architectural Creativity and Modern Theories of Perception and Imagination, Charlottesville, VA: University of Virginia Press. (Scholar)
  • Norberg-Schulz, Christian, 1965, Intentions in Architecture, Cambridge, MA, MIT Press. (Scholar)
  • –––, 1980, Genius Loci: Towards a Phenomenology of Architecture, London: Academy Editions; New York: Rizzoli. (Scholar)
  • Oliver, Paul (ed.), 1969, Shelter and Society, New York: Praeger. (Scholar)
  • Paden, Roger, 2001, “The Two Professions of Hippodamus of Miletus”, Philosophy and Geography, 4(1): 25–48. (Scholar)
  • Palladio Andrea, 1570, The Four Books of Architecture (I Quattro Libri dell’Architecttura, Venice: Dominico de’ Franceschi), Richard Schofield and Robert Tavernor (trans.), Cambridge, MA: The MIT Press, 2002. (Scholar)
  • Pallasmaa, Juhani, 2005, The Eyes of the Skin: Architecture and the Senses, Chichester: Wiley-Academy. (Scholar)
  • –––, 2012, Encounters 1: Architectural Essays, Peter MacKeith (ed.), Diana C. Tullberg, Michael Wynne-Ellis (trans.), Helsinki, Finland: Rakennustieto Oy. (Scholar)
  • Parsons, Glenn, 2008, “Nature, Aesthetic Values and Urban Design: Building the Natural City”, in Peter Vermaas, Pieter Kroes, Andrew Light, and Steven A. Moore (ed.), Philosophy and Design: From Engineering to Architecture, New York/Heidelberg: Springer, pp. 341–354. (Scholar)
  • Parsons, Glenn, and Allen Carlson, 2008, Functional Beauty, Oxford: Clarendon Press. (Scholar)
  • Pérez-Gómez, Alberto, 1983, Architecture and the Crisis of Modern Science, Cambridge, MA: The MIT Press. (Scholar)
  • Portoghesi, Paolo, 2000, Nature and Architecture, Erika G. Young (trans.), Thames & Hudson. (Scholar)
  • Pugin, A.W.N., 1841, The True Principles of Christian or Pointed Architecture, London: John Weale. (Scholar)
  • –––, 1843, An Apology for the Revival of Christian Architecture in England, London: John Weale. (Scholar)
  • Quatremère de Quincy, Antoine-Chrysostome, 1803, De l’Architecture égyptienne considérée dans son origine, ses principes et son goût, et comparée sous les mêmes rapports à l’architecture grecque, Paris: Barrois l’aîné et Fils. (Scholar)
  • Rapoport, Amos, 1969, House Form and Culture, Englewood Cliffs, NJ: Prentice Hall. (Scholar)
  • Rasmussen, Steen Eiler, 1959, Experiencing Architecture, Cambridge, MA: The MIT Press. (Scholar)
  • Robinson, Jenefer, 2012, “On Being Moved By Architecture”, Journal of Aesthetics and Art Criticism, 70(4): 337–353. (Scholar)
  • Robinson, Julia Williams, 2001, “The Form and Structure of Architectural Knowledge: From Practice to Discipline”, in Andrzej Piotrowski and Julia Williams Robinson (eds.), The Discipline of Architecture, Minneapolis, MN: University of Minnesota Press, pp. 61–82. (Scholar)
  • Ruskin, John, 1849, The Seven Lamps of Architecture (London: Smith, Elder, and Co.), New York: Dover Publications, 1989. (Scholar)
  • Sauchelli, Andrea, 2012a, “The Structure and Content of Architectural Experience: Scruton on Architecture as Art”, Estetika, The Central European Journal of Aesthetics, 49/5(1): 26–44. (Scholar)
  • –––, 2012b, “Functional Beauty, Architecture, and Morality: A Beautiful Konzentrationslager?”, The Philosophical Quarterly, 62(246): 128–147. (Scholar)
  • Schopenhauer, Arthur, 1818/1844 [WWR], The World as Will and Representation, Two volumes (Die Welt als Wille und Vorstellung), E. F. J. Payne (trans.), New York: Dover Publications, 1958/1969.
  • Schwarzer, Mitchell, 1996, “Schopenhauer’s Philosophy of Architecture”, in Dale Jacquette (ed.), Schopenhauer, Philosophy and the Arts, Cambridge: Cambridge University Press, pp. 277–298. (Scholar)
  • Scott, Geoffrey, 1914/1924, The Architecture of Humanism. New York: C. Scribner’s Sons, 2nd edition; reprint edition, Garden City, NY: Doubleday, 1954. (Scholar)
  • Scruton, Roger, 1979/2013, The Aesthetics of Architecture, Princeton: Princeton University Press. 2nd edition. (Scholar)
  • –––, 1994, The Classical Vernacular: Architectural Principles in an Age of Nihilism, New York: St. Martin’s Press. (Scholar)
  • Semper, Gottfried, 1860, Style in the Technical and Tectonic Arts; or, Practical Aesthetics (Der Stil in der technischen und tektonischen Künsten, 1860), Harry Francis Mallgrave and Michael Robinson (trans.), Santa Monica, Getty Center for the History of Art and the Humanities, 2004. (Scholar)
  • Simmel, Georg, 1903, “The Metropolis and Mental Life”, (“Die Großstädte und das Geistesleben”, in Thomas Petermann (ed.), Die Grossstadt. Vorträge und Aufsätze zur Städteausstellung (Jahrbuch der Gehe-Stiftung Dresden, 9), Dresden, pp. 185–206), in Kurt Wolff (trans.) The Sociology of Georg Simmel, New York: Free Press, 1950, pp. 409–424. (Scholar)
  • Sitte, Camillo, 1889, City Planning According to Artistic Principles (Der Städtebau: nach seinen künstlerischen Grundsätzen, Vienna: Graeser), in Camillo Sitte: The Birth of Modern City Planning, George R. Collins and Christiane Crasemann Collins (trans.), New York: Rizzoli, 1986. (Scholar)
  • Smith, Korydon (ed.), 2012, Introducing Architectural Theory: Debating a Discipline, New York: Routledge. (Scholar)
  • Sparshott, Francis, 1994, “The Aesthesis of Architecture and the Politics of Space”, in Mitias 1994: 3–20. (Scholar)
  • Spector, Tom, 2001, The Ethical Architect: The Dilemma of Contemporary Practice, New York: Princeton Architectural Press. (Scholar)
  • Stecker, Robert, 2010, Aesthetics and the Philosophy of Art, Lanham, MD: Rowman & Littlefield. (Scholar)
  • Sullivan, Louis, 1896, “The Tall Office Building Artistically Considered”, Lippincott’s Magazine, 57(March): 403–409. (Scholar)
  • Summerson, John, 1966, The Classical Language of Architecture, Cambridge, MA: The MIT Press. (Scholar)
  • Suppes, Patrick, 1991, “Rules of Proportion in Architecture”, Midwest Studies in Philosophy, 16(1): 352–358. (Scholar)
  • Tafuri, Manfredo, 1973, Architecture and Utopia. Design and Capitalist Development (Progetto e utopia: Architettura e sviluppo capitalistico. Bari, Laterza), Barbara Luigia La Penta (trans.), Cambridge, MA: The MIT Press, 1976. (Scholar)
  • Taurens, Jānis, 2008, “‘Meaning’ and ‘Context’ in the Language of Architecture”, KOHT ja PAIK / PLACE and LOCATION - Studies in Environmental Aesthetics and Semiotics, VI: 71–82. (Scholar)
  • Thomasson, Amie, 1999, Fiction and Metaphysics, Cambridge: Cambridge University Press. (Scholar)
  • –––, 2005, “The Ontology of Art and Knowledge in Aesthetics”, Journal of Aesthetics and Art Criticism, 63(3): 221–229. (Scholar)
  • Thompson, J. Phillip, 2012, “The Politics of Planning”, in Randall Crane and Rachel Weber (eds.), The Oxford Handbook of Urban Planning, pp. 739–760. (Scholar)
  • Trivedi, Saam, 2002, “Against Musical Works as Eternal Types”, British Journal of Aesthetics, 42(1): 73–82. (Scholar)
  • van Eck, Caroline, 2000, “Architecture, language, and rhetoric in Alberti’s De re aedificatoria”, in Georgia Clarke and Paul Crossley (eds.), Architecture and language: constructing identity in European architecture, c. 1000-c. 1650, Cambridge: Cambridge University Press, pp. 72–81. (Scholar)
  • Venturi, Robert, Denise Scott Brown, & Steven Izenour, 1972/1977, Learning from Las Vegas: The Forgotten Symbolism of Architectural Form, Cambridge, MA: The MIT Press, revised edition. (Scholar)
  • Vesely, Dalibor, 2004, Architecture in the Age of Divided Representation: The Question of Creativity in the Shadow of Production, Cambridge, MA: The MIT Press. (Scholar)
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