Linked bibliography for the SEP article "Collingwood’s Aesthetics" by Gary Kemp

This is an automatically generated and experimental page

If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.

Primary Literature

For a more complete bibliography, see the Bibliography in the entry on Collingwood.

Secondary Literature

  • Burgin, G., 2015, ‘Danto’s error’, Philosophy in the Contemporary World, 22(1): 37–49. (Scholar)
  • Davidson, D., 2001, Subjective, Intersubjective, Objective, Oxford: Oxford University Press. (Scholar)
  • Davies, D., 2008, “Collingwood’s ‘Performance’ Theory Of Art”, The British Journal of Aesthetics, 48 (2): 162–174. (Scholar)
  • Dilworth, J., 1998, ‘Is Ridley Charitable to Collingwood?’, The Journal of Aesthetics and Art Criticism, 56 (4): 393–396. (Scholar)
  • Dönmez, D., 2015, ‘Collingwood and Art Proper: From Idealism to Consistency’, Estetika: The Central European Journal of Aestetics, 52 (2): 152–164. (Scholar)
  • Hausman, C., 1998, ‘Aaron Ridley’s Defence of Collingwood Pursued’, The Journal of Aesthetics and Art Criticism, 56 (4): 391–393. (Scholar)
  • Kemp, G., 2003, ‘The Croce-Collingwood Theory as Theory’, The Journal of Aesthetics and Art Criticism, 61 (2): 171–193. (Scholar)
  • Kemp, G., 2012, ‘Art as Expression: Croce and Collingwood’, in A. Giovanelli (ed.), Aesthetics, The Key Thinkers, London: Continuum. (Scholar)
  • Lord, T., 2011, ‘Anti-realism in R.G. Collingwood’s Theory of Art as Imagination’, Idealistic Studies, 41 (1–2): 45–54. (Scholar)
  • Ridley, A., 1997, ‘Not Ideal: Collingwood’s Expression Theory’, The Journal of Aesthetics and Art Criticism, 55 (3): 263–272. (Scholar)
  • –––, 1998, ‘Collingwood’s Commitments: A Reply to Hausman and Dilworth’,The Journal of Aesthetics and Art Criticism, 56 (4): 396–398. (Scholar)
  • –––, 2002, ‘Congratulations, it’s a Tragedy: Collingwood’s Remarks on Genre’, British Journal of Aesthetics, 42 (1): 52–63. (Scholar)
  • Wittgenstein, L., 1953, Philosophical Investigations, R. Rhees (ed.), G. E. M. Anscombe (trans.), Oxford: Blackwell. (Scholar)
  • Wollheim, R., 1972, ‘On on Alleged Inconsistency in Collingwood’s Aesthetics’, in Critical Essays on the Philosophy of R.G. Collingwood, M. Krausz (ed.), Oxford: Oxford University Press. (Scholar)
  • –––, 1980, Art and Its Objects, 2nd edition, Cambridge: Cambridge University Press. (Scholar)

Generated Sun Feb 23 07:21:32 2020