Linked bibliography for the SEP article "Creativity" by Elliot Samuel Paul and Dustin Stokes

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If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

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Abdulla, Ahmed M., Sue Hyeon Paek, Bonnie Cramond, and Mark A. Runco, 2020, “Problem Finding and Creativity: A Meta-Analytic Review”, Psychology of Aesthetics, Creativity, and the Arts, 14(1): 3–14. doi:10.1037/aca0000194 (Scholar)
Abraham, Anna, 2013, “The Promises and Perils of the Neuroscience of Creativity”, Frontiers in Human Neuroscience, 7. doi:10.3389/fnhum.2013.00246 (Scholar)
Albert, Robert S. and Mark A. Runco, 1999, “A History of Research on Creativity”, in Sternberg 1999: 16–32. doi:10.1017/cbo9780511807916.004">10.1017/cbo9780511807916.004 (Scholar)
Amabile, Teresa, 1983, The Social Psychology of Creativity, (Springer Series in Social Psychology), New York: Springer-Verlag. (Scholar)
–––, 1996, Creativity in Context: Update to the Social Psychology of Creativity, Boulder, CO: Westview Press. (Scholar)
Anderson, Linda, 2006, Creative Writing: A Workbook with Readings, Abingdon, Oxon: Routledge. doi:10.4324/9781315811932 (Scholar)
Aristotle, The Complete Works of Aristotle: The Revised Oxford Translation, Jonathan Barnes (ed.), Princeton, NJ: Princeton University Press, 1984.
Aristotle, [EN], Nicomachean Ethics, Terrence Irwin (trans.), Indianapolis, IN: Hackett Publishing, 2019.
Arnheim, R., 2001, “What It Means to Be Creative.” British Journal of Aesthetics 41(1): 24–25. doi:10.1093/bjaesthetics/41.1.24 (Scholar)
Asmis, Elizabeth, 1992, “Plato on Poetic Creativity”, in The Cambridge Companion to Plato, Richard Kraut (ed.), Cambridge: Cambridge University Press, 338–364. doi:10.1017/ccol0521430186.011 (Scholar)
Baldwin, James, 1962, “The Creative Process”, in Creative America, New York, NY: Ridge Press. (Scholar)
Barsalou, Lawrence W. and Jesse J. Prinz, 1997, “Mundane Creativity in Perceptual Symbol Systems”, in Creative Thought: An Investigation of Conceptual Structures and Processes., Thomas B. Ward, Steven M. Smith, and Jyotsna Vaid (eds.), Washington, DC: American Psychological Association, 267–307. doi:10.1037/10227-011 (Scholar)
Battin, Margaret P., John Fisher, Ronald Moore, and Anita Silvers, 1989, Puzzles about Art: An Aesthetics Casebook, New York: St. Martin’s Press. (Scholar)
Beaty, Roger E., Mathias Benedek, Paul J. Silvia, and Daniel L. Schacter, 2016, “Creative Cognition and Brain Network Dynamics”, Trends in Cognitive Sciences, 20(2): 87–95. doi:10.1016/j.tics.2015.10.004 (Scholar)
Beaty, Roger E., Paul Seli, and Daniel L Schacter, 2019, “Network Neuroscience of Creative Cognition: Mapping Cognitive Mechanisms and Individual Differences in the Creative Brain”, Current Opinion in Behavioral Sciences, 27(June): 22–30. doi:10.1016/j.cobeha.2018.08.013 (Scholar)
Beer, Randall D. and John C. Gallagher, 1992, “Evolving Dynamical Neural Networks for Adaptive Behavior”, Adaptive Behavior, 1(1): 91–122. doi:10.1177/105971239200100105 (Scholar)
Bell, Julia and Paul Magrs (eds), 2001, The Creative Writing Coursebook: Forty Authors Share Advice and Exercises for Fiction and Poetry, London: Macmillan UK. (Scholar)
Berrar, Daniel Peter and Alfons Schuster, 2014, “Computing Machinery and Creativity: Lessons Learned from the Turing Test”, Kybernetes, 43(1): 82–91. doi:10.1108/k-08-2013-0175 (Scholar)
Bink, Martin L. and Richard L. Marsh, 2000, “Cognitive Regularities in Creative Activity”, Review of General Psychology, 4(1): 59–78. doi:10.1037/1089-2680.4.1.59 (Scholar)
Bird, Jon and P. Layzell, 2002, “The Evolved Radio and Its Implications for Modelling the Evolution of Novel Sensors”, in Proceedings of the 2002 Congress on Evolutionary Computation. CEC’02 (Cat. No.02TH8600), Honolulu, HI, USA: IEEE, 2:1836–1841. doi:10.1109/cec.2002.1004522 (Scholar)
Bird, Jon and Dustin Stokes, 2006, “Evolving Minimally Creative Robots”, in Proceedings of the Third Joint Workshop on Computational Creativity, 17th European Conference on Artificial Intelligence, Simon Colton and Alison Pease (eds), 1–5. [Bird and Stokes 2006 available online] (Scholar)
–––, 2007, “Minimal Creativity, Evaluation and Fractal Pattern Discrimination”, in Proceedings of the Fourth International Joint Workshop on Computational Creativity, Amílcar Cardosa and Geraint A. Wiggins (eds), 121–128. [Bird and Stokes 2007 available online] (Scholar)
Blair, Cassie S. and Michael D. Mumford, 2007, “Errors in Idea Evaluation: Preference for the Unoriginal?”, The Journal of Creative Behavior, 41(3): 197–222. doi:10.1002/j.2162-6057.2007.tb01288.x (Scholar)
Boden, Margaret A., 1994, “What Is Creativity?”, in Dimensions of Creativity, Margaret A. Boden (ed.), Cambridge, MA: The MIT Press, 75–117. doi:10.7551/mitpress/2437.003.0006 (Scholar)
–––, 1998, “Creativity and Artificial Intelligence”, Artificial Intelligence, 103(1–2): 347–356. doi:10.1016/s0004-3702(98)00055-1 (Scholar)
–––, 2004, The Creative Mind: Myths and Mechanisms, second edition, London/New York: Routledge. doi:10.4324/9780203508527 (Scholar)
–––, 2010, Creativity and Art: Three Roads to Surprise, Oxford/New York: Oxford University Press. (Scholar)
–––, 2014, “Creativity and Artificial Intelligence: : A Contradiction in Terms?”, in Paul and Kaufman 2014: 224–244. doi:10.1093/acprof:oso/9780199836963.003.0012 (Scholar)
–––, 2018, “The Value of Creativity”, in Gaut and Kieran 2018: 173–193. (Scholar)
Bowden, Edward M., Mark Jung-Beeman, Jessica Fleck, and John Kounios, 2005, “New Approaches to Demystifying Insight”, Trends in Cognitive Sciences, 9(7): 322–328. doi:10.1016/j.tics.2005.05.012 (Scholar)
Bringsjord, Selmer, 1994, “Lady Lovelace Had It Right: Computers Originate Nothing”, Behavioral and Brain Sciences, 17(3): 532–533. doi:10.1017/s0140525x00035718 (Scholar)
Bringsjord, Selmer, Paul Bello, and David Ferrucci, 2001, “Creativity, the Turing Test, and the (Better) Lovelace Test”, Minds and Machines, 11(1): 3–27. doi:10.1023/a:1011206622741 (Scholar)
Briskman, Larry, 1980, “Creative Product and Creative Process in Science and Art.” Inquiry: An Interdisciplinary Journal of Philosophy 23(1): 83–106. doi.org/10.1080/00201748008601892 (Scholar)
Bruner, Jerome S., 1962, “The Conditions of Creativity”, in Contemporary Approaches to Creative Thinking, H. Gruber, G. Terrell, and M. Wertheimer (eds), New York: Atherton, 1–30. (Scholar)
Buckner, Randy L. and Lauren M. DiNicola, 2019, “The Brain’s Default Network: Updated Anatomy, Physiology and Evolving Insights”, Nature Reviews Neuroscience, 20(10): 593–608. doi:10.1038/s41583-019-0212-7 (Scholar)
Cacciari, Cristina, Maria Chiara Levorato, and Piercarla Cicogna, 1997, “Imagination at Work: Conceptual and Linguistic Creativity in Children”, in Creative Thought: An Investigation of Conceptual Structures and Processes., Thomas B. Ward, Steven M. Smith, and Jyotsna Vaid (eds.), Washington, DC: American Psychological Association, 145–177. doi:10.1037/10227-007 (Scholar)
Campbell, Donald T., 1960, “Blind Variation and Selective Retentions in Creative Thought as in Other Knowledge Processes”, Psychological Review, 67(6): 380–400. doi:10.1037/h0040373 (Scholar)
–––, 1965, “Variation and Selective Retention in Socio-Cultural Evolution”, in Social Change in Developing Areas : A Reinterpretation of Evolutionary Theory, H.R. Barringer, G.I. Blanksten, and R.W. Mack (eds), Cambridge, MA: Schenkman, 19–49. (Scholar)
Carruthers, Peter, 2002, “Human Creativity: Its Cognitive Basis, Its Evolution, and Its Connections with Childhood Pretence”, The British Journal for the Philosophy of Science, 53(2): 225–249. doi:10.1093/bjps/53.2.225 (Scholar)
–––, 2006, The Architecture of the Mind: Massive Modularity and the Flexibility of Thought, Oxford: Clarendon Press. doi:10.1093/acprof:oso/9780199207077.001.0001 (Scholar)
–––, 2011, “Creative Action in Mind”, Philosophical Psychology, 24(4): 437–461. doi:10.1080/09515089.2011.556609 (Scholar)
–––, 2020, “Mechanisms for Constrained Stochasticity”, Synthese, 197(10): 4455–4473. doi:10.1007/s11229-018-01933-9 (Scholar)
Cattell, Raymond B. and Harold John Butcher, 1968, The Prediction of Achievement and Creativity, Indianapolis, IN: Bobbs-Merrill. (Scholar)
Chen, Melvin, 2020, “Imagination Machines, Dartmouth-Based Turing Tests, & a Potted History of Responses”, AI and Society, 35(1): 283–287. doi:10.1007/s00146-018-0855-3 (Scholar)
Child, William, 2018, “Wittgenstein, Seeing-As, and Novelty”, in Aspect Perception After Wittgenstein: Seeing-As and Novelty, Michael Beaney, Dominic Shaw, and Brendan Harrington (eds), New York: Routledge, 29–48. (Scholar)
Christoff, Kalina, Zachary C. Irving, Kieran C. R. Fox, R. Nathan Spreng, and Jessica R. Andrews-Hanna, 2016, “Mind-Wandering as Spontaneous Thought: A Dynamic Framework”, Nature Reviews Neuroscience, 17(11): 718–731. doi:10.1038/nrn.2016.113 (Scholar)
Chrysikou, Evangelia G, 2019, “Creativity in and out of (Cognitive) Control”, Current Opinion in Behavioral Sciences, 27(June): 94–99. doi:10.1016/j.cobeha.2018.09.014 (Scholar)
Clark, Andy, 1996, Being There: Putting Brain, Body, and World Together Again, Cambridge, MA: MIT Press. (Scholar)
–––, 2001, Mindware, New York: Oxford University Press. (Scholar)
Cliff, Dave, Phil Husbands, and Inman Harvey, 1993, “Explorations in Evolutionary Robotics”, Adaptive Behavior, 2(1): 73–110. doi:10.1177/105971239300200104 (Scholar)
Colton, Simon, 2012, “The Painting Fool: Stories from Building an Automated Painter”, in Computers and Creativity, Jon McCormack and Mark d’Inverno (eds.), Berlin, Heidelberg: Springer Berlin Heidelberg, 3–38. doi:10.1007/978-3-642-31727-9_1 (Scholar)
Cope, David, 1996, Experiments in Musical Intelligence, (Computer Music and Digital Audio Series 12), Madison, WI: A-R Editions. (Scholar)
–––, 2006, Computer Models of Musical Creativity, Cambridge, MA: MIT Press. (Scholar)
Crick, Francis, 1995, “The Impact of Linus Pauling on Molecular Biology”, video (with transcript), part of a conference, “The Life and Work of Linus Pauling (1901–1994): A Discourse on the Art of Biography”, 28 February – 2 March 1995, Oregon State University, Special Collections & Archives Research Center, Oregon State University Libraries. [Crick 1995 available online. (Scholar)
Cropley, A. J., 1967, Creativity (Education Today), London: Longmans. (Scholar)
Cropley, David H., Arthur J. Cropley, James C. Kaufman, and Mark A. Runco (eds.), 2010, The Dark Side of Creativity, New York: Cambridge University Press. doi:10.1017/cbo9780511761225 (Scholar)
Csikszentmihalyi, Mihaly, 1965, “Artistic Problems and Their Solutions: An Exploration of Creativity in the Arts”, PhD thesis, University of Chicago. [Csikszentmihalyi 1965 available online] (Scholar)
Csikszentmihalyi, Mihaly and J. W. Getzels, 1970, “Concern for Discovery: An Attitudinal Component of Creative Production 1”, Journal of Personality, 38(1): 91–105. doi:10.1111/j.1467-6494.1970.tb00639.x (Scholar)
Csikszentmihalyi, Mihaly and Keith Sawyer, 1995, “Creative Insight: The Social Dimension of a Solitary Moment”, in The Nature of Insight, R. J. Steinberg and J. E. Davidson (eds.), Cambridge, MA: The MIT Press, 329–363. Reprinted in Mihaly Csikszentmihalyi’s The Systems Model of Creativity: The Collected Works of Mihaly Csikszentmihalyi, Dordrecht: Springer Netherlands, 2014, 73–98. doi:10.1007/978-94-017-9085-7_7 (Scholar)
Dailey, Lesley and Michael D. Mumford, 2006, “Evaluative Aspects of Creative Thought: Errors in Appraising the Implications of New Ideas”, Creativity Research Journal, 18(3): 385–390. doi:10.1207/s15326934crj1803_11 (Scholar)
De Quincey, Thomas, 1827, “On Murder Considered as One of the Fine Arts”, Blackwood’s Magazine, 21(122/February): 199–213. (Scholar)
Dietrich, Arne, 2019, “Where in the Brain Is Creativity: A Brief Account of a Wild-Goose Chase”, Current Opinion in Behavioral Sciences, 27(June): 36–39. doi:10.1016/j.cobeha.2018.09.001 (Scholar)
Dietrich, Arne and Riam Kanso, 2010, “A Review of EEG, ERP, and Neuroimaging Studies of Creativity and Insight”, Psychological Bulletin, 136(5): 822–848. doi:10.1037/a0019749 (Scholar)
Dominowski, Roger L., 1995, “Productive Problem Solving”, in Smith, Ward, and Finke 1995: 73–95. (Scholar)
Donald, Merlin, 2001, A Mind so Rare: The Evolution of Human Consciousness, New York: W.W. Norton. (Scholar)
du Sautoy, Marcus, 2019, The Creativity Code: Art and Innovation in the Age of AI, Cambridge, MA: Belknap Press. (Scholar)
Einstein, Albert, “Kyoto Lecture”, 14 December 1922, from notes in Japanese taken by Jun Ishiwara and published as Einstein Koen-Roku, Tokyo: Tokyo-Tosho, 1977. (Scholar)
Einstein, Albert and Leopold Infeld, 1938, The Evolution of Physics: The Growth of Ideas from Early Concepts to Relativity and Quanta, New York: Simon and Schuster. (Scholar)
Eisenberger, Robert and Linda Rhoades, 2001, “Incremental Effects of Reward on Creativity”, Journal of Personality and Social Psychology, 81(4): 728–741. doi:10.1037/0022-3514.81.4.728 (Scholar)
Eisenberg, Jacob and William Forde Thompson, 2003, “A Matter of Taste: Evaluating Improvised Music”, Creativity Research Journal, 15(2–3): 287–296. doi:10.1080/10400419.2003.9651421 (Scholar)
Ericsson, K. Anders, Neil Charness, Paul J. Feltovich, and Robert R. Hoffman (eds.), 2006, The Cambridge Handbook of Expertise and Expert Performance, New York/Cambridge: Cambridge University Press. doi:10.1017/cbo9780511816796 (Scholar)
Ericsson, K. Anders, Ralf T. Krampe, and Clemens Tesch-Römer, 1993, “The Role of Deliberate Practice in the Acquisition of Expert Performance”, Psychological Review, 100(3): 363–406. doi:10.1037/0033-295x.100.3.363 (Scholar)
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Finke, Ronald A., 1990, Creative Imagery: Discoveries and Inventions in Visualization, Hillsdale, NJ: L. Erlbaum Associates. (Scholar)
–––, 1996, “Imagery, Creativity, and Emergent Structure”, Consciousness and Cognition, 5(3): 381–393. doi:10.1006/ccog.1996.0024 (Scholar)
Finke, Ronald A., Ward, Thomas B., Smith, Steven M., 1992, Creative Cognition: Theory, Research, and Applications, Cambridge, MA: MIT Press. (Scholar)
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Flavell, John H. and Juris Draguns, 1957, “A Microgenetic Approach to Perception and Thought”, Psychological Bulletin, 54(3): 197–217. doi:10.1037/h0041350 (Scholar)
Gardner, Howard, 1993, Creating Minds: An Anatomy of Creativity Seen through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi, New York: BasicBooks. (Scholar)
Gaut, Berys, 2003, “Creativity and Imagination”, in Gaut and Livingston 2003: 148–173 (ch. 6). (Scholar)
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–––, 2010, “The Philosophy of Creativity”, Philosophy Compass, 5(12): 1034–1046. doi:10.1111/j.1747-9991.2010.00351.x (Scholar)
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Gaut, Berys and Morag Gaut, 2011, Philosophy for Young Children: A Practical Guide, London: Routledge. doi:10.4324/9780203818428 (Scholar)
Gaut, Berys and Matthew Kieran (eds.), 2018, Creativity and Philosophy, New York: Routledge. doi:10.4324/9781351199797 (Scholar)
Gaut, Berys Nigel and Paisley Livingston (eds.), 2003, The Creation of Art: New Essays in Philosophical Aesthetics, New York, NY: Cambridge University Press. (Scholar)
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