Linked bibliography for the SEP article "Jean-Baptiste Du Bos" by James O. Young and Margaret Cameron
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- d’Alembert, J., D. Diderot, C. de Secondat, baron de La
Brède et de Montesquieu, and de Voltaire, 1757 [2003],
‘Taste,’ in The Encyclopedia of Diderot &
d’Alembert Collaborative Translation Project, N. Hoyt and
T. Cassirer (trans.), Ann Arbor: Michigan Publishing, University of
Michigan Library
[available Online]. (Scholar)
- Baker, N. and T. Christensen. (eds.), 1995, Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch, Cambridge: Cambridge University Press. (Scholar)
- Batteux, C., 1746/2015, The Fine Arts Reduced to a Single
Principle, J. Young (trans.), Oxford: Oxford University
Press. (Scholar)
- Bosse, A., 1649, Sentimens sur la distinction des diverses
manieres de peinture, dessein, et gravure, et des originaux
d’avec leur copies, Paris. (Scholar)
- Davies, S., 1994, Musical Meaning and Expression, Ithaca: Cornell University Press. (Scholar)
- Du Bos, J., 1719/2021, Critical Reflections on Poetry
and Painting, J. Young and M. Cameron (trans.), Leiden:
Brill. (Scholar)
- –––, 1755, Réflexions critiques sur
la poësie et sur la peinture, Paris: Pissot.
- Goldhaber, C., 2021, ‘The Humors in Hume’s
Skepticism,’ Ergo an Open Access Journal of
Philosophy, 7. doi:10.3998/ergo.1127 (Scholar)
- Harris, J., 1744, Three Treatises: The First Concerning Art; The Second Concerning Music, Painting, and Poetry; The Third Concerning Happiness, London: J. Nourse and P. Vaillant. (Scholar)
- Hume, D., 1757, Four Dissertations, London: A. Millar. (Scholar)
- –––, 1739–40, A Treatise of Human Nature, D. Norton and M. Norton (eds.), Oxford: Clarendon Press, 2007. (Scholar)
- Illiffe, R., 2003, ‘Philosophy of Science,’
Cambridge History of Science, vol. 4., Eighteenth-Century
Science, Roy Porter (ed.), Cambridge: Cambridge University Press,
267–84. (Scholar)
- Jones, Jr., J., 1974, ‘Du Bos and Rousseau: a question of
influence,’ Studies on Voltaire and the Eighteenth
Century, 127: 231—41. (Scholar)
- Jones, P., 1982, Hume’s Sentiments: Their Ciceronian and French Context, Edinburgh: University of Edinburgh Press. (Scholar)
- Kivy, P., 1980, The Corded Shell, Princeton: Princeton University Press. (Scholar)
- Kristeller, P., 1951, ‘The Modern System of the Arts: A Study in the History of Aesthetics (I),’ Journal of the History of Ideas, 12: 496–527. (Scholar)
- –––, 1952, ‘The Modern System of the Arts: A Study in the History of Aesthetics (II),’ Journal of the History of Ideas, 13: 17–46. (Scholar)
- Leysaht, K., 1874, Dubos et Lessing, Greifswald:
University of Rostock. (Scholar)
- Livingston, P., 2013, ‘Du Bos’ Paradox,’
British Journal of Aesthetics, 53, 393–406. (Scholar)
- Lombard, A., 1913, L’Abbé Du Bos: Un initiateur
de la pensée modern (1670–1742), Paris: Librairie
Hachette.
- Mazza, E. and G. Mori, 2016, ‘“Loose Bits of
Paper” and “Uncorrect Thoughts”: Hume’s Early
Memoranda in Context, Hume Studies, 42: 1–100. (Scholar)
- Norton, D. and M. Norton, 1996, The David Hume Library,
Edinburgh: Edinburgh Bibliographical Society and the National Library
of Scotland. (Scholar)
- Terrasson, J., 1715, Dissertation critique sur l’Iliade
d’Homere, Paris. (Scholar)
- Voltaire, 1877–85, Oeuvres complètes de
Voltaire, L. Moland (ed.), Paris: Garnier. (Scholar)
- –––, Correspondence, T. Besterman
(ed.), Paris: Gallimard, 1964.
- Williams, D., 1966, Voltaire: Literary critic
(Studies on Voltaire and the Eighteenth Century, vol.
XLVIII), Geneve: Institute et Musee Voltaire. (Scholar)
- Young, J., (2015) ‘The Ancient and Modern System of the Arts,’ British Journal of Aesthetics, 55: 1–17. (Scholar)
- Young, J. and M. Cameron, 2018, ‘Jean-Baptiste Du Bos’
Critical Reflections on Poetry and Painting and Hume’s
Treatise,’ British Journal of Aesthetics, 58:
119–30. (Scholar)