Linked bibliography for the SEP article "Feminist Aesthetics" by Carolyn Korsmeyer and Peg Brand Weiser
This is an automatically generated and experimental page
If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.
This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.
- Al-Saji, Alia, 2019. “Glued to the Image: A Critical Phenomenology of Racialization through Works of Art,” Journal of Aesthetics and Art Criticism, 77(4): 475–88. (Scholar)
- Archer, Alfred and Lauren Ware, 2018. “Beyond the Call of Beauty: Everyday Aesthetic Demands under Patriarchy,” The Monist, 101(1): 114–27. (Scholar)
- Argüello, Gemma, 2017. “A Philosophy of Disturbatory Feminist Art,” Aesthetic Investigations, 2(1): 94–103. (Scholar)
- Armstrong, Carol and Catherine de Zegher (eds.), 2006. Women Artists at the Millennium, Cambridge MA: MIT Press. (Scholar)
- Armstrong, Meg, 1996. “‘The Effects of Blackness’: Gender, Race, and the Sublime in Aesthetic Theories of Burke and Kant,” Journal of Aesthetics and Art Criticism, 54: 213–36. (Scholar)
- Banes, Sally, 1998. Dancing Women: Female Bodies on Stage, London: Routledge. (Scholar)
- Battersby, Christine, 1989. Gender and Genius: Towards a Feminist Aesthetics, Bloomington: Indiana University Press. (Scholar)
- –––, 1998. The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity, New York: Routledge. (Scholar)
- –––, 2007. The Sublime, Terror and Human Difference, London: Routledge. (Scholar)
- Beauvoir, Simone de, 1949/2011. The Second Sex, Constance Borde and Sheila Malovany-Chevallier (trans.), New York: Vintage Books. (Scholar)
- Bindman, David, 2002. Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century, Ithaca: Cornell University Press. (Scholar)
- Brand, Peg Zeglin (ed.), 2000. Beauty Matters, Bloomington: Indiana University Press. (Scholar)
- ––– (ed.), 2013. Beauty Unlimited, Bloomington: Indiana University Press. (Scholar)
- Brand [Weiser], Peg, 2018. “How Beauty Matters,” Aesthetics: A Reader in Philosophy of the Arts, 4th edition, David Goldblatt, Lee B. Brown, and Stephanie Patridge (eds.), New York: Routledge, 94–97. (Scholar)
- –––, 2021. “Feminist Criticism: On Disturbatory Art and Beauty,” A Companon to Arthur C. Danto, Lydia Goehr and Jonathan Gilmore (eds.), Hoboken, NJ: John Wiley. (Scholar)
- Brand, Peg and Mary Devereaux (eds.), 2003. Women, Art, and Aesthetics, special issue of Hypatia, 18(4). (Scholar)
- Brand, Peg and Paula Granger, 2011. “The Aesthetics of Childbirth,” Philosophical Inquiries into Pregnancy, Childbirth, and Mothering: Maternal Subjects, Sheila Lintott and Maureen Sander-Staudt (eds.), New York: Routledge, 215–36. (Scholar)
- Brand, Peggy Zeglin and Carolyn Korsmeyer (eds.), 1995. Feminism and Tradition in Aesthetics, University Park, PA: Pennsylvania State University Press. (Scholar)
- Bresnahan, Aili, Einav Katan-Schmid, and Sara Houston, 2020. “Dance as Embodied Ethics,” The Routledge Companion to Performance Philosophy, Abingdon: Routledge. (Scholar)
- Burke, Edmund, 1757/1968. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, ed. James T. Boulton. Notre Dame: University of Notre Dame Press. (Scholar)
- Butler, Judith, 1993. Bodies That Matter: On the Discursive Limits of “Sex,”, New York: Routledge. (Scholar)
- –––, 1990. Gender Trouble: Feminism and the Subversion of Identity, New York: Routledge. (Scholar)
- Campbell, Sue, 1997. Interpreting the Personal: Expression and the Formation of Feelings, Ithaca: Cornell University Press. (Scholar)
- Carroll, Noël, 1995. “The Image of Women in Film: A Defense of a Paradigm,” Feminism and Tradition in Aesthetics, Peggy Zeglin Brand and Carolyn Korsmeyer (eds.), University Park, PA: Pennsylvania State University Press, 371–391. (Scholar)
- –––, 2000. Theories of Art Today, Madison: University of Wisconsin Press. (Scholar)
- Chadwick, Whitney, 1990. Women, Art, and Society, London: Thames and Hudson, Ltd. (Scholar)
- Chanter, Tina, 2008. The Picture of Abjection: Film, Fetish, and the Nature of Difference, Bloomington: Indiana University Press. (Scholar)
- Chicago, Judy and Edward Lucie-Smith, 1999. Women and Art: Contested Territory, New York: Watson-Guptill. (Scholar)
- Citron, Marcia J., 1993. Gender and the Musical Canon. Cambridge: Cambridge University Press. (Scholar)
- Cixous, Hélène, 1975/1981. “The Laugh of the Medusa,” trans. Keith Cohen and Paula Cohen. New French Feminisms, Elaine Marks and Isabelle de Courivron (eds.), New York: Schocken. (Scholar)
- Copjec, Joan, 2002. Imagine There’s No Woman: Ethics and Sublimation, Cambridge, MA: MIT Press. (Scholar)
- Creed, Barbara, 1993. The Monstrous Feminine: Film, Feminism, Psychoanalysis, London: Routledge. (Scholar)
- Cunliffe, Zoë, 2019. “Feminist Philosophy of Film,” The Palgrave Handbook of Philosophy of Film and Motion Pictures, Noël Carroll, L. Di Summa, and S. Loht (eds.), Cham: Palgrave Macmillan, 653–75. (Scholar)
- Danto, Arthur, 1981, The Transfiguration of the Commonplace: A Philosophy of Art, Cambridge, MA: Harvard University Press. (Scholar)
- –––, 2003. The Abuse of Beauty: Aesthetics and the Concept of Art, Chicago: Open Court. (Scholar)
- Davidson, Maria del Guadalupe, 2020. “Black Silhouettes on White Walls: Kara Walker’s Magic Lantern,” Body Aesthetics, Sherri Irvin (ed.), New York: Oxford University Press, 15–36. (Scholar)
- Davies, Stephen, 1991. Definitions of Art, Ithaca: Cornell University Press. (Scholar)
- Deepwell, Katy, 2020. “Art Criticism and the State of Feminist Art Criticism,” Arts, 9(1): 1–50. (Scholar)
- Devereaux, Mary, 2003. “Feminist Aesthetics,” The Oxford Handbook of Aesthetics, Jerrold Levinson (ed.), New York: Oxford University Press, 647–666. (Scholar)
- –––, 1998. “Autonomy and its Feminist Critics,” Encyclopedia of Aesthetics (Volume 1), Michael Kelly (ed.), New York: Oxford University Press, 179–182. (Scholar)
- –––, 2013. “Is Medical Aesthetics Really Medical?” Beauty Unlimited, Peg Zeglin Brand, ed. Bloomington: Indiana University Press, 175–91. (Scholar)
- Doane, Mary Ann, 1991. Femmes Fatales: Feminism, Film Theory, Psychoanalysis, New York: Routledge. (Scholar)
- Duran, Jane, 2007. Woman, Literature and Philosophy, Hampshire UK: Ashgate Publishing. (Scholar)
- Eaton, Anne, 2005. “Feminist Aesthetics and Criticism,” Encyclopedia of Philosophy, 2nd edition, London: Macmillan. (Scholar)
- –––, 2007. “A Sensible Anti-Porn Feminism,” Ethics, 117(4): 674–715. (Scholar)
- –––, 2008. “Feminist Philosophy of Art,” Philosophy Compass, 3(4); first online 29 September 2008. doi:10.1111/j.1747-9991.2008.00154.x (Scholar)
- –––, 2009. “Feminist Standpoint Aesthetics,”A Companion to Aesthetics, S. Davies et al. (eds.), Malden, MA: Wiley-Blackwell. (Scholar)
- –––, 2012. “What’s Wrong with the (Female) Nude?” Art and Pornography: Philosophical Essays, Jerrold Levinson and Hans Maes (eds.), New York: Oxford University Press. (Scholar)
- –––, 2017. “Feminist Pornography,” Beyond Speech: Pornography and Analytic Feminist Philosophy, Mari Mikkola (ed.), New York: Oxford University Press. (Scholar)
- –––, 2018. “A Lady on the Street but a Freak in the Bed: On the Distinction between Erotic Art and Pornography,” British Journal of Aesthetics, 58(4): 469–88. (Scholar)
- Ecker, Gisela (ed.), 1986. Feminist Aesthetics, Harriet Anderson (trans.), Boston: Beacon Press. (Scholar)
- Edwards, Mary, 2016. “Aesthetics and the Feminine Conference Report,” Aesthetics and Gender (Special Issue of The Polish Journal of Aesthetics), 206–212. (Scholar)
- Ettinger, Bracha, 2006. The Matrixial Borderspace, St. Paul, MI: University of Minnesota Press. (Scholar)
- Felski, Rita, 1989. Beyond Feminist Aesthetics: Feminist Literature and Social Change, Cambridge, MA: Harvard University Press. (Scholar)
- –––, 1998. “Critique of Feminist Aesthetics,” Encyclopedia of Aesthetics (Volume 2), Michael Kelly (ed.), New York: Oxford University Press, 170–72. (Scholar)
- ––– (ed.), 2006. The Feminine and the Beautiful, special issue of Feminist Theory, 7(2). (Scholar)
- Florence, Penny and Nicola Foster (eds.), 2000. Differential Aesthetics: Art Practices, Philosophy, and Feminist Understandings, Aldershot, UK: Ashgate. (Scholar)
- Freeland, Cynthia, 2001. But Is It Art? An Introduction to Art Theory, New York: Oxford University Press. (Scholar)
- –––, 1998a. “Film Theory,” A Companion to Feminist Philosophy, Malden, MA: Blackwell, 353–360. (Scholar)
- –––, 1998b. The Naked and the Undead, New York: Westview. (Scholar)
- Freeman, Barbara Claire, 1995. The Feminine Sublime: Gender and Excess in Women’s Fiction, Berkeley and Los Angeles: University of California Press. (Scholar)
- –––, 1998. “Feminine Sublime,”Encyclopedia of Aesthetics (Volume 4), Michael Kelly (ed.), New York: Oxford University Press, 331–34. (Scholar)
- Gatens, Moira, 1991. Feminism and Philosophy: Perspectives on Difference and Equality, Bloomington: Indiana University Press. (Scholar)
- Grosz, Elizabeth, 1994.Volatile Bodies: Toward a Corporeal Feminism, Bloomington: Indiana University Press. (Scholar)
- –––, 2008. Chaos, Territory, Art: Deleuze and the Framing of the Earth, New York: Columbia University Press. (Scholar)
- Guerrilla Girls, 2020. Guerrilla Girls: The Art of Behaving Badly, New York: Chronicle Books. (Scholar)
- Heartney, Eleanor, 2013. “Worldwide Women,” Beauty Unlimited, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press, 126–34. (Scholar)
- Hein, Hilde, 2010. “Looking at Museums from a Feminist Perspective,” Gender, Sexuality, and Museums, Amy K. Levin (ed.), London: Routledge. (Scholar)
- –––, 2011. “The Responsibility of Representation: A Feminist Perspective,” The Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First-Century Museum, Janet Marstine (ed.), London: Routledge. (Scholar)
- –––, 2014. Museums and Public Art: A Feminist Vision, Cambridge MA: Harvard Bookstore. (Scholar)
- Hein, Hilde and Carolyn Korsmeyer (eds.), 1993. Aesthetics in Feminist Perspective, Bloomington: Indiana University Press. (Scholar)
- Higgins, Kathleen M., Shakti Maira, and Sonia Sikka, 2017. Artistic Visions and the Promise of Beauty: Cross-Cultural Perspectives, Cham: Springer Nature. (Scholar)
- Hobson, Janell, 2005. Venus in the Dark: Blackness and Beauty in Popular Culture, New York: Routledge. (Scholar)
- hooks, bell, 1992. “The Oppositional Gaze,” Black Looks, Boston: South End Press, 1992. (Scholar)
- –––, 1995. “Facing Difference: The Black Female Body,” Art on My Mind: Visual Politics, New York: New Press. (Scholar)
- Howes, David (ed.), 1991. The Varieties of Sensory Experience, Toronto: University of Toronto Press. (Scholar)
- Hyvönen, Henri, 2020. “Care of the Self, Somaesthetics, and Men Affected by Eating Disorders: Rethinking the Focus on Men’s Beauty Ideals,” Journal of Somaesthetics, 6(2): 64–81. (Scholar)
- Irigaray, Luce, 1974 [1985]. Speculum of the Other Woman, Gillian C. Gill (trans.), Ithaca: Cornell University Press.
- Irvin, Sherri, 2016. Body Aesthetics, Oxford: Oxford University Press. (Scholar)
- –––, 2011. “Motherhood and the Workings of Disgust,” Philosophical Inquiries into Pregnancy, Childbirth, and Mothering, Sheila Lintott and Maureen Sander-Staudt (eds.), New York: Routledge, 79–91. (Scholar)
- –––, 2017. “Resisting Body Oppression: An Aesthetic Approach,” Feminist Philosophy Quarterly, 3(4): 1–25. (Scholar)
- James, Robin, 2010. The Conjectural Body: Gender, Race, and the Philosophy of Music, Totowa NJ: Lexington Books. (Scholar)
- Jones, Amelia and Erin Silver (eds.), 2015. Otherwise: Imagining Queer Feminist Art Histories, Manchester UK: Manchester University Press. (Scholar)
- Kania, Andrew, 2012. “Concepts of Pornography: Aesthetics, Feminism, and Methodology,” in Hans Maes and Jerrold Levinson (eds.) Art and Pornography, New York: Oxford University Press, 254–276. (Scholar)
- Kant, Immanuel, 1798 [1978]. Anthropology from a Pragmatic Point of View, Victor Lyle Dowdell (trans.), Carbondale: Southern Illinois University Press.
- –––, 1790 [1987]. Critique of Judgment, Werner Pluhar (trans.), Indianapolis: Hackett.
- Kaplan, E. Ann, 1990. Psychoanalysis and Cinema, New York: Routledge. (Scholar)
- Klinger, Cornelia, 1998. “Aesthetics,” A Companion to Feminist Philosophy, Alison M. Jaggar and Iris Marion Young (eds.), Malden, MA: Blackwell, 343–352. (Scholar)
- –––, 1997. “The Concepts of the Sublime and the Beautiful in Kant and Lyotard,” Feminist Interpretations of Immanuel Kant, Robin May Schott (ed.), University Park, PA: Pennsylvania State University Press, 191–211. (Scholar)
- Kneller, Jane, 1993. “Discipline and Silence: Women and Imagination in Kant’s Theory of Taste,” Aesthetics in Feminist Perspective, Hilde Hein and Carolyn Korsmeyer (eds.), Bloomington: Indiana University Press. (Scholar)
- Korsmeyer, Carolyn, 2004. Gender and Aesthetics: An Introduction, London: Routledge. (Scholar)
- –––, 1998. “Perceptions, Pleasures, Arts: Considering Aesthetics,” Philosophy in a Feminist Voice: Critiques and Reconstructions, Janet Kourany (ed.), Princeton: Princeton University Press, 145–72. (Scholar)
- –––, 1999. Making Sense of Taste: Food and Philosophy, Ithaca: Cornell University Press. (Scholar)
- –––, 2011. Savoring Disgust: The Foul and the Fair in Aesthetics, New York: Oxford University Press. (Scholar)
- Kristeller, Paul Osker, 1951–52. “The Modern System of the Arts: A Study in the History of Aesthetics” (Parts I and II), Journal of the History of Ideas, 112, 496–527; 113, 17–46; reprinted in Essays on the History of Aesthetics, Peter Kivy (ed.), Rochester, NY: University of Rochester Press, 1992. (Scholar)
- Kristeva, Julia, 1982. The Powers of Horror: An Essay on Abjection, Leon S. Roudiez (trans.), New York: Columbia University Press. (Scholar)
- –––, 1984. Revolution in Poetic Language, Margaret Waller (trans.), Columbia University Press. (Scholar)
- Lauter, Estella, 1993. “Re-enfranchising Art: Feminist Interventions in the Theory of Art,” Aesthetics in Feminist Perspective, Hilde Hein and Carolyn Korsmeyer (eds.), Bloomington: Indiana University Press, 21–34. (Scholar)
- Leddy, Thomas, 2012. The Extraordinary in the Ordinary: The Aesthetics of Everyday Life, New York: Broadview. (Scholar)
- Light, Andrew and Jonathan Smith (eds.), 2004. The Aesthetics of Everyday Life, New York: Columbia University Press. (Scholar)
- Lintott, Sheila, 2003. “Sublime Hunger: A Consideration of Eating Disorders Beyond Beauty,” Hypatia, 18(4): 65–86. (Scholar)
- –––, 2011. “The Sublimity of Gestating and Giving Birth: Toward a Feminist Conception of the Sublime,” Philosophical Inquiries into Pregnancy, Childbirth, and Mothering, Sheila Lintott and Maureen Sander-Staudt (eds.), New York: Routledge, 237–49. (Scholar)
- Lintott, Sheila and Sherri Irvin, 2016. “Sex Objects and Sexy Subjects: A Feminist Reclamation of Sexiness,” in Body Aesthetics, Sherri Irvin (ed.), Oxford: Oxford University Press, 65–86. (Scholar)
- Lintott, Sheila and Maureen Sander-Staudt (eds.), 2011. Philosophical Inquiries into Pregnancy, Childbirth, and Mothering, New York: Routledge. (Scholar)
- Liss, Andrea, 2009. Feminist Art and the Maternal, Minneapolis: University of Minnesota Press. (Scholar)
- Lippard, Lucy, 1995. The Pink Glass Swan: Selected Essays on Feminist Art, New York: The New York Press. (Scholar)
- Lorde, Audre, 1984/2007. Sister Outsider: Essays and Speeches, New York: Crossing Press. (Scholar)
- Maes, Hans and Jerrold Levinson (eds.), (2012). Art and Pornography, New York: Oxford University Press. (Scholar)
- McClary, Susan, 1991. Feminine Endings: Music, Gender, and Sexuality, Minnesota: University of Minnesota Press. (Scholar)
- Man, Eva Kit Wah, 2000. “Female Bodily Aesthetics, Politics and Feminine Ideals of Beauty in China,” Beauty Matters, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press, 169–196. (Scholar)
- –––, 2016. Bodies in China: Philosophy, Aesthetics, Gender, and Politics, Hong Kong: The Chinese University Press. (Scholar)
- –––, 2015. Issues of Contemporary Art and Aesthetics in Chinese Context, Dordrecht: Springer. (Scholar)
- Mandoki, Katya, 2007. Everyday Aesthetics, Aldershot: Ashgate. (Scholar)
- Mann, Bonnie, 2006. Women’s Liberation and the Sublime: Feminism, Postmodernism, Environment, New York: Oxford University Press. (Scholar)
- Mattick, Paul Jr. (ed.), 1993. Eighteenth-Century Aesthetics and the Reconstruction of Art, Oxford: Cambridge University Press. (Scholar)
- Meagher, Michelle, 2011. “Telling Stories about Feminist Art,” Feminist Theory, 12: 297–316. (Scholar)
- Michna, Natalia Anna, 2016. “‘You’ve come a long way baby:’ The Evolution of Feminine Identity Models on the Example of Contemporary Language of Advertising,” Aesthetics and Gender (Special Issue of The Polish Journal of Aesthetics), 99–117. (Scholar)
- Miller, Mara, 1993. The Garden as an Art, Albany: State University of New York Press. (Scholar)
- Millett-Gallant, Ann, 2010. The Disabled Body in Contemporary Art, New York: Palgrave Macmillan. (Scholar)
- Morgan, William and Andrew Edgars (eds.), 2021. Somaesthetics and Sport, Leiden: Brill. (Scholar)
- Mulvey, Laura, 2019. Afterimages: On Cinema, Women, and Changing Times, London: Reaktion Books. (Scholar)
- –––, 1996. Fetishism and Curiosity, Bloomington: Indiana University Press. (Scholar)
- –––, 1989. Visual and Other Pleasures, London: Macmillan, 1989. (Scholar)
- Nead, Lynda, 1992. The Female Nude: Art, Obscenity and Sexuality, London: Routledge. (Scholar)
- Nochlin, Linda, 1971 [1988]. “Why Have There Been No Great Women Artists?” in L. Nochlin, Women, Art, and Power and Other Essays, New York: Harper and Row; original publication in ARTnews, January, 1971.
- Olkowski, Dorothea, 1999. Gilles Deleuze and the Ruin of Representation, Berkeley and Los Angeles: University of California Press. (Scholar)
- Ortega, Mariana, 2019a. “The Incandescence of Photography: On Abjection, Fulgaration, and the Corpse,” philoSOPHIA, 9(2): 68–87. (Scholar)
- –––, 2019b. “Spectral Perception and Ghostly Subjectivity at the Colonial Gender/Race/Sex Nexus,” Journal of Aesthetics and Art Criticism, 77(4): 401–09. (Scholar)
- Ortega, Mariana and Andrea Pitts and José Medina (eds.) 2020. Theories of the Flesh: Latinx and Latin American Feminisms, Transformation and Resistance, New York: Oxford University Press. (Scholar)
- Parker, Rozsika and Griselda Pollock, 1981. Old Mistresses: Women, Art and Ideology, New York: Pantheon Books. (Scholar)
- Piper, Adrian, 1996. Out of Order, Out of Sight: Selected Writings in Meta-Art and Art Criticism 1967–1992 (two volumes), Cambridge MA: MIT Press. (Scholar)
- Pollock, Griselda, 2008. Encounters in the Virtual Feminist Museum: Time, Space and the Archive, London: Routledge. (Scholar)
- –––, 1988. Vision and Difference: Femininity, Feminism and the Histories of Art, London: Routledge. (Scholar)
- Protasi, Sara, 2017. “The Perfect Bikini Body: Can We All Really Have It? Loving Gaze as an Anti-Oppressive Beauty Ideal,” Thought: A Journal of Philosophy, 6(2): 93–101. (Scholar)
- Reckitt, Helena (ed.), 2001. Art and Feminism, New York: Phaidon. (Scholar)
- Reilly, Maura, 2018. Curatorial Activism: Towards an Ethics of Curating, London: Thames and Hudson. (Scholar)
- Robinson, Hilary and Maria Elena Buszek (eds.), 2019. A Companion to Feminist Art, Malden MA: Wiley Blackwell. (Scholar)
- Robinson, Terry F., 2018. “Eighteenth-Century Connoisseurship and the Female Body,” Oxford Handbooks Online, first online May 2017. doi:10.1093/oxfordhb/9780199935338.013.139 (Scholar)
- Roelofs, Monique, 2013. “Beauty’s Relational Labor,” Beauty Unlimited, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press, 72–95. (Scholar)
- –––, 2014. The Cultural Promise of the Aesthetic, Oxford: Bloomsbury. (Scholar)
- –––, 2005. “Racialization as an Aesthetic Production: What Does the Aesthetic Do for Whiteness and Blackness and Vice Versa?” White on White/Black on Black, George Yancy (ed.), Lanham, MD: Rowman and Littlefield, 83–124. (Scholar)
- Roelofs, Monique (ed.), 2009. Aesthetics and Race: New Philosophical Perspectives, Special issue of Contemporary Aesthetics, special issue available online. (Scholar)
- Ross, Sheryl Tuttle, 2016. “(500) Days of Summer: A Postmodern Romantic Comedy.” Aesthetics and Gender (Special Issue of The Polish Journal of Aesthetics), 155–175. (Scholar)
- Ross, Stephanie, 1998. What Gardens Mean, Chicago: University of Chicago Press. (Scholar)
- Saito, Yuriko, 2017. Aesthetics of the Familiar, New York: Oxford University Press. (Scholar)
- –––, 2007. Everyday Aesthetics, Oxford: Oxford University Press. (Scholar)
- Scheman, Naomi, 1993. “Thinking about Quality in Women’s Visual Art,” Engenderings: Constructions of Knowledge, Authority, and Privilege, New York: Routledge. (Scholar)
- Sheth, Falguni A., 2009. “The Hijab and the Sari: The Strange and the Sexy between Colonialism and Global Capitalism,” Contemporary Aesthetics, special issue available online. (Scholar)
- –––, 2019. “The Production of Acceptable Muslim Women in the United States,” Journal of Aesthetics and Art Criticism, 77(4): 411–22. (Scholar)
- Shiner, Larry, 2001. The Invention of Art: A Cultural History, Chicago: University of Chicago Press. (Scholar)
- Shusterman, Richard, 2021. Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love, Cambridge: Cambridge University Press. (Scholar)
- –––, 1993. “On the Scandal of Taste,” in Paul Mattick Jr. (ed.), Eighteenth-Century Aesthetics and the Reconstruction of Art, Cambridge: Cambridge University Press, 96–119. (Scholar)
- Siebers, Tobin, 2010. Disability Aesthetics, Ann Arbor: University of Michigan Press. (Scholar)
- Silverman, Kaja, 1992. Male Subjectivity at the Margins, New York: Routledge. (Scholar)
- Silvers, Anita, 2000. “From the Crooked Timber of Humanity, Beautiful Things Can Be Made,” Beauty Matters, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press. (Scholar)
- Smith, Stephanie (ed.), 2013. Feast: Radical Hospitality in Contemporary Art, Chicago: Smart Museum of Art. (Scholar)
- Spaid, Sue 2020. The Philosophy of Curatorial Practice: Between Work and World, London: Bloomsbury. (Scholar)
- Steiner, Wendy, 2001. Venus in Exile: The Rejection of Beauty in Twentieth-Century Art, New York: The Free Press. (Scholar)
- Tate, Shirley Anne, 2009. Black Beauty: Aesthetics, Stylization, Politics, New York: Ashgate. (Scholar)
- Taylor, Paul, 2016. Black Is Beautiful: A Philosophy of Black Aesthetics, Malden MA: Wiley Blackwell. (Scholar)
- Tullman, Katherine, 2017. “Experiencing Gendered Seeing,” Southern Journal of Philosophy, 55(4): 475–99. (Scholar)
- Vaid-Menon, Alok, 2020. Beyond the Gender Binary, New York: Penguin Workshop. (Scholar)
- Wegenstein, Bernadette, 2012. The Cosmetic Gaze: Body Modification and the Construction of Beauty, Cambridge, MA: MIT Press. (Scholar)
- Widdows, Heather, 2018. Perfect Me: Beauty as an Ethical Idea, Princeton: Princeton University Press. (Scholar)
- Wiseman, Mary Bittner, 1993. “Beautiful Exiles,” Aesthetics in Feminist Perspective, Hilde Hein and Carolyn Korsmeyer (eds.), Bloomington: Indiana University Press. (Scholar)
- Wolff, Janet, 2006. “Groundless Beauty: Feminism and the Aesthetics of Uncertainty,” Feminist Theory, 7: 143–58. (Scholar)
- Woodmansee, Martha, 1994. The Author, Art, and the Market: Rereading the History of Aesthetics, New York: Columbia University Press. (Scholar)
- Yancy, George, 2016. “White Embodied Gazing, the Black Body as Disgust, and the Aesthetics of Unsuturing,” in Body Aesthetics, Sherri Irvin (ed.) Oxford: Oxford University Press, 243–261. (Scholar)
- Ziarek, Ewa Plonowska, 2012a. “Aesthetics: An Important Category of Feminist Philosophy,” Journal of Speculative Philosophy, 26(2): 385–393. (Scholar)
- –––, 2012b. On Feminist Aesthetics and the Politics of Modernism, New York: Columbia University Press. (Scholar)
