- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Linked bibliography for the SEP article "Philosophy of Film" by Thomas Wartenberg
This is an automatically generated and experimental page
If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.
This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.
- Allen, Richard, and Murray Smith (eds.), 1997. Film Theory and Philosophy, Oxford: Clarendon Press. (Scholar)
- Andersen, Nathan, 2014. Shadow Philosophy: Plato's Cave and Cinema, Abingdon, UK: Routledge. (Scholar)
- Arnheim, Rudolf, 1957. Film as Art, Berkeley: University of California Press. (Scholar)
- Badiou, Alain, 2013. Film Fables, Cambridge: Polity. (Scholar)
- Bazin, André, 1967 and 1971. What is Cinema?, 2 volumes, Hugh Grey (tr.), Berkeley: University of California Press.
- Bordwell, David, and Nöell Carroll. 1996. Post-Theory: Reconstructing Film Studies, Madison: University of Wisconsin Press. (Scholar)
- Carel, Havi, and Greg Tuck, 2011. New Takes in Film-Philosophy, Basingstoke, UK: Palgrave Macmillan. (Scholar)
- Carroll, Nöel, 1988. Philosophical Problems of Classical Film Theory, Princeton: Princeton University Press. (Scholar)
- –––, 1990. The Philosophy of Horror, or Paradoxes of the Heart, New York: Routledge. (Scholar)
- –––, 1996. Theorizing the Moving Image, Cambridge: Cambridge University Press. (Scholar)
- –––, 2008. The Philosophy of Motion Pictures, Malden, MA: Blackwell. (Scholar)
- Carroll, Nöel and Jinhee Choi, 2005. The Philosophy of Film and Motion Pictures: An Anthology, Malden, MA: Blackwell Publishers. (Scholar)
- Carroll, Nöel, et al., 1998. “Film,” in Encyclopedia of Aesthetics, Michael Kelly (ed.), New York, Oxford: Oxford University Press, Volume 2, 185–206. (Scholar)
- Cavell, Stanley. 1979. The World Viewed: Reflections on the Ontology of Film, enlarged edition, Cambridge, MA: Harvard University Press. (Scholar)
- –––, 1981. Pursuits of Happiness: The Hollywood Comedy of Remarriage, Cambridge: Harvard University Press. (Scholar)
- –––, 1996. Contesting Tears: The Hollywood Melodrama of the Unknown Woman, Chicago: University of Chicago Press. (Scholar)
- –––, 2004. Cities of Words: Pedagogical Letters on a Register of the Moral Life, Cambridge, MA: Harvard University Press. (Scholar)
- Chatman, Seymour, 1990. Coming to Terms: The Rhetoric of Narrative in Fiction and Film, Ithaca, NY: Cornell University Press. (Scholar)
- Cox, Damian, and Michael Levine, 2011. Thinking through Film: Doing Philosophy, Watching Movies, Chichester, UK: Wiley-Blackwell. (Scholar)
- Currie, Gregory, 1995. Image and Mind: Film, Philosophy, and Cognitive Science, Cambridge: Cambridge University Press. (Scholar)
- Eisenstein, Sergei, 1969. Film Form: Essays in Film Theory, New York: Harcourt. (Scholar)
- Falzon, Christopher, 2014. Philosophy Goes to the Movies: An Introduction to Philosophy, 3rd Edition, Abingdon, UK: Routledge. (Scholar)
- Frampton, Daniel, 2006. Filmospohy, London: Wallflower Press. (Scholar)
- Freeland, Cynthia A., and Thomas E. Wartenberg, 1995. Philosophy and Film, New York: Routledge. (Scholar)
- Freeland, Cynthia A., 2000. The Naked and the Undead: Evil and the Appeal of Horror, Boulder: Westview Press. (Scholar)
- Gaut, Berys, 2003. “Film,” in The Oxford Handbook of Aesthetics, Jerrold Levinson (ed.), New York, Oxford: Oxford University Press, 627–643. (Scholar)
- –––, 2004. “The Philosophy of the Movies: Cinematic Narration,” in The Blackwell Guide to Aesthetics, Peter Kivy (ed.), Oxford: Blackwell Publishing, 230–253. (Scholar)
- –––, 2010. A Philosophy of Cinematic Art, Cambridge: Cambridge University Press. (Scholar)
- Jarvie, Ian, 1987. Philosophy of the Film, New York: Routledge & Kegan Paul. (Scholar)
- Krakauer, Siegfried, 1960. Theory of Film: The Redemption of Physical Reality, New York: Oxford University Press. (Scholar)
- Kupfer, Joseph H., 1999. Visions of Virtue in Popular Film, Boulder: Westview Press. (Scholar)
- Litch, Mary, and Amy D. Karofsky, Philosophy Through Film, 3rd Edition, Abingdon, UK: Routledge.
- Livingston, Paisley, 2009. Cinema, Philosophy, Bergman: On Film as Philosophy, Oxford: Oxford University Press. (Scholar)
- Livingston, Paisley, and Carl Plantinga, 2008. The Routledge Companion to Philosophy and Film, Abingdon: UK: Routledge. (Scholar)
- Mulhall, Stephen, 2001. On Film, London: Routledge. (Scholar)
- Münsterberg, Hugo, 1916. The Photoplay: A Psychological Study, New York: D. Appleton and Company. (Scholar)
- Plantinga, Carl, and Grey M. Smith (eds.), 1999. Passionate Views: Film, Cognition, and Emotion, Baltimore: Johns Hopkins University Press. (Scholar)
- Ranciere, Jacques, 2006. Film Fables (Talking Images), London: Bloomsbury Academic. (Scholar)
- Read, Rupert, and Jerry Goodenough, 2005. Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell, London: Palgrave-MacMillan. (Scholar)
- Scruton, Roger, 1981. “Photography and Representation” Critical Inquiry, 7(3): 577–603. (Scholar)
- Sesonske, Alexander, 1974. “Aesthetics of Film, or A Funny Thing Happened on the Way to the Movies,” Journal of Aesthetics and Art Criticism, 33(1): 51–7. (Scholar)
- Singer, Irving, 2010. Cinematic Mythmaking: Philosophy in Film, Cambridge, MA: The MIT Press. (Scholar)
- Sinnerbrink, Robert, 2011. New Philosophies of Film: Thinking Images, London: Continuum. (Scholar)
- –––, 2015, forthcoming. Cinematic Ethics, London: Routledge.
- Smith, Murray, 1995. Engaging Characters: Fiction, Emotion, and the Cinema, Oxford: Clarendon Press. (Scholar)
- –––, 2001. “Film,” The Routledge Companion to Aesthetics, Berys Gaut and Dominic McIver Lopes (eds.), London: Routledge. (Scholar)
- Smith, Murray, and Thomas E. Wartenberg, 2006. Thinking Through Cinema: Film as Philosophy, Malden, MA: Blackwell. (Scholar)
- Tan, Ed S., 1995. Emotion and the Structure of Narrative Film: Film As An Emotion Machine, London: Routledge. (Scholar)
- Thomson-Jones, Kathryn, 2008. Aesthetics and Film, London: Continuum. (Scholar)
- Thomson-Jones, Kathryn (ed.), 2016, forthcoming. Current Controversies in Philosophy of Film, New York: Routledge.
- Walton, Kendall, 1984. “Transparent Pictures: On the Nature of Photographic Realism,” Critical Inquiry, 11: 246–77. (Scholar)
- Wartenberg, Thomas E., 1999. Unlikely Couples: Movie Romance as Social Criticism, Boulder: Westview Press. (Scholar)
- –––, 2007. Thinking On Screen: Film as Philosophy, London: Routledge. (Scholar)
- Wartenberg, Thomas E. and Angela Curran, 2005. The Philosphy of Film: Introductory Text and Readings, Malden, MA: Blackwell Publishers. (Scholar)
- Wilson, George M., 1986. Narration in Light: Studies in Cinematic Point of View, Baltimore: Johns Hopkins Press. (Scholar)
- –––, 1997. “Le Grand Imagier Steps Out: The Primitive Basis of Film Narration,” Philosophical Topics, 25: 295–318. (Scholar)
- –––, 2011. Seeing Fictions in Film: The Epistemology of Movies, Oxford: Oxford University Press. (Scholar)
Generated Sun Dec 3 11:32:53 2023
