Hegel’s Collected Works

• Gesammelte Werke, ed. Rheinisch-Westfälische Akademie der Wissenschaften, Hamburg: Felix Meiner, 1968–.
• Vorlesungen: Ausgewählte Nachschriften und Manuskripte, ed. Members of the Hegel-Archiv, Hamburg: Felix Meiner, 1983–.
• Werke in zwanzig Bänden, eds. E. Moldenhauer and K.M. Michel, 20 vols. and Index, Frankfurt am Main: Suhrkamp Verlag, 1969–.

English Translations of Key Texts by Hegel

• Aesthetics. Lectures on Fine Art, trans. T.M. Knox, 2 vols., Oxford: Clarendon Press, 1975.
• Hegel’s Philosophy of Mind. Being Part Three of the Encyclopaedia of the Philosophical Sciences (1830), trans. W. Wallace, together with the Zusätze in Boumann’s text (1845), trans. A.V. Miller, Oxford: Clarendon Press, 1971 (see 293–7 [pars. 556–63] on art). (Scholar)
• Hegel: The Letters, trans. C. Butler and C. Seiler, Bloomington: Indiana University Press, 1984.
• Lectures on the Philosophy of Art. The Hotho Transcript of the 1823 Berlin Lectures, trans. R.F. Brown, Oxford: Clarendon Press, 2014 (see VPK below). (Scholar)
• Lectures on the Philosophy of World History. Introduction: Reason in History, trans. H.B. Nisbet, Cambridge: Cambridge University Press, 1975.
• Phenomenology of Spirit, trans. A.V. Miller, Oxford: Oxford University Press, 1977 (see 266–89 on “the ethical order” and 424–53 on “religion in the form of art”).

Transcripts of Hegel’s Lectures on Aesthetics

• Philosophie der Kunst oder Ästhetik. Nach Hegel. Im Sommer 1826. Mitschrift Friedrich Carl Hermann Victor von Kehler, eds. A. Gethmann-Siefert and B. Collenberg-Plotnikov, Munich: Wilhelm Fink Verlag, 2004. (PKÄ ) (Scholar)
• Philosophie der Kunst. Vorlesung von 1826, eds. A. Gethmann-Siefert, J.-I. Kwon and K. Berr, Frankfurt am Main: Suhrkamp Verlag, 2004. (PK) (Scholar)
• Vorlesung über Ästhetik. Berlin 1820/21. Eine Nachschrift, ed. H. Schneider, Frankfurt am Main: Peter Lang, 1995. (VÄ) (Scholar)
• Vorlesungen über die Philosophie der Kunst, ed. A. Gethmann-Siefert, Hamburg: Felix Meiner Verlag, 2003. (VPK)
• Vorlesungen über die Philosophie der Kunst I. Nachschriften zu den Kollegien der Jahre 1820/21 und 1823, Gesammelte Werke, 28, 1, ed. N. Hebing, Hamburg: Felix Meiner Verlag, 2015. (Scholar)
• Vorlesungen über die Philosophie der Kunst II. Nachschriften zum Kolleg des Jahres 1826, Gesammelte Werke, 28, 2, ed. N. Hebing and W. Jaeschke, Hamburg: Felix Meiner Verlag, 2018. (Scholar)
• Vorlesungen über die Philosophie der Kunst III. Nachschriften zum Kolleg des Wintersemesters 1828/29, Gesammelte Werke, 28, 3, ed. W. Jaeschke and N. Hebing, Hamburg: Felix Meiner Verlag, 2020. (Scholar)
• Vorlesungen zur Ästhetik: Vorlesungsmitschrift Adolf Heiman (1828/1829), ed. A.P. Olivier and A. Gethmann-Siefert, Paderborn: Wilhelm Fink Verlag, 2017.

Secondary Literature in English

• Alznauer, Mark (ed.), 2021, Hegel on Tragedy and Comedy. New Essays, Albany: State University of New York Press. (Scholar)
• Ameriks, Karl, 2002, “Hegel’s Aesthetics: New Perspectives on its Response to Kant and Romanticism,” Bulletin of the Hegel Society of Great Britain, 45(6): 72–92. (Scholar)
• Andina, Tiziana, 2013, The Philosophy of Art: the Question of Definition. From Hegel to Post-Dantian Theories, trans. N. Iacobelli, London: Bloomsbury. (Scholar)
• Aschenberg, Reinhold, 1994, “On the Theoretical Form of Hegel’s Aesthetics,” in Hegel Reconsidered. Beyond Metaphysics and the Authoritarian State, eds. H. T. Engelhardt, Jr. and T. Pinkard, Dordrecht: Kluwer, 79–101. (Scholar)
• Bates, Jennifer A., 2010, Hegel and Shakespeare on Moral Imagination, Albany: SUNY Press. (Scholar)
• Baur, Michael, 1997, “Winckelmann and Hegel on the Imitation of the Greeks,” in Hegel and the Tradition: Essays in Honour of H.S. Harris, eds. M. Baur and J. Russon, Toronto: University of Toronto Press, 93–110. (Scholar)
• Bird-Pollan, Stefan, and Marchenkov, Vladimir (eds.), 2020, Hegel’s Political Aesthetics. Art in Modern Society, London: Bloomsbury. (Scholar)
• Bowie, Andrew, 2003, Aesthetics and Subjectivity from Kant to Nietzsche, 2nd edition, Manchester: Manchester University Press. (Scholar)
• –––, 2009, Music, Philosophy, and Modernity, Cambridge: Cambridge University Press. (Scholar)
• Bungay, Stephen, 1984, Beauty and Truth. A Study of Hegel’s Aesthetics, Oxford: Oxford University Press. (Scholar)
• Carter, Curtis, 1986, “Hegel and Whitehead on Aesthetic Symbols,” in Hegel and Whitehead: Contemporary Perspectives on Systematic Philosophy, ed. G.R. Lucas Jr., Albany: SUNY Press, 239–57. (Scholar)
• –––, 1993, “A Re-examination of the ‘Death of Art’ Interpretation of Hegel’s Aesthetics,” in Selected Essays on G.W.F. Hegel, ed. L.S. Stepelevich, Atlantic Highlands, NJ: Humanities Press, 11–27. (Scholar)
• Danto, Arthur C., 2004, “Hegel’s End-of-Art Thesis,” in A New History of German Literature, eds. D.E. Wellbery and J. Ryan, Cambridge, Mass.: Harvard University Press, 535–40. (Scholar)
• De Man, Paul, 1982, “Sign and Symbol in Hegel’s ‘Aesthetics’,” Critical Inquiry, 8(4): 761–75. (Scholar)
• Desmond, William, 1985, “Hermeneutics and Hegel’s Aesthetics,” Irish Philosophical Journal, 2: 94–104. (Scholar)
• –––, 1986, Art and the Absolute. A Study of Hegel’s Aesthetics, Albany: SUNY Press. (Scholar)
• –––, 1999, “Gothic Hegel,” in The Owl of Minerva, 30(2): 237–b52. (Scholar)
• Donougho, Martin, 1982, “Remarks on ‘Humanus heißt der Heilige’,” Hegel-Studien, 17: 214–25. (Scholar)
• –––, 1989, “The Woman in White: On the Reception of Hegel’s Antigone,” The Owl of Minerva, 21, 1 (Fall): 65–89. (Scholar)
• –––, 1997, “Hegel as Philosopher of the Temporal [irdischen] World: On the Dialectics of Narrative,” in Hegel and the Tradition: Essays in Honour of H.S. Harris, eds. M. Baur and J. Russon, Toronto: University of Toronto Press, 111–39. (Scholar)
• –––, 1999, “Hegel’s Art of Memory,” in Endings. Questions of Memory in Hegel and Heidegger, eds. R. Comay and J. McCumber, Evanston, Ill.: Northwestern University Press, 139–59. (Scholar)
• –––, 2023, Hegel’s Individuality. Beyond Category, Basingstoke: Palgrave Macmillan. (Scholar)
• D’Oro, Guiseppina, 1996, “Beauties of Nature and Beauties of Art: On Kant and Hegel’s Aesthetics,” Bulletin of the Hegel Society of Great Britain, 33 (Spring/Summer): 70–86. (Scholar)
• Etter, Brian K., 1999, “Beauty, Ornament, and Style: The Problem of Classical Architecture in Hegel’s Aesthetics,” in The Owl of Minerva, 30(2): 211–35. (Scholar)
• –––, 2006, Between Transcendence and Historicism. The Ethical Nature of the Arts in Hegelian Aesthetics, Albany: SUNY Press. (Scholar)
• Fowkes, William, 1981, A Hegelian Account of Contemporary Art, Ann Arbor: UMI Research Press. (Scholar)
• Gaiger, Jason, 2000, “Art as Made and Sensuous: Hegel, Danto and the ‘End of Art’,” Bulletin of the Hegel Society of Great Britain, 41(2): 104–19. (Scholar)
• –––, 2006, “Catching up with History: Hegel and Abstract Painting,” in Hegel: New Directions, ed. K. Deligiorgi, Chesham: Acumen, 159–76. (Scholar)
• Gardiner, Patrick, 1987, “Kant and Hegel on Aesthetics,” in Hegel’s Critique of Kant, ed. S. Priest, Oxford: Oxford University Press, 161–71. (Scholar)
• Geulen, Eva, 2006, The End of Art. Readings in a Rumor after Hegel, trans. J. McFarland, Stanford: Stanford University Press. (Scholar)
• Gordon, Paul, 2015, Art as the Absolute. Art’s Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer, London: Bloomsbury. (Scholar)
• Gray, Richard T. et al (eds.), 2011, Inventions of the Imagination. Romanticism and Beyond, Seattle: University of Washington Press. (Scholar)
• Guyer, Paul, 1990, “Hegel on Kant’s Aesthetics: Necessity and Contingency in Beauty and Art,” in Hegel und die “Kritik der Urteilskraft”, eds. H.-F. Fulda and R.-P. Horstmann, Stuttgart: Klett-Cotta, 81-99. (Scholar)
• –––, 2013, “The End of Art and the Interpretation of Geist,” in Self, World, and Art. Metaphysical Topics in Kant and Hegel, ed. D. Emundts, Berlin: de Gruyter, 283–306. (Scholar)
• Hamacher, Werner, 1998, “(The End of Art with the Mask),” in Hegel after Derrida, ed. S. Barnett, London: Routledge, 105–30. (Scholar)
• Hammermeister, Kai, 2002, The German Aesthetic Tradition, Cambridge: Cambridge University Press. (Scholar)
• Harries, Karsten, 1974, “Hegel on the Future of Art,” The Review of Metaphysics, 27: 677–96. (Scholar)
• –––, 1999, “The Epochal Threshold and the Classical Ideal: Hölderlin contra Hegel,” in The Emergence of German Idealism, eds. M. Baur and D. Dahlstrom, Washington, D.C.: Catholic University of America Press, 147–75. (Scholar)
• Harris, H.S., 1984, “The Resurrection of Art,” The Owl of Minerva, 16(1): 5–20. (Scholar)
• Hendrix, John Shannon, 2005, Aesthetics and the Philosophy of Spirit. From Plotinus to Schelling and Hegel, New York: Peter Lang. (Scholar)
• Henrich, Dieter, 1979, “Art and Philosophy of Art Today: Reflections with Reference to Hegel,” in New Perspectives in German Literary Criticism, eds. R.E. Amacher and V. Lange, trans. D.H. Wilson et al., Princeton: Princeton University Press, 107–33. (Scholar)
• –––, 1985, “The Contemporary Relevance of Hegel’s Aesthetics,” in Hegel, ed. M. Inwood, Oxford: Oxford University Press, 199–207. (Scholar)
• Hilmer, Brigitte, 1998, “Being Hegelian after Danto,” History and Theory, 37(4): 71–86. (Scholar)
• Houlgate, Stephen, 1986a, “Review of A. Gethmann-Siefert, Die Funktion der Kunst in der Geschichte,” Bulletin of the Hegel Society of Great Britain, 13 (Spring/Summer): 33–42. (Scholar)
• –––, 1986b, “Review of S. Bungay, Beauty and Truth,” Bulletin of the Hegel Society of Great Britain, 14 (Autumn/Winter): 4–20. (Scholar)
• –––, 1986c, Hegel, Nietzsche and the Criticism of Metaphysics, Cambridge: Cambridge University Press (chapter 8: “Hegel and Nietzsche on Tragedy”). (Scholar)
• –––, 1997, “Hegel and the ‘End’ of Art,” The Owl of Minerva, 29(1): 1–21. (Scholar)
• –––, 2000, “Hegel and the Art of Painting,” in Hegel and Aesthetics, ed. W. Maker, Albany: SUNY Press, 61–82. (Scholar)
• –––, 2005, An Introduction to Hegel. Freedom, Truth and History, 2nd edition, Oxford: Blackwell (chapter 9: “Art and Human Wholeness”). (Scholar)
• ––– (ed.), 2007, Hegel and the Arts, Evanston, Ill.: Northwestern University Press. (Scholar)
• –––, 2013a, “Hegel, Danto and the ‘End of Art’,” in The Impact of German Idealism: the Legacy of Post-Kantian German Thought, eds. N. Boyle and L. Disley, 4 volumes, Cambridge: Cambridge University Press (Volume 3, eds. C. Jamme and I. Cooper), 264–92 (Scholar)
• –––, 2013b, “Review of Benjamin Rutter, Hegel on the Modern Arts,” British Journal for the History of Philosophy, 21(5): 1009–15. (Scholar)
• –––, 2018, “[Hegel on] Architecture,” in G.W.F. Hegel: Vorlesungen über die Ästhetik, ed. B. Sandkaulen, Berlin: De Gruyter, 151–68. (Scholar)
• –––, 2020, “Hegel and Goethe’s Wilhelm Meister’s Apprenticeship,” in Wilhelm Meister’s Apprenticeship and Philosophy, ed. S.V Eldridge and C.A. Speight, Oxford: Oxford University Press. (Scholar)
• Huddleston, Andrew, 2014, “Hegel on Comedy: Theodicy, Social Criticism, and the ‘Supreme Task’ of Art,” British Journal of Aesthetics, 54(2): 227–40. (Scholar)
• James, David, 2009, Art, Myth and Society in Hegel’s Aesthetics,London: Continuum. (Scholar)
• Johnson, Julian, 1991, “Music in Hegel’s Aesthetics: A Re-evaluation,” British Journal of Aesthetics, 31: 152–62. (Scholar)
• Kain, Philip J., 1982, Schiller, Hegel, and Marx: State, Society, and the Aesthetic Ideal of Ancient Greece, Kingston, Ontario: McGill-Queen’s University Press. (Scholar)
• Kaminsky, Jack, 1962, Hegel on Art. An Interpretation of Hegel’s Aesthetics, Albany: SUNY Press. (Scholar)
• Kottman, Paul A., and Squire, Michael (eds.), 2018, The Art of Hegel’s Aesthetics: Hegelian Philosophy and the Perspectives of Art History, Paderborn: Wilhelm Fink Verlag. (Scholar)
• Lampert, Jay, 2001, “Why is there no Category of the City in Hegel’s Aesthetics?,” British Journal of Aesthetics, 41: 312–24. (Scholar)
• Magnus, Kathleen Dow, 2001, Hegel and the Symbolic Mediation of Spirit, Albany: SUNY Press. (Scholar)
• Maker, William (ed.), 2000, Hegel and Aesthetics, Albany: SUNY Press. (Scholar)
• McCumber, John, 1989, Poetic Interaction: Language, Freedom, Reason, Chicago: University of Chicago Press. (Scholar)
• –––, 1999, “Schiller, Hegel, and the Aesthetics of German Idealism,” in The Emergence of German Idealism, eds. M. Baur and D. Dahlstrom, Washington, D.C.: Catholic University of America Press, 133–46. (Scholar)
• Millàn, Elizabeth, 2010, “Searching for Modern Culture’s Beautiful Harmony: Schlegel and Hegel on Irony,” Bulletin of the Hegel Society of Great Britain, 62 (Autumn/Winter): 61–82. (Scholar)
• Moggach, Douglas (ed.), 2011, Politics, Religion, and Art. Hegelian Debates, Evanston: Northwestern University Press. (Scholar)
• Moland, Lydia L., 2016, “‘And Why Not?’ Hegel, Comedy, and the End of Art,” Verifiche, XLV(1–2): 73–104. (Scholar)
• –––, 2017, “Hegel’s Philosophy of Art,” in The Oxford Handbook of Hegel, ed. D. Moyar, Oxford: Oxford University Press, 559–80. (Scholar)
• –––, 2018, “Reconciling Laughter: Hegel on Comedy and Humor,” in All too Human. Laughter, Humor, and Comedy in Nineteenth-Century Philosophy, ed. L.L. Moland, New York: Springer, 15–31. (Scholar)
• –––, 2019, Hegel’s Aesthetics. The Art of Idealism, Oxford: Oxford University Press. (Scholar)
• Moran, Michael, 1981, “On the Continuing Significance of Hegel’s Aesthetics,” British Journal of Aesthetics, 21: 214–39. (Scholar)
• Peters, Julia, 2009, “Beauty, Aesthetic Experience and Immanent Critique,” Bulletin of the Hegel Society of Great Britain, 59/60: 67–81. (Scholar)
• –––, 2015, Hegel on Beauty, New York: Routledge. (Scholar)
• Pillow, Kirk, 2000, Sublime Understanding: Aesthetic Reflection in Kant and Hegel, Cambridge, Mass.: MIT Press. (Scholar)
• Pippin, Robert B., 2007, “What was Abstract Art? (From the Point of View of Hegel),” in Hegel and the Arts, ed. S. Houlgate, Evanston, Ill.: Northwestern University Press, 244–70. (Scholar)
• –––, 2008, “The Absence of Aesthetics in Hegel’s Aesthetics,” in The Cambridge Companion to Hegel and Nineteenth-Century Philosophy, ed. F.C. Beiser, Cambridge: Cambridge University Press, 394–418. (Scholar)
• –––, 2014, After the Beautiful: Hegel and the Philosophy of Pictorial Modernism, Chicago: University of Chicago Press. (Scholar)
• Reid, Jeffrey, 2014, The Anti-Romantic. Hegel against Ironic Romanticism, London: Bloomsbury. (Scholar)
• Roche, Mark William, 1998, Tragedy and Comedy. A Systematic Study and a Critique of Hegel, Albany: SUNY Press. (Scholar)
• Rush, Fred, 2010, “Hegel, Humour, and the Ends of Art,” Bulletin of the Hegel Society of Great Britain, 62(Autumn/Winter): 1–22. (Scholar)
• –––, 2016, Irony and Idealism. Rereading Schlegel, Hegel, and Kierkegaard, Oxford: Oxford University Press. (Scholar)
• Rutter, Benjamin, 2010, Hegel on the Modern Arts, Cambridge: Cambridge University Press. (Scholar)
• Sallis, John, 1994, Stone, Bloomington: Indiana University Press. (Scholar)
• –––, 2011, Transfigurements: On the True Sense of Art, Chicago: University of Chicago Press. (Scholar)
• –––, 2011, “Soundings: Hegel on Music,” in A Companion to Hegel, ed. S. Houlgate and M. Baur, Oxford: Wiley-Blackwell, 369–84. (Scholar)
• Schmidt, Dennis J., 2001, On Germans and Other Greeks. Tragedy and Ethical Life, Bloomington: Indiana University Press. (Scholar)
• Siani, Alberto L., 2023, Hegel and the Present of Art’s Past Character, London: Routledge. (Scholar)
• Snyder, Stephen, 2018, End-of-Art Philosophy in Hegel, Nietzsche and Danto, Basingstoke: Palgrave Macmillan. (Scholar)
• Speight, Allen, 2008, “Hegel and Aesthetics: The Practice and ‘Pastness’ of Art,” in The Cambridge Companion to Hegel and Nineteenth-Century Philosophy, ed. F.C. Beiser, Cambridge: Cambridge University Press, 378–93. (Scholar)
• –––, 2010, “Hegel and Lukàcs on the Novel,” Bulletin of the Hegel Society of Great Britain, 62(Autumn/Winter): 23–34. (Scholar)
• –––, 2011, “Hegel and the ‘Historical Deduction’ of the Concept of Art,” in A Companion to Hegel, ed. S. Houlgate and M. Baur, Oxford: Wiley-Blackwell, 353–68. (Scholar)
• –––, 2013, “Artisans, Artists and Hegel’s History of Art,” Hegel Bulletin, 68: 203–22. (Scholar)
• –––, 2015, “Philosophy of Art,” in G.W.F. Hegel: Key Concepts, ed. M. Baur, London: Routledge, 103–15. (Scholar)
• Steinkraus, Warren, and Schmitz, Kenneth (eds.), 1980, Art and Logic in Hegel’s Philosophy, New Jersey: Humanities Press. (Scholar)
• Taft, Richard, 1987, “Art and Philosophy in the Early Development of Hegel’s System,” The Owl of Minerva, 18(2): 145–62. (Scholar)
• Taminiaux, Jacques, 1999, “The Hegelian Legacy in Heidegger’s Overcoming of Aesthetics,” in Endings. Questions of Memory in Hegel and Heidegger, eds. R. Comay and J. McCumber, Evanston, Ill.: Northwestern University Press, 114–38. (Scholar)
• Tsakiridou, Cornelia A., 1991, “Darstellung: Reflections on Art, Logic, and System in Hegel,” The Owl of Minerva, 23(1): 15–28. (Scholar)
• Vernon, Jim, 2018, Hip Hop, Hegel, and the Art of Emancipation: Let’s Get Free, Basingstoke: Palgrave Macmillan. (Scholar)
• Westphal, Kenneth, 1997, “Hegel, Formalism, and Robert Turner’s Ceramic Art,” Jahrbuch für Hegelforschung, 3: 259–83. (Scholar)
• Wicks, Robert, 1993, “Hegel’s Aesthetics: An Overview,” in The Cambridge Companion to Hegel, ed. F.C. Beiser, Cambridge: Cambridge University Press, 348–77. (Scholar)
• –––, 1994, Hegel’s Theory of Aesthetic Judgment, New York: Peter Lang. (Scholar)
• Winfield, Richard Dien, 1994, “The Individuality of Art and the Collapse of Metaphysical Aesthetics,” American Philosophical Quarterly, 31(1): 39–51. (Scholar)
• –––, 1995, “Hegel, Romanticism, and Modernity,” The Owl of Minerva, 27(1): 3–18. (Scholar)
• –––, 1996, Stylistics. Rethinking the Artforms after Hegel, Albany: SUNY Press. (Scholar)
• –––, 2023, Rethinking the Arts after Hegel: From Architecture to Motion Pictures, Basingstoke: Palgrave Macmillan. (Scholar)
• Wyss, Beat, 1999, Hegel’s Art History and the Critique of Modernity, Cambridge: Cambridge University Press. (Scholar)

Secondary Literature in German

• Arndt, Andreas, Bal, Karol, and Ottmann, Henning (eds.), 1999/2000, Hegels Ästhetik. Die Kunst der Politik — Die Politik der Kunst, 2 vols., Berlin: Akademie Verlag. (Scholar)
• Arndt, Andreas, Kruck, Günter, and Zovko, Jure (eds.), 2014, Gebrochene Schönheit. Hegels Ästhetik – Kontexte und Rezeptionen, Berlin: de Gruyter. (Scholar)
• Belli, Alessandra Lazzerini, 1998/99, “Hegel und Rossini. Das Singen, das man in der Seele empfindet,” Jahrbuch für Hegelforschung, 4/5: 231–61. (Scholar)
• Braune-Krickau, Tobias, Erne, Thomas, and Scholl, Katharina (eds.), 2014, Vom Ende her gedacht. Hegels Ästhetik zwischen Religion und Kunst, Freiburg: Verlag Karl Alber. (Scholar)
• Bubner, Rüdiger, 1990, “Gibt es ästhetische Erfahrung bei Hegel?,” in Hegel und die “Kritik der Urteilskraft,”, eds. H.-F. Fulda and R.-P. Horstmann, Stuttgart: Klett-Cotta, 69–80. (Scholar)
• Düsing, Klaus, 2012, Aufhebung der Tradition im dialektischen Denken. Untersuchungen zu Hegels Logik, Ethik und Ästhetik, Munich: Wilhelm Fink Verlag. (Scholar)
• Espiña, Yolanda, 1997, “Kunst als Grenze: Die Musik bei Hegel,” Jahrbuch für Hegelforschung, 3: 103–33. (Scholar)
• Franke, Ursula, and Gethmann-Siefert, Annemarie (eds.), 2005, Kulturpolitik und Kunstgeschichte. Perspektiven der Hegelschen Ästhetik, Hamburg: Felix Meiner. (Scholar)
• Gethmann-Siefert, Annemarie, 1984, Die Funktion der Kunst in der Geschichte. Untersuchungen zu Hegels Ästhetik, Bonn: Bouvier Verlag. (Scholar)
• –––, and Pöggeler, Otto (eds.), 1986, Welt und Wirkung von Hegels Ästhetik, Bonn: Bouvier Verlag. (Scholar)
• ––– (ed.), 1992, Phänomen versus System: Zum Verhältnis von philosophischer Systematik und Kunsturteil in Hegels Berliner Vorlesungen über Ästhetik oder Philosophie der Kunst, Bonn: Bouvier Verlag. (Scholar)
• –––, 1993, “Hegel über Kunst und Alltäglichkeit: Zur Rehabilitierung der schönen Kunst und des ästhetischen Genusses,” Hegel-Studien, 28: 215–65. (Scholar)
• –––, 2005, Einführung in Hegels Ästhetik, Stuttgart: UTB. (Scholar)
• Gethmann-Siefert, Annemarie, et al (eds.), 2013, Hegels Ästhetik als Theorie der Moderne, Berlin: Akademie Verlag. (Scholar)
• Gombrich, Ernst H., 1977, “Hegel und die Kunstgeschichte,” in Hegel-Preis-Reden, Stuttgart: Belser Verlag, 7–28. (Scholar)
• Haas, Bruno, 2003, Die freie Kunst. Beiträge zu Hegels Wissenschaft der Logik, der Kunst und des Religiösen, Berlin: Duncker und Humblot. (Scholar)
• Hast, Klaus, 1991, Hegels ästhetische Reflexion des freien Subjekts. Der Satz vom Ende der Kunst im Lichte eines vernachlässigten Aspekts, New York: Peter Lang. (Scholar)
• Hebing, Niklas, 2015, Hegels Ästhetik des Komischen, Hamburg: Felix Meiner. (Scholar)
• –––, 2016, “Die Außenwelt der Innenwelt: Hegel über Architektur,” Verifiche, XLV(1–2): 105–48. (Scholar)
• Hilmer, Brigitte, 1997, Scheinen des Begriffs. Hegels Logik der Kunst, Hamburg: Felix Meiner Verlag. (Scholar)
• Ianelli, Francesca, 2007, Das Siegel der Moderne. Hegels Bestimmung des Hässlichen in den Vorlesungen zur Ästhetik und die Rezeption bei den Hegelianern, Munich: Wilhelm Fink Verlag. (Scholar)
• Kraft, Stephan, 2010, “Hegel, das Unterhaltungslustspiel und das Ende der Kunst,” Hegel-Studien, 45: 81–102. (Scholar)
• Kwon, Dae-Joong, 2004, Das Ende der Kunst. Analyse und Kritik der Voraussetzungen von Hegels These, Würzburg: Königshausen und Neumann. (Scholar)
• Kwon, Jeong-Im, 2001, Hegels Bestimmung der Kunst. Die Bedeutung der “symbolischen Kunstform” in Hegels Ästhetik, Munich: Wilhelm Fink Verlag. (Scholar)
• –––, 2012, “Eine Untersuchung zu Hegels Auffassung der modernen Musik,” Journal of the Faculty of Letters, 37: 7–25. (Scholar)
• Oetjen, Malte, 2003, Das Ende der Kunst bei Hegel, Norderstedt: GRIN Verlag. (Scholar)
• Pocai, Romano, 2014, Philosophie, Kunst und Moderne. Überlegungen mit Hegel und Adorno, Berlin: Xenomoi Verlag. (Scholar)
• Pöggeler, Otto, 1984, Die Frage nach der Kunst. Von Hegel zu Heidegger, Freiburg: Verlag Karl Alber. (Scholar)
• Pöggeler, Otto et al (eds.), 1981, Hegel in Berlin. Preußische Kulturpolitik und idealistische Ästhetik. Zum 150. Todestag des Philosophen, Berlin: Staatsbibliothek Preußischer Kulturbesitz. (Scholar)
• Pöggeler, Otto, und Gethmann-Siefert, Annemarie (eds.), 1983, Kunsterfahrung und Kulturpolitik im Berlin Hegels, Bonn: Bouvier Verlag. (Scholar)
• Rinaldi, Giacomo, 2002/03, “Musik und Philosophie im Ausgang von Hegel,” Jahrbuch für Hegelforschung, 8/9: 109–117. (Scholar)
• –––, 2023, Kasseler Vorlesungen über Hegels Kunstphilosophie, Frankfurt am Main: Peter Lang. (Scholar)
• Roche, Mark William, 2002/03, “Größe und Grenzen von Hegels Theorie der Tragödie,” Jahrbuch für Hegelforschung, 8/9: 53–81. (Scholar)
• –––, 2002/03, “Hegels Theorie der Komödie im Kontext hegelianischer und moderner Überlegungen zur Komödie,” Jahrbuch für Hegelforschung, 8/9: 83–108. (Scholar)
• Rollmann, Veit-Justus, 2005, Das Kunstschöne in Hegels Ästhetik am Beispiel der Musik, Marburg: Tectum. (Scholar)
• Sandkaulen, Birgit (ed.), 2018, G.W.F. Hegel: Vorlesungen über die Ästhetik, Berlin: De Gruyter. (Scholar)
• Schneider, Helmut, 1995, “Hegels Theorie der Komik und die Auflösung der schönen Kunst,” Jahrbuch für Hegelforschung, 1: 81–110. (Scholar)
• Simon, Ralf, 2013, Die Idee der Prosa. Zur Ästhetikgeschichte von Baumgarten bis Hegel mit einem Schwerpunkt bei Jean Paul, Munich: Wilhelm Fink Verlag. (Scholar)
• Vieweg, Klaus, 2019, Hegel. Der Philosoph der Freiheit. Biographie, München: C.H. Beck. (Scholar)
• Ziemer, Elisabeth, 1993, Heinrich Gustav Hotho (1802–1873). Ein Berliner Kunsthistoriker, Kunstkritiker und Philosoph, Berlin: Reimer Verlag. (Scholar)

Other Relevant Works

• Adorno, T.W., Aesthetic Theory, trans. R. Hullot-Kentor, London: Athlone Press, 1977.
• Gethmann-Siefert, Annemarie, and Pöggeler, Otto (eds.), 1995, Kunst als Kulturgut. Die Bildersammlung der Brüder Boisserée, Bonn: Bouvier Verlag. (Scholar)
• Herodotus, The Histories, trans. A de Sélincourt, rev. J. Marincola, Harmondsworth: Penguin Books, 2003.
• Kant, Immanuel, Critique of the Power of Judgment, trans. P. Guyer and E. Matthews, Cambridge: Cambridge University Press, 2000.
• Pippin, Robert, 2005, The Persistence of Subjectivity. On the Kantian Aftermath, Cambridge: Cambridge University Press. (Scholar)
• Schiller, Friedrich, 1793, “Kallias or Concerning Beauty: Letters to Gottfried Körner”, in Classical and Romantic German Aesthetics, ed. J.M. Bernstein, Cambridge: Cambridge University Press, 2003, 145–83. (Scholar)