Linked bibliography for the SEP article "Heidegger’s Aesthetics" by Iain Thomson

This is an automatically generated and experimental page

If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.

This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.

Primary Sources

Abbreviations Used for Works by Heidegger (translations often modified)

BT Being and Time. J. Macquarrie and E. Robinson, trans. New York: Harper & Row, 1962.
CP Contributions to Philosophy (From Enowning). P. Emad and K. Maly, trans. Bloomington, IN: Indiana University Press, 1999.
EP The End of Philosophy. J. Stambaugh, trans. New York: Harper & Row, 1973.
DT Discourse on Thinking. J. Anderson and E. Freund, trans. New York: Harper & Row, 1966.
EHP Elucidations of Hölderlin’s Poetry. K. Hoeller, trans. New York: Humanity Books, 2000.
G Gelassenheit. Pfulligen: Neske, 1959.
GA5 Gesamtausgabe, Vol. 5: Holzwege. Friedrich-Wilhelm von Herrmann, ed. Frankfurt: V. Klostermann, 1977.
GA7 Gesamtausgabe Vol. 7: Vorträge und Aufsätze. Friedrich-Wilhelm von Herrmann, ed. Frankfurt a. M.: V. Klostermann, 2000.
GA8 Gesamtausgabe Vol. 8: Was Heißt Denken? P.-L. Coriando, ed. Frankfurt a. M.: V. Klostermann, 2002.
GA9 Gesamtausgabe Vol. 9: Wegmarken. Friedrich-Wilhelm von Herrmann, ed. Frankfurt a. M.: V. Klostermann, 1976.
GA20 Gesamtausgabe, Vol. 20: Prolegomena zur Geschichte des Zeitbegriffs. Petra Jaeger, ed. Frankfurt: V. Klostermann, 1979.
GA39 Gesamtausgabe, Vol. 39: Hölderlins Hymnen “Germanien” und “Der Rhein,” S. Ziegler, ed., Frankfurt: V. Klostermann, 1980.
GA40 Gesamtausgabe, Vol. 40. Einführung in die Metaphysik. Petra Jaeger, ed. Frankfurt: V. Klostermann, 1983.
GA41 Gesamtausgabe, Vol. 41. Die Frage nach dem Ding. Petra Jaeger, ed. Frankfurt: V. Klostermann, 1984.
GA43 Gesamtausgabe, Vol. 43. Nietzsche: Der Wille zue Macht als Kunst. Bernd Heimbüchel, ed. Frankfurt: V. Klostermann, 1985.
GA53 Gesamtausgabe, Vol. 53. Hölderlins Hymne “Der Ister,” Walter Biemel, ed. Frankfurt: V. Klostermann, 1984.
GA65 Gesamtausgabe, Vol. 65: Beiträge zur Philosophie (Vom Ereignis). Friedrich-Wilhelm von Herrmann, ed. Frankfurt: V. Klostermann, 1989.
HB “Selected Letters from the Heidegger-Blochmann Correspondence.” F. Edler, trans. Graduate Faculty Philosophy Journal 14–15 (1992): 559–77.
HBC Heidegger, Martin, and Blochmann, Elizabeth. Martin Heidegger-Elizabeth Blochmann, Briefwechsel 1918–1969. Ed. J. W. Storck. Marbach: Deutsche Literaturarchiv, 1989.
HCT History of the Concept of Time. T. Kisiel, trans. Bloomington and Indianapolis: Indiana University Press, 1985.
HHI Hölderlin’s Hymn “The Ister”, W. McNeill and J. Davis, trans. Bloomington and Indianapolis: Indiana University Press, 1996.
ID Identity and Difference. J. Stambaugh, trans. New York: Harper & Row, 1969.
IM Introduction to Metaphysics. G. Fried and R. Polt, trans. New Haven: Yale University Press, 2000.
N1 Nietzsche: The Will to Power as Art. David Farrell Krell, ed. and trans. New York: Harper & Row, 1979.
OBT Off the Beaten Path. J. Young and K. Haynes, eds. and trans. Cambridge: Cambridge University Press, 2002.
P Pathmarks. William McNeill, ed. Cambridge: Cambridge University Press, 1998.
PLT Poetry, Language, Thought. A. Hofstadter, trans. New York: Harper & Row, 1971.
QCT The Question Concerning Technology. W. Lovitt, trans. New York: Harper and Row, 1977.
QT The Question Concerning the Thing. J. Reid and B. Crowe, trans. New York: Rowman and Littlefield, 2018.
SZ Sein und Zeit. Tübingen: M. Niemeyer, 1993.
WCT What Is Called Thinking? J. G. Gray, trans. New York: Harper & Row, 1968.

Secondary Sources

  • Babich, B. E., 2003, “From Van Gogh’s Museum to the Temple at Bassae: Heidegger’s Truth of Art and Schapiro’s Art History,” Culture, Theory & Critique, 44(2): 151–69. (Scholar)
  • Bartky, S., 1981, “Heidegger’s Philosophy of Art,” in T. Sheehan (ed.), Heidegger: The Man and the Thinker, Chicago: Precedent Publishing. (Scholar)
  • Bernasconi, R., 1998, “Heidegger’s Displacement of the Concept of Art,” in M. Kelly (ed.), Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
  • –––, 1999, “The Greatness of the Work of Art,” in J. Risser (ed.), Heidegger Toward the Turn: Essays on the Work of the 1930s, Albany: SUNY Press. (Scholar)
  • Brodsley, D., 1981, L.A. Freeway: An Appreciative Essay, Berkeley: University of California Press. (Scholar)
  • Carman, T., 1998, “Heidegger, Martin: Survey of Thought,” in Kelly, ed., Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
  • Cooper, D. (ed.), 1995, A Companion to Aesthetics, Oxford: Blackwell. (Scholar)
  • Craven, D., 1994, “Meyer Schapiro, Karl Korsch, and the Emergence of Critical Theory,” The Oxford Art Journal 17(1): 42–54. (Scholar)
  • –––, 1997, “A Series of Interviews: Meyer Schapiro and Lillian Milgram Schapiro with David Craven,” Res, 31: 151–68. (Scholar)
  • Crawford, M. B., 2009, Shop Class as Soulcraft: An Inquiry Into the Value of Work, New York: Penguin. (Scholar)
  • Crowell, S., 2010, “Phenomenology and Aesthetics; or, Why Art Matters,” in Phenomenology and the Visual Arts, Joseph Parry (ed.), London: Routledge. (Scholar)
  • Derrida, J., 1985, The Ear of the Other: Otobiography, Transference, Translation, C. V. MacDonald (ed.), P. Kamuf and A. Ronell (trans.), New York: Schocken Books. (Scholar)
  • –––, 1987, The Truth in Painting, G. Bennington and I. McLeod (trans.), Chicago: University of Chicago Press. (Scholar)
  • Dreyfus, H. L., 1991, Being-in-the-World: A Commentary on Heidegger’s Being and Time, Division I, Cambridge, MA: MIT Press. (Scholar)
  • –––, 2005, “Heidegger’s Ontology of Art,” in H. L. Dreyfus and M. A. Wrathall (eds.), A Companion to Heidegger, Oxford: Blackwell. (Scholar)
  • –––, 2009, On the Internet, 2nd ed., London: Routledge. (Scholar)
  • Dreyfus, H. L., and S. D. Kelly, 2011, All Things Shining: Reading the Western Classics to Find Meaning in a Secular Age, New York: Free Press. (Scholar)
  • Edwards, C., 2004, The Shoes of Van Gogh: A Spiritual and Artistic Journey to the Ordinary, New York: The Crossroad Publishing Company. (Scholar)
  • Eldred, M., 2006, “Heidegger’s Hölderlin and John Cage,” Artefact (12), available online. (Scholar)
  • Foucault, M., 1983, This Is Not a Pipe, J. Harkness (ed. and trans.), Berkeley: University of California Press. (Scholar)
  • Friedman, M., 2000, A Parting of the Ways: Carnap, Cassirer, and Heidegger, Chicago: Open Court. (Scholar)
  • Geulen, E., 2006, The End of Art: Readings in a Rumor after Hegel, J. McFarland (trans.), Stanford: Stanford University Press. (Scholar)
  • Gover, K., 2008, “The Overlooked Work of Art in ‘The Origin of the Work of Art,’” International Philosophical Quarterly, 48(2): 143–54. (Scholar)
  • Guignon, C., 1983, Heidegger and the Problem of Knowledge, Indianapolis: Hackett. (Scholar)
  • –––, 2003, “The Origin of the Work of Art” Midwest Studies in Philosophy, 27(1): 25–44. (Scholar)
  • Hammermeister, K., 2002, The German Aesthetic Tradition, Cambridge: Cambridge University Press. (Scholar)
  • Hansen, R. L., 2017, “Immanent Transcendence in the Work of Art: Jaspers and Heidegger on Van Gogh,” in Van Gogh Among the Philosophers: Painting, Thinking, Being, David Nichols (ed.), Lanham: Lexington. (Scholar)
  • Harries, K., 1998, “Heidegger’s Confrontation with Aesthetics,” in M. Kelly (ed.), Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
  • –––, 2009, Art Matters: A Critical Commentary on Heidegger’s “The Origin of the Work of Art,” Dordrecht: Springer. (Scholar)
  • Kelly, M., 2003, Iconoclasm in Aesthetics, Cambridge: Cambridge University Press. (Scholar)
  • Kockelmans, J., 1985, Heidegger on Art and Art Works, Dordrecht: Nijhoff. (Scholar)
  • Martin, W., 2006, Theories of Judgment: Psychology, Logic Phenomenology, Cambridge: Cambridge University Press. (Scholar)
  • Mitchell, A. J., 2010, Heidegger Among the Sculptors: Body, Space, and the Art of Dwelling, Stanford: Stanford University Press. (Scholar)
  • Mulhall, S., 2019, “Heidegger’s Fountain: Ecstasis, Mimesis, and Engrossment in the Origin of the Work of Art,” Proceedings of the Aristotelian Society, CXIX(2): 4–22. (Scholar)
  • Olafson, F. A., 1987, Heidegger and the Philosophy of Mind, New Haven, Yale University Press. (Scholar)
  • Petzet, H. W., 1993, Encounters and Dialogues with Martin Heidegger, 1929–1976, P. Emad and K. Maly (trans.), Chicago: The University of Chicago Press. (Scholar)
  • Pippin, R., 2014, After the Beautiful: Hegel and the Philosophy of Pictorial Modernism, Chicago: University of Chicago Press. (Scholar)
  • Pöggeler, O., 1972, Philosophie und Politik bei Heidegger, Freiburg: Alber. (Scholar)
  • Richardson, J., 1986, Existential Epistemology: A Heideggerian Critique of the Cartesian Project, Oxford: Clarendon. (Scholar)
  • Rorty, R., 1991, Essays on Heidegger and Others: Philosophical Papers Volume 2, Cambridge: Cambridge University Press. (Scholar)
  • Sallis, J., 2008, Transfigurements: On the True Sense of Art, Chicago: University of Chicago Press. (Scholar)
  • Sandel, M. J., 2007, The Case Against Perfection: Ethics in the Age of Genetic Engineering, Cambridge, MA; Belknap. (Scholar)
  • Seubold, G., 1993, “Heideggers nachgelassene Klee-Notizen,” Heidegger Studies 9, 5–12 (Scholar)
  • –––, 1996, Kunst als Ereignis: Heideggers Weg zu einer nicht mehr metaphysischen Kunst, Bonn: Bouvier Verlag. (Scholar)
  • Schapiro, M., 1968, “The Still Life as a Personal Object—A Note on Heidegger and van Gogh,” in M. Schapiro, Theory and Philosophy of Art: Style, Artist, and Society, New York: George Braziller, 1994. (Scholar)
  • –––, 1994, “Further Notes on Heidegger and van Gogh,” in M. Schapiro, Theory and Philosophy of Art: Style, Artist, and Society, New York: George Braziller. (Scholar)
  • Schmidt, D., 2013, Heidegger, Klee, and Gadamer on Gesture and Genesis, Bloomington: Indiana University Press. (Scholar)
  • Sharr, A., 2006, Heidegger’s Hut, Cambridge, MA; The MIT Press. (Scholar)
  • Shermer, M., 2008, “Patternicity: Finding Meaningful Patterns in Meaningless Noise,” Scientific American Magazine, December, [available online]. (Scholar)
  • Taminiaux, J., 1993, “The Origin of ‘The Origin of the Work of Art,’” in J. Sallis (ed.), Reading Heidegger: Commemorations, Bloomington: Indiana University Press. (Scholar)
  • Taylor, C., 2007, A Secular Age. Cambridge, MA: Harvard University Press. (Scholar)
  • Thomson, I., 1998, “The Silence of the Limbs: Critiquing Culture from a Heideggerian Understanding of the Work of Art,” Enculturation, 2(1), [available online]. (Scholar)
  • –––, 2004, “Ontology and Ethics at the Intersection of Phenomenology and Environmental Philosophy,” Inquiry, 47(4): 380–412. (Scholar)
  • –––, 2004b, “Heidegger’s Perfectionist Philosophy of Education in Being and Time,” Continental Philosophy Review, 37(4): 439–467. (Scholar)
  • –––, 2005, Heidegger on Ontotheology: Technology and the Politics of Education, Cambridge: Cambridge University Press. (Scholar)
  • –––, 2011, Heidegger, Art, and Postmodernity, Cambridge: Cambridge University Press. (Scholar)
  • –––, 2013A, “Death and Demise in Being and Time,” in Mark Wrathall (ed.), The Cambridge Companion to Being and Time, Cambridge: Cambridge University Press. (Scholar)
  • –––, 2013B, “Heideggerian Perfectionism and the Phenomenology of the Pedagogical Truth Event,” in Kevin Hermberg and Paul Gyllenhammer (eds.), Phenomenology and Virtue Ethics, London: Bloomsbury. (Scholar)
  • –––, 2016, “Heideggerian Phenomenology and the Postmetaphysical Politics of Ontological Pluralism,” in S. West Gurley and Geoffrey Pfeifer (eds.), Phenomenology and the Political, London: Rowman and Littlefield. (Scholar)
  • –––, 2017A, “Heidegger’s Nazism in the Light of his early Black Notebooks: A View from America,” in Alfred Denker and Holger Zaborowski (eds.), Zur Hermeneutik der ‘Schwarzen Hefte’: Heidegger Jahrbuch 11, Freiburg: Karl Alber. (Scholar)
  • –––, 2017B, “Thinking Love: Heidegger and Arendt,” Continental Philosophy Review, 50(4): 453–78. (Scholar)
  • –––, forthcoming, “The Nothing,” in Mark Wrathall (ed.), The Heidegger Lexicon, Cambridge: Cambridge University Press. (Scholar)
  • Torsen, I., 2016, “Disinterest and Truth. On Heidegger’s Interpretation of Kant’s Aesthetics,” British Journal of Aesthetics, 56(1): 15–32. (Scholar)
  • –––, “The Problem of Agency in Heidegger’s Interpretation of Van Gogh,” in Van Gogh Among the Philosophers: Painting, Thinking, Being, David Nichols (ed.), Lanham: Lexington. (Scholar)
  • Van Gogh, V., 1872–89 [1991], The Complete Letters of Vincent van Gogh, 3 volumes, R. Harrison (ed.), J. van Gogh-Bonger, (trans.), Boston, MA: Bulfinch. (Scholar)
  • Vattimo, G., 2008, Art’s Claim to Truth, S. Zabala (ed.), L. D’Isanto (trans.), New York: Columbia University Press. (Scholar)
  • Von Herrmann. F.-W., 1980, Heideggers Philosophie der Kunst, Frankfurt: Klostermann. (Scholar)
  • Wolin, R., 1990, The Politics of Being: The Political Thought of Martin Heidegger, New York: Columbia University Press. (Scholar)
  • Wrathall, M. A., 2006, How to Read Heidegger, New York: Norton. (Scholar)
  • Wright, K., 1998, “Heidegger and Hölderlin,” in M. Kelly (ed.), Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
  • Young, J., 2001, Heidegger’s Philosophy of Art, Cambridge: Cambridge University Press. (Scholar)

Generated Sun Nov 17 10:47:19 2019