Primary Sources

Abbreviations Used for Works by Heidegger (translations often modified)

Secondary Sources

• Babich, B. E., 2003, “From Van Gogh’s Museum to the Temple at Bassae: Heidegger’s Truth of Art and Schapiro’s Art History,” Culture, Theory & Critique, 44(2): 151–69. (Scholar)
• Bartky, S., 1981, “Heidegger’s Philosophy of Art,” in T. Sheehan (ed.), Heidegger: The Man and the Thinker, Chicago: Precedent Publishing. (Scholar)
• Bernasconi, R., 1998, “Heidegger’s Displacement of the Concept of Art,” in M. Kelly (ed.), Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
• –––, 1999, “The Greatness of the Work of Art,” in J. Risser (ed.), Heidegger Toward the Turn: Essays on the Work of the 1930s, Albany: SUNY Press. (Scholar)
• Brodsley, D., 1981, L.A. Freeway: An Appreciative Essay, Berkeley: University of California Press. (Scholar)
• Carman, T., 1998, “Heidegger, Martin: Survey of Thought,” in Kelly, ed., Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
• Cooper, D. (ed.), 1995, A Companion to Aesthetics, Oxford: Blackwell. (Scholar)
• Craven, D., 1994, “Meyer Schapiro, Karl Korsch, and the Emergence of Critical Theory,” The Oxford Art Journal 17(1): 42–54. (Scholar)
• –––, 1997, “A Series of Interviews: Meyer Schapiro and Lillian Milgram Schapiro with David Craven,” Res, 31: 151–68. (Scholar)
• Crawford, M. B., 2009, Shop Class as Soulcraft: An Inquiry Into the Value of Work, New York: Penguin. (Scholar)
• Crowell, S., 2010, “Phenomenology and Aesthetics; or, Why Art Matters,” in Phenomenology and the Visual Arts, Joseph Parry (ed.), London: Routledge. (Scholar)
• Derrida, J., 1985, The Ear of the Other: Otobiography, Transference, Translation, C. V. MacDonald (ed.), P. Kamuf and A. Ronell (trans.), New York: Schocken Books. (Scholar)
• –––, 1987, The Truth in Painting, G. Bennington and I. McLeod (trans.), Chicago: University of Chicago Press. (Scholar)
• Dreyfus, H. L., 1991, Being-in-the-World: A Commentary on Heidegger’s Being and Time, Division I, Cambridge, MA: MIT Press. (Scholar)
• –––, 2005, “Heidegger’s Ontology of Art,” in H. L. Dreyfus and M. A. Wrathall (eds.), A Companion to Heidegger, Oxford: Blackwell. (Scholar)
• –––, 2009, On the Internet, 2^nd ed., London: Routledge. (Scholar)
• Dreyfus, H. L., and S. D. Kelly, 2011, All Things Shining: Reading the Western Classics to Find Meaning in a Secular Age, New York: Free Press. (Scholar)
• Edwards, C., 2004, The Shoes of Van Gogh: A Spiritual and Artistic Journey to the Ordinary, New York: The Crossroad Publishing Company. (Scholar)
• Eldred, M., 2006, “Heidegger’s Hölderlin and John Cage,” Artefact (12), available online. (Scholar)
• Foucault, M., 1983, This Is Not a Pipe, J. Harkness (ed. and trans.), Berkeley: University of California Press. (Scholar)
• Friedman, M., 2000, A Parting of the Ways: Carnap, Cassirer, and Heidegger, Chicago: Open Court. (Scholar)
• Geulen, E., 2006, The End of Art: Readings in a Rumor after Hegel, J. McFarland (trans.), Stanford: Stanford University Press. (Scholar)
• Gover, K., 2008, “The Overlooked Work of Art in ‘The Origin of the Work of Art,’” International Philosophical Quarterly, 48(2): 143–54. (Scholar)
• Guignon, C., 1983, Heidegger and the Problem of Knowledge, Indianapolis: Hackett. (Scholar)
• –––, 2003, “The Origin of the Work of Art” Midwest Studies in Philosophy, 27(1): 25–44. (Scholar)
• Hammermeister, K., 2002, The German Aesthetic Tradition, Cambridge: Cambridge University Press. (Scholar)
• Hansen, R. L., 2017, “Immanent Transcendence in the Work of Art: Jaspers and Heidegger on Van Gogh,” in Van Gogh Among the Philosophers: Painting, Thinking, Being, David Nichols (ed.), Lanham: Lexington. (Scholar)
• Harries, K., 1998, “Heidegger’s Confrontation with Aesthetics,” in M. Kelly (ed.), Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
• –––, 2009, Art Matters: A Critical Commentary on Heidegger’s “The Origin of the Work of Art,” Dordrecht: Springer. (Scholar)
• Kelly, M., 2003, Iconoclasm in Aesthetics, Cambridge: Cambridge University Press. (Scholar)
• Kockelmans, J., 1985, Heidegger on Art and Art Works, Dordrecht: Nijhoff. (Scholar)
• Martin, W., 2006, Theories of Judgment: Psychology, Logic Phenomenology, Cambridge: Cambridge University Press. (Scholar)
• Mitchell, A. J., 2010, Heidegger Among the Sculptors: Body, Space, and the Art of Dwelling, Stanford: Stanford University Press. (Scholar)
• Mulhall, S., 2019, “Heidegger’s Fountain: Ecstasis, Mimesis, and Engrossment in the Origin of the Work of Art,” Proceedings of the Aristotelian Society, CXIX(2): 4–22. (Scholar)
• Olafson, F. A., 1987, Heidegger and the Philosophy of Mind, New Haven, Yale University Press. (Scholar)
• Petzet, H. W., 1993, Encounters and Dialogues with Martin Heidegger, 1929–1976, P. Emad and K. Maly (trans.), Chicago: The University of Chicago Press. (Scholar)
• Pippin, R., 2014, After the Beautiful: Hegel and the Philosophy of Pictorial Modernism, Chicago: University of Chicago Press. (Scholar)
• Pöggeler, O., 1972, Philosophie und Politik bei Heidegger, Freiburg: Alber. (Scholar)
• Richardson, J., 1986, Existential Epistemology: A Heideggerian Critique of the Cartesian Project, Oxford: Clarendon. (Scholar)
• Rorty, R., 1991, Essays on Heidegger and Others: Philosophical Papers Volume 2, Cambridge: Cambridge University Press. (Scholar)
• Sallis, J., 2008, Transfigurements: On the True Sense of Art, Chicago: University of Chicago Press. (Scholar)
• Sandel, M. J., 2007, The Case Against Perfection: Ethics in the Age of Genetic Engineering, Cambridge, MA; Belknap. (Scholar)
• Seubold, G., 1993, “Heideggers nachgelassene Klee-Notizen,” Heidegger Studies 9, 5–12 (Scholar)
• –––, 1996, Kunst als Ereignis: Heideggers Weg zu einer nicht mehr metaphysischen Kunst, Bonn: Bouvier Verlag. (Scholar)
• Schapiro, M., 1968, “The Still Life as a Personal Object—A Note on Heidegger and van Gogh,” in M. Schapiro, Theory and Philosophy of Art: Style, Artist, and Society, New York: George Braziller, 1994. (Scholar)
• –––, 1994, “Further Notes on Heidegger and van Gogh,” in M. Schapiro, Theory and Philosophy of Art: Style, Artist, and Society, New York: George Braziller. (Scholar)
• Schmidt, D., 2013, Heidegger, Klee, and Gadamer on Gesture and Genesis, Bloomington: Indiana University Press. (Scholar)
• Sharr, A., 2006, Heidegger’s Hut, Cambridge, MA; The MIT Press. (Scholar)
• Shermer, M., 2008, “Patternicity: Finding Meaningful Patterns in Meaningless Noise,” Scientific American Magazine, December, [available online]. (Scholar)
• Taminiaux, J., 1993, “The Origin of ‘The Origin of the Work of Art,’” in J. Sallis (ed.), Reading Heidegger: Commemorations, Bloomington: Indiana University Press. (Scholar)
• Taylor, C., 2007, A Secular Age. Cambridge, MA: Harvard University Press. (Scholar)
• Thomson, I., 1998, “The Silence of the Limbs: Critiquing Culture from a Heideggerian Understanding of the Work of Art,” Enculturation, 2(1), [available online]. (Scholar)
• –––, 2004, “Ontology and Ethics at the Intersection of Phenomenology and Environmental Philosophy,” Inquiry, 47(4): 380–412. (Scholar)
• –––, 2004b, “Heidegger’s Perfectionist Philosophy of Education in Being and Time,” Continental Philosophy Review, 37(4): 439–467. (Scholar)
• –––, 2005, Heidegger on Ontotheology: Technology and the Politics of Education, Cambridge: Cambridge University Press. (Scholar)
• –––, 2011, Heidegger, Art, and Postmodernity, Cambridge: Cambridge University Press. (Scholar)
• –––, 2013A, “Death and Demise in Being and Time,” in Mark Wrathall (ed.), The Cambridge Companion to Being and Time, Cambridge: Cambridge University Press. (Scholar)
• –––, 2013B, “Heideggerian Perfectionism and the Phenomenology of the Pedagogical Truth Event,” in Kevin Hermberg and Paul Gyllenhammer (eds.), Phenomenology and Virtue Ethics, London: Bloomsbury. (Scholar)
• –––, 2016, “Heideggerian Phenomenology and the Postmetaphysical Politics of Ontological Pluralism,” in S. West Gurley and Geoffrey Pfeifer (eds.), Phenomenology and the Political, London: Rowman and Littlefield. (Scholar)
• –––, 2017A, “Heidegger’s Nazism in the Light of his early Black Notebooks: A View from America,” in Alfred Denker and Holger Zaborowski (eds.), Zur Hermeneutik der ‘Schwarzen Hefte’: Heidegger Jahrbuch 11, Freiburg: Karl Alber. (Scholar)
• –––, 2017B, “Thinking Love: Heidegger and Arendt,” Continental Philosophy Review, 50(4): 453–78. (Scholar)
• –––, forthcoming, “The Nothing,” in Mark Wrathall (ed.), The Heidegger Lexicon, Cambridge: Cambridge University Press. (Scholar)
• Torsen, I., 2016, “Disinterest and Truth. On Heidegger’s Interpretation of Kant’s Aesthetics,” British Journal of Aesthetics, 56(1): 15–32. (Scholar)
• –––, “The Problem of Agency in Heidegger’s Interpretation of Van Gogh,” in Van Gogh Among the Philosophers: Painting, Thinking, Being, David Nichols (ed.), Lanham: Lexington. (Scholar)
• Van Gogh, V., 1872–89 [1991], The Complete Letters of Vincent van Gogh, 3 volumes, R. Harrison (ed.), J. van Gogh-Bonger, (trans.), Boston, MA: Bulfinch. (Scholar)
• Vattimo, G., 2008, Art’s Claim to Truth, S. Zabala (ed.), L. D’Isanto (trans.), New York: Columbia University Press. (Scholar)
• Von Herrmann. F.-W., 1980, Heideggers Philosophie der Kunst, Frankfurt: Klostermann. (Scholar)
• Wolin, R., 1990, The Politics of Being: The Political Thought of Martin Heidegger, New York: Columbia University Press. (Scholar)
• Wrathall, M. A., 2006, How to Read Heidegger, New York: Norton. (Scholar)
• Wright, K., 1998, “Heidegger and Hölderlin,” in M. Kelly (ed.), Encyclopedia of Aesthetics (Volume 2), Oxford: Oxford University Press. (Scholar)
• Young, J., 2001, Heidegger’s Philosophy of Art, Cambridge: Cambridge University Press. (Scholar)